R.E.S.P.E.C.T: A Century of Women in Music

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▶CD: Broadway, Blues and Truth
2▶CD: Torch, Twang & Swing
3▼CD: Shoop‐Shoop, Motown, Get Down, Sister
#TitoloArtistaValutazioneDurata
1Maybe
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 195)
registrazione di:
Maybe (il 1957-10-16)
paroliere e compositore:
Richard Barrett (US soul producer/singer)
editore:
Tunecore Digital Music (publisher; not a release label. Use [no label]) e チューンコアジャパン株式会社 (TuneCore Japan, mostly a distributor; not a release label. Use [no label])
The Chantels52:54
2Fever
registrazione cover di:
Fever
autore:
Eddie Cooley e John Davenport (songwriter Otis Blackwell)
editore:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. e Trio Music Company
parte di:
The Adjustment Bureau
Peggy Lee with Jack Marshall's Music3:45
3Funnel of Love
registrazione di:
Funnel of Love
autore:
Charlie McCoy (white blues harmonica player, 1960s-present) e Kent Westberry (US rockabilly / country artist and songwriter)
Wanda Jackson2:08
4Will You Love Me Tomorrow?
batteria [drums] :
Gary Chester (studio drummer and educator) (nel 1960)
pianoforte :
Paul Griffin (American pianist, session musician) (nel 1960)
timpano :
Carole King (nel 1960)
voce:
Doris Coley (nel 1960), Addie Harris (nel 1960) e Beverly Lee (singer for The Shirelles) (nel 1960)
voce principale:
Shirley Owens (nel 1960)
diritti fonografici (℗) detenuti da:
HHO Licensing Ltd.
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 151)
registrazione di:
Will You Love Me Tomorrow (Carole King song) (nel 1960)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Shirelles3.82:43
5Sweet Nothin’s
registrazione di:
Sweet Nothin’s
paroliere e compositore:
Ronnie Self (rockabilly singer and songwriter)
editore:
Champion Music Co. e Leeds Music Ltd.
Brenda Lee3:16
6(Love Is Like a) Heat Wave
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1963)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 154) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 257)
registrazione di:
(Love Is Like a) Heat Wave
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Songs Musikverlag GmbH, Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd, Stone Agate Music e Stone Agate Music Division
Martha and the Vandellas42:47
7Hello Stranger
registrata a:
Chicago, Illinois, Stati Uniti (il 1963-01-16)
produttore:
Ollie McLaughlin
basso , batteria , chitarra , organo e pianoforte :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1963-01-16)
voce:
The Dells (il 1963-01-16) e Barbara Lewis (il 1963-01-16)
direttore d'orchestra:
Riley Hampton (il 1963-01-16)
arrangiatore:
Riley Hampton
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 27)
registrazione di:
Hello Stranger (il 1963-01-16)
paroliere e compositore:
Barbara Lewis
Barbara Lewis2:42
8You Don’t Own Me
produttore:
Quincy Jones
arrangiatore:
Claus Ogerman
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 28)
registrazione di:
You Don’t Own Me (nel 1963)
autore:
John Madara (nel 1963) e David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors) (nel 1963)
editore:
Merjoda Music Inc. e Unichappell Music, Inc. (nel 1963)
Lesley Gore3.852:31
9The Universal Soldier
chitarra :
Buffy Sainte‐Marie
chitarra [2nd guitar] :
Patrick Sky
voce:
Buffy Sainte‐Marie
registrazione di:
The Universal Soldier
paroliere e compositore:
Buffy Sainte‐Marie
editore:
Peermusic (UK) Limited
Buffy Sainte‐Marie52:18
10My Guy
basso :
James Jamerson (nel 1964)
batteria :
Benny Benjamin (US drummer) (nel 1964)
chitarra :
Robert White (US funk/soul guitarist) (nel 1964) e Eddie Willis (nel 1964)
organo :
Earl Van Dyke (nel 1964)
pianoforte :
Johnny Griffith (nel 1964)
strumenti:
The Funk Brothers (nel 1964)
tromba :
Russell Conway (trumpet player) (nel 1964) e Herbert Williams (trumpet player) (nel 1964)
trombone :
George Bohanon (nel 1964) e Paul Riser (nel 1964)
vibrafono :
Dave Hamilton (US guitar/vibraphone player) (nel 1964)
voce di accompagnamento:
The Andantes (nel 1964), Marlene Barrow (nel 1964), Louvain Demps (nel 1964) e Jackie Hicks (nel 1964)
voce principale:
Mary Wells (Motown singer) (nel 1964)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (nel 1964)
registrazione di:
My Guy (nel 1964)
paroliere e compositore:
Smokey Robinson
editore:
Jobette Music (UK) Ltd.
Mary Wells4.22:50
11Remember (Walkin’ in the Sand)
edit di:
Remember (Walkin’ in the Sand) di The Shangri‐Las
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 30) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 395)
registrazione di:
Remember (Walkin’ in the Sand) (nel 1964-07)
paroliere e compositore:
George “Shadow” Morton
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Shangri‐Las4.42:20
12Too Many Fish in the Sea
registrazione di:
Too Many Fish in the Sea
autore:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team) e Norman Whitfield
The Marvelettes2:29
13Respect
tecnico di registrazione:
Tom Dowd (il 1967-02-14)
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1967-02-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-02-14)
chitarra basso :
Tommy Cogbill (il 1967-02-14)
cornetta :
Melvin Lastie (il 1967-02-14)
organo :
Spooner Oldham (il 1967-02-14)
pianoforte :
Aretha Franklin (il 1967-02-14)
sassofono baritono :
Willie Bridges (il 1967-02-14)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-02-14) e King Curtis (saxophonist) (il 1967-02-14)
voce:
Aretha Franklin (il 1967-02-14)
voce di accompagnamento:
Carolyn Franklin (il 1967-02-14) e Erma Franklin (il 1967-02-14)
direttore d'orchestra:
Tom Dowd (il 1967-02-14)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-02-14)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 21), New York Post: 100 Greatest Covers (2007) (numero: 52) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione cover di:
Respect (il 1967-02-14)
paroliere e compositore:
Otis Redding
editore:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell e Warner/Chappell North America
Aretha Franklin3.92:24
14Son of a Preacher Man
tecnico:
Ed Kollis
produttore:
Tom Dowd, Arif Mardin e Jerry Wexler
batteria :
Gene Chrisman (nel 1968-09)
chitarra basso :
Tommy Cogbill (nel 1968-09)
chitarra e sitar :
Reggie Young (guitarist and songwriter) (nel 1968-09)
pianoforte elettrico e organo :
Bobby Emmons (nel 1968-09)
voce:
Dusty Springfield (nel 1968-09)
voce di accompagnamento:
The Sweet Inspirations (nel 1968-09)
direttore d'orchestra:
Gene Orloff (nel 1968-09)
arrangiatore ottoni :
Tom Dowd
arrangiatore ottoni e archi :
Arif Mardin
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1968)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 168) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 240)
registrazione di:
Son of a Preacher Man (nel 1968-09)
autore:
John Hurley e Ronnie Wilkins
editore:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Songs LLC
Dusty Springfield4.452:31
15Love Child
produttore:
The Clan (Motown composers/producers group)
voce di accompagnamento:
The Andantes
arrangiatore:
Paul Riser
registrazione di:
Love Child (Diana Ross & the Supremes song)
autore:
Deke Richards (American songwriter and record producer), Pam Sawyer (British‐born American lyricist and songwriter), R. Dean Taylor (Canadian singer, songwriter and record producer) e Frank Wilson (Motown singer/songwriter)
editore:
Jobete Music Co., Inc. e Stone Agate Music Division
Diana Ross & The Supremes3.53:03
16Somebody to Love
tecnico di registrazione:
David Hassinger (il 1966-11-03)
produttore:
Rick Jarrard (dal 1966-10-31 al 1966-11-22)
basso :
Jack Casady (dal 1966-10-31 al 1966-11-22)
batteria :
Spencer Dryden (dal 1966-10-31 al 1966-11-22)
chitarra [lead guitar] :
Jorma Kaukonen (American blues, folk, and rock guitarist) (dal 1966-10-31 al 1966-11-22)
chitarra [rhythm guitar] :
Paul Kantner (dal 1966-10-31 al 1966-11-22)
voce:
Marty Balin (dal 1966-10-31 al 1966-11-22) e Paul Kantner (dal 1966-10-31 al 1966-11-22)
voce principale:
Grace Slick (dal 1966-10-31 al 1966-11-22)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1967) e RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (nel 1967)
registrata presso:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-10-31 al 1966-11-22)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 274)
registrazione di:
Somebody to Love (Jefferson Airplane song) (dal 1966-10-31 al 1966-11-22)
paroliere e compositore:
Darby Slick
editore:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Jefferson Airplane4.552:59
17Stoned Soul Picnic
registrazione di:
Stoned Soul Picnic
paroliere e compositore:
Laura Nyro
editore:
EMI Blackwood Music Inc., Tuna Fish Music e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Laura Nyro4:19
18Both Sides Now
registrazione di:
Both Sides Now
paroliere e compositore:
Joni Mitchell
arrangiatore:
Benedikt Jahnel
editore:
Crazy Crow Music, Essex Music of Australia Pty. Ltd., Siquomb Pub. Corp., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Judy Collins43:16
19To Be Young, Gifted and Black
tecnico:
Ray Hall (engineer) (dal 1969-08-25 al 1969-08-26)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1969)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (dal 1969-08-25 al 1969-08-26)
registrazione di:
To Be Young, Gifted and Black (dal 1969-08-25 al 1969-08-26)
paroliere:
Weldon Irvine
compositore:
Nina Simone
Nina Simone32:50
20Bold Soul Sister
registrazione di:
Bold Soul Sister
paroliere e compositore:
Ike Turner
Ike & Tina Turner2:39
21Clean Up Woman
tecnico:
Willie Clarke
produttore:
Willie Clarke e Clarence Reid
arrangiatore archi e arrangiatore corno :
Mike Lewis (US composer, arranger and producer)
arrangiatore strumenti:
Little Beaver
registrazione di:
Clean Up Woman
autore:
Willie Clarke e Clarence Reid
editore:
EMI Longitude Music
Betty Wright52:47
22Pillow Talk
registrazione di:
Pillow Talk
autore:
Michael Burton (American songwriter and producer) e Sylvia Robinson
Sylvia4:55
23I’ll Take You There
edit di:
I’ll Take You There di The Staple Singers
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 186) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 276)
registrazione di:
I’ll Take You There
paroliere e compositore:
Alvertis Isbell
editore:
Music for Africa (South Africa)
The Staple Singers53:17
24You’re So Vain
tecnico di registrazione:
Robin Geoffrey Cable (dal 1972-09 al 1972-10)
tecnico:
Robin Geoffrey Cable
produttore:
Richard Perry (producer)
basso :
Klaus Voorman (dal 1972-09 al 1972-10)
batteria :
Jim Gordon (US drummer with Derek and the Dominos) (dal 1972-09 al 1972-10)
chitarra :
Jimmy Ryan (American guitarist and singer/songwriter) (dal 1972-09 al 1972-10)
percussione :
Richard Perry (producer) (dal 1972-09 al 1972-10)
pianoforte e voce principale:
Carly Simon (dal 1972-09 al 1972-10)
voce di accompagnamento:
Mick Jagger (The Rolling Stones) (dal 1972-09 al 1972-10)
voce di accompagnamento aggiuntiva:
Carly Simon (dal 1972-09 al 1972-10) e Doris Troy (dal 1972-09 al 1972-10)
arrangiatore archi :
Carly Simon
orchestratore:
Paul Buckmaster
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984) e Rhino Entertainment Company (not for release label use!) (nel 2015)
registrata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (dal 1972-09 al 1972-10)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 140) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 495)
registrazione di:
You’re So Vain (dal 1972-09 al 1972-10)
paroliere e compositore:
Carly Simon
editore:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) e Universal Music Publishing Group
Carly Simon4.554:20
25So Far Away
registrazione di:
So Far Away
paroliere e compositore:
Carole King
editore:
Colgems-EMI Music Inc.
Carole King4:35
26I Will Always Love You
tecnico:
Tom Pick
produttore:
Bob Ferguson
banjo :
Bobby Thompson (guitar & banjo player) (il 1973-06-13) e Buck Trent (il 1973-06-13)
basso :
Bobby Dyson (il 1973-06-13)
batteria :
Ralph Gallant (il 1973-06-13)
chitarra :
Jimmy Colvard (American session guitarist) (il 1973-06-13), Dave Kirby (US country singer/songwriter) (il 1973-06-13) e Dolly Parton (il 1973-06-13)
chitarra steel :
Stu Basore (il 1973-06-13)
pianoforte :
Hargus "Pig" Robbins (il 1973-06-13)
violino folk :
Johnny Gimble (il 1973-06-13) e Mack Magaha (Bluegrass Fiddler) (il 1973-06-13)
voce:
Dolly Parton (il 1973-06-13)
voce di accompagnamento:
Joe Babcock (il 1973-06-13), Dolores Edgin (il 1973-06-13), June Page (il 1973-06-13) e Hurshel Wiginton (il 1973-06-13)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1974)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Stati Uniti (il 1973-06-13)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 34)
registrazione di:
I Will Always Love You (il 1973-06-13)
paroliere e compositore:
Dolly Parton
editore:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. e Velvet Apple Music
Dolly Parton3.552:54
4▶CD: Rock to Electric Shock
5▶CD: Hip‐Hop, Pop, and Passion

Accreditamenti

Pubblicazione

direzione artistica e design/illustrazioni:Rachel Gutek
produttore:Julie d'Angelo (Producer)
Holly George-Warren
Bill Inglot (archival music producer/remastering engineer)
tecnico di mastering:Dan Hersch (mastering engineer)
Bill Inglot (archival music producer/remastering engineer)
compilatore:Julie d'Angelo (Producer)
Holly George-Warren
Discogs:https://www.discogs.com/release/6196334 [info]
ASIN:US: B00001T3K3 [info]