Original Greatest Hits

~ Pubblicazione di Ella Fitzgerald & Louis Armstrong (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Seems to be a physical bootleg release for Eastern European regions. Was not able to find any referrences to the album aside from few Russian and Polish sources.

Annotazione modificata l'ultima volta il 2020-07-02 21:00 UTC.

Elenco tracce

1▶CD
2▼CD
#TitoloArtistaValutazioneDurata
1Don’t Be That Way
registrata a:
Los Angeles, California, Stati Uniti (il 1957-08-13)
batteria :
Louie Bellson (il 1957-08-13)
chitarra :
Herb Ellis (jazz guitarist) (il 1957-08-13)
contrabbasso :
Ray Brown (jazz bassist) (il 1957-08-13)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1957-08-13)
tromba :
Louis Armstrong (il 1957-08-13)
voce:
Louis Armstrong (il 1957-08-13) e Ella Fitzgerald (American jazz singer) (il 1957-08-13)
registrazione cover di:
Don’t Be That Way (il 1957-08-13)
paroliere:
Mitchell Parish
compositore:
Benny Goodman (clarinetist and bandleader) e Edgar Sampson
editore:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation e The Songwriters Guild
parte di:
New York, New York (1977 musical film soundtrack)
Ella Fitzgerald & Louis Armstrong4:59
2They All Laughed
batteria :
Louie Bellson (il 1957-07-23)
chitarra :
Herb Ellis (jazz guitarist) (il 1957-07-23)
contrabbasso :
Ray Brown (jazz bassist) (il 1957-07-23)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1957-07-23)
tromba :
Louis Armstrong (il 1957-07-23)
voce:
Louis Armstrong (il 1957-07-23) e Ella Fitzgerald (American jazz singer) (il 1957-07-23)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1957-07-23)
registrazione cover di:
They All Laughed (from “Shall We Dance”) (il 1957-07-23)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK) e Gershwin Publishing Corp (nel 1937)
parte di:
Shall We Dance (1937 film soundtrack)
Ella Fitzgerald & Louis Armstrong3:49
3Autumn in New York
batteria :
Louie Bellson (il 1957-07-23)
chitarra :
Herb Ellis (jazz guitarist) (il 1957-07-23)
contrabbasso :
Ray Brown (jazz bassist) (il 1957-07-23)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1957-07-23)
tromba :
Louis Armstrong (il 1957-07-23)
voce:
Louis Armstrong (il 1957-07-23) e Ella Fitzgerald (American jazz singer) (il 1957-07-23)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1957-07-23)
registrazione cover di:
Autumn in New York (1934) (il 1957-07-23)
paroliere e compositore:
Vernon Duke
editore:
Chappell & Co. e Warner Bros., Inc. (not for release label use!)
Ella Fitzgerald & Louis Armstrong6:01
4Stompin’ at the Savoy
batteria :
Louie Bellson (il 1957-07-23)
chitarra :
Herb Ellis (jazz guitarist) (il 1957-07-23)
contrabbasso :
Ray Brown (jazz bassist) (il 1957-07-23)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1957-07-23)
tromba :
Louis Armstrong (il 1957-07-23)
voce:
Louis Armstrong (il 1957-07-23) e Ella Fitzgerald (American jazz singer) (il 1957-07-23)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1957-07-23)
registrazione cover di:
Stompin’ at the Savoy (il 1957-07-23)
paroliere:
Andy Razaf
compositore:
Benny Goodman (clarinetist and bandleader), Edgar Sampson e Chick Webb
editore:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Ella Fitzgerald & Louis Armstrong3.655:14
5I Won’t Dance
registrata a:
Los Angeles, California, Stati Uniti (il 1957-08-13)
batteria :
Louie Bellson (il 1957-08-13)
chitarra :
Herb Ellis (jazz guitarist) (il 1957-08-13)
contrabbasso :
Ray Brown (jazz bassist) (il 1957-08-13)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1957-08-13)
tromba :
Louis Armstrong (il 1957-08-13)
voce:
Louis Armstrong (il 1957-08-13) e Ella Fitzgerald (American jazz singer) (il 1957-08-13)
registrazione cover di:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (il 1957-08-13)
paroliere:
Jimmy McHugh (songwriter) e Dorothy Fields (American librettist and lyricist) (nel 1935)
compositore:
Jerome Kern
editore:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
si basa su:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
Ella Fitzgerald & Louis Armstrong34:47
6Gee Baby Ain’t I Good to You
registrata a:
Los Angeles, California, Stati Uniti (il 1957-07-23)
batteria :
Louie Bellson (il 1957-07-23)
chitarra :
Herb Ellis (jazz guitarist) (il 1957-07-23)
contrabbasso :
Ray Brown (jazz bassist) (il 1957-07-23)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1957-07-23)
tromba :
Louis Armstrong (il 1957-07-23)
voce:
Louis Armstrong (il 1957-07-23) e Ella Fitzgerald (American jazz singer) (il 1957-07-23)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1957-07-23)
registrazione cover di:
Gee, Baby Ain’t I Good to You (il 1957-07-23)
paroliere:
Andy Razaf
compositore:
Don Redman
editore:
Michael H. Goldsen Inc. e Razaf Music
parte di:
The Real Book (compilation of jazz standards, volume I)
Ella Fitzgerald & Louis Armstrong4:13
7Let’s Call the Whole Thing Off
registrata a:
Los Angeles, California, Stati Uniti (il 1957-07-23)
batteria :
Louie Bellson (nel 1957, il 1957-07-23)
chitarra :
Herb Ellis (jazz guitarist) (nel 1957, il 1957-07-23)
contrabbasso :
Ray Brown (jazz bassist) (il 1957-07-23)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1957, il 1957-07-23)
tromba :
Louis Armstrong (nel 1957, il 1957-07-23)
voce:
Louis Armstrong (nel 1957, il 1957-07-23) e Ella Fitzgerald (American jazz singer) (nel 1957, il 1957-07-23)
esecutore:
Ella Fitzgerald (American jazz singer)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1957-07-23)
registrazione cover di:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (il 1957-07-23)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Gershwin Publishing Corp (nel 1937)
versione tradotta di:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
parte di:
Shall We Dance (1937 film soundtrack)
Ella Fitzgerald & Louis Armstrong3.654:14
8I’ve Got My Love to Keep Me Warm
batteria :
Louie Bellson (il 1957-08-13)
chitarra :
Herb Ellis (jazz guitarist) (il 1957-08-13)
contrabbasso :
Ray Brown (jazz bassist) (il 1957-08-13)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1957-08-13)
tromba :
Louis Armstrong (il 1957-08-13)
voce:
Ella Fitzgerald (American jazz singer) (nel 1957, il 1957-08-13)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1957-08-13)
registrazione cover di:
I’ve Got My Love to Keep Me Warm (il 1957-08-13)
paroliere e compositore:
Irving Berlin (nel 1937)
editore:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Williamson Music Company
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Ella Fitzgerald & Louis Armstrong43:12
9I’m Puttin’ All My Eggs in One Basket
registrata a:
Los Angeles, California, Stati Uniti (il 1957-08-13)
batteria :
Louie Bellson (il 1957-08-13)
chitarra :
Herb Ellis (jazz guitarist) (il 1957-08-13)
contrabbasso :
Ray Brown (jazz bassist) (il 1957-08-13)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1957-08-13)
tromba :
Louis Armstrong (il 1957-08-13)
voce:
Louis Armstrong (il 1957-08-13) e Ella Fitzgerald (American jazz singer) (il 1957-08-13)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1957-08-13)
registrazione cover di:
I’m Putting All My Eggs in One Basket (from “Follow the Fleet”) (il 1957-08-13)
paroliere e compositore:
Irving Berlin (nel 1936)
Ella Fitzgerald & Louis Armstrong33:28
10A Fine Romance
registrata a:
Los Angeles, California, Stati Uniti (il 1957-08-13)
batteria :
Louie Bellson (il 1957-08-13)
chitarra :
Herb Ellis (jazz guitarist) (il 1957-08-13)
contrabbasso :
Ray Brown (jazz bassist) (il 1957-08-13)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1957-08-13)
tromba :
Louis Armstrong (il 1957-08-13)
voce principale:
Louis Armstrong (il 1957-08-13) e Ella Fitzgerald (American jazz singer) (il 1957-08-13)
registrazione di:
A Fine Romance (from “Swing Time”) (il 1957-08-13)
editore:
Jerome Kern (il 1936-07-24)
paroliere:
Dorothy Fields (American librettist and lyricist) (nel 1936)
compositore:
Jerome Kern (nel 1936)
editore:
Chappell & Co.
parte di:
Swing Time (film)
registrazione cover di:
A Fine Romance (from “Swing Time”)
editore:
Jerome Kern (il 1936-07-24)
paroliere:
Dorothy Fields (American librettist and lyricist) (nel 1936)
compositore:
Jerome Kern (nel 1936)
editore:
Chappell & Co.
parte di:
Swing Time (film)
Ella Fitzgerald & Louis Armstrong43:53
11Love Is Here to Stay
batteria :
Louie Bellson (il 1957-07-23)
chitarra :
Herb Ellis (jazz guitarist) (il 1957-07-23)
contrabbasso :
Ray Brown (jazz bassist) (il 1957-07-23)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1957-07-23)
tromba :
Louis Armstrong (il 1957-07-23)
voce:
Louis Armstrong (il 1957-07-23) e Ella Fitzgerald (American jazz singer) (il 1957-07-23)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1957-07-23)
registrazione cover di:
Love Is Here to Stay (il 1957-07-23)
paroliere:
Ira Gershwin
compositore:
George Gershwin (composer)
editore:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Gershwin Publishing Corp (nel 1938) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
The Goldwyn Follies
Ella Fitzgerald & Louis Armstrong34:00
12Learnin’ the Blues
batteria :
Louie Bellson (il 1957-07-23)
chitarra :
Herb Ellis (jazz guitarist) (il 1957-07-23)
contrabbasso :
Ray Brown (jazz bassist) (il 1957-07-23)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1957-07-23)
tromba :
Louis Armstrong (il 1957-07-23)
voce:
Louis Armstrong (il 1957-07-23) e Ella Fitzgerald (American jazz singer) (il 1957-07-23)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1957-07-23)
registrazione cover di:
Learnin’ the Blues (il 1957-07-23)
paroliere e compositore:
Dolores Vicki Silvers
editore:
Barton Music Corp.
Ella Fitzgerald & Louis Armstrong7:13
13Georgia on My Mind
registrazione di:
Georgia on My Mind
inno di:
Georgia, Stati Uniti (dal 1979 a oggi)
paroliere:
Stuart Gorrell (nel 1930)
compositore:
Hoagy Carmichael (nel 1930)
editore:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (dal 1930 a oggi) e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (dal 1930 a oggi)
sub-editore:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangiamento di:
Georgia on My Mind (Solo piano arrangement)
Louis Armstrong3:05
14Puttin’ on the Ritz
tecnico:
Val Valentin (il 1958-03-18)
produttore:
Norman Granz
voce:
Ella Fitzgerald (American jazz singer) (il 1958-03-18)
direttore d'orchestra:
Paul Weston (il 1958-03-18)
esecutore:
Paul Weston and His Orchestra (il 1958-03-18)
arrangiatore:
Paul Weston (nel 1958)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1958-03-18)
registrazione cover di:
Puttin’ On the Ritz (il 1958-03-18)
paroliere e compositore:
Irving Berlin (nel 1929)
editore:
Berlin Irving Music Corp e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
parte di:
Idiot’s Delight (film)
Ella Fitzgerald2:18
15Hello Dolly
registrata a:
New York, Stati Uniti (il 1963-12-03)
produttore:
Mickey Kapp
banjo e chitarra :
Anthony Gottuso (Tony Gottuso, guitar) (il 1963-12-03)
basso :
Arvell Shaw (il 1963-12-03)
batteria :
Danny Barcelona (il 1963-12-03)
clarinetto :
Joe Darensbourg (il 1963-12-03)
contrabbasso :
Arvell Shaw
pianoforte :
Billy Kyle (il 1963-12-03)
tromba :
Louis Armstrong
trombone :
Trummy Young (il 1963-12-03)
voce:
Louis Armstrong
voce principale:
Louis Armstrong (il 1963-12-03)
diritti fonografici (℗) detenuti da:
Verve Music Group (now known as Verve Label Group; not for release label use!) (nel 2000)
registrazione cover di:
Hello, Dolly! (il 1963-12-03)
paroliere e compositore:
Jerry Herman
editore:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) e Jerryco Music Co.
sub-editore:
Warner Chappel Music Belgium NV
parte di:
Hello, Dolly!
registrazione dal vivo di:
Hello, Dolly!
paroliere e compositore:
Jerry Herman
editore:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) e Jerryco Music Co.
sub-editore:
Warner Chappel Music Belgium NV
parte di:
Hello, Dolly!
registrazione dal vivo cover di:
Hello, Dolly!
paroliere e compositore:
Jerry Herman
editore:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) e Jerryco Music Co.
sub-editore:
Warner Chappel Music Belgium NV
parte di:
Hello, Dolly!
registrazione di:
Hello, Dolly!
paroliere e compositore:
Jerry Herman
editore:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) e Jerryco Music Co.
sub-editore:
Warner Chappel Music Belgium NV
parte di:
Hello, Dolly!
Louis Armstrong42:28
16It Ain’t Necessarily So
batteria :
Alvin Stoller (nel 1957)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (nel 1957)
voce:
Louis Armstrong (nel 1957) e Ella Fitzgerald (American jazz singer) (nel 1957)
registrazione cover di:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements)
paroliere:
Ira Gershwin, Dorothy Heyward (playwright) e DuBose Heyward
compositore:
George Gershwin (composer)
editore:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
è stata commissionata da:
Gershwin Publishing Corp (nel 1935)
versione di:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
Ella Fitzgerald & Louis Armstrong6:34