Maria Callas Live - Remastered Recordings 1949-1964

~ Release by Maria Callas (see all versions of this release, 1 available)

Annotation

A collection of 20 live and 5 filmed performances. Incliudes 42 CDs, 3 Blu-Rays, and a 216-page booklet.

Annotation last modified on 2025-05-26 09:38 UTC.

Tracklist

1▶CD: Giuseppe Verdi: Nabucco (Parts 1 & 2)
2▶CD: Giuseppe Verdi: Nabucco (Parts 3 & 4)
3▶CD: Richard Wagner: Parsifal (Act 1 beginning)
4▶CD: Richard Wagner: Parsifal (Act 1 conclusion • Act 2)
5▶CD: Richard Wagner: Parsifal (Act 3)
6▶CD: Giuseppe Verdi: I vespri siciliani (Acts 1 & 2)
7▶CD: Giuseppe Verdi: I vespri siciliani (Act 3)
8▶CD: Giuseppe Verdi: I vespri siciliani (Acts 4 & 5)
9▶CD: Giuseppe Verdi: Aida (Acts 1 & 2)
10▶CD: Giuseppe Verdi: Aida (Acts 3 & 4)
11▶CD: Gioachino Rossini: Armida (Act 1)
12▶CD: Gioachino Rossini: Armida (Acts 2 & 3)
13▶CD: Giuseppe Verdi: Rigoletto (Act 1)
14▶CD: Giuseppe Verdi: Rigoletto (Acts 2 & 3)
15▶CD: Vincenzo Bellini: Norma (Act 1, Scene 1 • Act 1, Scene 2 beginning)
16▶CD: Vincenzo Bellini: Norma (Act 1, Scene 2 conclusion • Act 2)
17▶CD: Giuseppe Verdi: Macbeth (Acts 1 & 2)
18▶CD: Giuseppe Verdi: Macbeth (Acts 3 & 4)
19▶CD: Luigi Cherubini: Medea (Act 1)
20▶CD: Luigi Cherubini: Medea (Acts 2 & 3)
21▶CD: Christoph Willibald Gluck: Alceste (Act 1)
22▶CD: Christoph Willibald Gluck: Alceste (Acts 2 & 3)
23▶CD: Gaspare Spontini: La vestale (Act 1)
24▶CD: Gaspare Spontini: La vestale (Acts 2 & 3)
25▼CD: Umberto Giordano: Andrea Chénier (Acts 1 & 2)
#TitleArtistRatingLength
1Andrea Chénier: Atto primo. “Questo azzurro sofà là collochiam” (Maestro di casa)
bass vocals [Il maestro di casa]:
Carlo Forti (operatic bass) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto I. “Questo azzurro sofà” (Il Maestro di Casa) / “Compiacente a’colloqui” … “Son sessant’anni, o vecchio” (Gérard) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano0:41
2Andrea Chénier: Atto primo. “Compiacente a' colloqui” (Gérard)
baritone vocals [Carlo Gérard]:
Aldo Protti (bass-baritone) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto I. “Questo azzurro sofà” (Il Maestro di Casa) / “Compiacente a’colloqui” … “Son sessant’anni, o vecchio” (Gérard) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano1:19
3Andrea Chénier: Atto primo. “Son sessant'anni, o vecchio” (Gérard)
baritone vocals [Carlo Gérard]:
Aldo Protti (bass-baritone) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto I. “Questo azzurro sofà” (Il Maestro di Casa) / “Compiacente a’colloqui” … “Son sessant’anni, o vecchio” (Gérard) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano2:55
4Andrea Chénier: Atto primo. “Il giorno intorno già s'insera lentamente!” (Maddalena, Gérard)
baritone vocals [Carlo Gérard]:
Aldo Protti (bass-baritone) (on 1955-01-08)
soprano vocals [Maddalena di Coigny]:
Maria Callas (soprano) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto I. “Il giorno intorno già s’insera lentamente!” (Maddalena, Gérard) / “Via, v’affretate” (Contessa, Gérard, Maddalena, Bersi) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano0:58
5Andrea Chénier: Atto primo. “Via, v'affrette” (Contessa, Gérard, Maddalena, Bersi)
baritone vocals [Carlo Gérard]:
Aldo Protti (bass-baritone) (on 1955-01-08)
mezzo-soprano vocals [La contessa di Coigny]:
Maria Amadini (mezzo-soprano) (on 1955-01-08)
mezzo-soprano vocals [La mulatta Bersi]:
Silvana Zanolli (mezzo-soprano) (on 1955-01-08)
soprano vocals [Maddalena di Coigny]:
Maria Callas (soprano) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto I. “Il giorno intorno già s’insera lentamente!” (Maddalena, Gérard) / “Via, v’affretate” (Contessa, Gérard, Maddalena, Bersi) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano1:04
6Andrea Chénier: Atto primo. “Soffoco, moro tutta chiusa” (Maddalena, Bersi, Contessa)
mezzo-soprano vocals [La contessa di Coigny]:
Maria Amadini (mezzo-soprano) (on 1955-01-08)
mezzo-soprano vocals [La mulatta Bersi]:
Silvana Zanolli (mezzo-soprano) (on 1955-01-08)
soprano vocals [Maddalena di Coigny]:
Maria Callas (soprano) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto I. “Soffoco, moro tutta chiusa” (Maddalena, Contessa, Bersi) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano1:58
7Andrea Chénier: Atto primo. “Oh! Come elegante” (Contessa, Fléville, Maddalena, L'Abate)
baritone vocals [Fléville]:
Enzo Sordello (baritone) (on 1955-01-08)
mezzo-soprano vocals [La contessa di Coigny]:
Maria Amadini (mezzo-soprano) (on 1955-01-08)
soprano vocals [Maddalena di Coigny]:
Maria Callas (soprano) (on 1955-01-08)
tenor vocals [L'Abate]:
Mario Carlin (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto I. “Oh! Come elegante” (Contessa, Fléville, Maddalena, L'Abate) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano2:00
8Andrea Chénier: Atto primo. “Debole è il Re” (L'Abate, Fléville, Contessa, Coro)
baritone vocals [Fléville]:
Enzo Sordello (baritone) (on 1955-01-08)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1955-01-08)
mezzo-soprano vocals [La contessa di Coigny]:
Maria Amadini (mezzo-soprano) (on 1955-01-08)
tenor vocals [L'Abate]:
Mario Carlin (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
chorus master:
Norberto Mola (chorus master) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto I. “Debole è il Re!” (L'Abate, Fléville, Contessa, Coro) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano1:13
9Andrea Chénier: Atto primo. “Passiamo la sera allegramente!” (Fléville, Coro, L'Abate)
baritone vocals [Fléville]:
Enzo Sordello (baritone) (on 1955-01-08)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1955-01-08)
tenor vocals [L'Abate]:
Mario Carlin (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
chorus master:
Norberto Mola (chorus master) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto I. “Passiamo la sera allegramente!” (Fléville, L'Abate) / “O Pastorelle, addio” (Coro di Pastori e Pastorelle) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano1:58
10Andrea Chénier: Atto primo. “O pastorelle, addio!” (Coro di pastori e pastorelle)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
chorus master:
Norberto Mola (chorus master) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto I. “Passiamo la sera allegramente!” (Fléville, L'Abate) / “O Pastorelle, addio” (Coro di Pastori e Pastorelle) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano2:24
11Andrea Chénier: Atto primo. “Signor Chénier - Madama la Contessa?” (Contessa, Chénier, Fléville, L'Abate, Maddalena)
baritone vocals [Fléville]:
Enzo Sordello (baritone) (on 1955-01-08)
mezzo-soprano vocals [La contessa di Coigny]:
Maria Amadini (mezzo-soprano) (on 1955-01-08)
soprano vocals [Maddalena di Coigny]:
Maria Callas (soprano) (on 1955-01-08)
tenor vocals [Andrea Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
tenor vocals [L'Abate]:
Mario Carlin (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto I. “Signor Chénier” … “Madame la Contessa?” (Contessa, Chénier, Fléville, L'Abate, Maddalena) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano0:48
12Andrea Chénier: Atto primo. “Al mio dire perdono” (Maddalena, Coro, Chénier, Contessa)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1955-01-08)
mezzo-soprano vocals [La contessa di Coigny]:
Maria Amadini (mezzo-soprano) (on 1955-01-08)
soprano vocals [Maddalena di Coigny]:
Maria Callas (soprano) (on 1955-01-08)
tenor vocals [Andrea Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
chorus master:
Norberto Mola (chorus master) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto I. “Al mio dire perdono” (Maddalena, Coro, Chénier, Contessa) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano2:02
13Andrea Chénier: Atto primo. “Colpito qui m'avete, ov'io geloso celo” (Chénier)
tenor vocals [Andrea Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto I. “Colpito qui m’avete” … “Un dì all’azzurro spazio” (Improvviso) (Chénier) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer) (until 1896)
librettist:
Luigi Illica
publisher:
Casa Musicale Sonzogno di Piero Ostali, Milano
part of:
Andrea Chénier: Atto I
Umberto Giordano0:35
14Andrea Chénier: Atto primo. “Un dì all'azzurro spazio” (Chénier, Maddalena)
soprano vocals [Maddalena di Coigny]:
Maria Callas (soprano) (on 1955-01-08)
tenor vocals [Andrea Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto I. “Colpito qui m’avete” … “Un dì all’azzurro spazio” (Improvviso) (Chénier) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer) (until 1896)
librettist:
Luigi Illica
publisher:
Casa Musicale Sonzogno di Piero Ostali, Milano
part of:
Andrea Chénier: Atto I
Umberto Giordano4:41
15Andrea Chénier: Atto primo. “Ma udite! È un gaio suon della gavotta” (Contessa, Coro, Gérard, Maestro di casa)
baritone vocals [Carlo Gérard]:
Aldo Protti (bass-baritone) (on 1955-01-08)
bass vocals [Il maestro di casa]:
Carlo Forti (operatic bass) (on 1955-01-08)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1955-01-08)
mezzo-soprano vocals [La contessa di Coigny]:
Maria Amadini (mezzo-soprano) (on 1955-01-08)
soprano vocals [Maddalena di Coigny]:
Maria Callas (soprano) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
chorus master:
Norberto Mola (chorus master) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto I. “Perdonatemi!” (Maddalena, Contessa, Gérard, Maestro di Casa) / “La notte il giorno portiamo” (Voci lontane) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano4:19
16Andrea Chénier: Atto secondo. “Per l'ex inferno!” (Mathieu, Bersi, L'Incredibile)
bass vocals [Il sanculotto Mathieu]:
Michele Cazzato (operatic bass) (on 1955-01-08)
mezzo-soprano vocals [La mulatta Bersi]:
Silvana Zanolli (mezzo-soprano) (on 1955-01-08)
tenor vocals [L'incredibile]:
Mariano Caruso (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto II. “Per l'ex inferno!” (Mathieu, Bersi, L'Incredibile) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano1:11
17Andrea Chénier: Atto secondo. “Temer? Perché?” (Bersi)
mezzo-soprano vocals [La mulatta Bersi]:
Silvana Zanolli (mezzo-soprano) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto II. “Temer? Perché?” (Bersi) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano1:51
18Andrea Chénier: Atto secondo. “No, non m'inganno!” (L'Incredibile, Chénier, Roucher)
bass-baritone vocals [Roucher]:
Enrico Campi (operatic bass-baritone) (on 1955-01-08)
tenor vocals [Andrea Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
tenor vocals [L'incredibile]:
Mariano Caruso (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto II. “No, non m'inganno!” (L'Incredibile) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano1:22
19Andrea Chénier: Atto secondo. “Credo a una possanza arcana … Io non ho amato ancor!” (Chénier, Roucher)
bass-baritone vocals [Roucher]:
Enrico Campi (operatic bass-baritone) (on 1955-01-08)
tenor vocals [Andrea Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto II. “Roucher!” (Chénier, Roucher) / “Credo a una possanza arcana” (Chénier) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano3:14
20Andrea Chénier: Atto secondo. “Calligrafia invero femminil!” (Roucher, Chénier, Coro, Mathieu, L'Incredibile, Gérard)
baritone vocals [Carlo Gérard]:
Aldo Protti (bass-baritone) (on 1955-01-08)
bass vocals [Il sanculotto Mathieu]:
Michele Cazzato (operatic bass) (on 1955-01-08)
bass-baritone vocals [Roucher]:
Enrico Campi (operatic bass-baritone) (on 1955-01-08)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1955-01-08)
tenor vocals [Andrea Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
tenor vocals [L'incredibile]:
Mariano Caruso (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
chorus master:
Norberto Mola (chorus master) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto II. “Calligrafia invero femminil!” (Roucher, Chénier) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano4:11
21Andrea Chénier: Atto secondo. “Eccole! Strani tempi!” (Roucher, Chénier, Bersi, L'Incredibile, Mathieu)
bass vocals [Il sanculotto Mathieu]:
Michele Cazzato (operatic bass) (on 1955-01-08)
bass-baritone vocals [Roucher]:
Enrico Campi (operatic bass-baritone) (on 1955-01-08)
mezzo-soprano vocals [La mulatta Bersi]:
Silvana Zanolli (mezzo-soprano) (on 1955-01-08)
tenor vocals [Andrea Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
tenor vocals [L'incredibile]:
Mariano Caruso (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto II. “Eccole! Strani tempi” (Roucher, Chénier) … “Non mi saluti? Trattieni qui Chénier” (Bersi, Roucher, L'Incredibile, Chénier, Mathieu) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano3:57
22Andrea Chénier: Atto secondo. “Ecco l'altare” (Maddalena, Chénier, L'Incredibile)
soprano vocals [Maddalena di Coigny]:
Maria Callas (soprano) (on 1955-01-08)
tenor vocals [Andrea Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
tenor vocals [L'incredibile]:
Mariano Caruso (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto II. “Ecco l'altare” … “Eravate possente” … “Ora soave” (Maddalena, Chénier, L'Incredibile) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano3:12
23Andrea Chénier: Atto secondo. “Eravate possente” (Maddalena)
soprano vocals [Maddalena di Coigny]:
Maria Callas (soprano) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto II. “Ecco l'altare” … “Eravate possente” … “Ora soave” (Maddalena, Chénier, L'Incredibile) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
live partial recording of:
Andrea Chénier: Atto II. “Ecco l'altare” … “Eravate possente” … “Ora soave” (Maddalena, Chénier, L'Incredibile)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano1:39
24Andrea Chénier: Atto secondo. “Udite! Son sola! … Ora soave, sublime ora d'amore!” (Maddalena, Chénier)
soprano vocals [Maddalena di Coigny]:
Maria Callas (soprano) (on 1955-01-08)
tenor vocals [Andrea Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto II. “Ecco l'altare” … “Eravate possente” … “Ora soave” (Maddalena, Chénier, L'Incredibile) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano3:31
25Andrea Chénier: Atto secondo. “Maddalena di Coigny!” (Gérard, Maddalena, Chénier, Roucher, L'Incredibile, Mathieu, Coro)
baritone vocals [Carlo Gérard]:
Aldo Protti (bass-baritone) (on 1955-01-08)
bass vocals [Il sanculotto Mathieu]:
Michele Cazzato (operatic bass) (on 1955-01-08)
bass-baritone vocals [Roucher]:
Enrico Campi (operatic bass-baritone) (on 1955-01-08)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1955-01-08)
soprano vocals [Maddalena di Coigny]:
Maria Callas (soprano) (on 1955-01-08)
tenor vocals [Andrea Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
tenor vocals [L'incredibile]:
Mariano Caruso (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
chorus master:
Norberto Mola (chorus master) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto II. “Maddalena di Coigny!” (Gérard, Maddalena, Chénier, Roucher, L'Incredibile, Mathieu, La Folla) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano2:14
26▶CD: Umberto Giordano: Andrea Chénier (Acts 3 & 4)
27▶CD: Vincenzo Bellini: La sonnambula (Act 1 beginning)
28▶CD: Vincenzo Bellini: La sonnambula (Act 1 conclusion • Act 2)
29▶CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1)
30▶CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3)
31▶CD: Gaetano Donizetti: Anna Bolena (Act 1)
32▶CD: Gaetano Donizetti: Anna Bolena (Act 2)
33▶CD: Christoph Willibald Gluck: Ifigenia in Tauride (Acts 1 & 2)
34▶CD: Christoph Willibald Gluck: Ifigenia in Tauride (Acts 3 & 4)
35▶CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1)
36▶CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3)
37▶CD: Vincenzo Bellini: Il pirata (Act 1)
38▶CD: Vincenzo Bellini: Il pirata (Act 2)
39▶CD: Gaetano Donizetti: Poliuto (Act 1)
40▶CD: Gaetano Donizetti: Poliuto (Acts 2 & 3)
41▶CD: Giacomo Puccini: Tosca (Act 1)
42▶CD: Giacomo Puccini: Tosca (Acts 2 & 3)
43▶Blu-ray: Paris 1958
44▶Blu-ray: Hamburg 1959 & 1962
45▶Blu-ray: London 1962 & 1964
46▶CD