| # | Title | Artist | Rating | Length |
|---|
| 1 | H-Moll-Messe: Et incarnatus est | Johann Sebastian Bach | | 4:09 |
| 2 | H-Moll-Messe: Crucifixus- producer:
- Walter Legge
- choir vocals:
- Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
- orchestra:
- Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
- conductor:
- Herbert von Karajan (from 1952-11-02 until 1952-11-07)
- balance engineer:
- Robert Beckett and Harold Davidson
- recorded at:
- Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien , Austria (from 1952-11-02 until 1952-11-07)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (from 1952-11-02 until 1952-11-07)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:46 |
| 3 | H-Moll-Messe: Et resurrexit | Johann Sebastian Bach | | 3:55 |
| 4 | H-Moll-Messe: Et in Spiritum Sanctum Dominum- producer:
- Walter Legge
- bass vocals:
- Heinz Rehfuss (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
- orchestra:
- Philharmonia Orchestra (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
- conductor:
- Herbert von Karajan (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
- balance engineer:
- Robert Beckett and Harold Davidson
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London , England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (from 1952-11-23 until 1953-07-16)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 6:30 |
| 5 | H-Moll-Messe: Confiteor unum baptisma | Johann Sebastian Bach | | 3:36 |
| 6 | H-Moll-Messe: Et exspecto resurrectionem | Johann Sebastian Bach | | 3:57 |
| 7 | H-Moll-Messe: Sanctus | Johann Sebastian Bach | | 6:24 |
| 8 | H-Moll-Messe: Osanna in excelsis- producer:
- Walter Legge
- choir vocals:
- Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
- orchestra:
- Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
- conductor:
- Herbert von Karajan (from 1952-11-02 until 1952-11-07)
- balance engineer:
- Robert Beckett and Harold Davidson
- recorded at:
- Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien , Austria (from 1952-11-02 until 1952-11-07)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (from 1952-11-02 until 1952-11-07)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:44 |
| 9 | H-Moll-Messe: Benedictus- producer:
- Walter Legge
- tenor vocals:
- Nicolai Gedda (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
- orchestra:
- Philharmonia Orchestra (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
- conductor:
- Herbert von Karajan (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
- balance engineer:
- Robert Beckett and Harold Davidson
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London , England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (from 1952-11-23 until 1953-07-16)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 5:48 |
| 10 | H-Moll-Messe: Osanna in excelsis- producer:
- Walter Legge
- choir vocals:
- Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
- orchestra:
- Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
- conductor:
- Herbert von Karajan (from 1952-11-02 until 1952-11-07)
- balance engineer:
- Robert Beckett and Harold Davidson
- recorded at:
- Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien , Austria (from 1952-11-02 until 1952-11-07)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (from 1952-11-02 until 1952-11-07)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:42 |
| 11 | H-Moll-Messe: Agnus Dei- producer:
- Walter Legge
- contralto vocals:
- Marga Höffgen (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
- orchestra:
- Philharmonia Orchestra (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
- conductor:
- Herbert von Karajan (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
- balance engineer:
- Robert Beckett and Harold Davidson
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London , England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (from 1952-11-23 until 1953-07-16)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 6:56 |
| 12 | H-Moll-Messe: Dona nobis pacem | Johann Sebastian Bach | | 4:02 |
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