Original Masters: The Singles

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Boogie Woogie Etude
producer:
Klaus Fischer-Dieskau (in 1955-12)
piano:
Shura Cherkassky (American pianist) (in 1955-12)
balance engineer:
Werner Grimme (in 1955-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-12)
recording of:
Boogie-Woogie Etude
composer:
Morton Gould (American composer and conductor)
Morton Gould2:11
2The Zouaves' Drill, op. 68
producer:
Klaus Fischer-Dieskau (in 1955-12)
piano:
Shura Cherkassky (American pianist) (in 1955-12)
recording of:
The Zouaves' Drill, op. 68
composer:
Augusta Mana-Zucca
Augusta Mana-Zucca2:30
3El amor brujo: El aparecido - Danza del terror
producer:
Erna Elchlepp and Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Fritz Lehmann (conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
El amor brujo: IV. El aparecido
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
recording of:
El amor brujo: V. Danza del terror
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla Matheu1:59
4El amor brujo: Danza ritual del fuego
producer:
Erna Elchlepp and Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Fritz Lehmann (conductor)
balance engineer:
Alfred Steinke
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
El amor brujo: VIII. Danza ritual del fuego
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla Matheu3:59
5"Er liebt mich" (Rose Friquet's Aria from "Das Glöckchen des Eremiten, Act III)
producer:
Erna Elchlepp and Wolfgang Lohse
soprano vocals:
Rita Streich (soprano)
conductor:
Kurt Gaebel (conductor)
performer:
Radio‐Sinfonie-Orchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–)
balance engineer:
Alfred Steinke
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
Aimé Maillart6:54
6"Erblickt auf Feisenhöh'n" (Zerlina's Romance from "Fra Diavolo", Act I)
producer:
Erna Elchlepp and Wolfgang Lohse
soprano vocals:
Rita Streich (soprano)
conductor:
Kurt Gaebel (conductor)
performer:
Radio‐Sinfonie-Orchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–)
balance engineer:
Alfred Steinke
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
Daniel François Esprit Auber2:54
7"Nur unbesorgy, Mylord" (Zerlina's Recitative and Aria from "Fra Diavolo", Act II)
producer:
Wolfgang Lohse
soprano vocals:
Rita Streich (soprano)
conductor:
Kurt Gaebel (conductor)
performer:
Radio‐Sinfonie-Orchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
Daniel François Esprit Auber4:37
8Madroños
guitar:
Andrés Segovia (guitarist)
recording of:
Madroños
composer:
Federico Moreno Torroba (composer)
Federico Moreno Torroba2:54
9Homenaje "Le Tombeau de Debussy"
guitar:
Andrés Segovia (guitarist)
recording of:
Homenaje, pour le tombeau de Claude Debussy, G. 56 (for guitar)
composer:
Manuel de Falla (Spanish composer) (in 1920-08)
dedicated to:
Claude Debussy (French composer)
is based on:
Estampes, L. 100: II. La Soirée dans Grenade. Mouvement de Habanera
Manuel de Falla Matheu2:41
10Sonata in C major, op. 15: I. Allegro spiritoso
guitar:
Andrés Segovia (guitarist)
recording of:
Sonate brillant for guitar in C major, op. 15: I. Allegro spirito
composer:
Mauro Giuliani (Italian guitarist, cellist, singer, and composer)
part of:
Sonate brillant for guitar in C major, op. 15
Mauro Giuliani5:46
11Italian Serenade
producer:
Dr. Fred Hamel
cello:
Josef Merz
string quartet:
Koeckert‐Quartett
violin:
Willi Buchner, Rudolf Koeckert (the father, founder of the Koeckert-Quartett) and Oskar Riedl (german violist)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany
recording of:
Italienische Serenade (Italian Serenade, for string quartet)
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (from 1887-05-02 until 1887-05-04)
premiered at:
[concert] (1904-01)
publisher:
Lauterbach & Kuhn (in 1903)
Hugo Wolf6:54
12Mörike-Lieder: "Denk es, O Seele"
producer:
Dr. Fred Hamel
piano:
Erik Werba (pianist)
soprano vocals:
Irmgard Seefried (soprano)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria
recording of:
Mörike-Lieder: No. 39. Denk es, o Seele! "Ein Tännlein grünet wo" (for voice and piano)
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1888)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf3:34
13Mörike-Lieder: "Nimmersatte Liebe"
producer:
Dr. Fred Hamel
piano:
Erik Werba (pianist)
soprano vocals:
Irmgard Seefried (soprano)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria
recording of:
Mörike-Lieder: No. 9. Nimmersatte Liebe “So ist die Lieb’!”
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf2:06
14Trio Sonata in F major: Andante - Attacca:
producer:
Wolfgang Lohse and Dieter-Gerhard Worm
harpsichord:
Hans Pischner (harpsichordist)
violin:
David Oistrach (David Oistrakh, violinist) and Igor Oistrach (Igor Oistrakh, violinist)
balance engineer:
Siegfried Mitlacher (Prof. Mitlacher) and Alfred Steinke
recorded at:
Staatlicher Rundfunk (Berlin) in Berlin, Germany
recording of:
Trio Sonata in F major: I. Andante -
composer:
Giuseppe Tartini (Italian composer)
part of:
Trio Sonata in F major
Giuseppe Tartini3:49
15Trio Sonata in F major: Allegro
producer:
Wolfgang Lohse and Dieter-Gerhard Worm
harpsichord:
Hans Pischner (harpsichordist)
violin:
David Oistrach (David Oistrakh, violinist) and Igor Oistrach (Igor Oistrakh, violinist)
balance engineer:
Siegfried Mitlacher (Prof. Mitlacher) and Alfred Steinke
recorded at:
Staatlicher Rundfunk (Berlin) in Berlin, Germany
recording of:
Trio Sonata in F major: II. Allegro
composer:
Giuseppe Tartini (Italian composer)
part of:
Trio Sonata in F major
Giuseppe Tartini4:30
16Die Zufriedenheit, K. 349
producer:
Dr. Fred Hamel
mandolin:
Adolf Hartmann (mandolin player)
tenor vocals:
Helmut Krebs (tenor)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany
recording of:
Song for Voice & Piano in G major, K. 367a/349 "Die Zufriedenheit": "Was frag ich viel"
lyricist:
Johann Martin Miller
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 349) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 367a)
Wolfgang Amadeus Mozart4:08
17Komm, liebe Zither, K. 351
producer:
Dr. Fred Hamel
mandolin:
Adolf Hartmann (mandolin player)
tenor vocals:
Helmut Krebs (tenor)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany
recording of:
Song for Solo Voice and Mandolin in C major, K. 367b / KV 351: (Treble) "Komm, liebe Zither, komm"
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 351) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 367b)
Wolfgang Amadeus Mozart2:13
18Caro mio Druck und Schluck, K. 571a
producer:
Dr. Fred Hamel
fortepiano:
Fritz Neumeyer (cembalist, pianist and composer) (in 1956-04)
bass vocals:
Hans Günter Nöcker (operatic bass) (in 1956-04)
soprano vocals:
Margot Guilleaume (German soprano) (in 1956-04)
tenor vocals:
Helmut Krebs (tenor) (in 1956-04) and Fritz Wunderlich (operatic tenor) (in 1956-04)
balance engineer:
Harald Baudis (sound engineer) (in 1956-04)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 1956-04)
recording of:
Humorous Quartet for 4 voices in E-flat major, K. 571a / KV Anh 5 (Erik Smith completion): (Soprano, 2 Tenors, Bass) "Caro mio Druck und Schluck" (in 1956-04)
additional composer:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: Anh. 5) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 571a)
Wolfgang Amadeus Mozart2:31
19Das Bandel, K. 441
producer:
Dr. Fred Hamel
fortepiano:
Fritz Neumeyer (cembalist, pianist and composer)
bass vocals:
Hans Günter Nöcker (operatic bass)
soprano vocals:
Margot Guilleaume (German soprano)
tenor vocals:
Helmut Krebs (tenor) and Fritz Wunderlich (operatic tenor)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany
recording of:
Song for 3 Voices, 2 Violins, Viola and Bass in G major, K. 441: Andante sostenuto. (Soprano, Tenor, Bass) "Liebes Manndel, wo ist's Bandel?"
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 441) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 441)
Wolfgang Amadeus Mozart3:26
20Waltz Sequence from "Der Rosenkavalier", Act 3
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Eugen Jochum (conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany
recording of:
Der Rosenkavalier, zweite Walzerfolge for orchestra, TrV 227a
composer:
Richard Strauss (German composer)
is based on:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss7:24
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