Baroque Gold: 100 Great Tracks

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Te Deum Motet à deux choeurs
executive producer:
Marita Prohmann (in 1999-07)
producer:
Sid McLauchlan (engineer/producer) (in 1999-07)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin (in 1999-07)
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
Te Deum: Symphonie (in 1999-07)
composer:
Jean‐Baptiste Lully (composer)
part of:
Te Deum
Jean‐Baptiste Lully2:19
2Brandenburg Concerto no. 1 in F major, BWV 1046: I. Allegro
recording engineer:
Jonathan Stokes (engineer) (in 1993-03)
producer:
Chris Sayers (producer)
orchestra:
New London Consort (in 1993-03)
conductor:
Philip Pickett (musician) (in 1993-03)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1993-03)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: I. (in 1993-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach4:06
3Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio
recording engineer:
Jonathan Stokes (engineer) (in 1993-03)
producer:
Chris Sayers (producer)
orchestra:
New London Consort (in 1993-03)
conductor:
Philip Pickett (musician) (in 1993-03)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1993-03)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: II. Adagio (in 1993-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach3:17
4Brandenburg Concerto no. 1 in F major, BWV 1046: III. Allegro
recording engineer:
Jonathan Stokes (engineer) (in 1993-03)
producer:
Chris Sayers (producer)
orchestra:
New London Consort (in 1993-03)
conductor:
Philip Pickett (musician) (in 1993-03)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1993-03)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: III. Allegro (in 1993-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach4:24
5Brandenburg Concerto no. 1 in F major, BWV 1046: IV. Menuet - Trio - Polonaise
recording engineer:
Jonathan Stokes (engineer) (in 1993-03)
producer:
Chris Sayers (producer)
orchestra:
New London Consort (in 1993-03)
conductor:
Philip Pickett (musician) (in 1993-03)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1993-03)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: IV. Menuetto – Trio I – Menuetto da capo – Polacca – Menuetto da capo – Trio II – Menuetto da capo (in 1993-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach8:17
6Violin Concerto in E major, op. 8, no. 1, RV. 269 "La Primavera": I. Allegro
producer:
Peter Wadland (producer)
guitar:
Nigel North (English lute player) (from 1982-11 until 1982-12)
solo violin:
Christopher Hirons (violinist) (from 1982-11 until 1982-12)
orchestra:
Academy of Ancient Music (from 1982-11 until 1982-12)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1982-11 until 1982-12)
balance engineer:
John Dunkerley (engineer) (from 1982-11 until 1982-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-11 until 1982-12)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (from 1982-11 until 1982-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:26
7Violin Concerto in E major, op. 8, no. 1, RV. 269 "La Primavera": II. Largo
producer:
Peter Wadland (producer)
guitar:
Nigel North (English lute player) (from 1982-11 until 1982-12)
solo violin:
Christopher Hirons (violinist) (from 1982-11 until 1982-12)
orchestra:
Academy of Ancient Music (from 1982-11 until 1982-12)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1982-11 until 1982-12)
balance engineer:
John Dunkerley (engineer) (from 1982-11 until 1982-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-11 until 1982-12)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo (from 1982-11 until 1982-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi2:26
8Violin Concerto in E major, op. 8, no. 1, RV. 269 "La Primavera": III. Allegro (Danza pastorale)
producer:
Peter Wadland (producer)
guitar:
Nigel North (English lute player) (from 1982-11 until 1982-12)
solo violin:
Christopher Hirons (violinist) (from 1982-11 until 1982-12)
orchestra:
Academy of Ancient Music (from 1982-11 until 1982-12)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1982-11 until 1982-12)
balance engineer:
John Dunkerley (engineer) (from 1982-11 until 1982-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-11 until 1982-12)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale (from 1982-11 until 1982-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:57
9Canon and Gigue in D major, P. 37
recorded in:
London (Greater London), England, United Kingdom (from 1980-09 until 1980-12)
sound engineer and engineer:
John Dunkerley (engineer)
producer:
Peter Wadland (producer)
orchestra:
The Academy of Ancient Music (from 1980-09 until 1980-12) and Academy of Ancient Music (in 1980-12)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1980-09 until 1980-12, in 1980-12)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1981)
recording of:
Canon and Gigue in D major, P. 37, T. 337 (from 1980-09 until 1980-12)
composer:
Johann Pachelbel (composer)
part of:
Thematic Catalogue of the Musical Works of Johann Pachelbel (Pachelbel catalogue by Jean M. Perreault) (number: P. 37), Johann Pachelbel: Organist, Teacher, Composer, A Critical Reexamination of His Life, Works, and Historical Significance (Pachelbel catalogue by Kathryn Janes Welter) (number: PC. 358) and Archive of Johann Pachelbel’s Works (Pachelbel catalogue by Hideo Tsukamoto) (number: T. 337)
recording of:
Canon and Gigue in D major, P. 37, T. 337 (in 1980-12)
composer:
Johann Pachelbel (composer)
part of:
Thematic Catalogue of the Musical Works of Johann Pachelbel (Pachelbel catalogue by Jean M. Perreault) (number: P. 37), Johann Pachelbel: Organist, Teacher, Composer, A Critical Reexamination of His Life, Works, and Historical Significance (Pachelbel catalogue by Kathryn Janes Welter) (number: PC. 358) and Archive of Johann Pachelbel’s Works (Pachelbel catalogue by Hideo Tsukamoto) (number: T. 337)
Johann Pachelbel5:14
10Suite no. 3 in D major, BWV 1068: II. Air
producer:
Peter Wadland (producer)
harpsichord:
Christopher Hogwood (conductor, harpsichordist) (in 1985-03)
orchestra:
The Academy of Ancient Music (in 1985-03)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1985-03)
balance engineer:
John Dunkerley (engineer), Colin Moorfoot (engineer) and John Pellowe (audio engineer)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1985-03)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1985-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach4:24
11Italian Concerto in F major, BWV 971: I. Allegro
producer:
Peter Wadland (producer)
harpsichord:
Christophe Rousset (French harpsichordist & conductor) (in 1990-09)
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Saint-Hippolyte in Castres, Tarn, Occitanie (Occitania), France (in 1990-09)
recording of:
Italienisches Konzert F-Dur, BWV 971: I. [Allegro] (Italian Concerto in F major, BWV 971: I. [Allegro]) (in 1990-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
Johann Sebastian Bach4:19
12Keyboard Concerto no. 1 in D minor, BWV 1052: I. Allegro
producer:
Chris Sayers (producer)
harpsichord:
Christophe Rousset (French harpsichordist & conductor) (from 1995-02-02 until 1995-02-03)
orchestra:
Academy of Ancient Music (from 1995-02-02 until 1995-02-03)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1995-02-02 until 1995-02-03)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-02-02 until 1995-02-03, on 1995-02-04)
recording of:
Keyboard Concerto in D minor, BWV 1052: III. Allegro (from 1995-02-02 until 1995-02-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Keyboard Concerto in D minor, BWV 1052a: III. Allegro (early version of BWV 1052)
part of:
Keyboard Concerto in D minor, BWV 1052
Johann Sebastian Bach7:28
13Concerto grosso in G minor, op. 6, no. 8 "Fatto per la notte di Natale": I. Vivace - Grave - Allegro
archlute:
Nigel North (English lute player) (from 1982-06 until 1982-07)
violin:
Christopher Hirons (violinist) (from 1982-06 until 1982-07) and Catherine Mackintosh (violinist) (from 1982-06 until 1982-07)
orchestra:
Academy of Ancient Music (from 1982-06 until 1982-07)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1982-06 until 1982-07)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1982-06 until 1982-07)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: I. Vivace - Grave (from 1982-06 until 1982-07)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: II. Allegro (from 1982-06 until 1982-07)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli3:43
14Concerto grosso in G minor, op. 6, no. 8 "Fatto per la notte di Natale": II. Adagio - Allegro - Adagio
producer:
Peter Wadland (producer)
archlute:
Nigel North (English lute player) (from 1982-06 until 1982-07)
violin:
Christopher Hirons (violinist) (from 1982-06 until 1982-07) and Catherine Mackintosh (violinist) (from 1982-06 until 1982-07)
orchestra:
Academy of Ancient Music (from 1982-06 until 1982-07)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1982-06 until 1982-07)
balance engineer:
John Dunkerley (engineer)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1982-06 until 1982-07)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: III. Adagio - Allegro - Adagio (from 1982-06 until 1982-07)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli2:38
15Concerto grosso in G minor, op. 6, no. 8 "Fatto per la notte di Natale": III. Vivace
archlute:
Nigel North (English lute player) (from 1982-06 until 1982-07)
violin:
Christopher Hirons (violinist) (from 1982-06 until 1982-07) and Catherine Mackintosh (violinist) (from 1982-06 until 1982-07)
orchestra:
Academy of Ancient Music (from 1982-06 until 1982-07)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1982-06 until 1982-07)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1982-06 until 1982-07)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: IV. Vivace (from 1982-06 until 1982-07)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli1:08
16Concerto grosso in G minor, op. 6, no. 8 "Fatto per la notte di Natale": IV. Allegro - Pastorale (Largo)
producer:
Peter Wadland (producer)
archlute:
Nigel North (English lute player) (from 1982-06 until 1982-07)
violin:
Christopher Hirons (violinist) (from 1982-06 until 1982-07) and Catherine Mackintosh (violinist) (from 1982-06 until 1982-07)
orchestra:
The Academy of Ancient Music (from 1982-06 until 1982-07)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1982-06 until 1982-07)
balance engineer:
John Dunkerley (engineer)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1982-06 until 1982-07)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: V. Allegro (from 1982-06 until 1982-07)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: VI. Pastorale (Largo) (from 1982-06 until 1982-07)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli5:29
17Organ Concerto no. 6 in B-flat major, op. 4 no. 6 HWV 294: I. Andante - Allegro
producer:
Andrea Dandolo
organ:
Ottavio Dantone (harpsichordist, organist and conductor)
orchestra:
Accademia Bizantina
conductor:
Ottavio Dantone (harpsichordist, organist and conductor)
recording of:
Organ Concerto in B-flat major, op. 4 no. 6, HWV 294: I. Andante - Allegro
composer:
George Frideric Handel (German‐British baroque composer) (in 1736)
arrangement of:
Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294: I. Andante – Allegro (original version, for harp)
part of:
Organ Concerto in B-flat major, op. 4 no. 6, HWV 294
George Frideric Handel4:25
18Prelude And Fugue in C major (WTK, Book I, no. 1), BWV 846
producer and balance engineer:
Heinz Wildhagen (engineer, producer)
harpsichord:
Kenneth Gilbert (harpsichordist, organist & musicologist) (in 1983-01)
recorded at:
Musée des beaux-arts de Chartres in Chartres, Eure-et-Loir, Centre-Val de Loire (Centre-Loire Valley), France (in 1983-01)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846 (in 1983-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Bach Compendium (number: BC L 80) and Bach-Werke-Verzeichnis (number: BWV 846)
part of:
The Well-Tempered Clavier, Book I
Johann Sebastian Bach4:12
19Herz und Mund und Tat und Leben, BWV 147: No. 10, "Jesus bleibet meine Freude"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
The Monteverdi Choir (English vocal Baroque ensemble) (in 1990-03)
orchestra:
The English Baroque Soloists (in 1990-03)
conductor:
John Eliot Gardiner (in 1990-03)
performer:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
St. Andrewʼs Church, Fontmell Magna (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:30
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Credits

Release

manufactured in:Czechia
copyrighted (©) by and phonographic copyright (℗) by:Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2017)
licensed to:Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only)
Discogs:https://www.discogs.com/release/11504560 [info]
ASIN:DE: B06Y1Q1XVF [info]
discography entry:http://www.deccaclassics.com/au/cat/4832158 [info]