An Introduction To The Complete Works Of Johann Sebastian Bach

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1BWV 1047 Brandenburg Concerto No. 2 Movement 1
orchestra:
Oregon Bach Festival Chamber Orchestra and Oregon Bach Festival Orchestra
conductor:
Helmuth Rilling (conductor)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I.
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
5:07
2BWV 201 Cantata
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": I. Coro "Geschwinde, ihr wirbelnden Winde" (in 1996-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
4:39
3BWV 1033 Sonata in C-Major - version for flute solo
flute:
Jean‐Claude Gérard (flutist) (from 1998-05 until 1998-11)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1998-05 until 1998-11)
compilation of:
Sonate C-Dur, BWV 1033: Allegro by Jean‐Claude Gérard (flutist) and Sonate C-Dur, BWV 1033: Andante - Presto by Jean‐Claude Gérard (flutist)
recording of:
Flute Sonata in C major, BWV 1033: I. Andante - Presto (from 1998-05 until 1998-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Flute Sonata in C major, BWV 1033
recording of:
Flute Sonata in C major, BWV 1033: II. Allegro (from 1998-05 until 1998-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Flute Sonata in C major, BWV 1033
4:03
4BWV 78 Cantata, Duet no. 2
alto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
soprano vocals:
Arleen Augér (soprano)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-10)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": II. Aria (Duetto Sopran, Alt) "Wir eilen mit schwachen, doch emsigen Schritten" (from 1979-02 until 1979-10)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
4:41
5BWV 1012 Suite for violincello no 6 D Major, Gavotte
cello:
Boris Pergamenschikow (cellist)
phonographic copyright (℗) by:
Hänssler-Verlag (in 1998)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany
recording of:
Suite für Violoncello solo no. 6 D-Dur, BWV 1012: V. Gavottes I & II (Cello Suite No. 6 in D major, BWV 1012: V. Gavotte I & II) (from 1998-04-15 until 1998-06-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 6 D-Dur, BWV 1012 (Cello Suite No. 6 in D major, BWV 1012)
4:01
6BWV 211 Coffee Cantata
bass vocals:
Thomas Quasthoff (bass-baritone) (in 1996-05)
soprano vocals:
Christine Schäfer (soprano) (in 1996-05)
tenor vocals:
James Taylor (operatic tenor) (in 1996-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-05)
conductor:
Helmuth Rilling (conductor) (in 1996-05)
recorded at:
Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1996-05)
compilation of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo (Tenor) "Schweigt stille, plaudert nicht" by James Taylor (operatic tenor), Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor), Kantate, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (Bass) "Hat man nicht mit seinen Kindern" by Thomas Quasthoff (bass-baritone), Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor), Kantate, BWV 211 "Schweigt stille, plaudert nicht": III. Recitativo (Bass, Sopran) "Du böses Kind, du loses Mädchen" by Thomas Quasthoff (bass-baritone), Christine Schäfer (soprano), Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor) and Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Sopran) "Ei, wie schmeckt der Coffee süße" by Christine Schäfer (soprano), Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo (Tenor) "Schweigt stille, plaudert nicht" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (Bass) "Hat man nicht mit seinen Kindern" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": III. Recitativo (Bass, Sopran) "Du böses Kind, du loses Mädchen" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Sopran) "Ei, wie schmeckt der Coffee süße" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
8:42
7BWV 1004 Partita II D Major - Gigue
violin:
Dimitri Sitkovetsky (Dmitry Sitkovetsky, violinist)
recorded at:
Reitstadel in Neumarkt in der Oberpfalz, Bayern (Bavaria), Germany
recording of:
Violin Partita no. 2 in D minor, BWV 1004: IV. Gigue (in 1997-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1717 until 1723)
part of:
Violin Partita no. 2 in D minor, BWV 1004
4:19
8BWV 245 St John Passion Opening Chorus
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 1 Chorus "Herr, unser Herrscher" (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
8:35
9BWV 108 Art of the Fugue Contrapunctus 1 to 4
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1 (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
3:06
10BWV 244 St. Mathew Passion opening chorus
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
6:56
11BWV 525 Trio Sonata No. 1
organ:
Kay Johannsen
recorded at:
Stadtkirche in Stein am Rhein, Schaffhausen (Canton of Schaffhausen), Switzerland
recording of:
Triosonate für Orgel Nr. 1 Es-Dur, BWV 525: III. Allegro (from 1997-03-03 until 1997-03-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 1 Es-Dur, BWV 525
4:06
12BWV 26 Cantata Opening chorus
choir vocals:
Gächinger Kantorei Stuttgart
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-10 until 1980-04)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": I. Choral "Ach wie flüchtig, ach wie nichtig" (from 1979-10 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Michael Franck (German hymn writer)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
2:26
13BWV 177 Cantata, Aria
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1981-02)
recording of:
Kantate, BWV 177 "Ich ruf zu dir, Herr Jesu Christ": IV. Aria (Tenor) "Laß mich kein Lust noch Furcht von dir" (in 1981-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1732-07-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
librettist:
Johann Friedrich Agricola (German composer & organist, 1720-1774)
part of:
Kantate, BWV 177 "Ich ruf zu dir, Herr Jesu Christ"
4:49
14BWV 371 Chorale - Kyrie
choir vocals:
Gächinger Kantorei Stuttgart (in 1998-09)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1998-09)
conductor:
Helmuth Rilling (conductor) (in 1998-09)
recording of:
Choralsatz, BWV 371 "Kyrie! Gott Vater in Ewigkeit" (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 225) and Bach-Werke-Verzeichnis (number: BWV 371)
3:02
15BWV 1068 Overture no. 3.
orchestra:
Oregon Bach Festival Chamber Orchestra
conductor:
Helmuth Rilling (conductor)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
4:57