Do Nothin’ Till You Hear From Me

~ Veröffentlichung von Nina Simone (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Just in Time
Gitarre:
Henry Young (Chinese-Ukrainian guitarist from Vancouver, B.C.; toured with Nina Simone) (am 1968-06-16)
Klavier:
Nina Simone (am 1968-06-16)
Kontrabass:
Gene Taylor (US jazz bassist) (am 1968-06-16)
Orgel und Perkussion:
Sam Waymon (am 1968-06-16)
Schlagzeug [drums]:
Buck Clarke (am 1968-06-16)
Sologesang:
Nina Simone
vocals:
Nina Simone (am 1968-06-16)
phonographisches Urheberrecht (℗) von:
Colpix Records (a/k/a Colpix Records) (in 1962)
aufgenommen bei:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Kanton Waadt), Schweiz (am 1968-06-16)
live cover recording of:
Just in Time (Bells Are Ringing) (am 1968-06-16)
Texter:
Betty Comden (in 1956) und Adolph Green (in 1956)
Komponist(in):
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation und Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Bells Are Ringing (stage musical)
24:43
2House of the Rising Sun
Sologesang:
Nina Simone
arranger:
Nina Simone
phonographisches Urheberrecht (℗) von:
Colpix Records (a/k/a Colpix Records) (in 1962)
aufgenommen bei:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Kanton Waadt), Schweiz (am 1968-06-16)
Bearbeitung von:
The House of the Rising Sun (live, 1968‐06‐16: Montreux Jazz Festival, Montreux, Switzerland) von Nina Simone
live cover recording of:
House of the Rising Sun (am 1968-06-16)
Texter und Komponist(in):
[traditional] (special purpose artist)
publisher:
Beechwood Music Corp., Ole Cantaloupe Music und Sonet Publishing Ltd.
1.57:01
3It Don’t Mean a Thing
Sologesang:
Nina Simone (in 1962)
cover recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (in 1962)
Texter:
Irving Mills (in 1931)
Komponist(in):
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music und EMI Mills Music (ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, volume I)
42:25
4I Loves You Porgy
recorded in:
Philadelphia, Pennsylvania, Vereinigte Staaten (von 1954 bis 1955)
recording engineer:
Frank Clark
Klavier:
Nina Simone
vocals:
Nina Simone
arranger:
Monk Higgins (in 1970)
aufgenommen bei:
Tangerine / RPM Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1970: Saiteninstrumente)
live cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (von 1954 bis 1955)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America und Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
4:05
5Gin House Blues
aufgenommen bei:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Kanton Waadt), Schweiz (am 1968-06-16)
Bearbeitung von:
Gin House Blues (live, 1968‐06‐16: Montreux Jazz Festival, Montreux, Switzerland) von Nina Simone
live cover recording of:
Gin House Blues (am 1968-06-16)
Komponist(in):
Fletcher Henderson (in 1925) und Henry Troy (in 1925)
publisher:
Carlin Music Corp
6:09
6Assignment Song
Sologesang:
Nina Simone
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1969)
aufgenommen bei:
University of California, Berkeley in Berkeley, California (Kalifornien), Vereinigte Staaten (am 1969-04-26)
Bearbeitung von:
The Assignment Song (live, 1969‐04‐26: University of California, Berkeley, CA, USA, with Simone speaking at the end) von Nina Simone
live recording of:
The Assignment Song (am 1969-04-26)
Verfasser(in):
Jan Hendin
publisher:
EMI Tunes Ltd
14:58
7Solitude
Chorgesang:
The Malcom Dodds Singers (in 1962)
Sologesang:
Nina Simone (in 1962)
conductor:
Ralph Burns (in 1962)
arranger:
Ralph Burns
cover recording of:
(In My) Solitude (in 1962)
Texter:
Eddie DeLange (in 1934) und Irving Mills (in 1934)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) und J. R. Lafleur & Son Ltd.
53:41
8See-Line Woman
aufgenommen bei:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Kanton Waadt), Schweiz (am 1968-06-16)
live cover recording of:
See‐Line Woman (am 1968-06-16)
Verfasser(in):
George Bass und Nina Simone
basiert auf:
Sea Lion Woman
3:57
9No Opportunity Necessary, No Experience Needed
Sologesang:
Nina Simone
aufgenommen bei:
University of California, Berkeley in Berkeley, California (Kalifornien), Vereinigte Staaten (am 1969-04-26)
Bearbeitung von:
No Opportunity Necessary, No Experience Needed (live, 1969‐04‐26: University of California, Berkeley, CA, USA) von Nina Simone
live cover recording of:
No Opportunity Necessary, No Experience Needed (am 1969-04-26)
Texter und Komponist(in):
Richie Havens
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Nicklewhistle Music
4:22
10Black Is the Color
recorded in:
Philadelphia, Pennsylvania, Vereinigte Staaten (von 1954 bis 1955)
recording engineer:
Frank Clark
Klavier:
Nina Simone
vocals:
Nina Simone
arranger:
Monk Higgins (in 1970)
aufgenommen bei:
Tangerine / RPM Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1970: Saiteninstrumente)
cover recording of:
Black Is the Color of My True Love’s Hair (Arranged by Nina Simone)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Company (publisher; do NOT use as release label)
Arrangement von:
Black Is the Colour (of My True Love’s Hair)
3:10
11Wild Is the Wind
Klavier:
Nina Simone (am 1959-09-12)
Kontrabass:
James E. Bond (am 1959-09-12)
Schlagzeug:
Albert “Tootie” Heath (am 1959-09-12)
vocals:
Nina Simone (am 1959-09-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (am 1959-09-12)
live cover recording of:
Wild Is the Wind (theme song from the Paramount movie “Wild Is the Wind”) (am 1959-09-12)
Texter:
Ned Washington
Komponist(in):
Dimitri Tiomkin
publisher:
BMG Music Publishing Ltd., Carlin Music Corporation, Shapiro, Bernstein & Co., Inc., Universal Music Publishing MGB Ltd., Anne-Rachel Music Corp. (in 1957, in 1985), Catharine Hinen Music (in 1957, in 1985), Chappell & Co., Inc. (USA) (in 1957), Largo Music Inc. (in 1957, in 1985) und Patti Washington Music (in 1957, in 1985)
Teil von:
The 30th Academy Award for Best Original Song (Nummer: 2)
6:00
12Nobody
cover recording of:
Nobody
Texter:
Alex Rogers (songwriter, 1876-1930)
Komponist(in):
Bert Williams
Teil von:
Abyssinia (1906 musical)
5:09
13Don’t Let Me Be Misunderstood
Sologesang:
Nina Simone
aufgenommen bei:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Kanton Waadt), Schweiz (am 1968-06-16)
Bearbeitung von:
Don’t Let Me Be Misunderstood (live, 1968‐06‐16: Montreux Jazz Festival, Montreux, Switzerland) von Nina Simone
live recording of:
Don’t Let Me Be Misunderstood (am 1968-06-16)
Verfasser(in):
Bennie Benjamin, Gloria Caldwell, Sol Marcus und Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) und Unichappell Music, Inc. (in 1981)
4:05
14Do Nothin’ Till You Hear From Me
cover recording of:
Do Nothin’ Till You Hear From Me
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und Sony/ATV Harmony
Version von:
Concerto for Cootie
3.652:49
15I Got It Bad and That Ain’t Good
Sologesang:
Nina Simone (in 1962)
vocals:
Nina Simone
cover recording of:
I Got It Bad (and That Ain’t Good) (in 1962)
Texter:
Paul Francis Webster (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony und Webster Music Co.
Teil von:
The Real Book (compilation of jazz standards, volume I)
2.54:04
16Hey, Buddy Bolden
Sologesang:
Nina Simone
recording of:
Hey, Buddy Bolden
Verfasser(in):
Duke Ellington (US composer, pianist & jazz bandleader) und Billy Strayhorn
32:28
17My Way
recording engineer:
Ed Begley (sound engineer in RCA Victor) (am 1971-02-12)
Produzent(in):
Nat Shapiro und Harold Wheeler
Sologesang:
Nina Simone
vocals:
Nina Simone
conductor:
Harold Wheeler
arranger:
Nina Simone und Harold Wheeler
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1971-02-12)
Bearbeitung von:
My Way (1971 studio version, full length) von Nina Simone
cover recording of:
My Way (Frank Sinatra song)
Texter:
Paul Anka (Canadian singer, songwriter and actor)
Komponist(in):
Claude François und Jacques Revaux
vorher zugeschrieben zu:
Gilles Thibaut
Übersetzer:
Bobby Cruz
publisher:
Babel Music S.A., Chrysalis Standards Inc., Don C. Publications Inc., Eddie Barclay, Jeune Musique Éditions, Shapiro, Bernstein & Co., Inc., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Spanka Music, Spanka Music Corp., Thibout Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
übersetzte Version von:
Comme d’habitude
35:08