100 Hits: Total Rock

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Bat Out of Hell
Bassgitarre:
Kasim Sulton
Gitarre und Gitarre [Motorcycle guitar]:
Todd Rundgren
Keyboard:
Roy Bittan, Todd Rundgren und Jim Steinman
Klavier:
Roy Bittan
Perkussion:
Jim Steinman
Schlagzeug:
Max Weinberg
Synthesizer:
Roger Powell (US musician, programmer, and columnist, band "Utopia")
Hintergrundgesang:
Todd Rundgren und Kasim Sulton
Sologesang:
Meat Loaf
zusätzlich Hintergrundgesang:
Rory Dodd und Ellen Foley
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
Bearbeitung von:
Bat Out of Hell von Meat Loaf
recording of:
Bat out of Hell
Texter und Komponist(in):
Jim Steinman
publisher:
BMG AM Pty Limited, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son Pty. Ltd., Neverland Music und Peg Music Co.
Meat Loaf4.654:50
2Poison
recording engineer:
Sir Arthur Payson (von 1988 bis 1989)
Synthesizer-Programmierung:
Steve Deutsch
assistierende(r) Techniker(in):
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber und Mark Tanzer
Produzent(in):
Desmond Child
Mix:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) und Steve Thompson (producer)
Bassgitarre:
Hugh McDonald (bassist) (von 1988 bis 1989)
Gitarre:
John McCurry (von 1988 bis 1989)
Keyboard:
Alan St. John (von 1988 bis 1989)
Schlagzeug:
Bobby Chouinard (von 1988 bis 1989)
zusätzlich andere Instrumente [special effects]:
Gregg Mangiafico (von 1988 bis 1989)
zusätzlich Keyboard:
Paul Chiten (songwriter and producer) (von 1988 bis 1989) und Gregg Mangiafico (von 1988 bis 1989)
Hintergrundgesang:
Alan St. John (von 1988 bis 1989), Michael Anthony (US bassist, formerly of Van Halen) (von 1988 bis 1989), Desmond Child (von 1988 bis 1989), Diana Grasselli (von 1988 bis 1989), Jango (backing vocalist on “Trash” by Alice Cooper) (von 1988 bis 1989), Louie Merlino (von 1988 bis 1989), Hugh McDonald (bassist) (von 1988 bis 1989), Jamie Sever (von 1988 bis 1989), Bernie Shanahan (von 1988 bis 1989), Stiv Bator (von 1988 bis 1989), Tom Teeley (von 1988 bis 1989), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (von 1988 bis 1989), Myriam Valle (von 1988 bis 1989) und Maria Vidal (American singer-songwriter) (von 1988 bis 1989)
Sologesang:
Alice Cooper (the singer, active as a solo artist 1975‐present) (von 1988 bis 1989)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
aufgenommen bei:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten (von 1988 bis 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, Vereinigte Staaten (von 1988 bis 1989), Grog Kill Studio in Woodstock, New York, Vereinigte Staaten (von 1988 bis 1989), Mediasound Studios in New York, New York, Vereinigte Staaten (von 1988 bis 1989), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1988 bis 1989), Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten (von 1988 bis 1989), Sigma Sound Studios (New York) in New York, New York, Vereinigte Staaten (von 1988 bis 1989), The Complex Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1988 bis 1989), The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1988 bis 1989) und The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1988 bis 1989)
recording of:
Poison (von 1988 bis 1989)
Verfasser(in):
Desmond Child, Alice Cooper (the singer, active as a solo artist 1975‐present) und John McCurry
publisher:
Desmobile Inc., Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, vom 1989 bis heute), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, vom 1989 bis ????), SBK Songs Ltd., Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Ezra Music Corp. (vom 1989 bis heute)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.44:31
3More Than a Feeling
Produzent(in):
John Boylan und Tom Scholz
Akustikgitarre, Bass und E-Gitarre:
Tom Scholz (von 1975-10 bis 1976-04)
Schlagzeug:
Sib Hashian (von 1975-10 bis 1976-04)
vocals:
Brad Delp (von 1975-10 bis 1976-04)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 2002)
recording of:
More Than a Feeling (von 1975-10 bis 1976-04)
Texter und Komponist(in):
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) und Pure Songs (in 1976)
Boston4.83:29
4(Don’t Fear) The Reaper
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976, in 1978)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 397) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 449)
recording of:
(Don’t Fear) The Reaper
Texter und Komponist(in):
Donald Roeser (singer, lead guitarist and songwriter)
publisher:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC und Sony/ATV Tunes LLC (ASCAP) (in 1976)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Oyster Cult4.43:51
5God Gave Rock & Roll to You
recording of:
God Gave Rock and Roll to You
Texter und Komponist(in):
Russ Ballard
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mainspring Music und Verulam Music Co., Ltd.
Argent4:02
6The One to Sing the Blues
Techniker(in):
Casey McMackin (in 1990)
Produzent(in) und Mix:
Peter Solley (English pianist, songwriter and producer) (in 1990)
E-Bass und Sologesang:
Lemmy Kilmister (“Lemmy” from Motörhead) (in 1990)
E-Gitarre:
Wizzö (Welsh metal guitarist for Motörhead & Persian Risk) (in 1990) und Würzel (Motörhead guitarist) (in 1990)
Schlagzeug:
Phil “Philthy Animal” Taylor (former Motörhead drummer) (in 1990)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1990)
recording of:
The One to Sing the Blues (in 1990)
Verfasser(in):
Phil Campbell (Welsh metal guitarist for Motörhead & Persian Risk), Ian Fraser Kilmister (“Lemmy” from Motörhead), Michael Burston (Motörhead guitarist) und Phil Taylor (former Motörhead drummer)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Motorhead33:10
7Raw Power
recording of:
Raw Power
Verfasser(in) und Komponist(in):
Iggy Pop und James Williamson (Iggy and The Stooges guitarist)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music Publishing Ltd. (PRS‐affiliated), Mainman Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Strait James Music (Publisher associated with James Williamson of The Stooges), Bug Music (music publishing) (bis 2011) und BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management) (vom 2011 bis heute)
Iggy & The Stooges4:16
8Living After Midnight
Techniker(in):
Lou Austin (engineering)
Produzent(in):
Tom Allom
E-Bass:
Ian Hill (UK bassist for Judas Priest) (von 1980-01 bis 1980-02)
E-Gitarre:
Kenneth Downing (von 1980-01 bis 1980-02) und Glenn Tipton (von 1980-01 bis 1980-02)
Schlagzeug:
Dave Holland (British rock drummer) (von 1980-01 bis 1980-02)
Sologesang:
Rob Halford (von 1980-01 bis 1980-02)
phonographisches Urheberrecht (℗) von:
CBS Records (manufacturer/distributor, not for release label use!) (in 1980), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1980) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2026)
aufgenommen bei:
Startling Studios (Tittenhurst Park) in Ascot, Windsor and Maidenhead, England, Vereinigtes Königreich (von 1980-01 bis 1980-02)
Musikvideos:
Living After Midnight (music video) von Judas Priest
Teil von:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 27)
recording of:
Living After Midnight (von 1980-01 bis 1980-02)
Verfasser(in):
Kenneth Downing, Rob Halford und Glenn Tipton
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und EMI Songs Ltd.
Judas Priest3.953:24
9Black Betty
Produzent(in):
Jerry Kasenetz und Jeff Katz (music producer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (vom 1977 bis heute) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977)
cover recording of:
Black Betty
Texter und Komponist(in):
[traditional] (special purpose artist) und Huddie William Ledbetter
publisher:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (vom 1977 bis heute) und TRO (publisher) (vom 1977 bis heute)
Ram Jam4.52:31
10Two Way Trafic
Status Quo4:00
11Who’s Crying Now
assistierende(r) Techniker(in):
Wally Buck
Techniker(in):
Kevin Elson
Produzent(in):
Kevin Elson und Mike Stone (producer and engineer, 1960s–80s)
Bassgitarre:
Ross Valory
Gitarre:
Neal Schon
Keyboard und Klavier:
Jonathan Cain
Schlagzeug und Perkussion:
Steve Smith (US drummer most associated with Journey)
Hintergrundgesang:
Jonathan Cain, Neal Schon und Ross Valory
Sologesang:
Steve Perry (former lead singer of Journey)
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1981), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten (von 1981-04 bis 1981-06)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten
recording of:
Who’s Crying Now
Verfasser(in):
Jonathan Cain und Steve Perry (former lead singer of Journey)
publisher:
Lacey Boulevard Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Weedhigh‐Nightmare Music
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Journey3.75:02
12Rock the Night
recording engineer und Mix:
Wally Buck und Kevin Elson
Produzent(in):
Kevin Elson
Bassgitarre [bass]:
John Levén
Gitarre:
John Norum
Keyboard:
Mic Michaeli
Schlagzeug [drums]:
Ian Haugland
Hintergrundgesang:
Ian Haugland, Mic Michaeli und John Norum
Sologesang:
Joey Tempest (Swedish singer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1986) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1986)
produced for:
Elson Music Vision, Inc.
aufgenommen bei und mixed at:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten, Powerplay Studios in Maur, Zürich (Kanton Zürich), Schweiz und Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Schweden
recording of:
Rock the Night
Texter und Komponist(in):
Joey Tempest (Swedish singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Europe4.54:06
13Hold the Line
recording engineer:
Dana Latham, Gabe Veltri und Tom Knox
assistierende(r) Techniker(in):
Dana Latham (Aufgabe: assistant) und Gabe Veltri (Aufgabe: assistant)
Techniker(in) und Mix:
Tom Knox
Produzent(in):
Bruce Dickinson (engineer and producer) und Toto (US rock group)
Bass:
David Hungate und Michael Porcaro
Bassgitarre:
David Hungate (in 1978-08)
E-Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger) (in 1978-08)
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Keyboard:
David Paich (in 1978-08) und Steve Porcaro (in 1978-08)
Klavier:
David Paich (in 1978-08)
Perkussion:
Jeffrey Porcaro und Lenny Castro (in 1978-08)
Schlagzeug:
Jeffrey Porcaro (in 1978-08)
Hintergrundgesang:
Bobby Kimball (in 1978-08), Steve Lukather (guitarist, vocalist, composer, producer and arranger) (in 1978-08) und David Paich (in 1978-08)
Sologesang:
Jean-Michel Byron und Bobby Kimball (in 1978-08)
vocals:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) und Steve Porcaro
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977, in 1978), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978), CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
aufgenommen bei:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1978-08)
Teil von:
BILLIONS CLUB
recording of:
Hold the Line (in 1978-08)
Texter und Komponist(in):
David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. und Spirit Two Music
sub-publisher:
Sony/ATV Music Publishing (UK) Ltd. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.253:58
14Cherry Pie
Produzent(in) und Mix:
Beau Hill
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1990), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1990), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1990) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1990)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 56)
recording of:
Cherry Pie
Texter:
Jani Lane
Komponist(in):
Joey Allen (glam metal guitarist), Jerry Dixon (rock/metal bass guitarist), Jani Lane, Steven Sweet (drummer, member of Warrant) und Erik Turner (guitarist for Warrant)
publisher:
Crab Salad Music, Dick Dragon Music, Dixonyou Music, EMI Virgin Music Australia Pty Ltd, EMI-Virgin Songs, Erik Turner Music, Great Lips Music, Laney Jane Music, Likite Split Music, Rich McBitch Music, Round Hill Works und Virgin Songs, Inc.
Warrant4.63:20
15I Want You to Want Me
recording engineer:
鈴木智雄 (Tomoo Suzuki) (von 1978-04-28 bis 1978-04-30)
assistierende(r) Techniker(in):
Mike Beriger
Techniker(in):
Gary Ladinsky (engineer)
Produzent(in):
Cheap Trick und Jack Douglas
Mix:
Cheap Trick, Gary Ladinsky (engineer) und Jay Messina (in 1978)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978), CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), EPC (in 1978), Epic/Sony Inc. (JP record company, Aug 1978 – Mar 1988) (in 1978, in 1979), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
aufgenommen bei:
Nippon Budokan in Kitanomaru Kōen, Chiyoda (Chiyoda-ku), Tokyo, Japan (von 1978-04-28 bis 1978-04-30)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (in 1978)
live recording of:
I Want You to Want Me (von 1978-04-28 bis 1978-04-30)
Texter und Komponist(in):
Rick Nielsen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Gil Music Corporation, Screen Gems–EMI Music Ltd., Adult Music (in 1977) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1977)
Teil von:
10 Things I Hate About You
Cheap Trick3.853:35
16King of Dreams
Techniker(in):
Nick Blagona (engineer/producer)
assistierende(r) Produzent(in):
Raymond D’Addario
Produzent(in) und Mix:
Roger Glover
E-Bass:
Roger Glover (in 1990)
E-Gitarre:
Ritchie Blackmore (in 1990)
Hammond-Orgel und Keyboard:
Jon Lord (in 1990)
Schlagzeug:
Ian Paice (in 1990)
Sologesang:
Joe Lynn Turner (US rock vocalist) (in 1990)
aufgenommen bei:
Greg Rike Productions (Orlando, Florida) in Orlando, Florida, Vereinigte Staaten (in 1990)
zusätzlich aufgenommen bei:
Powerstation Studios in New York, New York, Vereinigte Staaten (in 1990) und Sountec Studios in Connecticut, Vereinigte Staaten (in 1990)
additionally mixed at:
Powerstation Studios in New York, New York, Vereinigte Staaten
recording of:
King of Dreams (in 1990)
Verfasser(in):
Ritchie Blackmore, Roger Glover und Joe Lynn Turner (US rock vocalist)
publisher:
Blackmore Music, Jolt Productions Inc. (Jolt Music) und Thames Overtures Ltd.
sub-publisher:
Warner Chappell Music France
Deep Purple35:28
17The Good Die Young
recording of:
The Good Die Young
Texter:
Klaus Meine
Komponist(in):
Christian Kolonovits und Rudolf Schenker
publisher:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present))
Scorpions3:53
18Hell Raiser
recording of:
Hell Raiser
Texter:
Nicky Chinn
Komponist(in):
Mike Chapman (Australian producer and songwriter)
publisher:
BMG Songs
The Sweet3:19
19Solid Ball of Rock
phonographisches Urheberrecht (℗) von:
Angel Air (in 1990)
recording of:
Solid Ball of Rock
Verfasser(in):
Mick Broadbent und Peter Edward Bramall (British vocalist/guitarist Peter Bramall)
publisher:
BMG VM Music Ltd.
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present))
Saxon4:39
20New Orleans
Produzent(in):
Steve Smith (70s producer & engineer, mainly Island Records)
Bass:
John McCoy (UK rock bassist for Gillan, Mammoth, Neo, McCoy)
Gitarre:
Bernie Tormé
Keyboard:
Colin Towns
Schlagzeug:
Mick Underwood
Sologesang:
Ian Gillan
cover recording of:
New Orleans
Verfasser(in):
Frank Guida und Joseph Royster
publisher:
Dominion Music Co. Ltd., Rockmasters, Inc. (BMI-affiliated), Wixen Music Publishing, Inc. und Wixen Music UK Ltd.
Ian Gillan52:40
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Teil von:100 Hits (UK Demon Music Group) (Nummer: 146) (Reihenfolge: 120)