Copland Conducts Copland: The Complete Columbia Album Collection

~ Release by Aaron Copland (see all versions of this release, 1 available)

Tracklist

1CD: Copland: Clarinet Concerto & Piano Quartet & Piano Variations & Nocturne & Vitebsk & Ukelele Serenade
2CD: Copland: Old American Songs & Twelve Poems of Emily Dickinson
3CD: Copland Conducts Appalachian Spring & The Tender Land: Suite
4CD: Copland Conducts Copland: Concerto for Clarinet, Strings and Harp & Old American Songs
5CD: Bernstein Conducts Copland
6CD: Copland: The Tender Land (Opera in Three Acts)
7CD: Copland Conducts Music for a Great City & Statements for Orchestra
8CD: Copland: Twelve Poems of Emily Dickinson & Three Choruses
9CD: Copland: Piano Quartet & Sextet & Vitebsk
10CD: Copland Conducts Copland: Short Symphony & Dance Symphony
11CD: Copland Conducts Copland: Our Town & An Outdoor Overture & Quiet City & Two Pieces for String Quartet
12CD: Copland Conducts Copland: Billy the Kid - Ballet Suite & 4 Dance Episodes from Rodeo
13CD: Copland Conducts Copland: Appalachian Spring & Fanfare for the Common Man
14CD: Copland Conducts Copland: Symphonic Ode & Preamble for a Solemn Orchestra & Orchestral Variations
15CD: Copland Conducts Copland: Appalachian Spring
16CD: Copland Conducts Copland: Violin Sonata & Duo & Nonet
17CD: Copland Conducts Copland: El Salón México & 3 Latin American Sketches & Dance Panels
18CD: Copland Conducts Copland: The Red Pony & Music for Movies & Letter from Home
#TitleRatingLength
1The Red Pony - Film Suite (arco 63-A): I. Morning on the Ranch
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Mike Ross‐Trevor (engineer)
producer:
Paul Myers (classical record producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1972-05-31)
conductor:
Aaron Copland (composer) (on 1972-05-31)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1972-05-31)
recording of:
The Red Pony Suite: I. Morning on the Ranch (for orchestra) (on 1972-05-31)
composer:
Aaron Copland (composer) (in 1948)
part of:
The Red Pony Suite (for orchestra)
4:38
2The Red Pony - Film Suite (arco 63-A): II. The Gift
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Mike Ross‐Trevor (engineer)
producer:
Paul Myers (classical record producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1972-05-31)
conductor:
Aaron Copland (composer) (on 1972-05-31)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1972-05-31)
recording of:
The Red Pony Suite: II. The Gift (for orchestra) (on 1972-05-31)
composer:
Aaron Copland (composer) (in 1948)
part of:
The Red Pony Suite (for orchestra)
4:59
3The Red Pony - Film Suite (arco 63-A): IIIa. Dream March
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Mike Ross‐Trevor (engineer)
producer:
Paul Myers (classical record producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1972-05-31)
conductor:
Aaron Copland (composer) (on 1972-05-31)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1972-05-31)
partial recording of:
The Red Pony Suite: III. Dream March and Circus Music (for orchestra) (on 1972-05-31)
composer:
Aaron Copland (composer) (in 1948)
part of:
The Red Pony Suite (for orchestra)
2:59
4The Red Pony - Film Suite (arco 63-A): IIIb. Circus Music
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Mike Ross‐Trevor (engineer)
producer:
Paul Myers (classical record producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1972-05-31)
conductor:
Aaron Copland (composer) (on 1972-05-31)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1972-05-31)
partial recording of:
The Red Pony Suite: III. Dream March and Circus Music (for orchestra) (on 1972-05-31)
composer:
Aaron Copland (composer) (in 1948)
part of:
The Red Pony Suite (for orchestra)
1:49
5The Red Pony - Film Suite (arco 63-A): IV. Walk to the Bunkhouse
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Mike Ross‐Trevor (engineer)
producer:
Paul Myers (classical record producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1972-05-31)
conductor:
Aaron Copland (composer) (on 1972-05-31)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1972-05-31)
recording of:
The Red Pony Suite: IV. Walk to the Bunkhouse (for orchestra) (on 1972-05-31)
composer:
Aaron Copland (composer) (in 1948)
part of:
The Red Pony Suite (for orchestra)
2:57
6The Red Pony - Film Suite (arco 63-A): V. Grandfather's Story
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Mike Ross‐Trevor (engineer)
producer:
Paul Myers (classical record producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1972-05-31)
conductor:
Aaron Copland (composer) (on 1972-05-31)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1972-05-31)
recording of:
The Red Pony Suite: V. Grandfather’s Story (for orchestra) (on 1972-05-31)
composer:
Aaron Copland (composer) (in 1948)
part of:
The Red Pony Suite (for orchestra)
4:28
7The Red Pony - Film Suite (arco 63-A): VI. Happy Ending
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Mike Ross‐Trevor (engineer)
producer:
Paul Myers (classical record producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1972-05-31)
conductor:
Aaron Copland (composer) (on 1972-05-31)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1972-05-31)
recording of:
The Red Pony Suite: VI. Happy Ending (for orchestra) (on 1972-05-31)
composer:
Aaron Copland (composer) (in 1948)
part of:
The Red Pony Suite (for orchestra)
3:16
8John Henry (arco 42-A) - A Railroad Ballad for Orchestra (1952 Version)
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Mike Ross‐Trevor (engineer)
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (from 1968-10-26 until 1968-10-29)
conductor:
Aaron Copland (composer) (from 1968-10-26 until 1968-10-29)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1968-10-26 until 1968-10-29)
recording of:
John Henry: A Railroad Ballad for Orchestra (from 1968-10-26 until 1968-10-29)
composer:
Aaron Copland (composer) (in 1940)
arranger:
Aaron Copland (composer) (in 1952)
publisher:
Boosey & Hawkes Music Publishers, Ltd
4:05
9Music for Movies (arco 49): I. New England Countryside (from "The City")
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Mike Ross‐Trevor (engineer)
producer:
Paul Myers (classical record producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1972-06-01)
conductor:
Aaron Copland (composer) (on 1972-06-01)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1972-06-01)
recording of:
Music for Movies Suite: I. New England Countryside (originally from the 1939 documentary "The City") (on 1972-06-01)
composer:
Aaron Copland (composer) (in 1939)
part of:
Music for Movies Suite
6:13
10Music for Movies (arco 49): II. Barley Wagons (from "Of 'Mice and Men")
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Mike Ross‐Trevor (engineer)
producer:
Paul Myers (classical record producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1972-06-01)
conductor:
Aaron Copland (composer) (on 1972-06-01)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1972-06-01)
recording of:
Music for Movies Suite: II. Barley Wagons (originally from the 1939 film "Of Mice and Men") (on 1972-06-01)
composer:
Aaron Copland (composer) (in 1939)
part of:
Music for Movies Suite
2:34
11Music for Movies (arco 49): III. Sunday Traffic (from "The City")
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Mike Ross‐Trevor (engineer)
producer:
Paul Myers (classical record producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1972-06-01)
conductor:
Aaron Copland (composer) (on 1972-06-01)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1972-06-01)
recording of:
Music for Movies Suite: III. Sunday Traffic (originally from the 1939 documentary "The City") (on 1972-06-01)
composer:
Aaron Copland (composer) (in 1939)
part of:
Music for Movies Suite
2:43
12Music for Movies (arco 49): IV. Grovers Corners (from "Our Town")
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Mike Ross‐Trevor (engineer)
producer:
Paul Myers (classical record producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1972-06-01)
conductor:
Aaron Copland (composer) (on 1972-06-01)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1972-06-01)
recording of:
Music for Movies Suite: IV. Grover’s Corners (originally from the 1940 film "Our Town") (on 1972-06-01)
composer:
Aaron Copland (composer) (in 1940)
part of:
Music for Movies Suite
3:10
13Music for Movies (arco 49): V. Threshing Machines (from "Of Mice and Men")
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Mike Ross‐Trevor (engineer)
producer:
Paul Myers (classical record producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1972-06-01)
conductor:
Aaron Copland (composer) (on 1972-06-01)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1972-06-01)
recording of:
Music for Movies Suite: V. Threshing Machines (originally from the 1939 film "Of Mice and Men") (on 1972-06-01)
composer:
Aaron Copland (composer) (in 1939)
part of:
Music for Movies Suite
3:11
14Letter from Home (arco 54-B) (1962 Version for Reduced Orchestra)
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Mike Ross‐Trevor (engineer)
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (from 1968-10-26 until 1968-10-29)
conductor:
Aaron Copland (composer) (from 1968-10-26 until 1968-10-29)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1968-10-26 until 1968-10-29)
recording of:
Letter from Home (for reduced orchestra) (from 1968-10-26 until 1968-10-29)
composer:
Aaron Copland (composer) (in 1944)
arranger:
Aaron Copland (composer) (in 1962)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
arrangement of:
Letter from Home (for dance orchestra)
7:29
15Down a Country Lane (arco 82-A) (1964 Version for Chamber Orchestra)
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Mike Ross‐Trevor (engineer)
producer:
Paul Myers (classical record producer)
orchestra:
London Symphony Orchestra (from 1968-10-26 until 1968-10-29)
conductor:
Aaron Copland (composer) (from 1968-10-26 until 1968-10-29)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1968-10-26 until 1968-10-29)
recording of:
Down a Country Lane (for orchestra) (from 1968-10-26 until 1968-10-29)
premiered in:
London (Greater London), England, United Kingdom (on 1964-11-20)
composer:
Aaron Copland (composer) (in 1962)
arranger:
Aaron Copland (composer) (in 1964)
premiered by:
London Junior Orchestra (on 1964-11-20) and Ernest Read (English conductor and organist) (on 1964-11-20)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
orchestration of:
Down a Country Lane (for piano)
2:54
19CD: Copland Conducts Copland: Symphony No. 3
20CD: Bernstein Conducts Copland: Inscape & Connotations for Orchestra