Verve Jazz Masters 31

~ Veröffentlichung von Cannonball Adderley (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Anmerkung

Label: Polygram - Catalog #: 522651 (initially released by Verve 3145226512)
Personnel:
Cannonball Adderley Alto Saxophone
Nat Adderley Trumpet
Junior Mance Piano
Jimmy Cobb Drums
Sam Jones Bass
Jimmy Cleveland Trombone
Ernie Royal Trumpet
Jerome Richardson Flute, Tenor Saxophone
Wynton Kelly Piano
John Coltrane Tenor Saxophone
Paul Chambers Bass
Bob Shad (production)

Anmerkung zuletzt geändert am 2006-05-23 00:26 UTC.

Titelliste

1▼CD
Nr.TitelBewertungLänge
1What’s New?
recorded in:
New York, New York, Vereinigte Staaten (am 1958-03-04)
alto saxophone:
Cannonball Adderley (am 1958-03-04)
Bass:
Sam Jones (US jazz bassist) (am 1958-03-04)
Klavier:
Junior Mance (am 1958-03-04)
Kornett:
Nat Adderley (am 1958-03-04)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1958-03-04)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 1999)
recording of:
What’s New?
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Warner Bros., Inc. (not for release label use!)
5:00
2The Song Is You
recorded in:
New York, New York, Vereinigte Staaten (am 1955-07-21)
alto saxophone:
Julian Adderley (am 1955-07-21)
baritone saxophone:
Cecil Payne (am 1955-07-21)
flute und Tenorsaxophon:
Jerome Richardson (am 1955-07-21)
Klavier:
John Williams (American jazz pianist) (am 1955-07-21)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1955-07-21)
Kornett:
Nat Adderley (am 1955-07-21)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1955-07-21)
Schlagzeug:
Kenny Clarke (am 1955-07-21)
arranger:
Quincy Jones
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955)
instrumental cover recording of:
The Song Is You (in 1955)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und T.B. Harms Co.
4:16
3I’m Glad There Is You
recorded in:
New York, New York, Vereinigte Staaten (am 1956-06-18)
alto saxophone:
Julian “Cannonball” Adderley (am 1956-06-18)
baritone saxophone:
Danny Bank (reeds) (am 1956-06-18)
flute und Tenorsaxophon:
Jerome Richardson (am 1956-06-18)
Klavier:
Junior Mance (am 1956-06-18)
Kontrabass:
Keeter Betts (am 1956-06-18)
Kornett:
Nat Adderley (am 1956-06-18)
Posaune:
Bobby Byrne (am 1956-06-18) und Jimmy Cleveland (US jazz trombonist) (am 1956-06-18)
Schlagzeug:
Specs Wright (am 1956-06-18)
Trompete:
Ernie Royal (am 1956-06-18)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1956-06-18)
instrumental cover recording of:
I’m Glad There Is You (am 1956-06-18)
Verfasser(in):
Jimmy Dorsey und Paul Madeira (Paul Madeira Mertz)
publisher:
Chappell/Morris Ltd. und Mayfair Music Corp.
2:32
4You’d Be So Nice to Come Home To
recorded in:
New York, New York, Vereinigte Staaten (am 1955-07-29)
alto saxophone:
Julian “Cannonball” Adderley (am 1955-07-29)
baritone saxophone:
Cecil Payne (am 1955-07-29)
flute und Tenorsaxophon:
Jerome Richardson (am 1955-07-29)
Klavier:
John Williams (American jazz pianist) (am 1955-07-29)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1955-07-29)
Kornett:
Nat Adderley (am 1955-07-29)
Posaune:
J. Johnson (jazz/bop trombonist/session leader) (am 1955-07-29)
Schlagzeug:
Kenny Clarke (am 1955-07-29)
arranger:
Quincy Jones
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955), HHO Licensing (in 2005, in 2008) und Xelon Productions (in 2010)
instrumental cover recording of:
You’d Be So Nice to Come Home To (am 1955-07-29)
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
recording of:
You’d Be So Nice to Come Home To
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
3:39
5Cynthia’s in Love
recorded in:
New York, New York, Vereinigte Staaten (am 1955-07-21)
alto saxophone:
Julian “Cannonball” Adderley (am 1955-07-21)
baritone saxophone:
Cecil Payne (am 1955-07-21)
flute und Tenorsaxophon:
Jerome Richardson (am 1955-07-21)
Klavier:
John Williams (American jazz pianist) (am 1955-07-21)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1955-07-21)
Kornett:
Nat Adderley (am 1955-07-21)
Posaune:
James Cleveland (US jazz trombonist) (am 1955-07-21)
Schlagzeug:
Kenny Clarke (am 1955-07-21)
arranger:
Quincy Jones
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955)
cover recording of:
Cynthia’s in Love (am 1955-07-21)
Verfasser(in):
Billy Gish, Jack Owens (singer/songwriter "The Cruising Crooner") und Earl White (US songwriter)
3:07
6Masquerade Is Over
recorded in:
New York, Vereinigte Staaten (am 1955-10-28)
alto saxophone:
Cannonball Adderley (am 1955-10-28)
conductor:
Richard Hayman (am 1955-10-28)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
I’m Afraid the Masquerade Is Over (am 1955-10-28)
Texter:
Herb Magidson
Komponist(in):
Allie Wrubel (US composer and songwriter)
publisher:
Chappell Morris Ltd. und Crawford Music Corp.
3:10
7Limehouse Blues
Produzent(in):
Jack Tracy
alto saxophone:
Cannonball Adderley (am 1959-02-03)
Klavier:
Wynton Kelly (am 1959-02-03)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-02-03)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1959-02-03)
Tenorsaxophon:
John Coltrane (am 1959-02-03)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999, in 2001) und Count Records (in 2013)
aufgenommen bei:
Universal Recording: Studio B in Chicago, Illinois, Vereinigte Staaten (am 1959-02-03)
instrumental cover recording of:
Limehouse Blues (am 1959-02-03)
Texter:
Douglas Furber
Komponist(in):
Philip Braham
publisher:
Harms, Inc. und Warner Bros. Mus. (ASCAP) (publisher; do NOT use as release label)
44:40
8Lover Man
phonographisches Urheberrecht (℗) von:
Gralin Music (in 2012)
recording of:
Lover Man
Texter:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
Komponist(in):
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (beendet), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (beendet) und Universal Music Corp. (USA, affiliated with ASCAP)
3:55
9Stars Fell on Alabama
Produzent(in):
Jack Tracy
alto saxophone:
Cannonball Adderley (am 1959-02-03)
Klavier:
Wynton Kelly (am 1959-02-03)
Kontrabass [bass]:
Paul Chambers (US jazz bassist) (am 1959-02-03)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1959-02-03)
Tenorsaxophon:
John Coltrane (am 1959-02-03)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999, in 2001)
aufgenommen bei:
Universal Recording: Studio B in Chicago, Illinois, Vereinigte Staaten (am 1959-02-03)
instrumental cover recording of:
Stars Fell on Alabama (am 1959-02-03)
Texter:
Mitchell Parish
Komponist(in):
Frank S. Perkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated) und Mills Music
6:15
10Street of Dreams
recorded in:
New York, Vereinigte Staaten (am 1955-10-27)
alto saxophone:
Cannonball Adderley (am 1955-10-27)
conductor:
Richard Hayman (am 1955-10-27)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) und Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Street of Dreams (am 1955-10-27)
Texter:
Sam M. Lewis (1930s lyricist) (in 1932)
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor) (in 1932)
publisher:
EMI Miller Catalog, Inc. und Miller Music Corp.
2:13
11Spring Is Here
recorded in:
New York, New York, Vereinigte Staaten (am 1957-02-11)
alto saxophone:
Julian “Cannonball” Adderley (am 1957-02-11)
Klavier:
Junior Mance (am 1957-02-11)
Kontrabass:
Sam Jones (US jazz bassist) (am 1957-02-11)
Kornett:
Nat Adderley (am 1957-02-11)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1957-02-11)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
recording of:
Spring Is Here (am 1957-02-11)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. und United Partnership Ltd.
instrumental recording of:
Spring Is Here
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. und United Partnership Ltd.
3:45
12The Way You Look Tonight
alto saxophone:
Julian “Cannonball” Adderley (am 1957-02-08)
Klavier:
Julian Mance (am 1957-02-08)
Kontrabass:
Sam Jones (US jazz bassist) (am 1957-02-08)
Kornett:
Nat Adderley (am 1957-02-08)
Schlagzeug:
Jim Cobb (Jimmy Cobb, US jazz drummer) (am 1957-02-08)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1958, in 1995)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-02-08)
instrumental recording of:
The Way You Look Tonight (from “Swing Time”) (am 1957-02-08)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1936 winner)
Teil von:
Swing Time (film)
4:25
13Falling in Love With Love
recorded in:
New York, Vereinigte Staaten (am 1955-10-27)
alto saxophone:
Cannonball Adderley (am 1955-10-27)
conductor:
Richard Hayman (am 1955-10-27)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) und Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Falling in Love With Love (am 1955-10-27)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Chappell & Co., Inc. (USA)
Teil von:
The Boys From Syracuse
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:31
14Little Girl Blue
alto saxophone:
Julian “Cannonball” Adderley (am 1956-06-08)
baritone saxophone:
Danny Bank (reeds) (am 1956-06-08)
flute und Tenorsaxophon:
Jerome Richardson (am 1956-06-08)
Klavier:
Junior Mance (am 1956-06-08)
Kontrabass:
Keeter Betts (am 1956-06-08)
Kornett:
Nat Adderley (am 1956-06-08)
Posaune:
Bobby Byrne (am 1956-06-08) und Jimmy Cleveland (US jazz trombonist) (am 1956-06-08)
Schlagzeug:
Specs Wright (am 1956-06-08)
Trompete:
Ernie Royal (am 1956-06-08)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999) und Monaco Entertainment Corporation (in 2010)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1956-06-08)
instrumental cover recording of:
Little Girl Blue (am 1956-06-08)
Texter:
Lorenz Hart (in 1935)
Komponist(in):
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jumbo
instrumental recording of:
Little Girl Blue
Texter:
Lorenz Hart (in 1935)
Komponist(in):
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jumbo
2:40
15I Got It Bad (and That Ain’t Good)
recorded in:
New York, New York, Vereinigte Staaten (am 1958-08-20)
alto saxophone:
Cannonball Adderley (am 1958-08-20)
Bratsche / Viola:
Dave Schwartz (violist) (am 1958-08-20)
Cello:
George Ricci (am 1958-08-20)
Geige / Violine:
Leo Kruczek (am 1958-08-20) und Gene Orloff (am 1958-08-20)
Gitarre:
Barry Galbraith (am 1958-08-20)
Klavier:
Bill Evans (pianist) (am 1958-08-20)
Kontrabass [bass]:
Milt Hinton (am 1958-08-20)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1958-08-20)
Trompete:
Emmett Berry (am 1958-08-20)
arranger:
Bill Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
I Got It Bad (and That Ain’t Good) (am 1958-08-20)
Texter:
Paul Francis Webster (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony und Webster Music Co.
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:36
16Straight, No Chaser
recorded in:
New York, New York, Vereinigte Staaten (am 1958-03-04)
alto saxophone:
Cannonball Adderley (am 1958-03-04)
Bass:
Sam Jones (US jazz bassist) (am 1958-03-04)
Klavier:
Junior Mance (am 1958-03-04)
Kornett:
Nat Adderley (am 1958-03-04)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1958-03-04)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) und Gralin Music (in 2012)
recording of:
Straight, No Chaser (am 1958-03-04)
Komponist(in):
Thelonious Monk
publisher:
Thelonious Music
8:25

Nennungen

Veröffentlichung

ASIN:CA: B0000046US [Info]

Veröffentlichungsgruppe

Teil von:Verve Jazz Masters (Nummer: VJM 31) (Reihenfolge: 31)
Discogs:https://www.discogs.com/master/799066 [Info]