Classic Moods - Tranquillo - Music of Peace and Serenity

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Air 'on the G string'
Techniker(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
Produzent(in):
Christopher Bishop (conductor/producer)
Geige / Violine:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (von 1973-10-01 bis 1973-10-04)
Orchester:
Academy of St Martin in the Fields (von 1973-10-01 bis 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (von 1973-10-01 bis 1973-10-04)
Tonmeister(in):
Stuart Eltham (engineer)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-10-01 bis 1973-10-04)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (von 1973-10-01 bis 1973-10-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:32
2Fantasia on 'Greensleeves'
Orchester:
London Symphony Orchestra
conductor:
Sir Adrian Boult (conductor)
arranger:
Ralph Greaves (in 1934)
recording of:
Fantasia on “Greensleeves”
Komponist(in):
Ralph Vaughan Williams (English composer) (von 1924 bis 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
basiert auf:
Greensleeves (generic entry for traditional and unknown arrangements)
basiert auf:
Lovely Joan (traditional English folk song)
basiert auf:
Sir John in Love
Ralph Vaughan Williams4:37
3La Traviata - Prelude to Act I
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1980-07-05 bis 1980-07-15)
conductor:
Riccardo Muti (conductor) (von 1980-07-05 bis 1980-07-15)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1980-07-05 bis 1980-07-15)
recording of:
La traviata: Preludio (von 1980-07-05 bis 1980-07-15)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
La traviata
Teil von:
La traviata (english lyrics)
Teil von:
La traviata (french lyrics)
Teil von:
La Traviata (aka Violetta, german lyrics)
Teil von:
Violetta (La traviata) (german lyrics)
Giuseppe Verdi3:53
4Traumerei
Klavier:
Rudolf Buchbinder (Austrian classical pianist)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano)
Komponist(in):
Robert Schumann (German classical composer) (in 1838)
Teil von:
Classic 100: Piano (2004) (Nummer: 17)
Teil von:
Kinderszenen, op. 15
Robert Schumann2:43
5Carmen - Entr'acte to Act III
Orchester:
Orchestre national de France (Französisches Nationalorchester, RTF / ORTF / Radio France)
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
Komponist(in):
Georges Bizet (French composer)
Librettist:
Ludovic Halévy (French librettist) und Henri Meilhac
Teil von:
Carmen : Acte III
Teil von:
Carmen: Act III (english lyrics)
Teil von:
Carmen: Akt 3 (German translation, Julius Hopp)
Teil von:
Carmen: Atto III (italian lyrics)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III)
Komponist(in):
Georges Bizet (French composer)
basiert auf:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
Teil von:
Carmen Suite no. 1
Georges Bizet2:35
6Canon in D
Techniker(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
Produzent(in):
Christopher Bishop (conductor/producer)
Geige / Violine:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (von 1973-10-01 bis 1973-10-04)
Orchester:
Academy of St Martin in the Fields (von 1973-10-01 bis 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (von 1973-10-01 bis 1973-10-04)
Tonmeister(in):
Stuart Eltham (engineer)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-10-01 bis 1973-10-04)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon und Gigue D-Dur, P37: I. Canon) (von 1973-10-01 bis 1973-10-04)
Komponist(in):
Johann Pachelbel (composer)
Teil von:
Canon and Gigue in D major, P. 37, T. 337 (Canon und Gigue D-Dur, P37)
Johann Pachelbel4:58
7Venus, the Bringer of Peace (from The Planets)
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
London Symphony Orchestra (von 1973-09-28 bis 1973-09-29)
conductor:
André Previn (pianist, conductor, composer, arranger) (von 1973-09-28 bis 1973-09-29)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (von 1973-09-28 bis 1973-09-29)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1973-09-28 bis 1973-09-29)
recording of:
The Planets, op. 32: II. Venus, the Bringer of Peace (von 1973-09-28 bis 1973-09-29)
Komponist(in):
Gustav Holst (composer) (von 1914 bis 1916)
Orchestrierung von:
The Planets, op. 32: II. Venus, the Bringer of Peace (for two pianos)
Teil von:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst8:42
8Largo
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
Academy of St Martin in the Fields (am 1976-01-29, am 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (am 1976-01-29, am 1976-10-26)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1976-01-29, am 1976-10-26)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) (am 1976-01-29)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (von 1737-12-26 bis 1738-01-09)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Serse, HWV 40: Atto I
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements) (am 1976-01-29)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Arrangement von:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) (am 1976-10-26)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (von 1737-12-26 bis 1738-01-09)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Serse, HWV 40: Atto I
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements) (am 1976-10-26)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Arrangement von:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
Georg Friedrich Händel5:13
9Keyboard Concerto No 5 in F minor (II Largo)
Produzent(in):
John Fraser (UK producer)
Klavier:
Andrei Gavrilov (Andrei Gawrilow, pianist) (in 1986-04)
Orchester:
Academy of St Martin in the Fields (in 1986-04)
conductor:
Sir Neville Marriner (conductor) (in 1986-04)
Tonmeister(in):
Mark Vigars (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1986-04)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (in 1986-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach3:28
10Fur Elise
Klavier:
Rudolf Buchbinder (Austrian classical pianist)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1808 bis 1810)
Teil von:
Classic 100: Piano (2004) (Nummer: 15), Classic 100: Piano (2025) (Nummer: 17) und Kinsky catalogue (Beethoven WoO works) (Nummer: WoO 59)
Ludwig van Beethoven3:36
11On Hearing the First Cuckoo in Spring
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
Hallé Orchestra (von 1968-08-06 bis 1968-08-08)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1968-08-06 bis 1968-08-08)
Tonmeister(in):
Stuart Eltham (engineer)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1968-08-06 bis 1968-08-08)
recording of:
On Hearing the First Cuckoo in Spring, RT VI/19 no. 1 (von 1968-08-06 bis 1968-08-08)
Komponist(in):
Frederick Delius (English composer) (in 1912)
gewidmet:
Balfour Gardiner
Teil von:
2 Pieces for Small Orchestra, RT VI/19
Frederick Delius7:28
12Capriol Suite - II Pavane
Orchester:
Royal Philharmonic Orchestra
conductor:
Sir Malcolm Sargent (conductor)
recording of:
Capriol Suite: II. Pavanne (for orchestra)
Komponist(in):
Peter Warlock (British composer)
publisher:
Public Domain (refers to works that are in the public domain)
Orchestrierung von:
Capriol Suite: II. Pavanne (for piano duet)
Teil von:
Capriol Suite (for orchestra)
Peter Warlock1:51
13Dance of the Blessed Spirits
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
Academy of St Martin in the Fields (am 1976-01-29, am 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (am 1976-01-29, am 1976-10-26)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1976-01-29, am 1976-10-26)
recording of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version) (am 1976-01-29)
Komponist(in):
Christoph Willibald Gluck (composer)
Teil von:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
Teil von:
Orpheus und Eurydike: Akt II (German version)
recording of:
Orfeo ed Euridice: Dance of the Blessed Spirits (Melodie) (catch-all for arrangements) (am 1976-01-29)
Komponist(in):
Christoph Willibald Gluck (composer)
Arrangement von:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
recording of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version) (am 1976-10-26)
Komponist(in):
Christoph Willibald Gluck (composer)
Teil von:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
Teil von:
Orpheus und Eurydike: Akt II (German version)
recording of:
Orfeo ed Euridice: Dance of the Blessed Spirits (Melodie) (catch-all for arrangements) (am 1976-10-26)
Komponist(in):
Christoph Willibald Gluck (composer)
Arrangement von:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
Christoph Willibald Gluck6:20
14Prelude in E minor
Klavier:
Emanuel Bay
Orchester:
The Hollywood Bowl Symphony Orchestra (50s-60s incarnation of the orchestra)
conductor:
Carmen Dragon
recording of:
Prélude no. 4 in E minor, op. 28: Largo
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer)
Teil von:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (Nummer: B. 123) und Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 169)
Teil von:
24 Préludes pour le piano, op. 28
Fryderyk Chopin4:11

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