Titelliste

1CD
2CD
3CD
4CD
Nr.TitelKünstlerBewertungLänge
1All I Wanna Do
Techniker(in):
Blair Lamb
Produzent(in):
Bill Bottrell
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1993) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1993)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 405)
recording of:
All I Wanna Do
Verfasser(in):
David Baerwald, Bill Bottrell, Wyn Cooper, Sheryl Crow (American singer-songwriter and musician) und Kevin Gilbert (singer‐songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Ignorant Music (ASCAP-affiliated), Old Crow Music (Sheryl Crow’s publishing label), Reservoir One America, Sony/ATV Tunes LLC (ASCAP), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WB Music Corp. (1929–2019), WC Music Corp. und Zen of Iniquity
Sheryl Crow3.94:34
2Higher Love
Mix:
Tom Lord‐Alge
Gitarre:
Nile Rodgers
Keyboard:
David Frank (American keyboardist, producer, writer; The System)
vocals:
Chaka Khan
recording of:
Higher Love
Verfasser(in):
Will Jennings und Steve Winwood
publisher:
Blue Sky Rider (BMI-affiliated; associated with Will Jennings), CBS Songs Ltd., F.S. Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell North America und Willin' David Music
Steve Winwood4.55:51
3The Girl From Ipanema
recording of:
The Girl From Ipanema
Texter:
Vinicius de Moraes (O poetinha)
Komponist(in):
Antônio Carlos Jobim
Übersetzer:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. und Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
übersetzte Version von:
Garota de Ipanema
Teil von:
The Real Book (compilation of jazz standards, volume I)
Stan Getz & Astrud Gilberto2:47
4If You Leave Me Now
recording engineer:
Armin Steiner (von 1976-03 bis 1976-04: Saiteninstrumente)
assistierende(r) Techniker(in):
Tom Likes
Techniker(in):
Wayne Tarnowski
Produzent(in):
James William Guercio
Akustikgitarre und Bass:
James William Guercio (von 1976-03 bis 1976-04)
Sologesang:
Peter Cetera (von 1976-03 bis 1976-04)
Saiteninstrumente arranger und Waldhorn arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Rhino Entertainment Company (not for release label use!) (in 1976, in 2002), Warner Strategic Marketing Inc. (in 1976) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1976)
aufgenommen bei:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (Saiteninstrumente) und Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (von 1976-03 bis 1976-04)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (von 1976-03 bis 1976-04)
recording of:
If You Leave Me Now (von 1976-03 bis 1976-04)
Texter:
Peter Cetera
Komponist(in):
Peter Cetera (in 1976)
publisher:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music und Spirit Music Publishing Ltd.
Chicago4.23:57
5A-Tisket, A-Tasket
recording of:
A‐Tisket, A‐Tasket
Texter:
[traditional] (special purpose artist), Ella Fitzgerald (American jazz singer) und Van Alexander (aka Al Feldman)
Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 13188)
Ella Fitzgerald with Chick Webb and His Orchestra2:38
6Theme from Peter Gunn
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1958-08-26 bis 1958-09-29)
Produzent(in):
Simon Rady
Gitarre:
Bob Bain (guitarist) (von 1958-08-26 bis 1958-09-29)
Klavier:
John Williams (American jazz pianist) (von 1958-08-26 bis 1958-09-29)
Kontrabass:
Rolly Bundock (von 1958-08-26 bis 1958-09-29)
Posaune:
Milt Bernhart (von 1958-08-26 bis 1958-09-29), Kirk De Karske (von 1958-08-26 bis 1958-09-29), Dick Nash (von 1958-08-26 bis 1958-09-29) und Jimmy Priddy (von 1958-08-26 bis 1958-09-29)
Rohrblattinstrumente:
Plas Johnson (von 1958-08-26 bis 1958-09-29), Ronnie Lang (von 1958-08-26 bis 1958-09-29) und Ted Nash (40s-80s US swing reedman, uncle of the other) (von 1958-08-26 bis 1958-09-29)
Schlagzeug:
Jack Sperling (drummer) (von 1958-08-26 bis 1958-09-29)
Trompete:
Frank Beach (trombone, trumpet) (von 1958-08-26 bis 1958-09-29), Pete Candoli (von 1958-08-26 bis 1958-09-29), Conrad Gozzo (von 1958-08-26 bis 1958-09-29), Ray Linn (von 1958-08-26 bis 1958-09-29) und Uan Rasey (von 1958-08-26 bis 1958-09-29)
Vibraphon:
Larry Bunker (von 1958-08-26 bis 1958-09-29) und Victor Feldman (jazz musician) (von 1958-08-26 bis 1958-09-29)
Waldhorn:
John Cave (french horn) (von 1958-08-26 bis 1958-09-29), Vincent DeRosa (von 1958-08-26 bis 1958-09-29), John Graas (von 1958-08-26 bis 1958-09-29) und Richard Perissi (von 1958-08-26 bis 1958-09-29)
Orchester:
The Henry Mancini Orchestra (von 1958-08-26 bis 1958-09-29)
conductor:
Henry Mancini (US composer, conductor & arranger) (von 1958-08-26 bis 1958-09-29)
arranger:
Henry Mancini (US composer, conductor & arranger)
phonographisches Urheberrecht (℗) von:
Entertain Me Ltd. (in 2010)
recording of:
Peter Gunn (von 1958-08-26 bis 1958-09-29)
Texter und Komponist(in):
Henry Mancini (US composer, conductor & arranger)
Teil von:
Peter Gunn (American TV series 1958–1961)
Henry Mancini2:07
7The Ghost of Tom Joad
Assistent recording engineer:
Greg Goldman
recording engineer und Mix:
Toby Scott
Produzent(in):
Chuck Plotkin und Bruce Springsteen
Bass:
Garry Tallent
Gitarre, Mundharmonika und Sologesang:
Bruce Springsteen
Keyboard:
Danny Federici
Pedal-Steel-Gitarre:
Marty Rifkin
Schlagzeug:
Gary Mallaber
vocals:
Bruce Springsteen
phonographisches Urheberrecht (℗) von:
Bruce Springsteen (in 1995, in 1996)
aufgenommen bei und mixed at:
Thrill Hill West (Springsteen’s home studio in Beverly Hills) in Beverly Hills, California (Kalifornien), Vereinigte Staaten
recording of:
The Ghost of Tom Joad
publisher:
Bruce Springsteen
Texter und Komponist(in):
Bruce Springsteen (in 1995)
Bruce Springsteen44:23
8When I Call Your Name
Produzent(in):
Tony Brown (US producer, pianist and keyboardist)
Klavier [acoustic piano]:
Barry Beckett
Hintergrundgesang:
Vince Gill und Patty Loveless
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 91)
recording of:
When I Call Your Name
Verfasser(in):
Tim DuBois (music executive) und Vince Gill
publisher:
Benefit Music (BMI, associated with Vince Gill) (vom 1989 bis heute), Tim DuBois Music (vom 1989 bis heute), WB Music Corp. (1929–2019) (von 1989 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Vince Gill44:15
9Midnight Train to Georgia
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 74), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 432) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 470)
recording of:
Midnight Train to Georgia
Texter und Komponist(in):
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips4.54:37
10Lazy Bird
recording engineer:
Rudy van Gelder (am 1957-09-15)
Produzent(in):
Alfred Lion
Klavier:
Kenny Drew (am 1957-09-15)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1957-09-15)
Posaune:
Curtis Fuller (am 1957-09-15)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1957-09-15)
Tenorsaxophon:
John Coltrane (am 1957-09-15)
Trompete:
Lee Morgan (jazz trumpeter / composer) (am 1957-09-15)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (am 1957-09-15)
recording of:
Lazy Bird (original instrumental composition) (am 1957-09-15)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
John Coltrane7:07
11Your Secret Love
recording engineer und Mix:
Ray Bardani
drum machine-Programmierung und Synthesizer [string]-Programmierung:
Reed Vertelney
zusätzliche Programmierung:
Ivan Hampden
leitende(r) Produzent(in):
Luther Vandross
Produzent(in):
Luther Vandross
Editing:
Max Risenhoover
Bass:
John “Skip” Anderson (funk/soul producer and songwriter) und Reed Vertelney
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Keyboard:
Reed Vertelney
Saiteninstrumente und zusätzlich Keyboard:
John “Skip” Anderson (funk/soul producer and songwriter)
Hintergrundgesang:
Tawatha Agee, Paulette McWilliams, Cindy Mizelle und Brenda White‐King
arranger:
John “Skip” Anderson (funk/soul producer and songwriter), Luther Vandross und Reed Vertelney
vocals arranger:
Luther Vandross
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1996)
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
recording of:
Your Secret Love
Verfasser(in):
Luther Vandross und Reed Vertelney
publisher:
Chrysalis Songs (in 1996), EMI April Music Inc. (in 1996), Uncle Ronnie’s Music Company Inc. (in 1996) und Vertelney Music (in 1996)
Luther Vandross4:14
12I Can’t Make You Love Me
recording engineer und Mix:
Ed Cherney
assistierende(r) Techniker(in):
Bryant Arnett, Ray Blair, Dan Bosworth (engineer) und Christina Paakkari
Produzent(in):
Bonnie Raitt und Don Was
Bassgitarre:
James "Hutch" Hutchinson (in 1991)
Hammond-Orgel [C3]:
Benmont Tench (in 1991)
Klavier und zusätzlich Keyboard:
Bruce Hornsby (in 1991)
Perkussion:
Paulinho da Costa (Brazilian percussionist) (in 1991)
Schlagzeug:
Tony Braunagel (in 1991)
Hintergrundgesang:
Bonnie (in 1991), David Lasley (in 1991) und Arnold McCuller (in 1991)
vocals:
Bonnie (in 1991)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1991, in 2005)
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1991)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 331) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 372)
recording of:
I Can’t Make You Love Me (in 1991)
Verfasser(in):
Mike Reid (US country artist & former football player) und Allen Shamblin
publisher:
Universal Music–MGB Songs, Almo Music Corp. (USA, affiliated with ASCAP) (in 1991), Brio Blues Music (in 1991) und Hayes Street Music, Inc. (in 1991)
sub-publisher:
環球音樂出版股份有限公司 (Universal Music Publishing Co., Ltd.)
Bonnie Raitt55:34
13Stand by Your Man
Produzent(in):
Billy Sherrill (US songwriter/producer/arranger)
Sologesang:
Tammy Wynette (in 1968)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 473)
recording of:
Stand by Your Man (in 1968)
Verfasser(in):
Billy Sherrill (US songwriter/producer/arranger) und Tammy Wynette
publisher:
Al Gallico Music Corp., EMI Al Gallico Music Corp., EMI Blackwood Music Inc. und EMI Music Publishing Ltd. (PRS‐affiliated)
Tammy Wynette3.82:39
14Just Because
Frankie Yankovic2:29
15How Am I Supposed to Live Without You
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989)
recording of:
How Am I Supposed to Live Without You
Verfasser(in):
Michael Bolton und Doug James (Songwriter / Composer / Keyboards)
publisher:
EMI Blackwood Music Inc., EMI Songs Ltd. und Is Hot Music Ltd.
sub-publisher:
フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Michael Bolton44:17
16This Land Is Your Land
Gitarre:
Woody Guthrie (American singer-songwriter) (in 1946)
vocals:
Woody Guthrie (American singer-songwriter) (in 1946)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 229)
recording of:
This Land Is Your Land (in 1946)
Texter und Komponist(in):
Woody Guthrie (American singer-songwriter) (in 1940)
Teil von:
Roud Folk Song Index (Nummer: 16378)
basiert auf:
When the World's on Fire
Woody Guthrie3.52:19
17Blue Moon of Kentucky
Produzent(in):
Art Satherly
Banjo:
Earl Scruggs (am 1946-09-16)
Fiddle:
Chubby Wise (am 1946-09-16)
Gitarre:
Lester Flatt (am 1946-09-16)
Kontrabass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (am 1946-09-16)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1946-09-16)
aufgenommen bei:
WBBM Studio (radio/tv station) in Chicago, Illinois, Vereinigte Staaten (am 1946-09-16)
recording of:
Blue Moon of Kentucky (am 1946-09-16)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”) (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Bill Monroe and the Bluegrass Boys3:02
18Blowin’ in the Wind
Bass:
Edgar O. DeHaas (bassist)
Gitarre:
Paul Stookey und Peter Yarrow
vocals:
Paul Stookey, Mary Travers (American folk singer-songwriter) und Peter Yarrow
cover recording of:
Blowin’ in the Wind
Texter und Komponist(in):
Bob Dylan (in 1962-04)
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner/Chappell (Warner/Chappell Music, Inc.) (von 1962 bis 1990) und Special Rider Music (vom 1990 bis heute)
Peter, Paul & Mary4.352:57
19That’s What Friends Are For
Produzent(in):
Burt Bacharach und Carole Bayer Sager
Klavier:
Elton John (English singer, songwriter, pianist, and composer)
Gast Sologesang:
Elton John (English singer, songwriter, pianist, and composer), Gladys Knight (soul and r&b music singer-songwriter) und Stevie Wonder
Sologesang und Solo-Interpret(in):
Dionne Warwick
zusätzliche(r) Interpret(in):
Gladys Knight (soul and r&b music singer-songwriter)
arranger:
Burt Bacharach und Carole Bayer Sager
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1985)
cover recording of:
That’s What Friends Are For
Texter:
Carole Bayer Sager (in 1982)
Komponist(in):
Burt Bacharach (in 1982)
publisher:
Carole Bayer Sager Music, New Hidden Valley Music Co., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und WC Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Dionne Warwick feat. Elton John, Gladys Knight and Stevie Wonder34:17

Nennungen

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/690198 [Info]