A Midsummer Night's Dream / Die Erste Walpurgisnacht

~ Release by Mendelssohn; Vladimir Ashkenazy, Christoph von Dohnányi (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1A Midsummer Night’s Dream Overture, op. 21: Allegro di molto
recording engineer:
Stanley Goodall (engineer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1992-09)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1992-09)
recorded at:
Schauspielhaus Berlin in Berlin, Germany (in 1992-09)
recording of:
Ein Sommernachtstraum, op. 21 (op. 61 no. 1): Ouvertüre (in 1992-09)
composer:
Felix Mendelssohn (composer) (in 1826)
part of:
Works of Felix Mendelssohn by opus number (number: op. 21) and Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV P 3)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn11:33
2A Midsummer Night’s Dream, op. 61: I. Scherzo: Allegro vivace
recording engineer:
Stanley Goodall (engineer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1992-09)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1992-09)
recorded at:
Schauspielhaus Berlin in Berlin, Germany (in 1992-09)
recording of:
Ein Sommernachtstraum, op. 61: 1. Scherzo. Allegro vivace
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn4:17
3A Midsummer Night’s Dream, op. 61: II. Über Täler und Höh’n (Allegro vivace)
recording engineer:
Stanley Goodall (engineer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1992-09)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1992-09)
recorded at:
Schauspielhaus Berlin in Berlin, Germany (in 1992-09)
recording of:
Ein Sommernachtstraum, op. 61: 2. Elfenreigen. Allegro vivace
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn1:22
4A Midsummer Night’s Dream, op. 61: III. Nachtigall, mit Melodei (Allegro ma non troppo)
recording engineer:
Stanley Goodall (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
Frauenchor des Rundfunk, Berlin (Berlin Radio Chorus) (in 1992-09)
mezzo-soprano vocals:
Dalia Schaechter (mezzo-soprano) (in 1992-09)
soprano vocals:
Lynne Dawson (soprano) (in 1992-09)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1992-09)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1992-09)
recorded at:
Schauspielhaus Berlin in Berlin, Germany (in 1992-09)
recording of:
Ein Sommernachtstraum, op. 61: 3. Lied mit Chor "Bunte Schlangen". Allegro ma non troppo
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn4:15
5A Midsummer Night’s Dream, op. 61: V. Intermezzo: Allegro appassionato
recording engineer:
Stanley Goodall (engineer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1992-09)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1992-09)
recorded at:
Schauspielhaus Berlin in Berlin, Germany (in 1992-09)
recording of:
Ein Sommernachtstraum, op. 61: 5. Intermezzo. Allegro appassionato
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn3:19
6A Midsummer Night’s Dream, op. 61: VII. Notturno: Andante tranquillo
recording engineer:
Stanley Goodall (engineer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1992-09)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1992-09)
recorded at:
Schauspielhaus Berlin in Berlin, Germany (in 1992-09)
recording of:
Ein Sommernachtstraum, op. 61: 7. Notturno. Con moto tranquillo
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn7:23
7A Midsummer Night’s Dream, op. 61: IX. Hochzeitsmarsch: Allegro vivace
recording engineer:
Stanley Goodall (engineer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1992-09)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1992-09)
recorded at:
Schauspielhaus Berlin in Berlin, Germany (in 1992-09)
recording of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (A Midsummer Night’s Dream, op. 61: no. 9. Wedding March: Allegro vivace)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn5:01
8A Midsummer Night’s Dream, op. 61: X. Fanfare: Allegro comodo
recording engineer:
Stanley Goodall (engineer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1992-09)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1992-09)
recorded at:
Schauspielhaus Berlin in Berlin, Germany (in 1992-09)
Felix Mendelssohn0:20
9A Midsummer Night’s Dream, op. 61: Marcia funebre: Andante comodo
recording engineer:
Stanley Goodall (engineer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1992-09)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1992-09)
recorded at:
Schauspielhaus Berlin in Berlin, Germany (in 1992-09)
recording of:
Ein Sommernachtstraum, op. 61: 10. Marcia funebre. Andante comodo
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn1:06
10A Midsummer Night’s Dream, op. 61: XI. Ein Tanz von Rüpeln: Allegro di molto
recording engineer:
Stanley Goodall (engineer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1992-09)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1992-09)
recorded at:
Schauspielhaus Berlin in Berlin, Germany (in 1992-09)
recording of:
Ein Sommernachtstraum, op. 61: 11. Ein Tanz von Rüpeln (Bergamasca). Allegro di molto
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn1:35
11A Midsummer Night’s Dream, op. 61: XII. Finale: Bei des Feuers mattem Flimmern (Allegro di molto)
recording engineer:
Stanley Goodall (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
Frauenchor des Rundfunk (Berlin Radio Chorus) (in 1992-09)
soprano vocals:
Lynne Dawson (soprano) (in 1992-09)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1992-09)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1992-09)
recorded at:
Schauspielhaus Berlin in Berlin, Germany (in 1992-09)
recording of:
Ein Sommernachtstraum, op. 61: Finale. Allegro di molto
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn4:58
12Die erste Walpurgisnacht: Overture
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone)
bass vocals:
Alfred Šramek (bass-baritone)
choir vocals:
Wiener Singverein
contralto vocals:
Margarita Lilowa (mezzo-soprano)
tenor vocals:
Horst Laubenthal (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-03-17 until 1978-03-18)
conductor:
Christoph von Dohnányi (German conductor) (from 1978-03-17 until 1978-03-18)
chorus master:
Helmuth Froschauer (conductor and chorus master)
balance engineer:
James Lock (James Locke, engineer) (from 1978-03-17 until 1978-03-18) and Colin Moorfoot (engineer) (from 1978-03-17 until 1978-03-18)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-03-17 until 1978-03-18)
recording of:
Die erste Walpurgisnacht, op. 60: Ouvertüre (from 1978-03-17 until 1978-03-18)
composer:
Felix Mendelssohn (composer)
part of:
Die erste Walpurgisnacht, op. 60
Felix Mendelssohn9:04
13Die erste Walpurgisnacht: Es lacht der Mai
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone)
bass vocals:
Alfred Šramek (bass-baritone)
choir vocals:
Wiener Singverein
contralto vocals:
Margarita Lilowa (mezzo-soprano)
tenor vocals:
Horst Laubenthal (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-03-17 until 1978-03-18)
conductor:
Christoph von Dohnányi (German conductor) (from 1978-03-17 until 1978-03-18)
chorus master:
Helmuth Froschauer (conductor and chorus master)
balance engineer:
James Lock (James Locke, engineer) (from 1978-03-17 until 1978-03-18) and Colin Moorfoot (engineer) (from 1978-03-17 until 1978-03-18)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-03-17 until 1978-03-18)
recording of:
Die erste Walpurgisnacht, op. 60: I. Es lacht der Mai (from 1978-03-17 until 1978-03-18)
composer:
Felix Mendelssohn (composer)
part of:
Die erste Walpurgisnacht, op. 60
Felix Mendelssohn4:09
14Die erste Walpurgisnacht: Könnt ihr so verwegen handeln?
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone)
bass vocals:
Alfred Šramek (bass-baritone)
choir vocals:
Wiener Singverein
contralto vocals:
Margarita Lilowa (mezzo-soprano)
tenor vocals:
Horst Laubenthal (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-03-17 until 1978-03-18)
conductor:
Christoph von Dohnányi (German conductor) (from 1978-03-17 until 1978-03-18)
chorus master:
Helmuth Froschauer (conductor and chorus master)
balance engineer:
James Lock (James Locke, engineer) (from 1978-03-17 until 1978-03-18) and Colin Moorfoot (engineer) (from 1978-03-17 until 1978-03-18)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-03-17 until 1978-03-18)
recording of:
Die erste Walpurgisnacht, op. 60: II. Könnt ihr so verwegen handeln? (from 1978-03-17 until 1978-03-18)
composer:
Felix Mendelssohn (composer)
part of:
Die erste Walpurgisnacht, op. 60
Felix Mendelssohn2:06
15Die erste Walpurgisnacht: Wer Opfer heut zu bringen scheut
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone)
bass vocals:
Alfred Šramek (bass-baritone)
choir vocals:
Wiener Singverein
contralto vocals:
Margarita Lilowa (mezzo-soprano)
tenor vocals:
Horst Laubenthal (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-03-17 until 1978-03-18)
conductor:
Christoph von Dohnányi (German conductor) (from 1978-03-17 until 1978-03-18)
chorus master:
Helmuth Froschauer (conductor and chorus master)
balance engineer:
James Lock (James Locke, engineer) (from 1978-03-17 until 1978-03-18) and Colin Moorfoot (engineer) (from 1978-03-17 until 1978-03-18)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-03-17 until 1978-03-18)
recording of:
Die erste Walpurgisnacht, op. 60: III. Wer Opfer heut zu bringen scheut (from 1978-03-17 until 1978-03-18)
composer:
Felix Mendelssohn (composer)
part of:
Die erste Walpurgisnacht, op. 60
Felix Mendelssohn2:01
16Die erste Walpurgisnacht: Verteilt euch, wackre Männer, hier
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone)
bass vocals:
Alfred Šramek (bass-baritone)
choir vocals:
Wiener Singverein
contralto vocals:
Margarita Lilowa (mezzo-soprano)
tenor vocals:
Horst Laubenthal (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-03-17 until 1978-03-18)
conductor:
Christoph von Dohnányi (German conductor) (from 1978-03-17 until 1978-03-18)
chorus master:
Helmuth Froschauer (conductor and chorus master)
balance engineer:
James Lock (James Locke, engineer) (from 1978-03-17 until 1978-03-18) and Colin Moorfoot (engineer) (from 1978-03-17 until 1978-03-18)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-03-17 until 1978-03-18)
recording of:
Die erste Walpurgisnacht, op. 60: IV. Verteilt euch, wackre Männer, hier (from 1978-03-17 until 1978-03-18)
composer:
Felix Mendelssohn (composer)
part of:
Die erste Walpurgisnacht, op. 60
Felix Mendelssohn1:35
17Die erste Walpurgisnacht: Diese dummen Pfaffenchristen...Kommt mit Zacken...und mit Gabeln
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone)
bass vocals:
Alfred Šramek (bass-baritone)
choir vocals:
Wiener Singverein
contralto vocals:
Margarita Lilowa (mezzo-soprano)
tenor vocals:
Horst Laubenthal (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-03-17 until 1978-03-18)
conductor:
Christoph von Dohnányi (German conductor) (from 1978-03-17 until 1978-03-18)
chorus master:
Helmuth Froschauer (conductor and chorus master)
balance engineer:
James Lock (James Locke, engineer) (from 1978-03-17 until 1978-03-18) and Colin Moorfoot (engineer) (from 1978-03-17 until 1978-03-18)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-03-17 until 1978-03-18)
recording of:
Die erste Walpurgisnacht, op. 60: V. Diese dummen Pfaffenchristen (from 1978-03-17 until 1978-03-18)
composer:
Felix Mendelssohn (composer)
part of:
Die erste Walpurgisnacht, op. 60
recording of:
Die erste Walpurgisnacht, op. 60: VI. Kommt mit Zacken und mit Gabeln (from 1978-03-17 until 1978-03-18)
composer:
Felix Mendelssohn (composer)
part of:
Die erste Walpurgisnacht, op. 60
Felix Mendelssohn6:40
18Die erste Walpurgisnacht: So weit gebracht, dass wir bei Nacht...Hilf, ach hilf mir, Kriegsgeselle
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone)
bass vocals:
Alfred Šramek (bass-baritone)
choir vocals:
Wiener Singverein
contralto vocals:
Margarita Lilowa (mezzo-soprano)
tenor vocals:
Horst Laubenthal (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-03-17 until 1978-03-18)
conductor:
Christoph von Dohnányi (German conductor) (from 1978-03-17 until 1978-03-18)
chorus master:
Helmuth Froschauer (conductor and chorus master)
balance engineer:
James Lock (James Locke, engineer) (from 1978-03-17 until 1978-03-18) and Colin Moorfoot (engineer) (from 1978-03-17 until 1978-03-18)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-03-17 until 1978-03-18)
recording of:
Die erste Walpurgisnacht, op. 60: IX. Die Flamme reinigt sich vom Rauch (from 1978-03-17 until 1978-03-18)
composer:
Felix Mendelssohn (composer)
part of:
Die erste Walpurgisnacht, op. 60
recording of:
Die erste Walpurgisnacht, op. 60: VII. So weit gebracht, dass wir bei Nacht (from 1978-03-17 until 1978-03-18)
composer:
Felix Mendelssohn (composer)
part of:
Die erste Walpurgisnacht, op. 60
recording of:
Die erste Walpurgisnacht, op. 60: VIII. Hilf, ach hilf mir, Kriegsgeselle (from 1978-03-17 until 1978-03-18)
composer:
Felix Mendelssohn (composer)
part of:
Die erste Walpurgisnacht, op. 60
Felix Mendelssohn7:58