Tracklist

1CD: C.P.E. Bach: Hamburger Sinfonien (Wq 182, 3 & 4 & 5), Concerti (Wq 165 & 43,4)
2CD: C.P.E. Bach: Magnificat, Cello Concerto WQ 171
3CD: C.P.E. Bach: Sonatas & Fantasien
4CD: J.S. Bach: Die Kunst der Fuge (CD 1)
5CD: J.S. Bach: Die Kunst der Fuge (CD 2)
6CD: J.S. Bach: Brandenburgische Konzerte, Brandenburg Concertos BWV 1046-1048 (CD 1)
7CD: J.S. Bach: Brandenburgische Konzerte, Brandenburg Concertos BWV 1046-1048 (CD 2)
8CD: J.S. Bach: Goldberg-Variationen, Goldberg Variations, BWV 988
9CD: J.S. Bach: Die Lautenwerke, Complete Lute Works (CD 1)
10CD: J.S. Bach: Die Lautenwerke, Complete Lute Works (CD 2)
11CD: J.S. Bach: Johannes-Passion, BWV 245 (CD 1)
12CD: J.S. Bach: Johannes-Passion, BWV 245 (CD 2)
13CD: J.S. Bach: Orgelwerke, Organ Works
14CD: J.S. Bach: Bauern-Kantate, Kaffee-Kantate, Hochzeitskantate, Non sà che sia dolore (CD 1)
#TitleArtistRatingLength
1Kantate, BWV 211 "Schweigt stille, plaudert nicht" (Kaffee-Kantate): No. 1. Recitativo (Tenor) "Schweigt stille, plaudert nicht"
tenor vocals:
Gerald English (English tenor) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo (Tenor) "Schweigt stille, plaudert nicht" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:38
2Kantate, BWV 211 "Schweigt stille, plaudert nicht" (Kaffee-Kantate): No. 2. Aria (Bass) "Hat man nicht mit seinen Kindern"
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
vocals:
Elly Ameling (soprano)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (Bass) "Hat man nicht mit seinen Kindern" (from 1964 until 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach3:14
3Kantate, BWV 211 "Schweigt stille, plaudert nicht" (Kaffee-Kantate): No. 3. Recitativo (Bass, Soprano) "Du böses Kind, du loses Mädchen"
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": III. Recitativo (Bass, Sopran) "Du böses Kind, du loses Mädchen" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:44
4Kantate, BWV 211 "Schweigt stille, plaudert nicht" (Kaffee-Kantate): No. 4. Aria (Soprano) "Ei, wie schmeckt der Coffee süße"
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Sopran) "Ei, wie schmeckt der Coffee süße" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach4:45
5Kantate, BWV 211 "Schweigt stille, plaudert nicht" (Kaffee-Kantate): No. 5. Recitativo (Bass, Soprano) "Wenn du mir nicht den Coffee läßt"
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": V. Recitativo (Bass, Sopran) "Wenn du mir nicht den Coffee läßt" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach1:20
6Kantate, BWV 211 "Schweigt stille, plaudert nicht" (Kaffee-Kantate): No. 6. Aria (Bass) "Mädchen, die von harten Sinnen"
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VI. Aria (Bass) "Mädchen, die von harten Sinnen" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach3:30
7Kantate, BWV 211 "Schweigt stille, plaudert nicht" (Kaffee-Kantate): No. 7. Recitativo (Bass, Soprano) "Nun folge, was dein Vater spricht"
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VII. Recitativo (Bass, Sopran) "Nun folge, was dein Vater spricht" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:55
8Kantate, BWV 211 "Schweigt stille, plaudert nicht" (Kaffee-Kantate): No. 8. Aria (Soprano) "Heute noch, lieber Vater, tut es doch"
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
vocals:
Siegmund Nimsgern (bass-baritone)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VIII. Aria (Sopran) "Heute noch, lieber Vater, tut es doch" (from 1964 until 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach6:55
9Kantate, BWV 211 "Schweigt stille, plaudert nicht" (Kaffee-Kantate): No. 9. Recitativo (Tenor) "Nun geht und sucht der alte Schlendrian"
tenor vocals:
Gerald English (English tenor) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IX. Recitativo (Tenor) "Nun geht und sucht der alte Schlendrian" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:45
10Kantate, BWV 211 "Schweigt stille, plaudert nicht" (Kaffee-Kantate): No. 10. Chorus (Soprano, Tenor, Bass) "Die Katze läßt das Mausen nicht"
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
tenor vocals:
Gerald English (English tenor) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": X. Chorus (Sopran, Tenor, Bass) "Die Katze läßt das Mausen nicht" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach5:05
11Kantate, BWV 212 "Mer hahn en neue Oberkeet" (Bauern-Kantate): No. 1. Sinfonia
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": I. Ouvertüre (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach2:23
12Kantate, BWV 212 "Mer hahn en neue Oberkeet" (Bauern-Kantate): No. 2. Aria: Duet (Soprano, Bass) "Mer hahn en neue Oberkeet"
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": II. Aria (Duetto Sopran, Bass) "Mer hahn en neue Oberkeet" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:40
13Kantate, BWV 212 "Mer hahn en neue Oberkeet" (Bauern-Kantate): No. 3. Recitative (Soprano, Bass) "Nu, Mieke, gib dein Guschel immer her"
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Sopran, Bass) "Nu, Mieke, gib dein Guschel immer her" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:54
14Kantate, BWV 212 "Mer hahn en neue Oberkeet" (Bauern-Kantate): No. 4. Aria (Soprano) "Ach, es schmeckt doch gar zu gut"
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IV. Aria (Sopran) "Ach, es schmeckt doch gar zu gut" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:04
15Kantate, BWV 212 "Mer hahn en neue Oberkeet" (Bauern-Kantate): No. 5. Recitative (Bass) "Der Herr ist gut"
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": V. Recitativo (Bass) "Der Herr ist gut" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:26
16Kantate, BWV 212 "Mer hahn en neue Oberkeet" (Bauern-Kantate): No. 6. Aria (Bass) "Ach, Herr Schösser"
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Bass) "Ach, Herr Schösser, geht nicht gar zu schlimm" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:16
17Kantate, BWV 212 "Mer hahn en neue Oberkeet" (Bauern-Kantate): No. 7. Recitative (Soprano) "Es bleibt dabei"
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VII. Recitativo (Sopran) "Es bleibt dabei" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:23
18Kantate, BWV 212 "Mer hahn en neue Oberkeet" (Bauern-Kantate): No. 8. Aria (Soprano) "Unser trefflicher lieber Kammerherr"
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VIII. Aria (Sopran) "Unser trefflicher, lieber Kammerherr" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
is based on:
Folia
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:53
19Kantate, BWV 212 "Mer hahn en neue Oberkeet" (Bauern-Kantate): No. 9. Recitative (Soprano, Bass) "Er hilft uns allen, alt und jung"
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Sopran, Bass) "Er hilft uns allen, alt und jung" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:29
20Kantate, BWV 212 "Mer hahn en neue Oberkeet" (Bauern-Kantate): No. 10. Aria (Soprano) "Das ist galant"
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": X. Aria (Sopran) "Das ist galant" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:17
21Kantate, BWV 212 "Mer hahn en neue Oberkeet" (Bauern-Kantate): No. 11. Recitative (Bass) "Und unsre gnäd'ge Frau"
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XI. Recitativo (Bass) "Und unsre gnädge Frau" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:42
22Kantate, BWV 212 "Mer hahn en neue Oberkeet" (Bauern-Kantate): No. 12. Aria (Bass) "Fünfzig Taler bares Geld "
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Bass) "Fünfzig Taler bares Geld" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:51
23Kantate, BWV 212 "Mer hahn en neue Oberkeet" (Bauern-Kantate): No. 13. Recitative (Soprano) "Im Ernst ein Wort!"
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIII. Recitativo (Sopran) "Im Ernst ein Wort" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:28
24Kantate, BWV 212 "Mer hahn en neue Oberkeet" (Bauern-Kantate): No. 14. Aria (Soprano) "Klein-Zschocher müsse"
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Sopran) "Klein-Zschocher müsse" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach6:21
25Kantate, BWV 212 "Mer hahn en neue Oberkeet" (Bauern-Kantate): No. 15. Recitative (Bass) "Das ist zu klug vor dich"
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XV. Recitativo (Bass) "Das ist zu klug vor dich" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:20
26Kantate, BWV 212 "Mer hahn en neue Oberkeet" (Bauern-Kantate): No. 16. Aria (Bass) "Es nehme zehntausend Dukaten"
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Bass) "Es nehme zehntausend Dukaten" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:41
27Kantate, BWV 212 "Mer hahn en neue Oberkeet" (Bauern-Kantate): No. 17. Recitative (Soprano) "Das klingt zu liederlich"
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Sopran) "Das klingt zu liederlich" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:20
28Kantate, BWV 212 "Mer hahn en neue Oberkeet" (Bauern-Kantate): No. 18. Aria (Soprano) "Gib, Schöne, viel Söhne"
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Sopran) "Gib, Schöne, viel Söhne" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:31
29Kantate, BWV 212 "Mer hahn en neue Oberkeet" (Bauern-Kantate): No. 19. Recitative (Bass) "Du hast wohl recht"
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIX. Recitativo (Bass) "Du hast wohl recht" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:18
30Kantate, BWV 212 "Mer hahn en neue Oberkeet" (Bauern-Kantate): No. 20. Aria (Bass) "Dein Wachstum sei feste"
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XX. Aria (Bass) "Dein Wachstum sei feste und lache vor Lust" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach6:14
31Kantate, BWV 212 "Mer hahn en neue Oberkeet" (Bauern-Kantate): No. 21. Recitative (Soprano, Bass) "Und damit sei es auch genung"
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXI. Recitativo (Sopran, Bass) "Und damit sei es auch genug" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:20
32Kantate, BWV 212 "Mer hahn en neue Oberkeet" (Bauern-Kantate): No. 22. Aria (Soprano) "Und dass ihr's alle wißt"
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXII. Aria (Sopran) "Und daß ihrs alle wißt" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:45
33Kantate, BWV 212 "Mer hahn en neue Oberkeet" (Bauern-Kantate): No. 23. Recitative (Soprano, Bass) "Mein Schatz, erraten!"
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIII. Recitativo (Sopran, Bass) "Mein Schatz! erraten" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:32
34Kantate, BWV 212 "Mer hahn en neue Oberkeet" (Bauern-Kantate): No. 24. Chorus (Soprano, Bass) "Wir gehn nun"
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Chor (Sopran, Bass) "Wir gehn nun, wo der Tudelsack" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:16
15CD: J.S. Bach: Bauern-Kantate, Kaffee-Kantate, Hochzeitskantate, Non sà che sia dolore (CD 2)
16CD: J.S. Bach: Sonatas & Partitas, BWV 1001-1003 (CD 1)
17CD: J.S. Bach: Sonatas & Partitas, BWV 1001-1003 (CD 2)
18CD: Biber: Die Rosenkranz-Sonaten, The Rosary Sonatas (CD 1)
19CD: Biber: Die Rosenkranz-Sonaten, The Rosary Sonatas (CD 2)
20CD: Boccherini: Cello Concertos - Sinfonias
21CD: Buxtehude: Abendmusik
22CD: Buxtehude: Organ Works
23CD: Caccini: Le nuove musiche
24CD: Corelli: Concerti Grossi Op. 6
25CD: The legend of Josquin Desprez
26CD: Canzoni da sonare
27CD: Fire & Ice: Villancicos y tonos a sólo, dúo y trio
28CD: Geminiani: Concerti Grossi
29CD: Francisco Guerrero: The angel's voice
30CD: Handel: Concerti Grossi Op. 6 (CD 1)
31CD: Handel: Concerti Grossi Op. 6 (CD 2)
32CD: Handel: Concerti Grossi Op. 6 (CD 3)
33CD: Handel: Rodelinda, HWV 19 (CD 1)
34CD: Handel: Rodelinda, HWV 19 (CD 2)
35CD: Handel: Rodelinda, HWV 19 (CD 3)
36CD: Handel: Wassermusik - Water Music
37CD: Handel: Sonatas for woodwind instruments, Volume I
38CD: Handel: Sonatas for woodwind instruments, Volume II
39CD: Haydn: Cello Concertos
40CD: Haydn: Die Schöpfung (CD 1)
41CD: Haydn: Die Schöpfung (CD 2)
42CD: Haydn: London Symphonies
43CD: Haydn: Drei Pariser Sinfonien
44CD: de Literes: Acis y Galatea
45CD: Locatelli: Introduttioni teatrali
46CD: Lully: Divertissements
47CD: Martines: Il primo amore
48CD: Martino: Lute Trios
49CD: Mozart: Trio Sonaten KV 10-15, Divertimento KV 254
50CD: Mozart: Zaide (CD 1)
51CD: Mozart: Zaide (CD 2)
52CD: Monteverdi e il suo tempo
53CD: Monteverdi: Vespro della Beata Vergine (CD 1)
54CD: Monteverdi: Vespro della Beata Vergine (CD 2)
55CD: Nebra: Miserere, Iphigenia en Tracia (excerpt)
56CD: Pachelbel / J.C. & J.M. Bach: Motetten
57CD: Purcell: Instrumental Music
58CD: Rameau: Festliche Opernsuiten in Versailles
59CD: Rameau: Zoroastre (CD 1)
60CD: Rameau: Zoroastre (CD 2)
61CD: Rameau: Zoroastre (CD 3)
62CD: Reusner: Lautensuiten
63CD: de Rore: Passio Domini Nostri Jesu Christi Secundum Johannem
64CD: Rosenmüller: Sacri Concerti
65CD: Schein: Diletti Pastorali
66CD: Schütz: Il primo libro de madrigali
67CD: Schütz: Psalmen - Motetten - Konzerte (CD1)
68CD: Schütz: Psalmen - Motetten - Konzerte (CD 2)
69CD: Schütz: Symphoniae Sacrae III (CD 1)
70CD: Schütz: Symphoniae Sacrae III (CD 2)
71CD: Schubert: Winterreise
72CD: Telemann: Concertos from Tafelmusik
73CD: Telemann: Orpheus (CD 1)
74CD: Telemann: Orpheus (CD 2)
75CD: Telemann: Suites (Ouvertures), Concerto
76CD: Telemann: Die Tageszeiten
77CD: Torrejón y Velasco: La púrpura de la rosa (CD 2)
78CD: Torrejón y Velasco: La púrpura de la rosa (CD 2)
79CD: de Torres: Cantadas
80CD: Zavateri: Concerti (CD 1)
81CD: Zavateri: Concerti (CD 2)
82CD: Zelenka / Pisendel: Concerti
83CD: Zelenka: Lamentationes Jeremiae Prophetae
84CD: Englische Cembalomusik - English harpsicord music
85CD: Festa Teatrale: Carnival in Venice & Florence
86CD: His Majesty's Harper - Airs & Dances, Fancies & Farewells from the Royal Courts of 17th-century England
87CD: Barroco Español (Vol. 1)
88CD: Mediterraneum
89CD: Musik am Hofe Ludwig XIV - Music at the court of Louis XIV
90CD: Musik am Salzburger Fürstenhof - Music at the Salzburg Court
91CD: Musik in Sanssouci
92CD: Musik der Tudor-Zeit
93CD: Musique à Versailles
94CD: Barroco Español - Vol. 3
95CD: Sappho and her time
96CD: Los Otros - Tinto
97CD: Viaggio Italiano - Music of the library of the Counts of Schönborn
98CD: Weihnachtsmusik in der Renaissance - CD 1: Altdeutsche Weihnacht
99CD: Weihnachtsmusik in der Renaissance - CD 2: Der Tölzer Knabenchor singt zur Weihnachtszeit
100CD: Schelle: Baroque christmas music

Credits

Release

ASIN:DE: B0765S8NY4 [info]