Andrea Chénier

~ Release by Umberto Giordano; Maria Callas, Maria Amadini, Aldo Protti, Mario del Monaco, Orchestra del Teatro alla Scala di Milano, Antonino Votto (see all versions of this release, 4 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Andrea Chénier: Atto I. “Questo azzuro sofà là collochiam” (Il Maestro di Casa)
bass vocals [Il maestro di casa]:
Carlo Forti (operatic bass) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto I. “Questo azzurro sofà” (Il Maestro di Casa) / “Compiacente a’colloqui” … “Son sessant’anni, o vecchio” (Gérard) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano0:41
2Andrea Chénier: Atto I. “Compiacente a'colloqui” (Gérard)
baritone vocals [Carlo Gérard]:
Aldo Protti (bass-baritone) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto I. “Questo azzurro sofà” (Il Maestro di Casa) / “Compiacente a’colloqui” … “Son sessant’anni, o vecchio” (Gérard) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano1:17
3Andrea Chénier: Atto I. “Son sessant'anni, o vecchio, che tu servi!“ (Gérard)
baritone vocals [Carlo Gérard]:
Aldo Protti (bass-baritone) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto I. “Questo azzurro sofà” (Il Maestro di Casa) / “Compiacente a’colloqui” … “Son sessant’anni, o vecchio” (Gérard) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano2:52
4Andrea Chénier: Atto I. “Il giorno intorno già s'inserra lentamente!” (Maddalena/Gérard)
baritone vocals [Carlo Gérard]:
Aldo Protti (bass-baritone) (on 1955-01-08)
soprano vocals [Maddalena di Coigny]:
Maria Callas (soprano) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto I. “Il giorno intorno già s’insera lentamente!” (Maddalena, Gérard) / “Via, v’affretate” (Contessa, Gérard, Maddalena, Bersi) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano0:56
5Andrea Chénier: Atto I. “Via, v'affrettate” (Contessa/Gérard/Maddalena/Bersi)
baritone vocals [Carlo Gérard]:
Aldo Protti (bass-baritone) (on 1955-01-08)
mezzo-soprano vocals [La contessa di Coigny]:
Maria Amadini (mezzo-soprano) (on 1955-01-08)
mezzo-soprano vocals [La mulatta Bersi]:
Silvana Zanolli (mezzo-soprano) (on 1955-01-08)
soprano vocals [Maddalena di Coigny]:
Maria Callas (soprano) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto I. “Il giorno intorno già s’insera lentamente!” (Maddalena, Gérard) / “Via, v’affretate” (Contessa, Gérard, Maddalena, Bersi) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano1:03
6Andrea Chénier: Atto I. “Soffoco, moro tutta chiusa” (Maddalena/Bersi/Contessa)
mezzo-soprano vocals [La contessa di Coigny]:
Maria Amadini (mezzo-soprano) (on 1955-01-08)
mezzo-soprano vocals [La mulatta Bersi]:
Silvana Zanolli (mezzo-soprano) (on 1955-01-08)
soprano vocals [Maddalena di Coigny]:
Maria Callas (soprano) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto I. “Soffoco, moro tutta chiusa” (Maddalena, Contessa, Bersi) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano1:56
7Andrea Chénier: Atto I. “Oh! Come elegante” (Contessa/Fléville/Maddalena/L'Abate)
baritone vocals [Fléville]:
Enzo Sordello (baritone) (on 1955-01-08)
mezzo-soprano vocals [La contessa di Coigny]:
Maria Amadini (mezzo-soprano) (on 1955-01-08)
soprano vocals [Maddalena di Coigny]:
Maria Callas (soprano) (on 1955-01-08)
tenor vocals [L'Abate]:
Mario Carlin (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto I. “Oh! Come elegante” (Contessa, Fléville, Maddalena, L'Abate) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano1:57
8Andrea Chénier: Atto I. “Debole è il Re!” (L'Abate/Fléville/Contessa/Coro)
baritone vocals [Fléville]:
Enzo Sordello (baritone) (on 1955-01-08)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1955-01-08)
mezzo-soprano vocals [La contessa di Coigny]:
Maria Amadini (mezzo-soprano) (on 1955-01-08)
tenor vocals [L'Abate]:
Mario Carlin (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
chorus master:
Norberto Mola (chorus master) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto I. “Debole è il Re!” (L'Abate, Fléville, Contessa, Coro) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano1:11
9Andrea Chénier: Atto I. “O Pastorell, addio!” (Coro di Pastori e Pastorelle)
baritone vocals [Fléville]:
Enzo Sordello (baritone) (on 1955-01-08)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1955-01-08)
tenor vocals [L'Abate]:
Mario Carlin (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
chorus master:
Norberto Mola (chorus master) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto I. “Passiamo la sera allegramente!” (Fléville, L'Abate) / “O Pastorelle, addio” (Coro di Pastori e Pastorelle) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano1:55
10Andrea Chénier: Atto I. “O Pastorell, addio!” (Coro di Pastori e Pastorelle)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
chorus master:
Norberto Mola (chorus master) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto I. “Passiamo la sera allegramente!” (Fléville, L'Abate) / “O Pastorelle, addio” (Coro di Pastori e Pastorelle) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano2:21
11Andrea Chénier: Atto I. “Signor Chénier … Madame la Contessa?” (Contessa/Chénier/Fléville/L'Abate/Maddalena)
baritone vocals [Fléville]:
Enzo Sordello (baritone) (on 1955-01-08)
mezzo-soprano vocals [La contessa di Coigny]:
Maria Amadini (mezzo-soprano) (on 1955-01-08)
soprano vocals [Maddalena di Coigny]:
Maria Callas (soprano) (on 1955-01-08)
tenor vocals [Andrea Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
tenor vocals [L'Abate]:
Mario Carlin (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto I. “Signor Chénier” … “Madame la Contessa?” (Contessa, Chénier, Fléville, L'Abate, Maddalena) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano0:47
12Andrea Chénier: Atto I. “Al mio dire perdono“ (Maddalena/Coro/Chénier/Contessa)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1955-01-08)
mezzo-soprano vocals [La contessa di Coigny]:
Maria Amadini (mezzo-soprano) (on 1955-01-08)
soprano vocals [Maddalena di Coigny]:
Maria Callas (soprano) (on 1955-01-08)
tenor vocals [Andrea Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
chorus master:
Norberto Mola (chorus master) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto I. “Al mio dire perdono” (Maddalena, Coro, Chénier, Contessa) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano2:00
13Andrea Chénier: Atto I. “Colpito qui m'avete ov'io geloso celo“ (Chénier)
tenor vocals [Andrea Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto I. “Colpito qui m’avete” … “Un dì all’azzurro spazio” (Improvviso) (Chénier) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer) (until 1896)
librettist:
Luigi Illica
publisher:
Casa Musicale Sonzogno di Piero Ostali, Milano
part of:
Andrea Chénier: Atto I
Umberto Giordano0:35
14Andrea Chénier: Atto I. “Un di all'azzuro spazio“ (Chénier)
soprano vocals [Maddalena di Coigny]:
Maria Callas (soprano) (on 1955-01-08)
tenor vocals [Andrea Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto I. “Colpito qui m’avete” … “Un dì all’azzurro spazio” (Improvviso) (Chénier) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer) (until 1896)
librettist:
Luigi Illica
publisher:
Casa Musicale Sonzogno di Piero Ostali, Milano
part of:
Andrea Chénier: Atto I
Umberto Giordano4:35
15Andrea Chénier: Atto I. “Perdonatemi!” (Maddalena/Contessa/Coro/Gérard/Maestro di Casa)
baritone vocals [Carlo Gérard]:
Aldo Protti (bass-baritone) (on 1955-01-08)
bass vocals [Il maestro di casa]:
Carlo Forti (operatic bass) (on 1955-01-08)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1955-01-08)
mezzo-soprano vocals [La contessa di Coigny]:
Maria Amadini (mezzo-soprano) (on 1955-01-08)
soprano vocals [Maddalena di Coigny]:
Maria Callas (soprano) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
chorus master:
Norberto Mola (chorus master) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto I. “Perdonatemi!” (Maddalena, Contessa, Gérard, Maestro di Casa) / “La notte il giorno portiamo” (Voci lontane) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano4:14
16Andrea Chénier: Atto II. “Per l'ex inferno!” (Mathieu/Bersi/L'Incredibile)
bass vocals [Il sanculotto Mathieu]:
Michele Cazzato (operatic bass) (on 1955-01-08)
mezzo-soprano vocals [La mulatta Bersi]:
Silvana Zanolli (mezzo-soprano) (on 1955-01-08)
tenor vocals [L'incredibile]:
Mariano Caruso (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto II. “Per l'ex inferno!” (Mathieu, Bersi, L'Incredibile) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano1:09
17Andrea Chénier: Atto II. “Temer? Perché?” (Bersi)
mezzo-soprano vocals [La mulatta Bersi]:
Silvana Zanolli (mezzo-soprano) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto II. “Temer? Perché?” (Bersi) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano1:49
18Andrea Chénier: Atto II. “No, non m'inganno!” (L'Incredibile/Chénier/Roucher)
bass-baritone vocals [Roucher]:
Enrico Campi (operatic bass-baritone) (on 1955-01-08)
tenor vocals [Andrea Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
tenor vocals [L'incredibile]:
Mariano Caruso (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto II. “No, non m'inganno!” (L'Incredibile) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano1:20
19Andrea Chénier: Atto II. “Credo a una possanza arcana … Io non ho amato ancor …” (Chénier/Roucher)
bass-baritone vocals [Roucher]:
Enrico Campi (operatic bass-baritone) (on 1955-01-08)
tenor vocals [Andrea Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto II. “Roucher!” (Chénier, Roucher) / “Credo a una possanza arcana” (Chénier) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano3:11
20Andrea Chénier: Atto II. “Calligrafia invero femminil!” (Roucher/Chénier/Coro/Mathieu/L'Incredibile/Gérard)
baritone vocals [Carlo Gérard]:
Aldo Protti (bass-baritone) (on 1955-01-08)
bass vocals [Il sanculotto Mathieu]:
Michele Cazzato (operatic bass) (on 1955-01-08)
bass-baritone vocals [Roucher]:
Enrico Campi (operatic bass-baritone) (on 1955-01-08)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1955-01-08)
tenor vocals [Andrea Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
tenor vocals [L'incredibile]:
Mariano Caruso (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
chorus master:
Norberto Mola (chorus master) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto II. “Calligrafia invero femminil!” (Roucher, Chénier) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano4:06
21Andrea Chénier: Atto II. “Eccole! Strani tempi!” (Roucher/Chénier/Bersi/L'Incredibile/Mathieu)
bass vocals [Il sanculotto Mathieu]:
Michele Cazzato (operatic bass) (on 1955-01-08)
bass-baritone vocals [Roucher]:
Enrico Campi (operatic bass-baritone) (on 1955-01-08)
mezzo-soprano vocals [La mulatta Bersi]:
Silvana Zanolli (mezzo-soprano) (on 1955-01-08)
tenor vocals [Andrea Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
tenor vocals [L'incredibile]:
Mariano Caruso (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto II. “Eccole! Strani tempi” (Roucher, Chénier) … “Non mi saluti? Trattieni qui Chénier” (Bersi, Roucher, L'Incredibile, Chénier, Mathieu) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano3:52
22Andrea Chénier: Atto II. “Ecco l'altare …” (Maddalena/Chénier/L'Incredibile)
soprano vocals [Maddalena di Coigny]:
Maria Callas (soprano) (on 1955-01-08)
tenor vocals [Andrea Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
tenor vocals [L'incredibile]:
Mariano Caruso (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto II. “Ecco l'altare” … “Eravate possente” … “Ora soave” (Maddalena, Chénier, L'Incredibile) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano3:08
23Andrea Chénier: Atto II. “Eravate possente …” (Maddalena)
soprano vocals [Maddalena di Coigny]:
Maria Callas (soprano) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto II. “Ecco l'altare” … “Eravate possente” … “Ora soave” (Maddalena, Chénier, L'Incredibile) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
live partial recording of:
Andrea Chénier: Atto II. “Ecco l'altare” … “Eravate possente” … “Ora soave” (Maddalena, Chénier, L'Incredibile)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano1:37
24Andrea Chénier: Atto II. “Udite! Son sola! Ora soave, sublime ora d'amore!” (Maddalena/Chénier)
soprano vocals [Maddalena di Coigny]:
Maria Callas (soprano) (on 1955-01-08)
tenor vocals [Andrea Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto II. “Ecco l'altare” … “Eravate possente” … “Ora soave” (Maddalena, Chénier, L'Incredibile) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano3:25
25Andrea Chénier: Atto II. “Maddalena di Coigny!” (Gérard/Maddalena/Chénier/Roucher/L'Incredibile/Mathieu/Coro)
baritone vocals [Carlo Gérard]:
Aldo Protti (bass-baritone) (on 1955-01-08)
bass vocals [Il sanculotto Mathieu]:
Michele Cazzato (operatic bass) (on 1955-01-08)
bass-baritone vocals [Roucher]:
Enrico Campi (operatic bass-baritone) (on 1955-01-08)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1955-01-08)
soprano vocals [Maddalena di Coigny]:
Maria Callas (soprano) (on 1955-01-08)
tenor vocals [Andrea Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
tenor vocals [L'incredibile]:
Mariano Caruso (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
chorus master:
Norberto Mola (chorus master) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto II. “Maddalena di Coigny!” (Gérard, Maddalena, Chénier, Roucher, L'Incredibile, Mathieu, La Folla) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano2:13
2▶CD