The 70’s: 1978

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Don’t It Make My Brown Eyes Blue
diritti fonografici (℗) detenuti da:
Capitol Records Nashville (nel 1975), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1976), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (nel 1976) e Capitol Nashville (nel 1977, nel 1979)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 71)
registrazione cover di:
Don’t It Make My Brown Eyes Blue
paroliere e compositore:
Richard Leigh (American country music songwriter and singer)
editore:
EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI U Catalog Inc. (publisher; do NOT use as release label) e EMI United Partnership Ltd.
Crystal Gayle4.42:35
2Baker Street
basso :
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel) (nel 1977)
batteria :
Henry Spinetti (nel 1977)
chitarra [lead guitar] :
Hugh Burns (nel 1977)
chitarra [rhythm guitar] :
Nigel Jenkins (nel 1977)
percussione :
Glen LeFleur (nel 1977)
sassofono :
Raphael Ravenscroft (nel 1977)
tastiera :
Tommy Eyre (nel 1977)
voce principale:
Gerry Rafferty (nel 1977)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978, nel 1980), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1978) e United Artists Music and Records Group, Inc. (UAMARG, Inc.) (nel 1978)
registrata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito (nel 1977)
edit di:
Baker Street di Gerry Rafferty
registrazione di:
Baker Street (nel 1977)
paroliere e compositore:
Gerry Rafferty
editore:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) e Universal–Songs of PolyGram International, Inc.
Gerry Rafferty4.154:08
3Never Let It Slip Away
assistente tecnico:
George Ybara
tecnico:
Dennis Kirk e Greg Ladanyi
produttore:
Andrew Gold e Brock Walsh (singer, producer, songwriter)
percussione :
Andrew Gold (nel 1978) e Brock Walsh (singer, producer, songwriter) (nel 1978)
sassofono :
Ernie Watts (jazz and blues saxophonist) (nel 1978)
sintetizzatore :
Andrew Gold (nel 1978)
voce di accompagnamento:
Andrew Gold (nel 1978), John David Souther (nel 1978) e Brock Walsh (singer, producer, songwriter) (nel 1978)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1978)
registrata presso e mixata presso:
Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti (nel 1978)
registrazione di:
Never Let Her Slip Away (nel 1978)
paroliere e compositore:
Andrew Gold
editore:
Luckyu Music
Andrew Gold53:26
4If You Can’t Give Me Love
produttore:
Mike Chapman (Australian producer and songwriter)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978, nel 1980) e RAK Records Ltd. (nel 1978)
è stato produttore per:
Chinnichap (production company and publisher)
registrazione di:
If You Can’t Give Me Love (nel 1980)
paroliere e compositore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music Publishing Ltd., Chinnichap (production company and publisher), Chinnichap Ltd. (production company), RAK Publishing Ltd. e Universal Music–MGB Songs
Suzi Quatro4.53:54
5It’s a Heartache
produttore:
Dave Mackay (producer), David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) e Steve Wolfe (producer, songwriter and guitar player)
basso :
Kevin Dunne
batteria e percussione :
Micky Gibbins (drummer for Badfinger)
chitarra acustica e voce di accompagnamento:
Steve Wolfe (producer, songwriter and guitar player)
voce:
Bonnie Tyler
diritti fonografici (℗) detenuti da:
Castle Copyrights Ltd. (nel 1977), RCA Ltd. (UK arm of RCA) (nel 1977), Sanctuary Copyrights Ltd. (nel 1977), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1977), Soundbarrier Ltd. (production company) (nel 1977, nel 1978), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1995), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
è stato produttore per:
Soundbarrier Ltd. (production company)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 24)
registrazione di:
It’s a Heartache
autore:
Ronnie Scott (a British pop music promoter, group manager and songwriter) e Steve Wolfe (producer, songwriter and guitar player)
editore:
BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Lojo Music, Scott/Wolfe Songs Ltd., Universal Music Publishing International Ltd., Universal Music Publishing MGB Ltd., Mighty Music (publisher) (nel 1977) e RAK Publishing (nel 1977)
Bonnie Tyler3.83:29
6Boy From New York City
registrazione cover di:
The Boy From New York City
autore:
George Davis (US songwriter - singer, doo-wop era) e John Taylor (songwriter & saxophone player John Isaac Taylor)
editore:
Trio Music Company e フジパシフィックミュージック (Fujipacific Music, Inc.)
Darts53:06
7(Don’t Fear) The Reaper
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1976), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1976) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976, nel 1978)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 397) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 449)
registrazione di:
(Don’t Fear) The Reaper
paroliere e compositore:
Donald Roeser (singer, lead guitarist and songwriter)
editore:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC e Sony/ATV Tunes LLC (ASCAP) (nel 1976)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult4.43:46
8Denis
tecnico:
Rob Freeman (engineer)
produttore:
Richard Gottehrer (American songwriter and music executive)
archi , farfisa , pianoforte a coda , sintetizzatore [Polymoog] e sintetizzatore [Roland] :
Jimmy Destri (dal 1977-06 al 1977-07)
batteria :
Clem Burke (dal 1977-06 al 1977-07)
chitarra basso :
Frank Infante (dal 1977-06 al 1977-07) e Chris Stein (dal 1977-06 al 1977-07)
chitarra elettrica [lead guitar] e vibrafono :
Chris Stein (dal 1977-06 al 1977-07)
chitarra elettrica [rhythm guitar] :
Frank Infante (dal 1977-06 al 1977-07)
voce di accompagnamento:
Clem Burke (dal 1977-06 al 1977-07) e Jimmy Destri (dal 1977-06 al 1977-07)
voce principale:
Deborah Harry (dal 1977-06 al 1977-07)
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1977), Chrysalis Records, Inc. (not for release label use!) (nel 1977, nel 2001) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1978)
registrata presso:
Plaza Sound Studios in New York, New York, Stati Uniti (dal 1977-06 al 1977-07)
registrazione cover di:
Denise (dal 1977-06 al 1977-07)
paroliere e compositore:
Neil Levenson (pianist and songwriter)
editore:
Bright Tunes Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), Minder Music Ltd. e Taking Care of Business Music Inc. (BMI)
Blondie3.552:18
9Take Me I’m Yours
registrazione di:
Take Me I’m Yours
paroliere:
Chris Difford
compositore:
Glenn Tilbrook
Squeeze2:51
10Rat Trap
registrazione di:
Rat Trap
paroliere e compositore:
Bob Geldof
editore:
Sewer Fire Hits Ltd
The Boomtown Rats5:07
11Down in the Tube Station at Midnight
produttore:
Vic Coppersmith‐Heaven
edit di:
Down in the Tube Station at Midnight di The Jam (late 70s/early 80s UK punk/mod revival band)
registrazione di:
Down in the Tube Station at Midnight
paroliere e compositore:
Paul Weller (English singer‐songwriter and musician)
editore:
BMG Music Publishing Ltd. e Stylist Music Ltd.
The Jam3:58
12Hurry Up Harry
Sham 693:28

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parte di:The 70’s (Time-Life Music) (ordine: 10)