Freiburger Barockorchester Edition

~ Release by Freiburger Barockorchester (see all versions of this release, 1 available)

Tracklist

1▶CD
2▶CD
3▶CD
4▶CD
5▶CD
6▶CD
7▶CD
8▶CD
9▶CD
10▼CD
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1The Fairy Queen: I. Prelude & Hornpipe in g
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
The Fairy Queen, Z. 629: First Musick, no. 1. Prelude (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
recording of:
The Fairy Queen, Z. 629: First Musick, no. 2. Hornpipe (Hornpipe in g) (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
Henry Purcell2:31
2The Fairy Queen: II. Air & Rondeau in B
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
The Fairy Queen, Z. 629: Second Musick, no. 3. Air (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
recording of:
The Fairy Queen, Z. 629: Second Musick, no. 4. Rondeau (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
Henry Purcell2:24
3The Fairy Queen: III. Overture in D
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
The Fairy Queen, Z. 629: Act I, no. 5. Overture (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
Henry Purcell1:20
4The Fairy Queen: IV. Prelude & Entry Dance in C, Dance for the Fairies in G
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
partial recording of:
The Fairy Queen, Z. 629 (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
premiered at:
Dorset Garden Theatre in London (Greater London), England, United Kingdom (on 1692-05-02)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 629)
recording of:
The Fairy Queen, Z. 629: Act II, no. 10. Prelude (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
Henry Purcell3:35
5The Fairy Queen: V. Overture in g - Air in G - Prelude in g
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
partial recording of:
The Fairy Queen, Z. 629 (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
premiered at:
Dorset Garden Theatre in London (Greater London), England, United Kingdom (on 1692-05-02)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 629)
recording of:
The Fairy Queen, Z. 629: Act III, no. 20. A Song in Two Parts and Chorus: "If Love's a Sweet Passion" (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
recording of:
The Fairy Queen, Z. 629: Act III, no. 21. Overture: Symphony While the Swans Come Forward (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
Henry Purcell5:33
6The Fairy Queen: VI. Hornpipe in D
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
The Fairy Queen, Z. 629: First Musick, no. 2. Hornpipe (Hornpipe in g) (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
Henry Purcell1:50
7The Fairy Queen: VII. Symphony / Canzona-Largo-Allegro-Adagio-Allegro
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
The Fairy Queen, Z. 629: Act IV, no. 30. Symphony (Canzona, Largo, Allegro, Adagio) (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
Henry Purcell6:28
8Dido & Aeneas: I. Overture & Air in c, The Triumphing Dance in C
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
Dido and Aeneas, Z. 626: Act I, 12. The Triumphing Dance (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Overture (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer) (in 1689)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626
Henry Purcell7:04
9Dido & Aeneas: II. Ritornelle in d, Air, Dance in d
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 22. Ritornelle (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 23. Aria and Chorus “Thanks to these lonesome vales” (Belinda, Chorus) (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell3:04
10Dido & Aeneas: III. Echo Dance of Furies in F
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 21. Echo Dance of Furies (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:51
11Dido & Aeneas: IV. The Sailors' Dance in B
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
Dido and Aeneas, Z. 626: Act III, 29. The Sailors’ Dance (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:51
12Dido & Aeneas: V. The Witches' Dance in B
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
Dido and Aeneas, Z. 626: Act III, 32. The Witches’ Dance (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:38
13Dido & Aeneas: VI. Chacony
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
Dido and Aeneas, Z. 626: Act I. Guitar Dance (interstitial, unnumbered, after Act I, 10) (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell4:26
14King Arthur: I. Overture in d, Air in d, Overture in D
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
King Arthur, Z. 628: Act I, Scene I, 1. Overture (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act I
recording of:
King Arthur, Z. 628: Act I, Scene I, 2. Air (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act I
recording of:
King Arthur, Z. 628: Act I, Scene I, 3. Overture (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act I
Henry Purcell5:33
15King Arthur: II. Symphony in g, Air in G, Hornpipe in g
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
instrumental recording of:
King Arthur, Z. 628: Act II, Scene II, 14. “How blest are shepherds, how happy their lasses” (Shepherd and chorus) (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
recording of:
King Arthur, Z. 628: Act II, Scene II. Symphony (interstitial, comes before Act II, 15. “Shepherd, shepherd, leave decoying”) (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act II
recording of:
King Arthur, Z. 628: Act III, 28. Third Act Tune: Hornpipe (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act III
Henry Purcell3:59
16King Arthur: III. Air in d, Air in a, Song tune in a
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
King Arthur, Z. 628: Act II, 17. Second Act Tune: Air (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act II
recording of:
King Arthur, Z. 628: Act IV, Scene II, 31. Fourth Act Tune: Air (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act IV
Henry Purcell3:38
17King Arthur: IV. Symphony in C, Trumpet tune in C
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
King Arthur, Z. 628: Act V, Scene II, 32. Trumpet Tune (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act V
recording of:
King Arthur, Z. 628: Act V, Scene II, 34. Symphony (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act V
Henry Purcell2:58
18King Arthur: V. Frost Dance in c, Hornpipe in G
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
King Arthur, Z. 628: Act III, 18. Prelude (before Act III, 19. “What ho! Thou genius of this isle”) (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act III
partial instrumental recording of:
King Arthur, Z. 628: Act V, Scene II, 37. “Your hay it is mow’d, and your corn is reap’d” (Comus, peasants) (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell2:33
19King Arthur: VI. Passacaglia in g
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
partial instrumental recording of:
King Arthur, Z. 628: Act IV, Scene II, 30. Passacaglia – “How happy the lover” (Tenor, Nymphs, and Sylvans) (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act IV
Henry Purcell3:20
20Abdelazer: I. Overture in d
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: I. Overture (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570
Henry Purcell3:07
21Abdelazer: II. Rondeau in d
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570
Henry Purcell1:26
22Abdelazer: III. Air in D, Air in G
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: III. Air in D (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570
recording of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: IV. Air in G (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570
Henry Purcell2:30
23Abdelazer: IV. Minuett in G, Air in g
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: V. Minuett in G (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570
recording of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: VI. Air in g (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570
Henry Purcell2:04
24Abdelazer: V. Jigg in g
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: VII. Jigg in g (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570
Henry Purcell1:24
25Abdelazer: VI. Hornpipe in B, Air in g
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: IX. Air in g (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570
recording of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: VIII. Hornpipe (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570
Henry Purcell1:47