Weihnachts-Oratorium

~ Release by Johann Sebastian Bach; Academy of St Martin in the Fields, Philip Ledger, Elly Ameling, Dietrich Fischer‐Dieskau, Janet Baker, Robert Tear, King’s College Choir, Cambridge (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
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1Weihnachts-Oratorium, BWV 248: Cantata #3: 11. Recitative, 'Und die Hirten kehrten wieder um'
tenor vocals [Evangelist]:
Robert Tear (tenor) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIV. Recitativo „Und die Hirten kehrten wieder um“ (Evangelista) (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:30
2Weihnachts-Oratorium, BWV 248: Cantata #3: 12. Choral, 'Seid froh dieweil'
choir vocals:
Choir of King’s College, Cambridge (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXV. Choral "Seid froh dieweil" (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 381)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:55
3Weihnachts-Oratorium, BWV 248: Cantata #3: 13. Chorus, 'Herrscher des Himmels, erhöre das Lallen'
choir vocals:
Choir of King’s College, Cambridge (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV (da capo). Coro da capo „Herrscher des Himmels, erhöre das Lallen“ (from 1976-07 until 1976-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:16
4Weihnachts-Oratorium, BWV 248: Cantata #4: 1. Chorus, 'Fallt mit Danken, fallt mit Loben'
choir vocals:
Choir of King’s College, Cambridge (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVI. Coro „Fallt mit Danken, fallt mit Loben“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:56
5Weihnachts-Oratorium, BWV 248: Cantata #4: 2. Recitative, 'Und da acht Tage um waren'
tenor vocals [Evangelist]:
Robert Tear (tenor) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVII. Recitativo „Und da acht Tage um waren“ (Evangelista) (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:43
6Weihnachts-Oratorium, BWV 248: Cantata #4: 3. Recitative, 'Immanuel, o süßes Wort'
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1976-07 until 1976-12)
soprano vocals:
Elly Ameling (soprano) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVIII. Recitativo (Basso) con Chorale (Soprano) „Immanuel, o süßes Wort“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:56
7Weihnachts-Oratorium, BWV 248: Cantata #4: 4. Aria, 'Flößt, mein Heiland'
soprano vocals:
Elly Ameling (soprano) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:39
8Weihnachts-Oratorium, BWV 248: Cantata #4: 5. Recitative and Arioso, 'Wohlan! Dein Name soll allein'
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1976-07 until 1976-12)
soprano vocals:
Elly Ameling (soprano) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale (Soprano) „Wohlan, dein Name soll allein“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:36
9Weihnachts-Oratorium, BWV 248: Cantata #4: 6. Aria, 'Ich will nur dir zu Ehren leben'
tenor vocals:
Robert Tear (tenor) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLI. Aria (Tenore) „Ich will nur dir zu Ehren leben“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:01
10Weihnachts-Oratorium, BWV 248: Cantata #4: 7. Choral, 'Jesus richte mein Beginnen'
choir vocals:
Choir of King’s College, Cambridge (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLII. Choral „Jesus richte mein Beginnen“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:21
11Weihnachts-Oratorium, BWV 248: Cantata #5: 1. Chorus, 'Ehre sei DIr, Gott, gesungen'
choir vocals:
Choir of King’s College, Cambridge (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro „Ehre sei dir, Gott, gesungen“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:08
12Weihnachts-Oratorium, BWV 248: Cantata #5: 2. Recitative, 'Da Jesus geboren war zu Bethlehem'
tenor vocals [Evangelist]:
Robert Tear (tenor) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Recitativo „Da Jesus geboren war zu Bethlehem“ (Evangelista) (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:25
13Weihnachts-Oratorium, BWV 248: Cantata #5: 3. Chorus and Recitative, 'Wo ist der neugeborne König der Jüden?'
alto vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1976-07 until 1976-12)
choir vocals:
Choir of King’s College, Cambridge (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLV. Coro e Recitativo (Alto) „Wo ist der neugeborne König“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:59
14Weihnachts-Oratorium, BWV 248: Cantata #5: 4. Choral, 'Dein Glanz all Finsternis verzehrt'
choir vocals:
Choir of King’s College, Cambridge (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral „Dein Glanz all Finsternis verzehrt“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Georg Weissel (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 214)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:57
15Weihnachts-Oratorium, BWV 248: Cantata #5: 5. Aria, 'Erleucht auch meine finstre Sinnen'
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:05
16Weihnachts-Oratorium, BWV 248: Cantata #5: 6. Recitative, 'Da das der König Herodes hörte'
tenor vocals [Evangelist]:
Robert Tear (tenor) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVIII. Recitativo „Da das der König Herodes hörte“ (Evangelista) (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:15
17Weihnachts-Oratorium, BWV 248: Cantata #5: 7. Recitative, 'Warum wollt ihr erschrecken?'
alto vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIX. Recitativo (Alto) „Warum wollt ihr erschrecken“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:42
18Weihnachts-Oratorium, BWV 248: Cantata #5: 8. Recitative, 'Und ließ versammeln alle Hohenpriester'
tenor vocals [Evangelist]:
Robert Tear (tenor) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, L. Recitativo „Und ließ versammeln alle Hohepriester“ (Evangelista) (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:21
19Weihnachts-Oratorium, BWV 248: Cantata #5: 9. Trio, 'Ach, wann wird die Zeit ercheinen'
alto vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1976-07 until 1976-12)
tenor vocals:
Robert Tear (tenor) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:27
20Weihnachts-Oratorium, BWV 248: Cantata #5: 10. Recitative, 'Mein Liebster herrschet schon'
alto vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) „Mein Liebster herrschet schon“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:37
21Weihnachts-Oratorium, BWV 248: Cantata #5: 11. Choral, 'Zwar ist soche Herzensstube'
choir vocals:
Choir of King’s College, Cambridge (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LIII. Choral „Zwar ist solche Herzensstube“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 114)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:03
22Weihnachts-Oratorium, BWV 248: Cantata #6: 1. Chorus, 'Herr, wenn die stolzen Feinde schnauben'
choir vocals:
Choir of King’s College, Cambridge (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro „Herr, wenn die stolzen Feinde schnauben“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:20
23Weihnachts-Oratorium, BWV 248: Cantata #6: 2. Recitative, 'Da berief Herodes die Weisen heimlich'
tenor vocals [Evangelist]:
Robert Tear (tenor) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo „Da berief Herodes die Weisen heimlich“ (Evangelista) (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:52
24Weihnachts-Oratorium, BWV 248: Cantata #6: 3. Recitative, 'Du Falscher, suche nur den Herrn zu fällen'
soprano vocals:
Elly Ameling (soprano) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) „Du Falscher, suche nur den Herrn zu fällen“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:00
25Weihnachts-Oratorium, BWV 248: Cantata #6: 4. Aria, 'Nur ein Wink von seinen Händen'
soprano vocals:
Elly Ameling (soprano) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) „Nur ein Wink von seinen Händen“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:38
26Weihnachts-Oratorium, BWV 248: Cantata #6: 5. Recitative, 'Als sie nun den König gehöret hatten'
tenor vocals [Evangelist]:
Robert Tear (tenor) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVIII. Recitativo „Als sie nun den König gehöret hatten“ (Evangelista) (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:18
27Weihnachts-Oratorium, BWV 248: Cantata #6: 6. Choral 'Ich steh an deiner Krippen hier'
choir vocals:
Choir of King’s College, Cambridge (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 263)
is based on:
Nun freut euch, lieben Christen g’mein (more 'sostenuto' version)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:08
28Weihnachts-Oratorium, BWV 248: Cantata #6: 7. Recitative, 'Und Gott befahl ihnen im Traum'
tenor vocals [Evangelist]:
Robert Tear (tenor) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LX. Recitativo „Und Gott befahl ihnen im Traum“ (Evangelista) (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:25
29Weihnachts-Oratorium, BWV 248: Cantata #6: 8. Recitative, 'So geht! Genug, mein Schatz geht nicht von hier'
tenor vocals:
Robert Tear (tenor) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXI. Recitativo (Tenore) „So geht! Genug, mein Schatz geht nicht von hier“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:59
30Weihnachts-Oratorium, BWV 248: Cantata #6: 9. Aria, 'Nun mögt ihr stolzen Feinde schrecken'
tenor vocals:
Robert Tear (tenor) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) „Nun mögt ihr stolzen Feinde schrecken“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:48
31Weihnachts-Oratorium, BWV 248: Cantata #6: 10. Recitative, 'Was will der Hölle Schrecken nun'
alto vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1976-07 until 1976-12)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1976-07 until 1976-12)
soprano vocals:
Elly Ameling (soprano) (from 1976-07 until 1976-12)
tenor vocals:
Robert Tear (tenor) (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, Alto, Tenore, Basso) „Was will der Höllen Schrecken nun“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:50
32Weihnachts-Oratorium, BWV 248: Cantata #6: 11. Choral, 'Nun seid ihr wohl gerochen'
choir vocals:
Choir of King’s College, Cambridge (from 1976-07 until 1976-12)
orchestra:
Academy of St Martin in the Fields (from 1976-07 until 1976-12)
conductor:
Philip Ledger (from 1976-07 until 1976-12)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1976-07 until 1976-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral „Nun seid ihr wohl gerochen“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 165)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:26