The Complete Billie Holiday on Verve 1945–1959

~ Veröffentlichung von Billie Holiday (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Includes a 220-page book.

Anmerkung zuletzt geändert am 2014-08-21 20:44 UTC.

Titelliste

1▶CD: Jazz at the Philharmonic Concerts 1945–1947 / 1952 Los Angeles Studio Session
2▶CD: 1952 Los Angeles & New York Studio Sessions / 1954 Jazz Club USA Concert - Germany
3▼CD: 1954 Jazz Club U.S.A. Concert (conclusion) / 1954 Los Angeles & New York Studio Sessions / 1955 New York Studio Session
Nr.TitelBewertungLänge
1Lover, Come Back to Me
E-Gitarre:
Jimmy Raney (am 1954-01-23)
Klarinette:
Buddy DeFranco (am 1954-01-23)
Klavier:
Beryl Booker (am 1954-01-23) und Sonny Clark (am 1954-01-23)
Kontrabass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1954-01-23)
Schlagzeug:
Elaine Leighton (am 1954-01-23)
Vibraphon:
Red Norvo (am 1954-01-23)
vocals:
Billie Holiday (am 1954-01-23)
aufgenommen bei:
Billie Holiday at Kölner Messe Halle V (1954-01-23)
aufgenommen bei:
Messehalle in Köln, Nordrhein-Westfalen, Deutschland (am 1954-01-23)
live recording of:
Lover, Come Back to Me (from "The New Moon") (am 1954-01-23)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
Verfasser(in):
Sigmund Romberg
Komponist(in):
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The New Moon: Act II
56:51
2How Deep Is the Ocean?
vocals:
Billie Holiday (am 1954-04-14)
recording of:
How Deep Is the Ocean? (am 1954-04-14)
Texter und Komponist(in):
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. und Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
52:59
3What a Little Moonlight Can Do
recorded in:
New York, New York, Vereinigte Staaten (am 1954-04-14)
E-Gitarre:
Herb Ellis (jazz guitarist) (am 1954-04-14)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1954-04-14)
Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1954-04-14)
Schlagzeug:
Ed Shaughnessy (am 1954-04-14)
Trompete:
Charlie Shavers (am 1954-04-14)
vocals:
Billie Holiday (am 1954-04-14)
recording of:
What a Little Moonlight Can Do (am 1954-04-14)
Texter und Komponist(in):
Harry M. Woods (American 1920/30s songwriter)
publisher:
Connelly Basart, Warner Bros. Music (publisher; do NOT use as release label) und Warner Brothers Music Inc.
3.653:12
4I Cried for You
recording of:
I Cried for You (am 1954-04-14)
Texter:
Arthur Freed
Komponist(in):
Gus Arnheim und Abe Lyman
publisher:
Arthur Freed Music, CBS Miller Catalog, Inc. und Miller Music Corp.
3.52:31
5Love Me or Leave Me
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-09-03)
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1954-09-03)
Gitarre:
Barney Kessel (am 1954-09-03)
Klavier:
Bobby Tucker (am 1954-09-03)
Kontrabass:
Red Callender (am 1954-09-03)
Schlagzeug:
Chico Hamilton (am 1954-09-03)
Trompete:
Harry “Sweets” Edison (am 1954-09-03)
vocals:
Billie Holiday (am 1954-09-03)
recording of:
Love Me or Leave Me (am 1954-09-03)
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
42:35
6P.S. I Love You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-09-03)
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1954-09-03)
Gitarre:
Barney Kessel (am 1954-09-03)
Klavier:
Bobby Tucker (am 1954-09-03)
Kontrabass:
Red Callender (am 1954-09-03)
Schlagzeug:
Chico Hamilton (am 1954-09-03)
Trompete:
Harry “Sweets” Edison (am 1954-09-03)
vocals:
Billie Holiday (am 1954-09-03)
recording of:
P.S. I Love You (am 1954-09-03)
Texter:
Johnny Mercer
Komponist(in):
Gordon Jenkins
publisher:
La Salle Music Publishers, Inc., Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), The Jenkins Family Partnership, The Johnny Mercer Foundation und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Teil von:
The Real Book (compilation of jazz standards, volume I)
53:37
7Too Marvelous for Words
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-09-03)
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1954-09-03)
Gitarre:
Barney Kessel (am 1954-09-03)
Klavier:
Bobby Tucker (am 1954-09-03)
Kontrabass:
Red Callender (am 1954-09-03)
Schlagzeug:
Chico Hamilton (am 1954-09-03)
Trompete:
Harry “Sweets” Edison (am 1954-09-03)
vocals:
Billie Holiday (am 1954-09-03)
recording of:
Too Marvelous for Words (am 1954-09-03)
Texter:
Johnny Mercer (in 1937)
Komponist(in):
Richard A. Whiting (composer) (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und Harms, Inc. (am 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
42:13
8Softly
recording of:
Softly (Eddie Beal/Joe Greene song) (am 1954-09-03)
Verfasser(in):
Eddie Beal und Joe Greene (US songwriter Joseph Perkins Greene, 1915-1986)
52:57
9I Thought About You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-09-03)
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1954-09-03)
Gitarre:
Barney Kessel (am 1954-09-03)
Klavier:
Bobby Tucker (am 1954-09-03)
Kontrabass:
Red Callender (am 1954-09-03)
Schlagzeug:
Chico Hamilton (am 1954-09-03)
Trompete:
Harry “Sweets” Edison (am 1954-09-03)
vocals:
Billie Holiday (am 1954-09-03)
recording of:
I Thought About You (am 1954-09-03)
Texter:
Johnny Mercer
Komponist(in):
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Jerry Leiber Music, Lewis Music Publishing Co., Inc., Range Road Music Inc., Silver Seahorse Music LLC, Twentieth Century Music Corp., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
52:48
10Willow Weep for Me
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1954-09-03)
Gitarre:
Barney Kessel (am 1954-09-03)
Klavier:
Bobby Tucker (am 1954-09-03)
Kontrabass:
Red Callender (am 1954-09-03)
Schlagzeug:
Chico Hamilton (am 1954-09-03)
Trompete:
Harry “Sweets” Edison (am 1954-09-03)
vocals:
Billie Holiday (am 1954-09-03)
recording of:
Willow Weep for Me (am 1954-09-03)
Texter und Komponist(in):
Ann Ronell (in 1932)
publisher:
Ann Ronell Music und Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
43:08
11Stormy Blues
recording of:
Stormy Blues (am 1954-09-03)
Verfasser(in):
Billie Holiday
53:31
12Say It Isn’t So
E-Gitarre:
Billy Bauer (US cool jazz guitarist) (am 1955-02-14)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1955-02-14)
Klavier:
Billy Taylor (jazz/bop pianist) (am 1955-02-14)
Kontrabass:
Leonard Gaskin (am 1955-02-14)
Schlagzeug:
Cozy Cole (am 1955-02-14)
Tenorsaxophon:
Budd Johnson (am 1955-02-14)
Trompete:
Charlie Shavers (am 1955-02-14)
vocals:
Billie Holiday (am 1955-02-14)
recording of:
Say It Isn’t So (am 1955-02-14)
Texter und Komponist(in):
Irving Berlin
publisher:
Irving Berlin Music Corp.
4.653:04
13I’ve Got My Love to Keep Me Warm
sonstige Unterstützung:
Leroy Lovett (am 1955-02-14)
E-Gitarre:
Billy Bauer (US cool jazz guitarist) (am 1955-02-14)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1955-02-14)
Klavier:
Billy Taylor (jazz/bop pianist) (am 1955-02-14)
Kontrabass:
Leonard Gaskin (am 1955-02-14)
Schlagzeug:
Cozy Cole (am 1955-02-14)
Tenorsaxophon:
Budd Johnson (am 1955-02-14)
Trompete:
Charlie Shavers (am 1955-02-14)
vocals:
Billie Holiday (am 1955-02-14)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1955)
aufgenommen bei:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Vereinigte Staaten (am 1955-02-14)
recording of:
I’ve Got My Love to Keep Me Warm (am 1955-02-14)
Texter und Komponist(in):
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3.753:58
14I Wished on the Moon
E-Gitarre:
Billy Bauer (US cool jazz guitarist) (am 1955-02-14)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1955-02-14)
Klavier:
Billy Taylor (jazz/bop pianist) (am 1955-02-14)
Kontrabass:
Leonard Gaskin (am 1955-02-14)
Schlagzeug:
Cozy Cole (am 1955-02-14)
Tenorsaxophon:
Budd Johnson (am 1955-02-14)
Trompete:
Charlie Shavers (am 1955-02-14)
vocals:
Billie Holiday (am 1955-02-14)
recording of:
I Wished on the Moon (am 1955-02-14)
Texter:
Dorothy Parker
Komponist(in):
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
56:50
15Always
E-Gitarre:
Billy Bauer (US cool jazz guitarist) (am 1955-02-14)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1955-02-14)
Klavier:
Billy Taylor (jazz/bop pianist) (am 1955-02-14)
Kontrabass:
Leonard Gaskin (am 1955-02-14)
Schlagzeug:
Cozy Cole (am 1955-02-14)
Tenorsaxophon:
Budd Johnson (am 1955-02-14)
Trompete:
Charlie Shavers (am 1955-02-14)
vocals:
Billie Holiday (am 1955-02-14)
recording of:
Always (am 1955-02-14)
Texter und Komponist(in):
Irving Berlin (in 1925)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Inc. und Irving Berlin Music
43:59
16Everything Happens to Me
E-Gitarre:
Billy Bauer (US cool jazz guitarist) (am 1955-02-14)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1955-02-14)
Klavier:
Billy Taylor (jazz/bop pianist) (am 1955-02-14)
Kontrabass:
Leonard Gaskin (am 1955-02-14)
Schlagzeug:
Cozy Cole (am 1955-02-14)
Tenorsaxophon:
Budd Johnson (am 1955-02-14)
Trompete:
Charlie Shavers (am 1955-02-14)
vocals:
Billie Holiday (am 1955-02-14)
recording of:
Everything Happens to Me (am 1955-02-14)
Texter:
Tom Adair
Komponist(in):
Matt Dennis (American singer, pianist, band leader)
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
46:22
17Do Nothin’ Till You Hear From Me
E-Gitarre:
Billy Bauer (US cool jazz guitarist) (am 1955-02-14)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1955-02-14)
Klavier:
Billy Taylor (jazz/bop pianist) (am 1955-02-14)
Kontrabass:
Leonard Gaskin (am 1955-02-14)
Schlagzeug:
Cozy Cole (am 1955-02-14)
Tenorsaxophon:
Budd Johnson (am 1955-02-14)
Trompete:
Charlie Shavers (am 1955-02-14)
vocals:
Billie Holiday (am 1955-02-14)
recording of:
Do Nothin’ Till You Hear From Me (am 1955-02-14)
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und Sony/ATV Harmony
Version von:
Concerto for Cootie
55:01
18Ain’t Misbehavin’
recording of:
Ain’t Misbehavin’ (am 1955-02-14)
Texter:
Andy Razaf (in 1929)
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
54:39
4▶CD: 1955 Rehearsal at Artie Shapiro’s Home
5▶CD: 1955 Los Angeles Studio Sessions
6▶CD: 1955 Los Angeles Studio Session (conclusion) / 1956 Rehearsal at the Duftys’ Home
7▶CD: 1956 New York & Los Angeles Studio Sessions
8▶CD: 1956 Carnegie Hall Concert / 1957 Los Angeles Studio Sessions
9▶CD: 1957 Los Angeles Studio Sessions
10▶CD: 1957 Newport Jazz Festival / 1958 Seven Ages of Jazz Concert / 1959 New York Studio Sessions With Ray Ellis