The Mercury Songbook

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Elenco tracce

1▶CD: You’d Be So Nice to Come Home To
2▶CD: Lullaby of Birdland
3▼CD: Take the “A” Train
#TitoloArtistaValutazioneDurata
1Take the “A” Train
registrata a:
New York, New York, Stati Uniti (il 1967-01-24)
pianoforte :
Bob James (US jazz keyboardist, arranger and producer)
sassofono contralto :
Phil Woods (US jazz woodwind player)
sassofono tenore :
Benny Golson (American jazz saxophonist and composer)
tromba :
Freddie Hubbard, Joe Newman (US jazz trumpeter), Charlie Shavers e Clark Terry (American swing trumpeter)
trombone :
J.J. Johnson (jazz/bop trombonist/session leader) e Kai Winding
voce:
Sarah Vaughan
orchestra:
Hal Mooney Orchestra (il 1967-01-24)
arrangiatore:
J.J. Johnson (jazz/bop trombonist/session leader)
registrazione cover di:
Take the “A” Train (version with lyrics by Sherrill) (il 1967-01-24)
paroliere:
Joya Sherrill (nel 1944)
compositore:
Billy Strayhorn (nel 1939)
editore:
Music Sales Corporation (American copyright holder in both popular and classical music)
versione di:
Take the “A” Train (original instrumental version)
Sarah Vaughan2:42
2Mame
banjo :
Alfred Di Lernia (nel 1966-05)
batteria :
Danny Barcelona (nel 1966-05)
clarinetto :
Buster Bailey (clarinetist) (nel 1966-05)
contrabbasso :
Buddy Catlett (nel 1966-05)
pianoforte :
Marty Napoleon (nel 1966-05)
tromba e voce principale:
Louis Armstrong (nel 1966-05)
trombone :
Tyree Glenn (nel 1966-05)
registrazione di:
Mame (nel 1966-05)
paroliere e compositore:
Jerry Herman
parte di:
Mame (full musical)
Louis Armstrong2:23
3Everyday I Have the Blues
registrata a:
New York, New York, Stati Uniti (il 1964-01-24)
ance :
Benny Golson (American jazz saxophonist and composer) (il 1964-01-24) e Phil Woods (US jazz woodwind player) (il 1964-01-24)
pianoforte :
Bob James (US jazz keyboardist, arranger and producer) (il 1964-01-24)
tromba :
Freddie Hubbard (il 1964-01-24), Joe Newman (US jazz trumpeter) (il 1964-01-24), Charlie Shavers (il 1964-01-24) e Clark Terry (American swing trumpeter) (il 1964-01-24)
trombone :
J.J. Johnson (jazz/bop trombonist/session leader) (il 1964-01-24) e Kai Winding (il 1964-01-24)
orchestra:
Hal Mooney & His Orchestra
arrangiatore:
J.J. Johnson (jazz/bop trombonist/session leader) (il 1964-01-24)
registrazione di:
Everyday I Have the Blues (il 1964-01-24)
paroliere, compositore e rivista da:
Peter Chatman
autore:
Memphis Slim, Aaron ‘Pinetop’ Sparks (1930s blues & boogie-woogie pianist) (nel 1935) e Milton Sparks (nel 1935)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), BMG Platinum Songs, Fort Knox Music Co, Fort Knox Music Inc., Golden State Songs, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label), Trio Music Co., Inc., Trio Music Company e Tristan Music Ltd.
Sarah Vaughan4:25
4There’ll Be Some Changes Made
voce:
Dinah Washington (nel 1955)
registrazione cover di:
There’ll Be Some Changes Made
editore:
Harry H. Pace (nel 1921)
paroliere:
Billy Higgins (1920s composer and singer)
compositore:
W. Benton Overstreet
editore:
Herman Darewski Music Publishing Co Ltd. e Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (nel 1924)
Dinah Washington3:02
5Taking a Chance on Love
registrazione di:
Taking a Chance on Love
paroliere:
Ted Fetter e John Latouche
compositore:
Vernon Duke
editore:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. e Taking a Chance on Love Music Company
parte di:
Cabin in the Sky
Patti Page1:26
6I Want to Be Happy
registrazione cover di:
I Want to Be Happy (No, No, Nanette)
paroliere:
Irving Caesar e Otto Harbach
compositore:
Vincent Youmans
parte di:
No, No, Nanette
Sarah Vaughan2:21
7There’ll Be a Jubilee
registrata a:
New York, New York, Stati Uniti (il 1956-04-24)
pianoforte :
Junior Mance (il 1956-04-24)
sassofono contralto :
Cannonball Adderley (il 1956-04-24)
voce:
Dinah Washington (il 1956-04-24)
orchestra:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.)
direttore d'orchestra:
Hal Mooney (il 1956-04-24)
arrangiatore:
Hal Mooney
registrazione cover di:
There’ll Be a Jubilee (il 1956-04-24)
paroliere e compositore:
Phil Moore (composer, jazz pianist and orchestra leader)
Dinah Washington2:08
8Travelin’ Light
registrata a:
New York, New York, Stati Uniti (dal 1965-05 al 1965-06)
produttore:
Luchi DeJesus (American composer and producer)
ance :
Leon Cohen (woodwind player) (dal 1965-05 al 1965-06), Henry Freeman (American jazz saxophonist) (dal 1965-05 al 1965-06), Bill Holcombe (US composer and flutist) (dal 1965-05 al 1965-06), Seldon Powell (dal 1965-05 al 1965-06) e Alan Ross (reeds) (dal 1965-05 al 1965-06)
batteria :
Connie Kay (dal 1965-05 al 1965-06)
chitarra :
Everett Barksdale (dal 1965-05 al 1965-06)
contrabbasso [bass] :
Richard Davis (American jazz bassist) (dal 1965-05 al 1965-06)
pianoforte :
Hank Jones (piano) (dal 1965-05 al 1965-06)
voce:
Chet Baker (American jazz trumpeter and vocalist) (dal 1965-05 al 1965-06)
arrangiatore:
Jimmy Mundy
registrazione di:
Travelin’ Light (nel 1965)
paroliere:
Johnny Mercer
compositore:
Jimmy Mundy e Trummy Young
Chet Baker13:11
9T’ain’t Nobody’s Bizness If I Do
voce:
Dinah Washington (nel 1957)
registrazione cover di:
T’ain’t Nobody’s Bizness If I Do
paroliere:
Porter Grainger
compositore:
Porter Grainger e Everett Robbins
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
parte di:
American Splendor
Dinah Washington43:28
10Short but Sweet
Louis Armstrong2:43
11Ain’t Misbehavin’ (I’m Saving My Love for You)
registrazione cover di:
Ain’t Misbehavin’
paroliere:
Andy Razaf (nel 1929)
compositore:
Harry Brooks (jazz pianist & songwriter) (nel 1929) e Fats Waller (nel 1929)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music e Redwood Music Ltd. (Carlin)
Dinah Washington12:37
12Sweet Georgia Brown
registrazione cover di:
Sweet Georgia Brown
paroliere:
Kenneth Casey (nel 1925)
compositore:
Ben Bernie (nel 1925) e Maceo Pinkard (nel 1925)
editore:
Francis Day (publisher), Remick Music Corp. e Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Sarah Vaughan1:51
13Stompin’ at the Savoy
registrazione di:
Stompin’ at the Savoy
paroliere:
Andy Razaf
compositore:
Benny Goodman (clarinetist and bandleader), Edgar Sampson e Chick Webb
editore:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Ernestine Anderson1:55
14Satin Doll
registrazione cover di:
Satin Doll
paroliere:
Johnny Mercer (nel 1953)
compositore:
Billy Strayhorn (nel 1953)
compositore aggiunto:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1953)
editore:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) e WB Music Corp. (1929–2019)
Rita Reys2:39
15How High the Moon
registrata a:
New York, New York, Stati Uniti (il 1955-10-27)
batteria :
Roy Haynes (American jazz drummer and bandleader) (il 1955-10-27)
chitarra :
Turk Van Lake (il 1955-10-27)
contrabbasso :
Joe Benjamin (US jazz bassist) (il 1955-10-27)
flauto e sassofono tenore :
Jerome Richardson (il 1955-10-27)
pianoforte :
Jimmy Jones (jazz pianist, active years 1936-1975) (il 1955-10-27)
sassofono contralto :
Julian “Cannonball” Adderley (il 1955-10-27) e Sam Marowitz (saxophonist and clarinetist) (il 1955-10-27)
tromba :
Bernie Glow (il 1955-10-27) e Ernie Royal (il 1955-10-27)
trombone :
J.J. Johnson (jazz/bop trombonist/session leader) (il 1955-10-27) e Kai Winding (il 1955-10-27)
voce:
Sarah Vaughan (il 1955-10-27)
direttore d'orchestra:
Ernie Wilkins (il 1955-10-27)
arrangiatore:
Ernie Wilkins
registrazione cover di:
How High the Moon (il 1955-10-27)
paroliere:
Nancy Hamilton (nel 1940)
compositore:
Morgan Lewis (nel 1940)
editore:
Chappell (library/production music), Chappell & Co., Chappell & Co., Inc. (USA) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sarah Vaughan2:38
16If I Were a Bell
registrazione cover di:
If I Were a Bell (Guys and Dolls)
paroliere e compositore:
Frank Loesser
editore:
Frank Music Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
parte di:
Guys and Dolls (Broadway musical)
parte di:
Guys and Dolls (1955 musical film)
Dinah Washington2:07
17Star Dust
registrata a:
New York, New York, Stati Uniti (il 1958-01-05)
ance e clarinetto :
Marshall Royal (il 1958-01-05)
batteria :
Sonny Payne (il 1958-01-05)
chitarra :
Freddie Green (il 1958-01-05)
contrabbasso e contrabbasso [bass] :
Richard Davis (American jazz bassist) (il 1958-01-05)
flauto e legni :
Frank Wess (il 1958-01-05)
pianoforte :
Ronnell Bright (il 1958-01-05)
sassofono baritono :
Charlie Fowlkes (baritone saxophonist) (il 1958-01-05)
sassofono contralto :
Marshall Royal (il 1958-01-05) e Frank Wess (il 1958-01-05)
sassofono tenore :
Frank Foster (saxophonist) (il 1958-01-05), Billy Mitchell (US jazz saxophonist) (il 1958-01-05) e Frank Wess (il 1958-01-05)
tromba :
Wendell Culley (jazz trumpeter) (il 1958-01-05), Eugene Young (il 1958-01-05), Thad Jones (American jazz trumpeter) (il 1958-01-05) e Joe Newman (US jazz trumpeter) (il 1958-01-05)
trombone :
Henry Coker (jazz trombonist) (il 1958-01-05), Al Grey (trombone) (il 1958-01-05) e Benny Powell (jazz trombonist) (il 1958-01-05)
voce:
Sarah Vaughan (il 1958-01-05)
registrazione cover di:
Stardust (the jazz standard) (il 1958-01-05)
paroliere:
Mitchell Parish (nel 1929)
compositore:
Hoagy Carmichael (nel 1927)
editore:
Mills Music, Inc. (conclusa), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. e Songs of Peer, Ltd. (ASCAP)
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
parte di:
American Splendor
Sarah Vaughan3:18
18Blues in the Night (a.k.a. My Mama Done Tol’ Me)
registrazione di:
Blues in the Night (My Mama Done Tol’ Me)
paroliere:
Johnny Mercer (nel 1941)
compositore:
Harold Arlen (nel 1941)
editore:
Warner Bros., Inc. (not for release label use!) e WB Music Corp. (1929–2019)
parte di:
The 14th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1941 nominee)
Dinah Washington3:41
19See See Rider
tecnico:
Johnny Cue
voce:
Ernestine Anderson
registrazione di:
See See Rider (Ma Rainey version)
compositore:
Ma Rainey
compositore aggiunto:
Lena Arant
versione di:
See See Rider Blues
Ernestine Anderson3:05
20Cool Baby
voce:
Sarah Vaughan (il 1958-09-26)
registrazione di:
Cool Baby (il 1958-09-26)
paroliere e compositore:
Fay Tishman
Sarah Vaughan2:31
21Pretty Little Missy
registrazione di:
Pretty Little Missy
autore:
Louis Armstrong e Billy Kyle
Louis Armstrong2:20
22Nevertheless
registrazione di:
Nevertheless (I’m in Love With You)
paroliere:
Bert Kalmar
compositore:
Harry Ruby
editore:
Chappell & Co., Crawford Music Corp., DeSylva, Brown and Henderson, Inc. e Warner/Chappell (Warner/Chappell Music, Inc.)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Patti Page1:46
23My Kinda Love
tecnico:
Johnny Cue
voce:
Ernestine Anderson
registrazione di:
My Kinda Love
paroliere:
Jo Trent
compositore:
Louis Alter
editore:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Ernestine Anderson2:13
24Doodlin’
ance :
Marshall Royal (il 1958-01-05)
basso :
Richard Davis (American jazz bassist)
batteria :
Sonny Payne (il 1958-01-05)
chitarra :
Freddie Green (il 1958-01-05)
contrabbasso :
Richard Davis (American jazz bassist) (il 1958-01-05)
legni :
Frank Wess (il 1958-01-05)
pianoforte :
Ronnell Bright (il 1958-01-05)
sassofono :
Frank Foster (saxophonist), Charlie Fowlkes (baritone saxophonist), Billy Mitchell (US jazz saxophonist), Marshall Royal e Frank Wess
sassofono baritono :
Charlie Fowlkes (baritone saxophonist) (il 1958-01-05)
sassofono tenore :
Frank Foster (saxophonist) (il 1958-01-05) e Billy Mitchell (US jazz saxophonist) (il 1958-01-05)
tromba :
Wendell Culley (jazz trumpeter) (il 1958-01-05), Eugene Young (il 1958-01-05) e Thad Jones (American jazz trumpeter) (il 1958-01-05)
trombone :
Henry Coker (jazz trombonist) (il 1958-01-05), Al Grey (trombone) (il 1958-01-05) e Benny Powell (jazz trombonist) (il 1958-01-05)
voce:
Sarah Vaughan (il 1958-01-05)
registrazione cover di:
Doodlin’ (vocal version, lyrics by Jon Hendricks) (il 1958-01-05)
paroliere:
Jon Hendricks
compositore:
Horace Silver
editore:
Silhouette Music Corp.
versione di:
Doodlin’ (original instrumental version)
Sarah Vaughan4:35
25I’ve Got My Eyes on You
registrazione di:
I’ve Got My Eyes on You
paroliere e compositore:
Cole Porter (composer) (nel 1939)
Patti Page1:38
26Ill Wind (You’re Blowin’ Me No Good)
registrazione di:
Ill Wind
paroliere:
Ted Koehler (nel 1934)
compositore:
Harold Arlen (nel 1934)
Dinah Washington3:39
27Mack the Knife (a.k.a. Moritat)
registrazione di:
Mack the Knife (1954 Blitzstein translation)
paroliere:
Bertolt Brecht
compositore:
Kurt Weill (composer)
traduttore:
Marc Blitzstein (American composer) (nel 1954)
editore:
Universal Edition (publisher; do NOT use as release label)
versione tradotta di:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Shirley Horn3:04
28Unforgettable
registrazione di:
Unforgettable
paroliere e compositore:
Irving Gordon (US songwriter)
editore:
Bourne Co. (not for release label use, this is a music publisher) e Bourne Music Ltd.
Oscar Peterson2:36
4▶CD: Just One of Those “Live” Things

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