The Collection

~ Pubblicazione di Roger Waters (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

8-discs boxset with each disc in a cardboard sleeve, containing:
- The Pros And Cons Of Hitch Hiking (CD)
- Radio K.A.O.S. (CD)
- Amused To Death (CD)
- Ça Ira (2 CDs)
- In The Flesh (2 CDs)
- In The Flesh (DVD)

Annotazione modificata l'ultima volta il 2014-12-14 11:30 UTC.

Elenco tracce

1▼CD: The Pros and Cons of Hitch Hiking
#TitoloValutazioneDurata
14:30 AM (Apparently They Were Travelling Abroad)
assistente tecnico:
Laura Boisan
tecnico:
Andy Jackson (UK recording engineer/prog musician)
produttore:
Michael Kamen (American score composer) e Roger Waters
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984)
registrazione di:
4:30 AM (Apparently They Were Travelling Abroad) (dal 1983-02 al 1983-12)
paroliere e compositore:
Roger Waters
editore:
Unichappell Music, Inc. e Pink Floyd Music Publishers Ltd. (nel 1984)
3.753:12
24:33 AM (Running Shoes)
assistente tecnico:
Laura Boisan
tecnico:
Andy Jackson (UK recording engineer/prog musician)
produttore:
Michael Kamen (American score composer) e Roger Waters
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984)
registrazione di:
4:33 AM (Running Shoes) (dal 1983-02 al 1983-12)
paroliere e compositore:
Roger Waters
editore:
Unichappell Music, Inc. e Pink Floyd Music Publishers Ltd. (nel 1984)
44:08
34:37 AM (Arabs With Knives and West German Skies)
assistente tecnico:
Laura Boisan
tecnico:
Andy Jackson (UK recording engineer/prog musician)
produttore:
Michael Kamen (American score composer) e Roger Waters
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984)
registrazione di:
4:37 AM (Arabs With Knives and West German Skies) (dal 1983-02 al 1983-12)
paroliere e compositore:
Roger Waters
editore:
Unichappell Music, Inc. e Pink Floyd Music Publishers Ltd. (nel 1984)
3.652:17
44:39 AM (For the First Time Today, Part 2)
assistente tecnico:
Laura Boisan
tecnico:
Andy Jackson (UK recording engineer/prog musician)
produttore:
Michael Kamen (American score composer) e Roger Waters
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984)
registrazione di:
4:39 AM (For the First Time Today, Part 2) (dal 1983-02 al 1983-12)
paroliere e compositore:
Roger Waters
editore:
Unichappell Music, Inc. e Pink Floyd Music Publishers Ltd. (nel 1984)
3.652:03
54:41 AM (Sexual Revolution)
assistente tecnico:
Laura Boisan
tecnico:
Andy Jackson (UK recording engineer/prog musician)
produttore:
Michael Kamen (American score composer) e Roger Waters
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984)
registrazione di:
4:41 AM (Sexual Revolution) (dal 1983-02 al 1983-12)
paroliere e compositore:
Roger Waters
editore:
Unichappell Music, Inc. e Pink Floyd Music Publishers Ltd. (nel 1984)
4.354:49
64:47 AM (The Remains of Our Love)
assistente tecnico:
Laura Boisan
tecnico:
Andy Jackson (UK recording engineer/prog musician)
produttore:
Michael Kamen (American score composer) e Roger Waters
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984)
registrazione di:
4:47 AM (The Remains of Our Love) (dal 1983-02 al 1983-12)
paroliere e compositore:
Roger Waters
editore:
Unichappell Music, Inc. e Pink Floyd Music Publishers Ltd. (nel 1984)
3.653:09
74:50 AM (Go Fishing)
assistente tecnico:
Laura Boisan
tecnico:
Andy Jackson (UK recording engineer/prog musician)
produttore:
Michael Kamen (American score composer) e Roger Waters
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984)
registrazione di:
4:50 AM (Go Fishing) (dal 1983-02 al 1983-12)
paroliere e compositore:
Roger Waters
paroliere aggiunto:
A.A. Milne
editore:
Unichappell Music, Inc. e Pink Floyd Music Publishers Ltd. (nel 1984)
3.657:00
84:56 AM (For the First Time Today, Part 1)
assistente tecnico:
Laura Boisan
tecnico:
Andy Jackson (UK recording engineer/prog musician)
produttore:
Michael Kamen (American score composer) e Roger Waters
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984)
registrazione di:
4:56 AM (For the First Time Today, Part 1) (dal 1983-02 al 1983-12)
paroliere e compositore:
Roger Waters
editore:
Unichappell Music, Inc. e Pink Floyd Music Publishers Ltd. (nel 1984)
3.651:38
94:58 AM (Dunroamin, Duncarin, Dunlivin)
assistente tecnico:
Laura Boisan
tecnico:
Andy Jackson (UK recording engineer/prog musician)
produttore:
Michael Kamen (American score composer) e Roger Waters
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984)
registrazione di:
4:58 AM (Dunroamin, Duncarin, Dunlivin) (dal 1983-02 al 1983-12)
paroliere e compositore:
Roger Waters
editore:
Unichappell Music, Inc. e Pink Floyd Music Publishers Ltd. (nel 1984)
3.53:04
105:01 AM (The Pros and Cons of Hitch Hiking, Part 10)
assistente tecnico:
Laura Boisan
tecnico:
Andy Jackson (UK recording engineer/prog musician)
produttore:
Michael Kamen (American score composer) e Roger Waters
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984)
registrazione di:
5:01 AM (The Pros and Cons of Hitch Hiking, Part 10) (dal 1983-02 al 1983-12)
paroliere e compositore:
Roger Waters
editore:
Unichappell Music, Inc. e Pink Floyd Music Publishers Ltd. (nel 1984)
4.354:37
115:06 AM (Every Stranger’s Eyes)
assistente tecnico:
Laura Boisan
tecnico:
Andy Jackson (UK recording engineer/prog musician)
produttore:
Michael Kamen (American score composer) e Roger Waters
chitarra elettrica :
Eric Clapton (dal 1983-02 al 1983-12)
pianoforte :
Michael Kamen (American score composer) (dal 1983-02 al 1983-12)
voce:
Roger Waters (dal 1983-02 al 1983-12)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984)
registrazione di:
5:06 AM (Every Stranger’s Eyes) (dal 1983-02 al 1983-12)
paroliere e compositore:
Roger Waters
editore:
Unichappell Music, Inc. e Pink Floyd Music Publishers Ltd. (nel 1984)
44:49
125:11 AM (The Moment of Clarity)
assistente tecnico:
Laura Boisan
tecnico:
Andy Jackson (UK recording engineer/prog musician)
produttore:
Michael Kamen (American score composer) e Roger Waters
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984)
registrazione di:
5:11 AM (The Moment of Clarity) (dal 1983-02 al 1983-12)
paroliere e compositore:
Roger Waters
editore:
Unichappell Music, Inc. e Pink Floyd Music Publishers Ltd. (nel 1984)
41:28
2▶CD: Radio K.A.O.S.
3▶CD: Amused to Death
4▶CD: Ça ira (Disc One)
5▶CD: Ça ira (Disc Two)
6▶CD: In the Flesh (Disc One)
7▶CD: In the Flesh (Disc Two)
8▶DVD-Video: In the Flesh

Accreditamenti

Pubblicazione

fabbricata a:Europa
fotografia:Alex Henderson (photographer)
Jimmy Ienner Jr (photographer)
Adrian Maben
Neal Preston (photographer)
assistente tecnico:Joel Plante (UK engineer)
tecnico aggiunto:Stéphane Briand (engineer)
Nick Griffiths (engineer)
Nick Wollage
editor:Kate Watkins
tecnico di mastering:Mike Reese (mastering engineer)
Doug Sax
basso elettrico :Roger Waters (dal 1983-02 al 1983-12)
batteria :Andy Newmark (dal 1983-02 al 1983-12)
chitarra :Eric Clapton (dal 1983-02 al 1983-12)
Roger Waters (dal 1983-02 al 1983-12)
chitarra a 12 corde e organo Hammond :Andy Bown (dal 1983-02 al 1983-12)
corno :Kevin Flanagan (dal 1983-02 al 1983-12)
Raphael Ravenscroft (dal 1983-02 al 1983-12)
Vic Sullivan (dal 1983-02 al 1983-12)
percussione :Ray Cooper (percussionist) (dal 1983-02 al 1983-12)
pianoforte :Michael Kamen (American score composer) (dal 1983-02 al 1983-12)
sassofono :David Sanborn (dal 1983-02 al 1983-12)
orchestra:National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (dal 1983-02 al 1983-12)
direttore d'orchestra:Michael Kamen (American score composer) (dal 1983-02 al 1983-12)
voce:Roger Waters (dal 1983-02 al 1983-12)
voce di accompagnamento:Madeline Bell (dal 1983-02 al 1983-12)
Doreen Chanter (dal 1983-02 al 1983-12)
Katie Kissoon (dal 1983-02 al 1983-12)
illustrazioni:Nadine Roda-Gil
Gerald Scarfe
design:Kate Hepburn
Chris Hudson
Pearce Marchbank
Gerald Scarfe
Roger Waters
materiale grafico:Amelia Tubb
Roxanne Slimak (credited for art direction and design)
distribuito da:Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP)
copyright (©) detenuto da:Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984, nel 1987, nel 1992, nel 2000, nel 2011)
Sony BMG Music Entertainment Inc. (nel 2006)
diritti fonografici (℗) detenuti da:Sony BMG Music Entertainment Inc. (nel 2006)
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 2011)
registrata presso:Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
Angel Studios in Kingston upon Hull, England, Regno Unito
Sphere Studios in London (Greater London), England, Regno Unito
Studio Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, Francia
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, Regno Unito
Eel Pie Studios in London (Greater London), England, Regno Unito (dal 1983-02 al 1983-12)
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito (dal 1983-02 al 1983-12)
The Billiard Room in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito (dal 1983-02 al 1983-12)
mastering effettuato presso:Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
das boot recording in California, Stati Uniti
The Mastering Lab (Hollywood, 1967–2008) in Hollywood, Los Angeles, California, Stati Uniti
Discogs:https://www.discogs.com/release/3070321 [info]
ASIN:FR: B004Q8FTE4 [info]