The Italian Tenor

~ Release by Vittorio Grigolo (see all versions of this release, 2 available)

Annotation

Rated by David Keller of Classic FM as among the best opera recordings of 2010.

Annotation last modified on 2014-11-01 22:38 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Luisa Miller: Atto II. "Oh! fede negar potessi" / "Quando le sere al placido" (Rodolfo)
recording engineer:
Mark Bücker (recording engineer) and Stephan Flock
executive producer:
Valérie Groß
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Coro del Teatro dell'Opera di Parma
tenor vocals:
Vittorio Grigolo (Italian tenor)
orchestra:
Orchestra dell'Opera di Parma
conductor:
Pier Giorgio Morandi (conductor)
chorus master:
Martino Faggiani (chorus master)
recorded at:
Auditorium Niccolò Paginini in Parma, Emilia-Romagna, Italy (from 2010-01-28 until 2010-02-01)
recording of:
Luisa Miller: Atto II. “Oh! fede negar potessi” / “Quando le sere al placido” (Rodolfo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi5:36
2L'elisir d'amore: Atto II. "Una furtiva lagrima" (Nemorino)
recording engineer:
Mark Bücker (recording engineer) and Stephan Flock
executive producer:
Valérie Groß
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Coro del Teatro dell'Opera di Parma
tenor vocals:
Vittorio Grigolo (Italian tenor)
orchestra:
Orchestra dell'Opera di Parma
conductor:
Pier Giorgio Morandi (conductor)
chorus master:
Martino Faggiani (chorus master)
recorded at:
Auditorium Niccolò Paginini in Parma, Emilia-Romagna, Italy (from 2010-01-28 until 2010-02-01)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:52
3Rigoletto: Atto II, Scena "Ella mi fu rapita!" / Aria "Parmi veder le lagrime" (Duca)
recording engineer:
Mark Bücker (recording engineer) and Stephan Flock
executive producer:
Valérie Groß
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Coro del Teatro dell'Opera di Parma
tenor vocals:
Vittorio Grigolo (Italian tenor)
orchestra:
Orchestra dell'Opera di Parma
conductor:
Pier Giorgio Morandi (conductor)
chorus master:
Martino Faggiani (chorus master)
recorded at:
Auditorium Niccolò Paginini in Parma, Emilia-Romagna, Italy (from 2010-01-28 until 2010-02-01)
recording of:
Rigoletto: Atto II: “Ella mi fu rapita!” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
Giuseppe Verdi4:57
4Rigoletto: Atto II. "Ma dove or trovasi la poveretta?" ... "Possente amor mi chiama" (Duca)
recording engineer:
Mark Bücker (recording engineer) and Stephan Flock
executive producer:
Valérie Groß
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Coro del Teatro dell'Opera di Parma
tenor vocals:
Vittorio Grigolo (Italian tenor)
orchestra:
Orchestra dell'Opera di Parma
conductor:
Pier Giorgio Morandi (conductor)
chorus master:
Martino Faggiani (chorus master)
recorded at:
Auditorium Niccolò Paginini in Parma, Emilia-Romagna, Italy (from 2010-01-28 until 2010-02-01)
recording of:
Rigoletto: Atto II. "Possente amor mi chiama" (Borsa, Marullo, Ceprano, Duca, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto II
Giuseppe Verdi3:28
5La favorita: "Favorita del re!" ... "Spirto gentil"
recording engineer:
Mark Bücker (recording engineer) and Stephan Flock
executive producer:
Valérie Groß
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Coro del Teatro dell'Opera di Parma
tenor vocals:
Vittorio Grigolo (Italian tenor)
orchestra:
Orchestra dell'Opera di Parma
conductor:
Pier Giorgio Morandi (conductor)
chorus master:
Martino Faggiani (chorus master)
recorded at:
Auditorium Niccolò Paginini in Parma, Emilia-Romagna, Italy (from 2010-01-28 until 2010-02-01)
recording of:
La favorita: Atto IV, Scena 3. “Favorita del re!” (Baldassarre, Fernando)
composer:
Gaetano Donizetti (Italian opera composer)
translated version of:
La Favorite: Acte IV, Scène 3. « La maîtresse du roi ? « ... « Ange si pur “ (Balthazar, Fernand)
part of:
La favorita: Atto IV
recording of:
La favorita: Atto IV, Scena 3. “Spirto gentil” (Fernando)
composer:
Gaetano Donizetti (Italian opera composer)
translated version of:
La Favorite: Acte IV, Scène 3. « La maîtresse du roi ? « ... « Ange si pur “ (Balthazar, Fernand)
part of:
La favorita: Atto IV
Gaetano Donizetti5:03
6La boheme: Atto I. "Che gelida manina!" (Rodolfo)
recording engineer:
Mark Bücker (recording engineer) and Stephan Flock
executive producer:
Valérie Groß
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Coro del Teatro dell'Opera di Parma
tenor vocals:
Vittorio Grigolo (Italian tenor)
orchestra:
Orchestra dell'Opera di Parma
conductor:
Pier Giorgio Morandi (conductor)
chorus master:
Martino Faggiani (chorus master)
recorded at:
Auditorium Niccolò Paginini in Parma, Emilia-Romagna, Italy (from 2010-01-28 until 2010-02-01)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini5:01
7Gianni Schicchi: Aria "Avete torto!" / "Firenze è come un albero fiorito" (Rinuccio)
recording engineer:
Mark Bücker (recording engineer) and Stephan Flock
executive producer:
Valérie Groß
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Coro del Teatro dell'Opera di Parma
tenor vocals:
Vittorio Grigolo (Italian tenor)
orchestra:
Orchestra dell'Opera di Parma
conductor:
Pier Giorgio Morandi (conductor)
chorus master:
Martino Faggiani (chorus master)
recorded at:
Auditorium Niccolò Paginini in Parma, Emilia-Romagna, Italy (from 2010-01-28 until 2010-02-01)
recording of:
Gianni Schicchi: Aria “Avete torto!” (Rinuccio)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
part of:
Gianni Schicchi
recording of:
Gianni Schicchi: Aria “Firenze è come un albero fiorito” (Rinuccio)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
part of:
Gianni Schicchi
Giacomo Puccini3:16
8Le villi: Atto II. "Ecco la casa...Torna ai felici di"
recording engineer:
Mark Bücker (recording engineer) and Stephan Flock
executive producer:
Valérie Groß
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Coro del Teatro dell'Opera di Parma
tenor vocals:
Vittorio Grigolo (Italian tenor)
orchestra:
Orchestra dell'Opera di Parma
conductor:
Pier Giorgio Morandi (conductor)
chorus master:
Martino Faggiani (chorus master)
recorded at:
Auditorium Niccolò Paginini in Parma, Emilia-Romagna, Italy (from 2010-01-28 until 2010-02-01)
recording of:
Le Villi: Atto II. Scene dramatica, romanza "Torna ai felici di" (Roberto)
lyricist:
Ferdinando Fontana
composer:
Giacomo Puccini (Italian composer)
part of:
Le Villi: Atto II
Giacomo Puccini6:11
9Il corsaro: Atto I, Scena II. "Ah si, ben dite...querra..." / "Tutto parea sorridere" (Corrado)
recording engineer:
Mark Bücker (recording engineer) and Stephan Flock
executive producer:
Valérie Groß
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Coro del Teatro dell'Opera di Parma
tenor vocals:
Vittorio Grigolo (Italian tenor)
orchestra:
Orchestra dell'Opera di Parma
conductor:
Pier Giorgio Morandi (conductor)
chorus master:
Martino Faggiani (chorus master)
recorded at:
Auditorium Niccolò Paginini in Parma, Emilia-Romagna, Italy (from 2010-01-28 until 2010-02-01)
recording of:
Il corsaro: Atto I, Scena II, "Ah sì, ben dite... guerra..." (Corrado)
part of:
Il corsaro: Atto I
recording of:
Il corsaro: Atto I, Scena II, "Tutto parea sorridere" (Corrado)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il corsaro: Atto I
Giuseppe Verdi4:08
10Il corsaro: Atto I, Scena III. "Della brezza col favore" / "Sì: de' corsari il fulmine" (Corrado, Giovanni)
recording engineer:
Mark Bücker (recording engineer) and Stephan Flock
executive producer:
Valérie Groß
producer:
Christopher Alder (editor/engineer/producer)
bass vocals:
Danilo Rigosa (operatic bass)
choir vocals:
Coro del Teatro dell'Opera di Parma
tenor vocals:
Vittorio Grigolo (Italian tenor)
orchestra:
Orchestra dell'Opera di Parma
conductor:
Pier Giorgio Morandi (conductor)
chorus master:
Martino Faggiani (chorus master)
recorded at:
Auditorium Niccolò Paginini in Parma, Emilia-Romagna, Italy (from 2010-01-28 until 2010-02-01)
recording of:
Il corsaro: Atto I, Scena III, "Della brezza col favore" (Giovanni, Corrado, Coro)
part of:
Il corsaro: Atto I
recording of:
Il corsaro: Atto I, Scena III, "Sì: de' corsari il fulmine" (Corrado, Giovanni, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il corsaro: Atto I
Giuseppe Verdi3:44
11In ballo in maschera: Atto III, "Force la soglia attinse" / "Ma se m' è forza perderti" (Riccardo)
recording engineer:
Mark Bücker (recording engineer) and Stephan Flock
executive producer:
Valérie Groß
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Coro del Teatro dell'Opera di Parma
tenor vocals:
Vittorio Grigolo (Italian tenor)
orchestra:
Orchestra dell'Opera di Parma
conductor:
Pier Giorgio Morandi (conductor)
chorus master:
Martino Faggiani (chorus master)
recorded at:
Auditorium Niccolò Paginini in Parma, Emilia-Romagna, Italy (from 2010-01-28 until 2010-02-01)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21a. Scena “Forse la soglia attinse” (Riccardo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21b. Romanza “Ma se m'è forza perderti” (Riccardo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi4:55
12Manon Lescaut: Atto I. "Donna non vidi mai simile a questa!"
recording engineer:
Mark Bücker (recording engineer) and Stephan Flock
executive producer:
Valérie Groß
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Coro del Teatro dell'Opera di Parma
tenor vocals:
Vittorio Grigolo (Italian tenor)
orchestra:
Orchestra dell'Opera di Parma
conductor:
Pier Giorgio Morandi (conductor)
chorus master:
Martino Faggiani (chorus master)
recorded at:
Auditorium Niccolò Paginini in Parma, Emilia-Romagna, Italy (from 2010-01-28 until 2010-02-01)
recording of:
Manon Lescaut: Atto I. “Donna non vidi mai simile a questa!” (Des Grieux)
composer:
Giacomo Puccini (Italian composer) (in 1893)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto I
Giacomo Puccini2:38
13Tosca: Atto II. "E lucevan le stelle" (Cavaradossi)
recording engineer:
Mark Bücker (recording engineer) and Stephan Flock
executive producer:
Valérie Groß
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Coro del Teatro dell'Opera di Parma
tenor vocals:
Vittorio Grigolo (Italian tenor)
orchestra:
Orchestra dell'Opera di Parma
conductor:
Pier Giorgio Morandi (conductor)
chorus master:
Martino Faggiani (chorus master)
recorded at:
Auditorium Niccolò Paginini in Parma, Emilia-Romagna, Italy (from 2010-01-28 until 2010-02-01)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini3:12
14Il trovatore" Atto III, Scena II. "Ah! sì, ben mio coll'essere io tuo" (Manrico)
recording engineer:
Mark Bücker (recording engineer) and Stephan Flock
executive producer:
Valérie Groß
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Coro del Teatro dell'Opera di Parma
tenor vocals:
Vittorio Grigolo (Italian tenor)
orchestra:
Orchestra dell'Opera di Parma
conductor:
Pier Giorgio Morandi (conductor)
chorus master:
Martino Faggiani (chorus master)
recorded at:
Auditorium Niccolò Paginini in Parma, Emilia-Romagna, Italy (from 2010-01-28 until 2010-02-01)
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:03
15Il trovatore: Atto III, Scena II. "Manrico?...Che?..." / "Di quella pira l'orrendo foco" ( Leonora, Ruiz) / (Manrico)
recording engineer:
Mark Bücker (recording engineer) and Stephan Flock
executive producer:
Valérie Groß
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Coro del Teatro dell'Opera di Parma
soprano vocals:
Maria Cioppi (operatic soprano)
tenor vocals:
Luca Casalin (operatic tenor) and Vittorio Grigolo (Italian tenor)
orchestra:
Orchestra dell'Opera di Parma
conductor:
Pier Giorgio Morandi (conductor)
chorus master:
Martino Faggiani (chorus master)
recorded at:
Auditorium Niccolò Paginini in Parma, Emilia-Romagna, Italy (from 2010-01-28 until 2010-02-01)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
partial recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi4:05