101 BBQ Songs

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
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5▼CD
Nr.TitelKünstlerBewertungLänge
1Copperhead Road (album version)
recording engineer und Mix:
Joe Hardy (US producer, engineer and musician, notably associated with ZZ Top among others)
Produzent(in):
Tony Brown (US producer, pianist and keyboardist) und Steve Earle (US folk/rock singer/songwriter)
recording of:
Copperhead Road
Nationalhymne von:
Tennessee, Vereinigte Staaten
Texter und Komponist(in):
Steve Earle (US folk/rock singer/songwriter)
Steve Earle4.24:29
2You Took the Words Right Out of My Mouth (Hot Summer Night)
Techniker(in), Produzent(in) und Mix:
Todd Rundgren
Bass:
Kasim Sultan
guitar family und Perkussion:
Todd Rundgren
Keyboard und Klavier:
Roy Bittan
Keyboard und Perkussion:
Jim Steinman
membranophone:
Max Weinberg
Perkussion:
Marvin Lee
Saxophon:
Edgar Winter
Synthesizer:
Roger Powell (US musician, programmer, and columnist, band "Utopia")
Hintergrundgesang:
Rory Dodd, Ellen Foley und Todd Rundgren
Sologesang:
Meat Loaf
arranger:
Todd Rundgren und Jim Steinman
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
Kompilation von:
You Took the Words Right out of My Mouth (Hot Summer Night) (beginning) von Meat Loaf und You Took the Words Right out of My Mouth (Hot Summer Night) (conclusion) von Meat Loaf
recording of:
You Took the Words Right Out of My Mouth (Hot Summer Night)
Texter und Komponist(in):
Jim Steinman
publisher:
Carlin Music Corporation und J. Albert & Son Pty. Ltd.
Meat Loaf45:03
3Come On Eileen
Produzent(in):
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) und Alan Winstanley (English record producer)
künstlerische Leitung:
Clive Langer und Alan Winstanley (English record producer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1982) und Phonogram Ltd. (not for release label use!) (in 1982)
recording of:
Come On Eileen
Verfasser(in):
Kevin Adams, James Mitchell Paterson und Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Kevin Adams Music Ltd.
Dexys Midnight Runners4.154:03
4Blister in the Sun
recording engineer:
Glenn Lorbiecki (in 1982-07)
Techniker(in) und Mix:
John Tanner
Produzent(in):
Mark Van Hecke
Bass:
Brian Ritchie (in 1982-07)
Gitarre und Sologesang:
Gordon Gano (in 1982-07)
Schlagzeug und Perkussion:
Victor DeLorenzo (in 1982-07)
vocals:
Victor DeLorenzo (in 1982-07) und Brian Ritchie (in 1982-07)
aufgenommen bei:
Castle Productions in Lake Geneva, Wisconsin, Vereinigte Staaten (in 1982-07)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 17)
recording of:
Blister in the Sun (in 1982-07)
Texter und Komponist(in):
Gordon Gano
publisher:
Gorno Music Publishing, Gorno Music (in 1980) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1982)
Violent Femmes4.452:25
5Centerfold
Techniker(in):
Dave Thoener
Produzent(in):
Seth Justman
arranger:
Seth Justman
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981) und EMI Catalog (in 2006)
aufgenommen bei:
Long View Farm in North Brookfield, Massachusetts, Vereinigte Staaten
mixed at:
Mix Room, Record Plant (NYC) in New York, New York, Vereinigte Staaten
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 38), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 73) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 314)
recording of:
Centerfold (song by The J. Geils Band)
Texter und Komponist(in):
Seth Justman
publisher:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) und Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band43:36
6Shake It Up (LP version)
assistierende(r) Techniker(in):
Thom Moore (Syncro Sound engineer, Gang Green producer) und Walter Turbitt (UK engineer, producer, songwriter, and guitarist.)
Techniker(in):
Ian Taylor (rock producer/engineer)
Produzent(in):
Roy Thomas Baker (producer)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1981) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
aufgenommen bei:
Syncro Sound in Boston, Massachusetts, Vereinigte Staaten
recording of:
Shake It Up
publisher:
Ric Ocasek (in 1981)
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc.
The Cars4.33:31
7Wild Wild Life
recording of:
Wild Wild Life
Texter und Komponist(in):
David Byrne (Talking Heads)
publisher:
Index Music, Inc.
Talking Heads3:40
8One Way or Another
assistierende(r) Techniker(in):
Grey Russell und Peter Coleman (British engineer & producer)
Techniker(in):
Peter Coleman (British engineer & producer)
assistierende(r) Produzent(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (von 1978-06 bis 1978-07)
Gitarre:
Frank Infante (von 1978-06 bis 1978-07) und Chris Stein (von 1978-06 bis 1978-07)
Keyboard:
Jimmy Destri (von 1978-06 bis 1978-07)
Schlagzeug:
Clem Burke (von 1978-06 bis 1978-07)
Sologesang:
Deborah Harry (von 1978-06 bis 1978-07)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1978-06 bis 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 298)
recording of:
One Way or Another (von 1978-06 bis 1978-07)
Verfasser(in):
Nigel Harrison und Deborah Harry
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd. und Rare Blue Music Inc (in 1978)
Blondie4.153:31
9And We Danced (album version)
recording of:
And We Danced
Verfasser(in):
Eric Bazilian und Rob Hyman
publisher:
Dub Notes Music (publisher), EMI Music Publishing Australia Pty. Limited (not for release label use!) und Human Boy Music
The Hooters3:43
10Bette Davis Eyes
recording engineer:
Val Garay (in 1981-01)
Produzent(in):
Val Garay
E-Gitarre:
Waddy Wachtel (in 1981-01)
Sologesang:
Kim Carnes (in 1981-01)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981), EMI America Records, Inc. (holding – file NO releases here!) (in 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1981) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1997)
aufgenommen bei:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1981-01)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 18) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 425)
cover recording of:
Bette Davis Eyes (in 1981-01)
Verfasser(in):
Jackie DeShannon und Donna Weiss
publisher:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. und Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:43
11Glittering Prize
Produzent(in):
Keith Forsey (drummer, producer and songwriter) und Peter Walsh (UK producer)
recording of:
Glittering Prize
Verfasser(in):
Charlie Burchill, Derek Forbes, Jim Kerr (of Simple Minds) und Michael MacNeil
publisher:
EMI Publishing Ltd.
Simple Minds3:57
12Bohemian Like You
Produzent(in):
David Sardy (American score composer) und Courtney Taylor‐Taylor
Mix:
David Sardy (American score composer)
Bass und Keyboard:
Zia McCabe
Gast-Orgel:
Erik Gavriluk
Gitarre:
Peter Holmström und Courtney Taylor‐Taylor
Schlagzeug und Hintergrundgesang:
Brent DeBoer
Slide-Gitarre:
Troy Stewart
vocals:
Courtney Taylor‐Taylor
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
Musikvideos:
Bohemian Like You von The Dandy Warhols
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 449)
recording of:
Bohemian Like You
Texter und Komponist(in):
Courtney Taylor‐Taylor
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) und Dandy Warhols Music (BMI)
The Dandy Warhols4.053:31
13Two Princes (album version)
Techniker(in):
Frank Aversa und Spin Doctors
Produzent(in):
Frank Aversa, Peter Denenberg, Frankie LaRocka und Spin Doctors
Mix:
Peter Denenberg, Frankie LaRocka und Spin Doctors
Bassgitarre:
Mark White (Spin Doctors)
Gitarre:
Eric Schenkman
Hammond-Orgel, Schlagzeug und Perkussion:
Aaron Comess
Gast Hintergrundgesang:
John Popper
vocals:
Chris Barron
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1991), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1991), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1991) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Two Princes (original version)
Verfasser(in):
Chris Barron, Aaron Comess, Eric Schenkman und Mark White (Spin Doctors)
publisher:
Mow B'jow Music, Sony Songs Inc. und Sony/ATV Music Publishing Ltd.
Spin Doctors4.24:14
14What You Get Is What You See
recording engineer, Techniker(in) und Mix:
John Hudson (producer, recording and mixing engineer)
Programmierung und Produzent(in):
Terry Britten
zusätzliche(r) Techniker(in):
Mike Ging
Bass und Gitarre:
Terry Britten
Keyboard:
Nick Glennie‐Smith
Mandoline:
Graham Lyle
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
What You Get Is What You See (Some boys got the look of a Greek Adonis…)
Verfasser(in):
Terry Britten und Graham Lyle
publisher:
Goodsingle Ltd. (publisher), Myaxe Music Ltd., Rondor Music, Taiyō Music, Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (bis 2017-03-31) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
Tina Turner4.354:27
15Rush (album version)
assistierende(r) Techniker(in):
Serge Glanzberg und Dave Mercer
Techniker(in):
Andre Shapps
Produzent(in):
Mick Jones (The Clash/Big Audio Dynamite), Olimax und DJ Shapps
Bass:
Gary Stonadge
Gitarre:
Nick Hawkins und Mick Jones (The Clash/Big Audio Dynamite)
Schlagzeug:
Chris Kavanagh
vocals:
Nick Hawkins, Mick Jones (The Clash/Big Audio Dynamite), Chris Kavanagh und Gary Stonadge
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
recording of:
Rush
Texter, Verfasser(in) und Komponist(in):
Mick Jones (The Clash/Big Audio Dynamite)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Big Audio Dynamite4.54:16
16California Girls
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
Sologesang:
Mike Love (Beach Boys)
remixer:
Mark Linett (in 2002)
remixed at:
Your Place or Mine Recording in Glendale, California (Kalifornien), Vereinigte Staaten (in 2002)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 71)
instrumental recording of:
California Girls
Texter und Komponist(in):
Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc. und Rondor Music (London) Ltd.
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
California Girls
Texter und Komponist(in):
Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc. und Rondor Music (London) Ltd.
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Beach Boys3.352:41
17Brown Eyed Girl
recording engineer:
Brooks Arthur (am 1967-03-28)
Produzent(in):
Bert Russell Berns
Bassgitarre:
Eric Gale (am 1967-03-28)
Gitarre:
Al Gorgoni (guitarist, composer, arranger, and producer) (am 1967-03-28), Hugh McCracken (am 1967-03-28) und Van Morrison (am 1967-03-28)
Orgel:
Garry Sherman (mid-20th century composer, arranger & conductor) (am 1967-03-28)
Schlagzeug:
Gary Chester (studio drummer and educator) (am 1967-03-28)
Hintergrundgesang:
The Sweet Inspirations (am 1967-03-28)
Sologesang:
Van Morrison (am 1967-03-28)
Interpret(in):
Van Morrison (am 1967-03-28)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) und Exile Productions Ltd. (not for Label Release) (in 1973)
aufgenommen bei:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1967-03-28) und A&R Recording Studio (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1967-04-07)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 71) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 109)
recording of:
Brown Eyed Girl (von 1967-03-28 bis 1967-04-07)
Texter und Komponist(in):
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) und Polygram Publishing AB (in 1992)
Van Morrison3.43:03
18Red Red Wine
Produzent(in):
Ray “Pablo” Falconer und UB40
arranger:
UB40
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1983) und DEP International (UB40) (in 1983)
cover recording of:
Red Red Wine
Texter und Komponist(in):
Neil Diamond (in 1967)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) und Bang Records (Bert Berns label) (in 1968)
UB403.83:01
19The Gambler
Techniker(in):
Billy Sherrill (US songwriter/producer/arranger)
Produzent(in):
Larry Butler (US country music producer, songwriter & pianist)
Sologesang:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographisches Urheberrecht (℗) von:
Liberty Records, Inc. (in 1978) und Capitol Records Nashville (in 2006)
aufgenommen bei:
Jack Clement Recording Studio in Nashville, Tennessee, Vereinigte Staaten
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 21)
cover recording of:
The Gambler
Verfasser(in) und Komponist(in):
Don Schlitz
publisher:
Sony/ATV Cross Keys Publishing und Writer's Night Music
Kenny Rogers4.353:30
20American Pie
Techniker(in):
Tom Flye
Produzent(in):
Ed Freeman (producer, arranger, musician, and photographer)
E-Gitarre:
David Spinozza (von 1971-05 bis 1971-06)
Klavier:
Paul Griffin (American pianist, session musician) (von 1971-05 bis 1971-06)
vocals:
Don McLean (von 1971-05 bis 1971-06)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1971, in 2000)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1971-05 bis 1971-06)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 131)
recording of:
American Pie (von 1971-05 bis 1971-06)
Texter und Komponist(in):
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd und Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean4.158:31

Nennungen

Veröffentlichungsgruppe

Teil von:101 Hits (Australian compilation series) (Nummer: BBQ Songs) (Reihenfolge: 8)