Janet Baker: The Beloved Mezzo

~ Release by Dame Janet Baker (see all versions of this release, 2 available)

Annotation

Alto Rhapsody

  • ISRC GBAYC0400276
  • first released on LP UK-1971 HMV ASD2746
  • UK-1981 HMV Concert Classics SXLP30529; CQ TC-SXLP30529

Wesendonk Lieder

  • ISRC GBAYC0800346 - GBAYC0800350
  • first released on LP UK-1976 HMV SQ ASD3260 (coupled with Strauss Lieder below, rerelease of Alto Rhapsody)

Strauss Lieder

  • Liebeshymnus has ISRC GBAYC0800351
  • Das Rosenband: ISRC: GBAYC0800353
  • Ruhe, meine Seele: ISRC: GBAYC0800354
  • Muttertändelei: ISRC: GBAYC0800355

Sea Pictures

Dream of Gerontius

  • ISRC GBAYC0701032
  • probable release 2LP 1965-UK ASD648-9; ALP2101-2

Les Nuits d'été

  • ISRC GBAYC9801685 - GBAYC9801690
  • First release LP UK-1969 HMV ASD2444 coupled with Shérérazade

Shéhérazade: ISRC GBAYC9500261 - GBAYC9500263

Poème de l'amour et de la mer

  • ISRC GBAYC9502476 - GBAYC9502478
  • probable first release LP UK-1978 EMI HMV SQ ASD3455, US-1978 Angel S37401

Kindertotenlieder

  • ISRC: GBAYC9801218 - GBAYC9801222
  • first released on LP UK-1968 EMI ASD 2338 with Lieder eines fahrenden Gesellen and RL No. 3 below. Baker credited as contralto.

Rückert Lieder

  • nos 1, 2, 4, 5, 3 have ISRC GBAYC9801224 - GBAYC9801228
  • first released on LP UK-1969 HMV ASD2518-9 (coupled with Mahler's 5.)

Lieder eines fahrenden Gesellen: ISRC: GBAYC9801230 - GBAYC9801233
Ich bin der Welt abhanden gekommen (RL No. 3): ISRC GBAYC9801234

Urlicht (Symphony No.2)

  • ISRC GBAYC8603247
  • First released on 2LP UK-1987 EX270598-3; Cassette UK-1987 EX270598-5; 2CD UK-1987 CDS7 47962-8

He was despised (from Messiah)

  • ISRC GBAYC8703034

Per trofei di mia costanza: ISRC GBAYC0100681
Ah! crudel, e pur ten vai: ISRC GBAYC0100684

Schlummert ein, ihr matten Augen

  • ISRC: GBAYC0100652

Bereite dich, Zion: ISRC GBAYC0100663
Es ist vollbracht: ISRC GBAYC0100671
Bist du bei mir: ISRC GBAYC0100670

Come again, sweet love doth now invite

  • ISRC GBAYC0800356

Never Love Unlesse You Can: ISRC GBAYC0800357
Oft Have I Sigh'd for Him That Heares Me Not: ISRC GBAYC0800358
If Thou Long'st So Much to Learn: ISRC GBAYC0800359
Faine Would I Wed a Faire Yong Man: ISRC GBAYC0800360
Sleep, Adam: ISRC GBAYC0800361
Lord, what is man?: ISRC GBAYC0800362
Tell me, lovely shepherd: ISRC GBAYC0800363
My Lovely Celia: ISRC GBAYC0800364
Where the Bee sucks, there lurk I: ISRC GBAYC0800365

Gretchen am Spinnrade

  • ISRC GBAYC9602531

Ellens Gesang III: ISRC GBAYC9603752
Heidenröslein: ISRC GBAYC9600502
An die Musik: ISRC GBAYC9600494
Die Forelle: ISRC GBAYC9600499
Auf dem Wasser zu singen: ISRC GBAYC9600496
Du bist die Ruh: ISRC GBAYC9600500
Nacht und Träume: ISRC GBAYC9602543
Gesang: ISRC GBAYC9600495

Frauenliebe und -leben

  • ISRC GBAYC9502493 - GBAYC9502500

Neue Liebe

  • ISRC GBAYC0000606

Auf Flügeln des Gesanges: ISRC GBAYC0000605
Nachtlied: ISRC GBAYC0000615
Die Lorelei: ISRC GBAYC0000633
Über allen gipfeln ist Ruh': ISRC GBAYC0000637

two first digits after GBAYC gives year of remastering (or first release, if any)

Annotation last modified on 2010-04-18 06:10 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Alto Rhapsody, Op. 53
producer:
Christopher Bishop (conductor/producer)
choir vocals:
The John Alldis Choir
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Alto Rhapsody, op. 53
lyricist:
Johann Wolfgang von Goethe
composer:
Johannes Brahms (German composer) (in 1869)
dedicated to:
Julie Schumann
premiered at:
[concert] (1870-03-03)
publisher:
N. Simrock (in 1870-01)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 53)
Johannes Brahms11:57
2Wesendonck Lieder, WWV 91 No. 1: Der Engel
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Wesendonck-Lieder: I. Der Engel (for voice and large orchestra, Mottl)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner (composer)
version of:
Wesendonck-Lieder: I. Der Engel (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner3:46
3Wesendonck Lieder, WWV 91 No. 2: Stehe still!
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Wesendonck-Lieder: II. Stehe still (for voice and large orchestra, Mottl)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner (composer)
version of:
Wesendonck-Lieder: II. Stehe still (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner4:51
4Wesendonck Lieder, WWV 91 No. 3: Im Treibhaus
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Wesendonck-Lieder: III. Im Treibhaus (for voice and large orchestra, Mottl)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner (composer)
arrangement of:
Wesendonck-Lieder: III. Im Treibhaus (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner6:20
5Wesendonck Lieder, WWV 91 No. 4: Schmerzen
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Wesendonck-Lieder: IV. Schmerzen (for voice and large orchestra, Mottl)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner (composer)
version of:
Wesendonck-Lieder: IV. Schmerzen (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner2:57
6Wesendonck Lieder, WWV 91 No. 5: Träume
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Wesendonck-Lieder: V. Träume (for voice and large orchestra, Wagner)
orchestrator and composer:
Richard Wagner (composer)
lyricist:
Mathilde Wesendonck
arrangement of:
Wesendonck-Lieder: V. Träume (for voice and piano)
is based on:
Träume, WWV 91b (for violin and orchestra)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner5:55
7Liebeshymnus, Op. 32 No. 3
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Liebeshymnus, op. 32 no. 3
lyricist:
Karl Friedrich Henckell
composer:
Richard Strauss (German composer)
part of:
5 Lieder for voice and piano (op. 32; TrV 174)
Richard Strauss2:06
8Das Rosenband, Op. 36 No. 1
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Das Rosenband, op. 36 no. 1 (for voice and orchestra)
lyricist:
Friedrich Gottlieb Klopstock
composer:
Richard Strauss (German composer) (from 1897 until 1898)
arrangement of:
Das Rosenband, op. 36 no. 1 (for voice and piano)
part of:
4 Lieder for voice and piano (op. 36; TrV 186)
Richard Strauss3:32
9Ruhe, meine Seele, Op. 27 No. 1
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Ruhe, meine Seele, op. 27 no. 1
lyricist:
Karl Friedrich Henckell
composer:
Richard Strauss (German composer) (in 1894)
part of:
4 Lieder, op. 27
Richard Strauss4:36
10Muttertändelei, Op. 43 No. 2
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Muttertändelei, op. 43 no. 2 (for voice and orchestra)
lyricist:
Gottfried August Bürger
composer:
Richard Strauss (German composer) (in 1899)
arranger:
Richard Strauss (German composer) (in 1900)
arrangement of:
Muttertändelei, op. 43 no. 2 (for voice and piano)
Richard Strauss2:22
11Sea Pictures, Op. 37 No. 1: Sea Slumber-Song
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1965-08-30)
orchestra:
London Symphony Orchestra (on 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-30)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-08-30)
recording of:
Sea Pictures, op. 37: I. Sea Slumber Song (on 1965-08-30)
lyricist:
Roden Noel
composer:
Edward Elgar (composer) (in 1899)
part of:
Sea Pictures, op. 37
Sir Edward Elgar5:04
12Sea Pictures, Op. 37 No. 2: In Haven (Capri)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1965-08-30)
orchestra:
London Symphony Orchestra (on 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-30)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-08-30)
recording of:
Sea Pictures, op. 37: II. In Haven (Capri) (on 1965-08-30)
lyricist:
Alice Elgar (English author, married to Edward Elgar)
composer:
Edward Elgar (composer) (in 1899)
part of:
Sea Pictures, op. 37
Sir Edward Elgar2:05
13Sea Pictures, Op. 37 No. 3: A Sabbath Morning at Sea
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1965-08-30)
orchestra:
London Symphony Orchestra (on 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-30)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-08-30)
recording of:
Sea Pictures, op. 37: III. Sabbath Morning at Sea (on 1965-08-30)
lyricist:
Elizabeth Barrett Browning
composer:
Edward Elgar (composer) (in 1899)
part of:
Sea Pictures, op. 37
Sir Edward Elgar6:20
14Sea Pictures, Op. 37 No. 4: Where Corals Lie
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1965-08-30)
orchestra:
London Symphony Orchestra (on 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-30)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-08-30)
recording of:
Sea Pictures, op. 37: IV. Where Corals Lie (on 1965-08-30)
lyricist:
Richard Garnett
composer:
Edward Elgar (composer) (in 1899)
part of:
Sea Pictures, op. 37
Sir Edward Elgar4:10
15Sea Pictures, Op. 37 No. 5: The Swimmer
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1965-08-30)
orchestra:
London Symphony Orchestra (on 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-30)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-08-30)
recording of:
Sea Pictures, op. 37: V. The Swimmer (on 1965-08-30)
lyricist:
Adam Lindsay Gordon
composer:
Edward Elgar (composer) (in 1899)
part of:
Sea Pictures, op. 37
Sir Edward Elgar6:10
16The Dream of Gerontius, Op. 38 No. 20: Softly and Gently ...
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1964-12-27 until 1964-12-30), Hallé Choir (from 1964-12-27 until 1964-12-30) and Sheffield Philharmonic Chorus (from 1964-12-27 until 1964-12-30)
mezzo-soprano vocals [Angel]:
Janet Baker (mezzo‐soprano and alto) (from 1964-12-27 until 1964-12-30)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (from 1964-12-27 until 1964-12-30) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
recording of:
The Dream of Gerontius, op. 38: Part II, VIII. Softly and gently, dearly-ransomed soul (cues 127–137) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar7:00
17Les Nuits d'été, Op. 7 No. 1: Villanelle
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1967-12-23)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1967-12-23)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-12-23)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1967-12-23)
recording of:
Les Nuits d’été, H. 81, op. 7: Nº 1. Villanelle (on 1967-12-23)
lyricist:
Théophile Gautier
composer:
Hector Berlioz (French composer) (in 1841)
part of:
Les Nuits d’été, H. 81, op. 7
Hector Berlioz2:22
18Les Nuits d'été, Op. 7 No. 2: Le spectre de la rose
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1967-12-23)
vocals:
Janet Baker (mezzo‐soprano and alto) (on 1967-12-23)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1967-12-23)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-12-23)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1967-12-23)
recording of:
Les Nuits d’été, H. 81, op. 7: Nº 2. Le Spectre de la rose (on 1967-12-23)
lyricist:
Théophile Gautier
composer:
Hector Berlioz (French composer) (in 1841)
part of:
Les Nuits d’été, H. 81, op. 7
Hector Berlioz7:53
19Les Nuits d'été, Op. 7 No. 3: Sur les lagunes
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1967-12-23)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1967-12-23)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-12-23)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1967-12-23)
recording of:
Les Nuits d’été, H. 81, op. 7: Nº 3. Sur les lagunes (on 1967-12-23)
lyricist:
Théophile Gautier
composer:
Hector Berlioz (French composer) (in 1841)
part of:
Les Nuits d’été, H. 81, op. 7
Hector Berlioz5:37
20Les Nuits d'été, Op. 7 No. 4: Absence
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1967-12-23)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1967-12-23)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-12-23)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1967-12-23)
recording of:
Les Nuits d’été, H. 81, op. 7: Nº 4. Absence (on 1967-12-23)
lyricist:
Théophile Gautier
composer:
Hector Berlioz (French composer) (in 1841)
part of:
Les Nuits d’été, H. 81, op. 7
Hector Berlioz5:28
21Les Nuits d'été, Op. 7 No. 5: Au cimetière
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1967-12-23)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1967-12-23)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-12-23)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1967-12-23)
recording of:
Les Nuits d’été, H. 81, op. 7: Nº 5. Au cimetière (on 1967-12-23)
lyricist:
Théophile Gautier
composer:
Hector Berlioz (French composer) (in 1841)
part of:
Les Nuits d’été, H. 81, op. 7
Hector Berlioz6:08
22Les Nuits d'été, Op. 7 No. 6: L'île inconnue
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1967-12-23)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1967-12-23)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-12-23)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1967-12-23)
recording of:
Les Nuits d’été, H. 81, op. 7: Nº 6. L’Île inconnue (on 1967-12-23)
lyricist:
Théophile Gautier
composer:
Hector Berlioz (French composer) (in 1841)
part of:
Les Nuits d’été, H. 81, op. 7
Hector Berlioz4:01
23Shéhérazade, No. 1: Asie
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Shéhérazade: I. Asie
lyricist:
Tristan Klingsor
composer:
Maurice Ravel (French composer) (in 1903)
part of:
Schéhérazade: Trois poèmes pour chant et orchestre
Maurice Ravel9:51
24Shéhérazade, No. 2: La flûte enchantée
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Shéhérazade: II. La Flûte enchantée
lyricist:
Tristan Klingsor
composer:
Maurice Ravel (French composer) (in 1903)
part of:
Schéhérazade: Trois poèmes pour chant et orchestre
Maurice Ravel3:00
25Shéhérazade, No. 3: L'indifférent
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Shéhérazade: III. L'Indifférent
lyricist:
Tristan Klingsor
composer:
Maurice Ravel (French composer) (in 1903)
part of:
Schéhérazade: Trois poèmes pour chant et orchestre
Maurice Ravel3:47
26Poème de l'amour et de la mer, Op. 19 No. 1: La fleur des eaux
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1977-04-18 until 1977-04-21)
orchestra:
London Symphony Orchestra (from 1977-04-18 until 1977-04-21)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1977-04-18 until 1977-04-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-04-18 until 1977-04-21)
recording of:
Poème de l'amour et de la mer, op. 19: I. La fleur des eaux (from 1977-04-18 until 1977-04-21)
lyricist:
Maurice Bouchor
composer:
Ernest Chausson (composer)
part of:
Poème de l'amour et de la mer, op. 19
Ernest Chausson11:27
27Poème de l'amour et de la mer, Op. 19 No. 2: Interlude
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1977-04-18 until 1977-04-21)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1977-04-18 until 1977-04-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-04-18 until 1977-04-21)
recording of:
Poème de l'amour et de la mer, op. 19: II. Interlude (from 1977-04-18 until 1977-04-21)
composer:
Ernest Chausson (composer)
part of:
Poème de l'amour et de la mer, op. 19
Ernest Chausson2:41
28Poème de l'amour et de la mer, Op. 19 No. 3: La mort de l'amour
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1977-04-18 until 1977-04-21)
orchestra:
London Symphony Orchestra (from 1977-04-18 until 1977-04-21)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1977-04-18 until 1977-04-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-04-18 until 1977-04-21)
recording of:
Poème de l'amour et de la mer, op. 19: III. La mort de l'amour (from 1977-04-18 until 1977-04-21)
lyricist:
Maurice Bouchor
composer:
Ernest Chausson (composer)
part of:
Poème de l'amour et de la mer, op. 19
Ernest Chausson13:09
29Kindertotenlieder, No 1: Nun will die Sonn' so hell aufgeh'n
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1967-07-12 until 1967-07-13)
orchestra:
Hallé Orchestra (from 1967-07-12 until 1967-07-13)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1967-07-12 until 1967-07-13)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-07-12 until 1967-07-13)
recording of:
Kindertotenlieder: I. “Nun will die Sonn’ so hell aufgeh’n” (from 1967-07-12 until 1967-07-13)
composer:
Gustav Mahler (composer) (in 1901)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler6:00
30Kindertotenlieder, No 2: Nun seh' ich wohl, warum so dunkle Flammen
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1967-07-12 until 1967-07-13)
orchestra:
Hallé Orchestra (from 1967-07-12 until 1967-07-13)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1967-07-12 until 1967-07-13)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-07-12 until 1967-07-13)
recording of:
Kindertotenlieder: II. “Nun seh’ ich wohl, warum so dunkle Flammen” (from 1967-07-12 until 1967-07-13)
composer:
Gustav Mahler (composer) (in 1904)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler5:11
31Kindertotenlieder, No 3: Wenn dein Mütterlein
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1967-07-12 until 1967-07-13)
orchestra:
Hallé Orchestra (from 1967-07-12 until 1967-07-13)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1967-07-12 until 1967-07-13)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-07-12 until 1967-07-13)
recording of:
Kindertotenlieder: III. “Wenn dein Mütterlein” (from 1967-07-12 until 1967-07-13)
composer:
Gustav Mahler (composer) (in 1901)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler5:21
32Kindertotenlieder, No 4: Oft denk' ich, sie sind nur ausgegangen
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1967-07-12 until 1967-07-13)
orchestra:
Hallé Orchestra (from 1967-07-12 until 1967-07-13)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1967-07-12 until 1967-07-13)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-07-12 until 1967-07-13)
recording of:
Kindertotenlieder: IV. “Oft denk’ ich, sie sind nur ausgegangen” (from 1967-07-12 until 1967-07-13)
composer:
Gustav Mahler (composer) (in 1901)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler3:09
33Kindertotenlieder, No 5: In diesem Wetter!
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1967-07-12 until 1967-07-13)
orchestra:
Hallé Orchestra (from 1967-07-12 until 1967-07-13)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1967-07-12 until 1967-07-13)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-07-12 until 1967-07-13)
recording of:
Kindertotenlieder: V. “In diesem Wetter” (from 1967-07-12 until 1967-07-13)
composer:
Gustav Mahler (composer) (in 1904)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler7:44
34Rückert-Lieder, No. 1: Blicke mir nicht in die Lieder
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1969-07-17 until 1969-07-18)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-07-17 until 1969-07-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-17 until 1969-07-18)
balance engineer:
Stuart Eltham (engineer) (from 1969-07-17 until 1969-07-18)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-17 until 1969-07-18)
recording of:
Rückert Lieder: I. Blicke mir nicht in die Lieder (from 1969-07-17 until 1969-07-18)
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 39)
part of:
Rückert-Lieder
Gustav Mahler1:38
35Rückert-Lieder, No. 2: Ich atmet’ einen linden Duft
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1969-07-17 until 1969-07-18)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-07-17 until 1969-07-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-17 until 1969-07-18)
balance engineer:
Stuart Eltham (engineer) (from 1969-07-17 until 1969-07-18)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-17 until 1969-07-18)
recording of:
Rückert Lieder: II. Ich atmet' einen linden Duft (from 1969-07-17 until 1969-07-18)
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 40)
part of:
Rückert-Lieder
Gustav Mahler2:41
36Rückert-Lieder, No. 4: Um Mitternacht
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1969-07-17 until 1969-07-18)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-07-17 until 1969-07-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-17 until 1969-07-18)
balance engineer:
Stuart Eltham (engineer) (from 1969-07-17 until 1969-07-18)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-17 until 1969-07-18)
recording of:
Rückert Lieder: IV. Um Mitternacht (from 1969-07-17 until 1969-07-18)
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 42)
part of:
Rückert-Lieder
Gustav Mahler5:54
37Rückert-Lieder, No. 5: Liebst du um Schönheit
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1969-07-17 until 1969-07-18)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-07-17 until 1969-07-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-17 until 1969-07-18)
balance engineer:
Stuart Eltham (engineer) (from 1969-07-17 until 1969-07-18)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-17 until 1969-07-18)
recording of:
Rückert Lieder: V. Liebst du um Schönheit (from 1969-07-17 until 1969-07-18)
orchestrator:
Max Puttmann
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer) (in 1902-08)
premiered at:
[concert] (1907-02-08)
part of:
Gustav Mahler Werke (number: GMW 43)
part of:
Rückert-Lieder
Gustav Mahler2:27
38Rückert-Lieder, No. 3: Ich bin der Welt abhanden gekommen
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1969-07-17 until 1969-07-18)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-07-17 until 1969-07-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-17 until 1969-07-18)
balance engineer:
Stuart Eltham (engineer) (from 1969-07-17 until 1969-07-18)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-17 until 1969-07-18)
recording of:
Rückert Lieder: III. Ich bin der Welt abhanden gekommen (from 1969-07-17 until 1969-07-18)
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 41)
part of:
Rückert-Lieder
Gustav Mahler6:55
39Lieder eines fahrenden Gesellen, No. 1: Wenn mein Schatz Hochzeit macht
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1967-05-04)
orchestra:
Hallé Orchestra (on 1967-05-04)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-05-04)
balance engineer:
Neville Boyling (engineer) (on 1967-05-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-05-04)
recording of:
Lieder eines fahrenden Gesellen: I. "Wenn mein Schatz Hochzeit macht" (on 1967-05-04)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler4:20
40Lieder eines fahrenden Gesellen, No. 2: Ging heut Morgen übers Feld
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1967-05-04)
orchestra:
Hallé Orchestra (on 1967-05-04)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-05-04)
balance engineer:
Neville Boyling (engineer) (on 1967-05-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-05-04)
recording of:
Lieder eines fahrenden Gesellen: II. "Ging heut morgen übers Feld" (on 1967-05-04)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler4:43
41Lieder eines fahrenden Gesellen, No. 3: Ich hab'ein glühend Messer
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1967-05-04)
orchestra:
Hallé Orchestra (on 1967-05-04)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-05-04)
balance engineer:
Neville Boyling (engineer) (on 1967-05-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-05-04)
recording of:
Lieder eines fahrenden Gesellen: III. "Ich hab' ein glühend Messer" (on 1967-05-04)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler3:34
42Lieder eines fahrenden Gesellen, No. 4: Die zwei blauen Augen von meinem Schatz
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1967-05-04)
orchestra:
Hallé Orchestra (on 1967-05-04)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-05-04)
balance engineer:
Neville Boyling (engineer) (on 1967-05-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-05-04)
recording of:
Lieder eines fahrenden Gesellen: IV. "Die zwei blauen Augen von meinem Schatz" (on 1967-05-04)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler5:06
43Rückert-Lieder, No. 3: Ich bin der Welt abhanden gekommen
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1967-05-04)
orchestra:
Hallé Orchestra (on 1967-05-04)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-05-04)
balance engineer:
Neville Boyling (engineer) (on 1967-05-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-05-04)
recording of:
Rückert Lieder: III. Ich bin der Welt abhanden gekommen (on 1967-05-04)
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 41)
part of:
Rückert-Lieder
Gustav Mahler6:58
44Symphony No. 2 in C minor, "Resurrection": Urlicht: Sehr feierlich aber schlicht (Choralmässig)
producer:
David R. Murray
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1986-04-27 until 1986-06-01)
orchestra:
City of Birmingham Symphony Orchestra (from 1986-04-27 until 1986-06-01)
conductor:
Simon Rattle (conductor) (from 1986-04-27 until 1986-06-01)
balance engineer:
Michael Sheady (engineer) (from 1986-04-27 until 1986-06-01)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1986-04-27 until 1986-06-01)
recording of:
Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht (Symphony no. 2 in C minor “Resurrection”: 4. Primeval Light. Very solemn, but simple) (from 1986-04-27 until 1986-06-01)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
[anonymous] (special purpose artist)
arrangement of:
Des Knaben Wunderhorn: Urlicht
part of:
Symphony no. 2 “Resurrection”
recording of:
Symphony no. 2 in C minor, "Resurrection": Urlicht: Sehr feierlich aber schlicht (Choralmässig)
version of:
Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht (Symphony no. 2 in C minor “Resurrection”: 4. Primeval Light. Very solemn, but simple)
Gustav Mahler5:10
45Messiah, HWV 56: He Was Despised
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
balance engineer:
Neville Boyling (engineer)
recording of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel12:41
46Ah! crudel nel pianto mio, HWV 78: Per trofei di mia costanza
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
English Chamber Orchestra
conductor:
Raymond Leppard (conductor and harpsichordist)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Ah! Crudel, Nel Pianto Mio, HWV 78: VI. Aria: Per trofei di mia costanza
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Ah! crudel, nel pianto mio, HWV 78
Georg Friedrich Händel7:47
47Armida Abbandonata (Dietro l'orme fugaci), HWV 105: Ah! crudel, e pur ten vai
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
English Chamber Orchestra
conductor:
Raymond Leppard (conductor and harpsichordist)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Armida Abbandonata, HWV 105: II. Aria: Ah! Crudele, e pur ten vai
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Armida abbandonata, HWV 105
Georg Friedrich Händel7:01
48Ich habe genug, BWV 82: Schlummert ein, ihr matten Augen
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
balance engineer:
Neville Boyling (engineer)
recording of:
Kantate, BWV 82a "Ich habe genug": III. Aria (Soprano) "Schlummert ein, ihr matten Augen" (in 1966-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 34)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
Johann Sebastian Bach9:54
49Weihnachtsoratorium, BWV 248: Bereite dich, Zion
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (from 1975-10-07 until 1975-10-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (on 1975-10-17)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:09
50St. John Passion, BWV 245: Es ist vollbracht
producer:
Christopher Bishop (conductor/producer)
viola da gamba:
Jane Ryan (British classical viol player) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" (from 1975-10-07 until 1975-10-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" (on 1975-10-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach5:38
51Bist du bei mir, BWV 508
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach) (from 1975-10-07 until 1975-10-09)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/S/4), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 508), Notebook for Anna Magdalena Bach (1725) (number: 25), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 508) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 508)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach) (on 1975-10-17)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/S/4), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 508), Notebook for Anna Magdalena Bach (1725) (number: 25), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 508) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 508)
Johann Sebastian Bach2:58
52Come Again, Sweet Love Doth Now Invite
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
The First Booke of Songs or Ayres, No. 17: "Come Again: Sweet Love Doth Now Invite"
composer:
John Dowland (composer and lutenist) (in 1597)
part of:
The First Booke of Songs or Ayres
John Dowland2:29
53Never Love Unlesse You Can
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
lute:
Robert Spencer (English lutenist, guitarist & musicologist)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
Thomas Campion1:09
54Oft Have I Sigh'd for Him That Heares Me Not
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
lute:
Robert Spencer (English lutenist, guitarist & musicologist)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Oft Have I Sighed
lyricist and composer:
Thomas Campion (English composer, poet & physician, 1567–1620)
Thomas Campion2:36
55If Thou Long'st So Much to Learn
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
lute:
Robert Spencer (English lutenist, guitarist & musicologist)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
If thou long’st so much to learn
composer:
Thomas Campion (English composer, poet & physician, 1567–1620)
Thomas Campion1:52
56Faine Would I Wed a Faire Young Man
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
lute:
Robert Spencer (English lutenist, guitarist & musicologist)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Faine Would I Wed (The Fourth Booke of Ayres, no. 11)
composer:
Thomas Campion (English composer, poet & physician, 1567–1620) (in 1617)
Thomas Campion1:18
57Sleep, Adam, Z. 195
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Sleep, Adam, and Take Thy Rest, Z. 195
lyricist:
[anonymous] (special purpose artist)
composer:
Henry Purcell (Baroque composer) (in 1683)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 195)
Henry Purcell1:54
58Lord, What Is Man?, Z. 192
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Lord, what is Man?, Z. 192
lyricist:
Dr. William Fuller
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 192)
Henry Purcell5:41
59Tell Me, Lovely Shepherd
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Solomon: Part I. "Tell me, lovely shepherd"
composer:
William Boyce (English baroque composer)
part of:
Solomon: Part I
William Boyce2:10
60My Lovely Celia
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord:
Martin Isepp (pianist, harpsichordist and conductor)
viola da gamba:
Ambrose Gauntlett
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
My Lovely Celia
composer:
George Munro (1680-1731)
George Munro2:24
61Where the Bee Sucks, There Lurk I
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
flute:
Douglas Whittaker (flautist)
harpsichord:
Martin Isepp (pianist, harpsichordist and conductor)
viola da gamba:
Ambrose Gauntlett
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Where the Bee Sucks
lyricist:
William Shakespeare (English poet and playwright)
composer:
Thomas Arne (composer)
Thomas Arne1:51
62Gretchen am Spinnrade, D. 118
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gerald Moore (pianist)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Neville Boyling (engineer) and Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Gretchen am Spinnrade, D. 118
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 118)
Franz Schubert3:39
63Ellens Gesang III ("Ave Maria"), D. 839
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gerald Moore (pianist)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto)
balance engineer:
Neville Boyling (engineer) and Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
lyricist:
[anonymous] (special purpose artist)
composer:
Franz Schubert (composer)
version of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
lyricist:
Jairo (Argentinean singer) and Sir Walter Scott (19th-century Scottish author)
composer:
Franz Schubert (composer) (in 1825)
translator:
Adam Storck
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 839)
Franz Schubert6:49
64Heidenröslein, D. 257
producer:
John Fraser (UK producer)
piano:
Geoffrey Parsons (pianist) (from 1980-04 until 1980-12)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1980-04 until 1980-12)
balance engineer:
Neville Boyling (engineer)
recording of:
Heidenröslein, D. 257 ("Sah ein Knab’ ein Röslein stehn”) (from 1980-04 until 1980-12)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer) (on 1815-08-19)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 257)
Franz Schubert1:50
65An die Musik, D. 547
producer:
John Fraser (UK producer)
piano:
Geoffrey Parsons (pianist)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Neville Boyling (engineer)
recording of:
An die Musik, D. 547 (original, for solo voice and piano)
lyricist:
Franz von Schober (Austrian poet, librettist, lithographer, actor)
composer:
Franz Schubert (composer) (in 1817-03)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 547)
Franz Schubert2:46
66Die Forelle, D. 550
producer:
John Fraser (UK producer)
piano:
Geoffrey Parsons (pianist)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Neville Boyling (engineer)
recording of:
Die Forelle, D. 550 (The Trout, D. 550)
lyricist:
Christian Friedrich Daniel Schubart (German poet) (from 1777 until 1787)
composer:
Franz Schubert (composer) (from 1816-11 until 1817-07)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 550)
is based on:
Die Forelle (Schubart poem, not the Schubert song)
Franz Schubert2:00
67Auf dem Wasser zu singen, D. 774
producer:
John Fraser (UK producer)
piano:
Geoffrey Parsons (pianist)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Neville Boyling (engineer)
recording of:
Auf dem Wasser zu singen, D. 774
lyricist:
Friedrich Leopold Graf zu Stolberg-Stolberg
composer:
Franz Schubert (composer) (until 1823)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 774)
Franz Schubert3:18
68Du bist die Ruh, D. 776
producer:
John Fraser (UK producer)
piano:
Geoffrey Parsons (pianist)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Neville Boyling (engineer)
recording of:
Du bist die Ruh’, D. 776
lyricist:
Friedrich Rückert (German poet)
composer:
Franz Schubert (composer) (in 1823)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 776)
Franz Schubert4:31
69Nacht und Träume, D. 827
producer:
John Fraser (UK producer)
piano:
Geoffrey Parsons (pianist)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Neville Boyling (engineer)
recording of:
Nacht und Träume, D. 827
lyricist:
Matthäus von Collin
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 827)
Franz Schubert4:32
70Gesang, D. 891
producer:
John Fraser (UK producer)
piano:
Geoffrey Parsons (pianist)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Neville Boyling (engineer)
recording of:
An Sylvia, D. 891 (for voice and piano)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Franz Schubert (composer) (in 1826)
translator:
Eduard von Bauernfeld (Austrian dramatist)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 891)
Franz Schubert3:00
71Frauenliebe und -leben, Op. 42 No. 1: Seit ich ihn gesehen
producer:
Suvi Raj Grubb
piano:
Daniel Barenboim (pianist and conductor)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Neville Boyling (engineer) and Robert Gooch (British classical sound engineer, active from late 1950's)
recording of:
Frauenliebe und -leben, op. 42: Nr. 1. Seit ich ihn gesehen
lyricist:
Adelbert von Chamisso
composer:
Robert Schumann (German classical composer)
part of:
Frauenliebe und -leben, op. 42
Robert Schumann2:29
72Frauenliebe und -leben, Op. 42 No. 2: Er, der Herrlichste von allen
producer:
Suvi Raj Grubb
piano:
Daniel Barenboim (pianist and conductor)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Neville Boyling (engineer) and Robert Gooch (British classical sound engineer, active from late 1950's)
recording of:
Frauenliebe und -leben, op. 42: Nr. 2. Er, der Herrlichste von allen
lyricist:
Adelbert von Chamisso
composer:
Robert Schumann (German classical composer)
part of:
Frauenliebe und -leben, op. 42
Robert Schumann3:09
73Frauenliebe und -leben, Op. 42 No. 3: Ich kann's nicht fassen, nicht glauben
producer:
Suvi Raj Grubb
piano:
Daniel Barenboim (pianist and conductor)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Neville Boyling (engineer) and Robert Gooch (British classical sound engineer, active from late 1950's)
recording of:
Frauenliebe und -leben, op. 42: Nr. 3. Ich kann's nicht fassen, nicht glauben
lyricist:
Adelbert von Chamisso
composer:
Robert Schumann (German classical composer)
part of:
Frauenliebe und -leben, op. 42
Robert Schumann1:52
74Frauenliebe und -leben, Op. 42 No. 4: Du Ring an meinem Finger
producer:
Suvi Raj Grubb
piano:
Daniel Barenboim (pianist and conductor)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto)
balance engineer:
Neville Boyling (engineer) and Robert Gooch (British classical sound engineer, active from late 1950's)
recording of:
Frauenliebe und -leben, op. 42: Nr. 4. Du Ring an meinem Finger
lyricist:
Adelbert von Chamisso
composer:
Robert Schumann (German classical composer)
part of:
Frauenliebe und -leben, op. 42
Robert Schumann2:50
75Frauenliebe und -leben, Op. 42 No. 5: Helft mir, ihr Schwestern
producer:
Suvi Raj Grubb
piano:
Daniel Barenboim (pianist and conductor)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Neville Boyling (engineer) and Robert Gooch (British classical sound engineer, active from late 1950's)
recording of:
Frauenliebe und -leben, op. 42: Nr. 5. Helft mir, ihr Schwestern
lyricist:
Adelbert von Chamisso
composer:
Robert Schumann (German classical composer)
part of:
Frauenliebe und -leben, op. 42
Robert Schumann2:02
76Frauenliebe und -leben, Op. 42 No. 6: Süßer Freund, du blickest mich verwundert an
producer:
Suvi Raj Grubb
piano:
Daniel Barenboim (pianist and conductor)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Neville Boyling (engineer) and Robert Gooch (British classical sound engineer, active from late 1950's)
recording of:
Frauenliebe und -leben, op. 42: Nr. 6. Süßer Freund, du blickest
lyricist:
Adelbert von Chamisso
composer:
Robert Schumann (German classical composer)
part of:
Frauenliebe und -leben, op. 42
Robert Schumann5:08
77Frauenliebe und -leben, Op. 42 No. 7: An meinem Herzen, an meiner Brust
producer:
Suvi Raj Grubb
piano:
Daniel Barenboim (pianist and conductor)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Neville Boyling (engineer) and Robert Gooch (British classical sound engineer, active from late 1950's)
recording of:
Frauenliebe und -leben, op. 42: Nr. 7. An meinem Herzen, an meiner Brust
lyricist:
Adelbert von Chamisso
composer:
Robert Schumann (German classical composer)
part of:
Frauenliebe und -leben, op. 42
Robert Schumann1:25
78Frauenliebe und -leben, Op. 42 No. 8: Nun hast du mir den ersten Schmerz getan
producer:
Suvi Raj Grubb
piano:
Daniel Barenboim (pianist and conductor)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Neville Boyling (engineer) and Robert Gooch (British classical sound engineer, active from late 1950's)
recording of:
Frauenliebe und -leben, op. 42: Nr. 8. Nun hast du mir den ersten Schmerz getan
lyricist:
Adelbert von Chamisso
composer:
Robert Schumann (German classical composer)
part of:
Frauenliebe und -leben, op. 42
Robert Schumann4:12
79Neue Liebe, Op. 19a No. 4
producer:
John Fraser (UK producer)
piano:
Geoffrey Parsons (pianist) (in 1980-12)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (in 1980-12)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1980-12)
recording of:
Neue Liebe, op. 19a no. 4 (in 1980-12)
lyricist:
Heinrich Heine (German poet)
composer:
Felix Mendelssohn (composer)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV K 70)
part of:
6 Gesänge, op. 19a
Felix Mendelssohn2:20
80Auf Flügeln des Gesanges, Op. 34 No. 2
producer:
John Fraser (UK producer)
piano:
Geoffrey Parsons (pianist) (in 1980-12)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (in 1980-12)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1980-12)
recording of:
Auf Flügeln des Gesanges, op. 34 Nr. 2 (original for voice and piano) (in 1980-12)
lyricist:
Heinrich Heine (German poet)
composer:
Felix Mendelssohn (composer) (in 1836)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV K 86)
part of:
6 Gesänge, op. 34
Felix Mendelssohn3:16
81Nachtlied, Op. 71 No. 6
producer:
John Fraser (UK producer)
piano:
Geoffrey Parsons (pianist) (in 1980-12)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (in 1980-12)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1980-12)
recording of:
Nachtlied, op. 71 no. 6 (in 1980-12)
lyricist:
Joseph von Eichendorff
composer:
Felix Mendelssohn (composer) (in 1847)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV K 125)
part of:
6 Lieder, op. 71
Felix Mendelssohn4:16
82Die Lorelei, S. 273
producer:
John Fraser (UK producer)
piano:
Geoffrey Parsons (pianist)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
balance engineer:
Neville Boyling (engineer) and Robert Gooch (British classical sound engineer, active from late 1950's)
Franz Liszt7:28
83Über allen gipfeln ist Ruh', S. 306
producer:
John Fraser (UK producer)
piano:
Geoffrey Parsons (pianist) (from 1979-06 until 1980-04)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1979-06 until 1980-04)
balance engineer:
Neville Boyling (engineer) and Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-06 until 1980-04)
recording of:
Über allen Gipfeln ist Ruh, S. 306 (unspecified version) (from 1979-06 until 1980-04)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
Franz Liszt3:14