More Greatest Hits

~ Veröffentlichung von Louis Armstrong (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
Nr.TitelBewertungLänge
1Boy From New Orleans
recorded in:
New York, New York, Vereinigte Staaten (am 1970-05-29)
Produzent(in):
Bob Thiele (producer & songwriter)
Conga:
Gene Golden (Latin jazz percussionist) (am 1970-05-29)
E-Bass:
Chuck Rainey (American bassist) (am 1970-05-29)
Flügelhorn und Trompete:
Thad Jones (American jazz trumpeter) (am 1970-05-29), Jimmy Owens (jazz trumpeter) (am 1970-05-29), Ernie Royal (am 1970-05-29) und Marvin Stamm (am 1970-05-29)
Gitarre:
Sam Brown (jazz guitarist) (am 1970-05-29) und Kenny Burrell (am 1970-05-29)
Klavier:
Frank Owens (American pianist) (am 1970-05-29)
Posaune:
Garnett Brown (am 1970-05-29), Bill Campbell (trombone) (am 1970-05-29), Al Grey (trombone) (am 1970-05-29) und Quentin Jackson (am 1970-05-29)
Saxophon:
Robert Ashton (saxophonist) (am 1970-05-29), Danny Bank (reeds) (am 1970-05-29), Ray Beckenstein (saxophonist and flute player) (am 1970-05-29), Jerry Dodgion (am 1970-05-29) und Billy Harper (am 1970-05-29)
Schlagzeug:
Bernard “Pretty” Purdie (am 1970-05-29)
vocals:
Louis Armstrong (am 1970-05-29)
conductor:
Oliver Nelson (saxophone, arranger, composer) (am 1970-05-29)
3:55
2I’ve Got the World on a String
recording of:
I’ve Got the World on a String
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) und S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
3:15
3High Society
recording of:
High Society (jazz standard, with lyrics added c. 1920s to a 1901 march, supposedly never performed except instrumentally)
Texter:
Walter Melrose
Komponist(in):
Porter Steele (in 1901-04)
basiert auf:
High Society (march composed by Porter Steele in 1901)
3:24
4Back o’ Town Blues
Klarinette:
Peanuts Hucko (am 1947-05-17)
Klavier:
Dick Cary (piano, trumpet, alto horn) (am 1947-05-17)
Kontrabass:
Bob Haggart (am 1947-05-17)
Posaune:
Jack Teagarden (am 1947-05-17)
Schlagzeug:
Sid Catlett (am 1947-05-17)
Trompete:
Louis Armstrong (am 1947-05-17) und Bobby Hackett (am 1947-05-17)
vocals:
Louis Armstrong (am 1947-05-17) und Jack Teagarden (am 1947-05-17)
aufgenommen bei:
Town Hall in Theater District, New York, New York, Vereinigte Staaten (am 1947-05-17)
live recording of:
Back o’ Town Blues (am 1947-05-17)
Verfasser(in):
Louis Armstrong und Luis Russell
4:13
5Mahogany Hall Stomp
recording of:
Mahogany Hall Stomp
Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
2:35
6Sweet Sue, Just You
recording of:
Sweet Sue, Just You
Texter:
Will J. Harris (early 1900s songwriter/lyricist)
Komponist(in):
Will J. Harris (early 1900s songwriter/lyricist) und Victor Young (American composer, arranger, violinist & conductor)
publisher:
Shapiro Bernstein & Co. Ltd.
2:44
7Medley: When You’re Smiling / St. James Infirmary / Dinah
4:34
8Snafu
recording of:
Snafu
Verfasser(in):
Leonard Feather
4:12
9Jack Armstrong Blues2:58
10Save It Pretty Mama
recording of:
Save It, Pretty Mama
Verfasser(in):
Paul Denniker, Joseph M. Davis (Joe Davis, US lyricist, producer, publisher & promoter) und Don Redman
4:28
11I Want a Little Girl
cover recording of:
I Want a Little Girl
Texter:
Billy Moll (songwriter)
Komponist(in):
Murray Mencher (pianist, lyricist and songwriter)
publisher:
Shapiro, Bernstein & Co., Inc.
2:59
12Where the Blues Were Born in New Orleans
recording of:
Where the Blues Were Born in New Orleans
Verfasser(in):
Bob Carleton und Charlie Dixon (Jazz banjoist)
3:04
13Honey, Do!
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1933-01-27)
alto saxophone:
Scoville Browne (am 1933-01-27) und George Oldham (am 1933-01-27)
Banjo und Resonatorgitarre [dobro]:
Mike McKendrick (Jazz banjo and guitar) (am 1933-01-27)
Klarinette:
Scoville Browne (am 1933-01-27), Budd Johnson (am 1933-01-27) und George Oldham (am 1933-01-27)
Klavier:
Teddy Wilson (am 1933-01-27)
Kontrabass [bass]:
Bill Oldham (Double Bass Player) (am 1933-01-27)
Posaune:
Keg Johnson (jazz trombonist) (am 1933-01-27)
Schlagzeug:
Yank Porter (jazz drummer) (am 1933-01-27)
Tenorsaxophon:
Budd Johnson (am 1933-01-27)
Trompete:
Louis Armstrong (am 1933-01-27), Zilner Randolph (am 1933-01-27) und Elmer Whitlock (US trumpet player) (am 1933-01-27)
vocals:
Louis Armstrong (am 1933-01-27)
recording of:
Honey, Do (am 1933-01-27)
Verfasser(in):
J.C. Johnson und Andy Razaf
2:36
14A Song Was Born
recording of:
A Song Was Born
Komponist(in):
Gene de Paul und Don Raye
3:18
15Pennies From Heaven
recording of:
Pennies From Heaven
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
Komponist(in):
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) und Joy Music Inc.
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
3:42
16Blues for Yesterday
recording of:
Blues for Yesterday
Verfasser(in):
Leroy Carr
2:34
17There’s a Cabin in the Pines
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1933-04-26)
alto saxophone:
Scoville Browne (am 1933-04-26) und George Oldham (am 1933-04-26)
Banjo und Resonatorgitarre [dobro]:
Mike McKendrick (Jazz banjo and guitar) (am 1933-04-26)
Klarinette:
Scoville Browne (am 1933-04-26), Budd Johnson (am 1933-04-26) und George Oldham (am 1933-04-26)
Klavier:
Charlie Beal (am 1933-04-26)
Posaune:
Keg Johnson (jazz trombonist) (am 1933-04-26)
Schlagzeug:
Harry Dial (am 1933-04-26)
Tenorsaxophon:
Budd Johnson (am 1933-04-26)
Trompete:
Louis Armstrong (am 1933-04-26), Zilner Randolph (am 1933-04-26) und Elmer Whitlock (US trumpet player) (am 1933-04-26)
Tuba:
Bill Oldham (Double Bass Player) (am 1933-04-26)
vocals:
Louis Armstrong (am 1933-04-26)
recording of:
There's a Cabin in the Pines (am 1933-04-26)
Texter und Komponist(in):
Billy Hill (US songwriter)
3:17
18Please Stop Playin’ Those Blues, Boy3:16

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Veröffentlichungsgruppe

Teil von:Greatest Hits (RCA Victor) (Reihenfolge: 34)