Titelliste

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Nr.TitelKünstlerBewertungLänge
1My Heart Will Go On (Love Theme from “Titanic”)
recording engineer:
Humberto Gatica und David Gleeson
sonstige Unterstützung:
Emilie Charlap (Aufgabe: orchestratra contractor) und Dan Shea (Aufgabe: sound design)
drum machine [drum and rhythm]-Programmierung:
Walter Afanasieff
Programmierung:
Dan Shea
zusätzliche drum machine [drum and rhythm]-Programmierung:
Dan Shea
assistierende(r) Techniker(in):
Chris Brooke, Tony Gonzalez (engineer), Tyson Leeper, Glen Marchese, Ethan Schofer und Greg Thompson (engineer, mixer)
Techniker(in):
Humberto Gatica (Sologesang) und Dan Shea
Koproduzent(in):
James Horner (American score composer)
Produzent(in):
Walter Afanasieff
Mix:
Humberto Gatica
Bass-Synthesizer [synth bass], Hammond-Orgel [Hammond B-3 organ] und Keyboard:
Walter Afanasieff
Fiddle [Irish fiddle]:
Paul Peabody (violinist)
Gitarre:
Dann Huff
tin whistle [pennywhistle/whistles]:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes)
zusätzlich Keyboard:
Dan Shea
Hintergrundgesang:
Cleytoven Richardson, Leslie Ellis, Skyler Jett, Konesha Owens und Jeanie Tracy
conductor:
William Ross (composer, orchestrator, arranger, conductor)
arranger:
Walter Afanasieff
Orchestrator(in):
William Ross (composer, orchestrator, arranger, conductor)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten und Wallyworld in San Rafael, California (Kalifornien), Vereinigte Staaten
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
My Heart Will Go On (love theme from Titanic) von Céline Dion
a cappella versions:
The music from that movie about the boat von David Thorne (designer)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 2) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 279)
recording of:
My Heart Will Go On
Texter:
Will Jennings
Komponist(in):
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (bis 2014-12-31) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (vom 2015-01-01 bis heute)
Teil von:
The 70th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1997 winner)
Teil von:
Titanic
Céline Dion4.354:40
2Hello, Dolly!
recorded in:
New York, Vereinigte Staaten (am 1963-12-03)
Produzent(in):
Mickey Kapp
Banjo und Gitarre:
Anthony Gottuso (Tony Gottuso, guitar) (am 1963-12-03)
Bass:
Arvell Shaw (am 1963-12-03)
Klarinette:
Joe Darensbourg (am 1963-12-03)
Klavier:
Billy Kyle (am 1963-12-03)
Kontrabass:
Arvell Shaw
Posaune:
Trummy Young (am 1963-12-03)
Schlagzeug:
Danny Barcelona (am 1963-12-03)
Trompete:
Louis Armstrong
Sologesang:
Louis Armstrong (am 1963-12-03)
vocals:
Louis Armstrong
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2000)
cover recording of:
Hello, Dolly! (am 1963-12-03)
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
live recording of:
Hello, Dolly!
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
live cover recording of:
Hello, Dolly!
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
recording of:
Hello, Dolly!
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
Louis Armstrong42:26
3Tell Me Something Good
recording engineer und Mix:
Don Sciarrotta (US Engineer, and producer)
assistierende(r) Techniker(in):
Tony Sciarrotta
Produzent(in):
Bob Monaco
recording of:
Tell Me Something Good
Texter und Komponist(in):
Stevie Wonder
publisher:
EMI Music Publishing (do not use as a release label!)
Rufus feat. Chaka Khan44:38
4Vision of Love
Perkussion-Programmierung:
Ren Klyce
Programmierung:
Ben Margulies
Techniker(in):
Patrick Dillett
Produzent(in):
Rhett Lawrence
zusätzliche(r) Produzent(in):
Narada Michael Walden
Mix:
David Frazer (engineer)
Bassgitarre:
Marcus Miller (jazz musician)
Gitarre:
Jimmy Rip
Keyboard:
Rhett Lawrence
Schlagzeug:
Ben Margulies
Hintergrundgesang:
Mariah Carey
arranger:
Mariah Carey, Ben Margulies und Christopher W. Toland
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1990) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1990)
aufgenommen bei:
Skyline Recording Studio in New York, New York, Vereinigte Staaten
mixed at:
Oakshire Recorders in Los Angeles, California (Kalifornien), Vereinigte Staaten und Tarpan Studios in San Rafael, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Vision of Love von Mariah Carey
recording of:
Vision of Love
Verfasser(in):
Mariah Carey und Ben Margulies
publisher:
Been Jammin' Music, Sony Songs Inc. und Vision of Love Songs
Mariah Carey43:29
5Africa
recording engineer:
David Leonard (US producer and engineer), Greg Ladanyi, Jamie Ledner, Jim Horn (saxophonist, hornist, flutist and oboist), Lon LeMaster, Niko Bolas, Peggy McCreary, Al Schmitt, Terry Christian (US recording and mixing engineer) und Tom Knox
Techniker(in):
Al Schmitt, Bruce Heigh, David Paich, Dick Gall (engineer/guitar technician), Greg Ladanyi, Steve Porcaro und Tom Knox
zusätzliche(r) Techniker(in):
Bruce Heigh (Aufgabe: additional recording), David Paich (Aufgabe: additional recording), Dick Gall (engineer/guitar technician) (Aufgabe: additional recording) und Steve Porcaro (Aufgabe: additional recording)
Produzent(in):
Bruce Dickinson (engineer and producer) und Toto (US rock group)
Mix:
Elliot Scheiner (Aufgabe: for 5.1 surround sound) und Greg Ladanyi
Akustikgitarre:
Timothy B. Schmit
Bass:
David Hungate und Michael Porcaro
Bassgitarre:
David Hungate
Conga:
Lenny Castro
E-Gitarre und Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
gong und Schlagzeug:
Jeff Porcaro
Instrumente:
Lenny Castro
Keyboard:
David Paich und Steve Porcaro
Keyboard und Klavier:
David Paich
Marimba:
Joe Porcaro
Perkussion:
Lenny Castro, Jeff Porcaro und Joe Porcaro
recorder:
Jim Horn (saxophonist, hornist, flutist and oboist)
Synthesizer:
Steve Porcaro
Hintergrundgesang:
Bobby Kimball, Steve Lukather (guitarist, vocalist, composer, producer and arranger), David Paich und Timothy B. Schmit
Sologesang:
Jean-Michel Byron, Bobby Kimball und David Paich
vocals:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) und Steve Porcaro
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982, in 1983)
Musikvideos:
Africa von Toto (US rock group)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 105) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 452)
recording of:
Africa (Toto)
Verfasser(in):
Jeffrey Porcaro und David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Rising Storm Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Spirit Two Music
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.14:59
6Crazy
Produzent(in):
Owen Bradley
vocals:
Patsy Cline
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1961)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 85) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 195)
recording of:
Crazy (Willie Nelson song) (am 1961-08-21)
Texter und Komponist(in):
Willie Nelson
publisher:
Acuff-Rose Music Limited (UK), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tree Publishing
Patsy Cline4.152:44
7Gavotte – Suite no. 6, S. 1012
Yo‐Yo Ma3:29
8Don’t Worry, Be Happy
Techniker(in):
Chris Tergesen
Produzent(in):
Linda Goldstein
Körper-Perkussion:
Bobby McFerrin
vocals:
Bobby McFerrin
phonographisches Urheberrecht (℗) von:
EMI Manhattan (Manhattan Records after Jul 1987 acquisition of EMI America) (in 1988), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1988) und EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1988)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten
recording of:
Don’t Worry, Be Happy
Texter und Komponist(in):
Bobby McFerrin
Verfasser(in):
Steve Sidwell (English composer & wind instrumentalist)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Probnoblem Music
Bobby McFerrin4.44:51
9Reach Out I’ll Be There
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
Instrumente:
The Funk Brothers (in 1966)
Hintergrundgesang:
The Andantes (in 1966), Marlene Barrow (in 1966), Renaldo Benson (in 1966), Louvain Demps (in 1966), Abdul “Duke” Fakir (in 1966), Jackie Hicks (in 1966) und Lawrence Payton (in 1966)
Sologesang:
Levi Stubbs (in 1966)
phonographisches Urheberrecht (℗) von:
Motown Record Company (company credits only; do NOT use as release label) (in 1966)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1966)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 78) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 206)
recording of:
Reach Out, I’ll Be There (in 1966)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Four Tops42:59
10Rockit
recorded in:
Vereinigte Staaten (in 1983)
recording engineer:
Martin Bisi (in 1983)
Produzent(in):
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) und Material (group and producer team led by Bill Laswell)
Mix:
Dave Jerden
Bass:
Bill Laswell (US bass guitarist and record producer) (in 1983)
Keyboard:
Michael Beinhorn (in 1983) und Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (in 1983)
Interpret(in):
DXT (US 80s hip hop, aka Grandmixer D.ST) (in 1983)
aufgenommen bei:
OAO Studio in Brooklyn, New York, New York, Vereinigte Staaten (in 1983)
mixed at:
Eldorado Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Rockit von Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
recording of:
Rockit (in 1983)
Verfasser(in):
Michael Beinhorn, Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) und Bill Laswell (US bass guitarist and record producer)
publisher:
Ensign Music Corporation
Herbie Hancock45:24
11(Just Like) Starting Over
Techniker(in):
Lee DeCarlo
Produzent(in):
Jack Douglas, John Lennon (The Beatles) und Yoko Ono (Japanese‐American musician and artist)
Bassgitarre:
Tony Levin (US rock bassist/Chapman stick player)
E-Gitarre:
John Lennon (The Beatles), Hugh McCracken und Earl Slick
Keyboard:
George Small
Perkussion:
Arthur Jenkins
Schlagzeug:
Andy Newmark
Hintergrundgesang:
Cheryl Mason Jacks, Michelle Simpson, Eric Troyer und Cassandra Wooten
Sologesang:
John Lennon (The Beatles)
phonographisches Urheberrecht (℗) von:
The David Geffen Company (legal rights relating to Geffen Records) (in 1980) und Calderstone Productions Limited (in 2016)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (am 1980-08-09)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1980-09-25 bis 1980-09-26)
Musikvideos:
(Just Like) Starting Over von John Lennon (The Beatles)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 76)
recording of:
(Just Like) Starting Over
Texter und Komponist(in):
John Lennon (The Beatles)
publisher:
Lenono Music und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
John Lennon3.753:56
12Oh, Pretty Woman
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1964-08-01)
Produzent(in):
Fred Foster
Gitarre:
Jerry Kennedy (am 1964-08-01), Wayne Moss (am 1964-08-01) und Billy Sanford (guitar) (am 1964-08-01)
Klavier:
Floyd Cramer (am 1964-08-01)
Kontrabass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (am 1964-08-01)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1964-08-01)
Perkussion:
Paul Garrison (am 1964-08-01)
Saxophon:
Boots Randolph (am 1964-08-01)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1964-08-01)
zwölfsaitige Gitarre [12 string guitar Epiphone] und Sologesang:
Roy Orbison (am 1964-08-01)
vocals:
Roy Orbison
phonographisches Urheberrecht (℗) von:
Orbison Records, Orbison Records, Inc. und Monument Record Corp. (not for release label use!) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (am 1964-08-01)
Texter und Komponist(in):
Bill Dees (songwriter, singer, guitarist) und Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (am 1964-08-26) und Acuff-Rose (BMI) (in 1972)
Roy Orbison4.32:57
13Blues for Pablo
alto saxophone:
Lee Konitz (jazz saxophonist) (am 1957-05-23)
Bassklarinette:
Danny Banks (am 1957-05-23)
Bassposaune:
Tom Mitchell (US jazz trombonist) (am 1957-05-23)
Flügelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1957-05-23)
Klarinette und flute:
Sid Cooper (flute & clarinet player) (am 1957-05-23) und Romeo Penque (am 1957-05-23)
Kontrabass [bass]:
Paul Chambers (US jazz bassist) (am 1957-05-23)
Posaune:
Joe Bennett (trombonist) (am 1957-05-23), Jimmy Cleveland (US jazz trombonist) (am 1957-05-23) und Frank Rehak (US jazz trombonist) (am 1957-05-23)
Schlagzeug:
Art Taylor (am 1957-05-23)
Trompete:
John Carisi (American trumpeter and composer) (am 1957-05-23), Bernie Glow (am 1957-05-23), Taft Jordan (am 1957-05-23), Louis R. Mucci (trumpetist) (am 1957-05-23) und Ernie Royal (am 1957-05-23)
Tuba:
Bill Barber (Jazz tuba player) (am 1957-05-23)
Waldhorn:
Willie Ruff (am 1957-05-23)
Orchester:
The Gil Evans Orchestra
aufgenommen bei:
Columbia Studios in New York, New York, Vereinigte Staaten (am 1957-05-23)
cover recording of:
Blues for Pablo (am 1957-05-23)
Komponist(in):
Gil Evans (Canadian‐American jazz pianist and composer)
Miles Davis5:21
14Mi Tierra
Techniker(in):
Eric Schilling
zusätzliche(r) Techniker(in):
Charles Dye, Patrice Wilkison Levinsohn (engineering), Frank Miret (engineer) und Ron Taylor (audio editing)
additionally engineered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich, Criteria Studios in Miami, Florida, Vereinigte Staaten, Estudio Sincronia in Madrid, Comunidad de Madrid (Autonome Gemeinschaft Madrid), Spanien, Metropolis (London) in London (Greater London), England, Vereinigtes Königreich und Sound Booth Studios in Miami, Florida, Vereinigte Staaten
engineered at:
Crescent Moon Studios in Miami, Florida, Vereinigte Staaten
recording of:
Mi tierra
Verfasser(in):
Estéfano
publisher:
Foreign Imported Productions & Publishing, Inc.
Gloria Estefan3.54:39
15Cold Irons Bound
recording of:
Cold Irons Bound
Texter und Komponist(in):
Bob Dylan (in 1997-01)
publisher:
Sony/ATV Music Publishing France und Special Rider Music (vom 1997 bis heute)
Bob Dylan7:16
16Sunny Came Home
recording engineer:
Joe Blaney, John Leventhal und Mark Plati
assistierende(r) Mix:
Ryan Freeland
Mix:
Bob Clearmountain
Akustikgitarre:
S. C.
Bassgitarre [bass]:
Michael Rhodes
Geige / Violine [one-finger violin], Gitarre [guitars], Keyboard [keyboards], Mandoline und Perkussion:
John Leventhal
Schlagzeug [drums]:
Shawn Pelton
Hintergrundgesang [harmony]:
Kate Markowitz
vocals:
S. C.
mixed at:
Camp Clearmountain (Mix This!) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Sunny Came Home
Verfasser(in):
Shawn Colvin und John Leventhal
Shawn Colvin44:25
17Folson Prison Blues
Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
zusätzliche(r) Produzent(in):
Bob Irwin
Bass:
Marshall Grant (am 1968-01-13)
E-Gitarre:
Carl Perkins (American pioneer of rockabilly music) (am 1968-01-13) und Luther Perkins (am 1968-01-13)
Gitarre:
Johnny Cash (country music legend) (am 1968-01-13)
Schlagzeug:
W.S. Holland (am 1968-01-13)
vocals:
Johnny Cash (country music legend) (am 1968-01-13)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1968)
aufgenommen bei:
Folsom State Prison in Folsom, California (Kalifornien), Vereinigte Staaten (am 1968-01-13)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 54) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 164)
live recording of:
Folsom Prison Blues (am 1968-01-13)
Texter und Komponist(in):
Johnny Cash (country music legend)
publisher:
Aberbach (London) (publisher), Carlin Music Corporation und Hi Lo Music
basiert auf:
Crescent City Blues
Johnny Cash4.852:43
18The Thrill Is GoneB.B. King5:24
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Discogs:https://www.discogs.com/master/690198 [Info]