Titanic: Music From the Motion Picture (collector’s anniversary edition)

~ Pubblicazione di James Horner (visualizza tutte le versioni di questa pubblicazione: 33 disponibili)

Annotazione

℗ «1997 Paramount Pictures. Under exclusive license to Sony Music Entertainment.»
℗ «1997 Sony Music Entertainment (Canada) Inc.»
℗ «1998 Paramount Pictures. Under exclusive license to Sony Music Entertainment.»
℗ «1998 Sony Music Entertainment (Canada) Inc.»
℗ «2012 Paramount Pictures. Under exclusive license to Sony Music Entertainment/Compilation»
℗ «2012 Sony Music Entertainment. Originally Recorded 1914, 1938 Sony Music Entertainment / Originally Released 1925, 1927, 1929, 1932, 1933, 1936, 1937, 1940, 1946 Sony Music Entertainment»

Note: ""2-03"" "Alexander's Ragtime Band" - I Salonisti (2:31) and ""3-10"" Alexander's Ragtime Band - I Salonisti (2:28) are two different versions of the same song. ""2-03"" has the piano playing the melody and a violin playing the harmony. ""3-10"" is piano only.

Annotazione modificata l'ultima volta il 2020-01-24 00:44 UTC.

Elenco tracce

1▶Supporto digitale: Titanic Original Motion Picture Soundtrack (Remastered)
2▼Supporto digitale: (Back To Titanic) (Remastered)
#TitoloArtistaValutazioneDurata
1Titanic Suite
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistente tecnico:
Jon Bailey (engineer) e Jake Jackson (recording engineer)
editor:
Jim Henrikson
cori:
Choristers of King’s College, Cambridge
voce:
Sissel
orchestra:
London Symphony Orchestra
direttore d'orchestra:
James Horner (American score composer)
maestro del coro:
Stephen Cleobury (organist, conductor)
orchestratore:
James Horner (American score composer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1998)
registrata presso e mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Titanic Incidental Music
compositore:
James Horner (American score composer)
editore:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
James Horner19:05
2An Irish Party in Third Class (includes “John Ryan’s Polka” and “Blarney Pilgrim”)
produttore:
Randy Gerston
tecnico di missaggio:
Bill Drescher (Producer and sound engineer) e Randy Gerston
arrangiatore:
Gaelic Storm
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1998)
medley che comprende una registrazione di:
Ryan’s Polka (Irish polka)
compositore:
[traditional] (special purpose artist)
medley che comprende una registrazione di:
The Blarney Pilgrim
compositore:
[traditional] (special purpose artist)
Gaelic Storm3:48
3Alexander’s Ragtime Band
produttore:
John Altman
tecnico di missaggio:
Bill Drescher (Producer and sound engineer) e Randy Gerston
violoncello, contrabbasso [bass], pianoforte e violino :
I Salonisti
arrangiatore:
John Altman
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1998)
registrazione strumentale di:
Alexander’s Ragtime Band
paroliere e compositore:
Irving Berlin (nel 1911)
editore:
Williamson Music, Inc.
I Salonisti2:31
4The Portrait
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistente tecnico:
Jon Bailey (engineer) e Jake Jackson (recording engineer)
editor:
Jim Henrikson
pianoforte solista :
James Horner (American score composer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1998)
registrata presso e mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
The Portrait
compositore:
James Horner (American score composer)
editore:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
James Horner4:43
5Jack Dawson’s Luck (includes “Humours of Caledon”, “The Red-Haired Lass”, “The Boys on the Hilltop” & “The Bucks of Oranmore”)
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistente tecnico:
Jon Bailey (engineer) e Jake Jackson (recording engineer)
editor:
Jim Henrikson
direttore d'orchestra:
James Horner (American score composer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1998)
registrata presso e mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Jack Dawson’s Luck
compositore:
James Horner (American score composer)
editore:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
medley di:
Humours of Caledon
medley di:
The Red Haired Lass
medley di:
The Boys on the Hilltop
medley di:
The Bucks of Oranmore (reel)
James Horner5:39
6A Building Panic (album suite)
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistente tecnico:
Jon Bailey (engineer) e Jake Jackson (recording engineer)
editor:
Jim Henrikson
direttore d'orchestra:
James Horner (American score composer)
orchestratore:
James Horner (American score composer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1998)
registrata presso e mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
A Building Panic
compositore:
James Horner (American score composer)
editore:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
James Horner8:09
7Nearer My God to Thee
produttore:
Lorenz Hasler (Swiss violinist)
tecnico di missaggio:
Bill Drescher (Producer and sound engineer) e Randy Gerston
violoncello, contrabbasso [bass], pianoforte e violino :
I Salonisti
voce parlata:
Jonathan Evans‐Jones (violinist)
arrangiatore:
Jonathan Evans‐Jones (violinist)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1998)
registrazione strumentale di:
Nearer, My God, to Thee (Bethany)
paroliere:
Sarah Flower Adams (English poet, and notably lyricist of the hymn "Nearer, My God, to Thee") (nel 1841)
compositore:
Lowell Mason (nel 1856)
editore:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) e Skyhill Music (nel 1971)
parte di:
Roud Folk Song Index (numero: 28881)
I Salonisti2:50
8Come Josephine, in My Flying Machine
tecnico:
Ray Pyle
produttore:
Randy Gerston
voce:
Máire Brennan (formerly known as Máire Brennan)
voce parlata:
Ioan Gruffudd e Kate Winslet
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1998)
registrazione di:
Come Josephine, in My Flying Machine
paroliere:
Alfred Bryan (US songwriter)
compositore:
Fred Fisher
editore:
Bienstock Publishing Co. (ASCAP affiliated) e Shapiro & Bernstein Co., Inc.
James Horner3:33
9Lament (includes “A Spailpín a Rún”)
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistente tecnico:
Jon Bailey (engineer) e Jake Jackson (recording engineer)
editor:
Jim Henrikson
direttore d'orchestra:
James Horner (American score composer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1998)
registrata presso e mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Lament
compositore:
James Horner (American score composer)
editore:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
si basa su:
A spailpín a rún
James Horner4:36
10A Shore Never Reached
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistente tecnico:
Jon Bailey (engineer) e Jake Jackson (recording engineer)
editor:
Jim Henrikson
orchestra:
London Symphony Orchestra
direttore d'orchestra:
James Horner (American score composer)
orchestratore:
James Horner (American score composer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1998)
registrata presso e mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
A Shore Never Reached
compositore:
James Horner (American score composer)
editore:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
James Horner4:27
11My Heart Will Go On (dialogue mix) (includes “Titanic” film dialogue)
produttore:
Walter Afanasieff e James Horner (American score composer)
voce:
Céline Dion
voce parlata:
Leonardo DiCaprio e Kate Winslet
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (Canada) Inc. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1998)
registrazione di:
My Heart Will Go On
paroliere:
Will Jennings
compositore:
James Horner (American score composer)
editore:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (fino al 2014-12-31) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (dal 2015-01-01 a oggi)
parte di:
The 70th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1997 winner)
parte di:
Titanic
Céline Dion4:43
12Nearer My God to Thee
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistente tecnico:
Jon Bailey (engineer) e Jake Jackson (recording engineer)
tecnico:
Steve Hardy (engineer)
editor:
Jim Henrikson
violino :
Eileen Ivers
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1998)
registrata presso e mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione strumentale di:
Nearer, My God, to Thee (Bethany)
paroliere:
Sarah Flower Adams (English poet, and notably lyricist of the hymn "Nearer, My God, to Thee") (nel 1841)
compositore:
Lowell Mason (nel 1856)
editore:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) e Skyhill Music (nel 1971)
parte di:
Roud Folk Song Index (numero: 28881)
James Horner2:23
13Epilogue – The Deep and Timeless Sea
tecnico di registrazione e tecnico di missaggio:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistente tecnico:
Jon Bailey (engineer) e Jake Jackson (recording engineer)
editor:
Jim Henrikson
cori:
Choristers of King’s College, Cambridge
voce:
Sissel
orchestra:
London Symphony Orchestra
direttore d'orchestra:
James Horner (American score composer)
maestro del coro:
Stephen Cleobury (organist, conductor)
orchestratore:
James Horner (American score composer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1998)
registrata presso e mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Epilogue - The Deep and Timeless Sea
compositore:
James Horner (American score composer)
editore:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
James Horner12:37
3▶Supporto digitale: Gentlemen, It Has Been A Privilege Playing With You Tonight
4▶Supporto digitale: (Popular Music From The Titanic Era)