Armageddon: The Album

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 11 disponibili)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1I Don’t Want to Miss a Thing
assistente tecnico:
Alex Dejonge (engineer) e Rob Murphy (Engineer)
tecnico e tecnico di missaggio:
Dave Thoener
produttore:
Matt Serletic
arrangiatore archi :
Suzie Katayama
arrangiatore:
Matt Serletic
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1998)
registrata presso e mixata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
parte di:
BILLIONS CLUB e The Downloader’s Music Source Book (numero: 228)
registrazione di:
I Don’t Want to Miss a Thing
paroliere e compositore:
Diane Warren (US songwriter)
editore:
Realsongs (conclusa), Manatt, Phelps & Phillips, LLP, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 71st Academy Award for Best Original Song (numero: 2)
Aerosmith4.054:59
2Remember Me
tecnico, produttore e tecnico di missaggio:
Kevin Shirley (producer & mixer)
voce principale:
Steve Augeri
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1998)
registrata presso e mixata presso:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
registrazione di:
Remember Me (Armageddon)
autore:
Jack Blades (of Night Ranger), Jonathan Cain e Neal Schon
editore:
No More Tails Music, Ranch Rock Music, So Much Music e Sony/ATV Songs LLC
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック (Fujipacific Music, Inc.) e 日音 Synch事業部 (NICHION, INC. Synch Division)
Journey35:30
3What Kind of Love Are You On
assistente tecnico:
Alex Dejonge (engineer) e Rob Murphy (Engineer)
tecnico e tecnico di missaggio:
David Thoener
assistente produttore:
Mark Dobson (engineer)
produttore:
Matt Serletic
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1998, nel 1999)
registrata presso e mixata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
registrazione di:
What Kind of Love Are You On
autore:
Jack Blades (of Night Ranger), Joe Perry (guitarist for Aerosmith), Tommy Shaw (of Styx) e Steven Tyler
editore:
EMI April Music Inc., Ranch Rock Music, Swag Song Music, Inc., Tranquility Base Songs e WB Music Corp. (1929–2019)
Aerosmith3.753:16
4La Grange
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1974)
registrazione di:
La Grange
autore:
Frank Beard (ZZ Top drummer), Billy Gibbons e Dusty Hill
editore:
Hamstein Music Company (publisher), Music of Stage Three, Songs of Mosaic e Stage Three Songs
si basa su:
Boogie Chillen’
ZZ Top43:35
5Roll Me Away
tecnico:
Shelly Yakus
produttore:
Jimmy Iovine
tecnico di missaggio:
Greg Edward, Punch (Ed Andrews, Bob Seger's Manager) e Bob Seger
basso :
Chris Campbell (US bassist for Bob Seger & the Silver Bullet Band)
batteria :
Russ Kunkel (session drummer)
chitarra :
Waddy Wachtel
organo :
Craig Frost
percussione :
Bobbye Hall
pianoforte :
Roy Bittan
sintetizzatore :
Michael Boddicker
voce:
Bob Seger
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1982) e Hideout Records & Distributors, Inc. (nel 1982)
registrata presso:
Studio 55 in Los Angeles, California, Stati Uniti
mixata presso:
Rumbo Recorders in Canoga Park, Los Angeles, California, Stati Uniti
registrazione di:
Roll Me Away
paroliere e compositore:
Bob Seger
editore:
Hideout Records/Distribtrs Inc (Gear Publishing Div) e Gear Publishing Co (nel 1982)
Bob Seger & the Silver Bullet Band3.754:38
6When the Rainbow Comes
tecnico:
Bill Drescher (Producer and sound engineer) e Marc Greene (engineer)
produttore:
Marc Tanner
tecnico di missaggio:
Bill Drescher (Producer and sound engineer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1998)
registrata presso:
Cedar Creek Studios in Austin, Texas, Stati Uniti e The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti
mixata presso:
The Enterprise (aka Enterprise Studios) in Burbank, California, Stati Uniti
registrazione di:
When the Rainbow Comes
paroliere e compositore:
Karl Wallinger
editore:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Shawn Colvin2.54:21
7Sweet Emotion
produttore:
Jack Douglas
remixer:
David Thoener (nel 1991)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1975)
registrata presso e mixata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
remix di:
Sweet Emotion (album version) di Aerosmith (American hard rock band)
registrazione di:
Sweet Emotion
autore:
Tom Hamilton (bassist for Aerosmith) e Steven Tyler
editore:
Daksel LLC, Daksel Music Corp., Music of Stage Three Aerosmith Account, Song and Dance Music, Sony/ATV Songs LLC e Vindaloo Productions, Inc.
Aerosmith45:10
8Mister Big Time
tecnico:
Obie O’Brien
produttore:
Jon Bon Jovi, Stephen Lironi e Aldo Nova (Canadian rock musician)
tecnico di missaggio:
Kevin Shirley (producer & mixer)
diritti fonografici (℗) detenuti da:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (nel 1988)
mixata presso:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
registrazione di:
Mister Big Time
autore:
Jon Bon Jovi e Aldo Nova (Canadian rock musician)
editore:
Aldo Nova, Inc., Bon Jovi Publishing e PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Jon Bon Jovi32:47
9Come Together
produttore:
Jack Douglas e George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
diritti fonografici (℗) detenuti da:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (nel 1978) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1978)
parte di:
The Downloader’s Music Source Book (numero: 220)
registrazione cover di:
Come Together
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI-Songs Musikverlag, Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC e Sony/ATV Tunes LLC (ASCAP)
si basa su:
You Can’t Catch Me
registrazione di:
Come Together
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI-Songs Musikverlag, Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC e Sony/ATV Tunes LLC (ASCAP)
si basa su:
You Can’t Catch Me
Aerosmith3.553:45
10Wish I Were You
assistente tecnico:
Jason Stasium
tecnico e tecnico di missaggio:
Gary Tole
assistente produttore:
Mark Dobson (engineer)
produttore:
Matt Serletic
editor:
Mark Dobson (engineer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1998)
registrata presso e mixata presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
registrazione di:
Wish I Were You
autore:
Glen Burtnik e Patty Smyth‐MacEnroe
editore:
EMI Blackwood Music Inc., Pink Smoke Music e War Bride Music
Patty Smyth33:50
11Starseed
tecnico e produttore:
Arnold Lanni
remixer:
Kevin Shirley (producer & mixer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (Canada) Inc. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1994)
registrata presso e lavorazione tecnica effettuata presso:
Arnyard Studios in Toronto, Ontario, Canada
mixata presso:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
registrazione di:
Starseed
paroliere:
Raine Maida
compositore:
Chris Eacrett, Arnold Lanni, Raine Maida e Mike Turner (former guitarist of Our Lady Peace)
editore:
Catchit Songs, Lanni Tunes, Seacret Publishing, Sony/ATV Tunes LLC (ASCAP), Under Zenith, Sony Music Publishing (worldwide except Japan, ended 1995) (dal 1994 al 1995) e Sony/ATV Music Publishing Canada (SOCAN) (dal 1995 a oggi)
Our Lady Peace34:22
12Leaving on a Jet Plane
tecnico di registrazione:
Noel Golden (producer and engineer) e Rick Will
tecnico aggiunto:
Giles Reaves
produttore:
Peter Asher e Jay Joyce
tecnico di missaggio:
Kevin Killen e George Massenburg
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (Canada) Inc. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1998, nel 1999)
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
mixata presso:
Effanel Music in New York, Stati Uniti
registrazione cover di:
Leaving on a Jet Plane
paroliere e compositore:
John Denver
editore:
BMG Ruby Songs, Cherry Lane Music Publishing Inc, Cherry Lane Music, Inc., Reservoir Media Music (B) e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Chantal Kreviazuk44:41
13Theme From Armageddon
editor:
Will Kaplan
esecutore:
Trevor Rabin (South African musician and score composer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (Canada) Inc. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1998)
registrata presso e mixata presso:
The Jacaranda Room (Trevor Rabin's home studio) in Los Angeles, California, Stati Uniti
registrazione di:
Theme From Armageddon
compositore:
Trevor Rabin (South African musician and score composer)
editore:
Buena Vista Music Co.
Trevor Rabin43:08
14Animal Crackers
tecnico di registrazione:
Slamm Andrews e Kevin Globerman
produttore:
Matt Serletic
tecnico di missaggio:
Slamm Andrews e Kevin Shirley (producer & mixer)
editor:
Mark Dobson (engineer)
voce parlata:
Ben Affleck e Liv Tyler
voce principale:
Steven Tyler
arrangiatore:
Matt Serletic
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (Canada) Inc. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1998)
registrazione di:
Animal Crackers
autore:
Harry Gregson‐Williams (English score composer), Trevor Rabin (South African musician and score composer) e Diane Warren (US songwriter)
editore:
Buena Vista Music Co. e Realsongs
Steven Tyler22:36