Essential 90's

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD
2▶CD
3▶CD
4▼DVD-Video
Nr.TitelKünstlerBewertungLänge
1As Long as You Love Me
assistierende(r) Techniker(in):
Tommie Hicks, Jr.
Techniker(in):
Joe Smith (US recording/mixing engineer)
Produzent(in):
Kristian Lundin und Max Martin (Swedish record producer)
Editing:
Chaz Harper
Gitarre [guitars]:
Esbjorn Ohrwall
Sologesang:
Brian (from the Backstreet Boys) und Nick (US pop singer & Backstreet Boy)
vocals:
A.J. (US singer, songwriter, actor, dancer & model), Howie D. (from the Backstreet Boys) und Kevin (from the Backstreet Boys)
produced for:
Cheiron Productions
aufgenommen bei:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Schweden und Parc Studios in Orlando, Florida, Vereinigte Staaten
mixed at:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Schweden
edited at:
Battery Recording Studios (NYC; not to be confused with the mastering studio located at 321 W 44th Street) in New York, New York, Vereinigte Staaten
recording of:
As Long as You Love Me
Verfasser(in):
Max Martin (Swedish record producer)
publisher:
Grantsville Publishing Ltd., GV-MXM, Imagem London Ltd., Zomba Enterprises, Inc. und Zomba Music Publishers Limited (UK subsidiary of Zomba Music Publishing)
Backstreet Boys4?:??
2Step by Step
Koproduzent(in):
Michael Jonzun und New Kids on the Block
Produzent(in):
Maurice Starr
Sologesang:
Jordan Knight
arranger:
Maurice Starr
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1990)
produced for:
Big Step Productions
cover recording of:
Step by Step (von 1989-09 bis 1990-04)
Texter und Komponist(in):
Maurice Starr
publisher:
Big Step Production
New Kids on the Block2.9?:??
3I Want You Back
Produzent(in):
Max Martin (Swedish record producer) und Denniz PoP
vocals:
Lance Bass, JC Chasez, Joey Fatone, Chris Kirkpatrick, *NSYNC (US boy band) und Justin Timberlake
phonographisches Urheberrecht (℗) von:
Trans Continental Records, Inc. (in 1997) und Trans Continental Records, Inc. (in 1998)
recording of:
I Want You Back
Verfasser(in):
Max Martin (Swedish record producer) und Denniz PoP
publisher:
BMG Music Publishing Ltd. und Cheiron Songs
*NSYNC4.35?:??
4If Ya Gettin' Down
recording engineer, Techniker(in) und Mix:
Adrian Bushby
Produzent(in):
Julian Gallagher (songwriter, producer) und Richard Stannard
assistierende(r) Mix:
Conal Markey und Pat McGovern
Instrumente:
Biff und Jules (instruments)
turntable [truntablist]:
Mista Dexter (UK hip-hop DJ/producer)
Hintergrundgesang [backing vocals]:
Filo (backing vocals)
Interpret(in):
Abs (Richard Abidin Breen ex-Five), Indeep, J (Five), Ritchie (British singer/songwriter, member of boy band "Five") und Scott (British singer/performer/songwriter)
produced for:
Biffco Productions
aufgenommen bei:
Windmill Lane Studio (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
Samples:
Last Night a DJ Saved My Life (radio edit) von Indeep
recording of:
If Ya Gettin' Down
Verfasser(in):
Richard Breen, Jason Paul Brown (Five), Mike Cleveland (80's dance), Sean Conlon, Julian Gallagher (songwriter, producer) und Richard Stannard
publisher:
EMI Music Publishing Limited (PRS‐affiliated), Island Music (Island Music Ltd.), Sony/ATV Music Publishing Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available) und Windswept Pacific Music Ltd
Five4?:??
5If I Let You Go
recording engineer:
Bernard Löhr (engineer) (Saiteninstrumente)
Programmierung und Produzent(in):
David Kreuger und Per Magnusson (Swedish music producer and songwriter)
Mix:
Bernard Löhr (engineer)
Akustikgitarre [acoustic guitars] und E-Gitarre [electric guitars]:
Mats Berntoft
Bass:
Tomas Lindberg (Swedish bass player)
Keyboard [keyboards]:
Per Magnusson (Swedish music producer and songwriter)
zusätzlich Hintergrundgesang [backing vocals]:
Andreas Carlsson (pop songwriter)
Saiteninstrumente arranger:
Henrik Jansson und Ulf Jansson
arranger:
David Kreuger und Per Magnusson (Swedish music producer and songwriter)
phonographisches Urheberrecht (℗) von:
BMG Entertainment UK & Ireland Ltd. (not for release label use!) (in 1999) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1999)
arranged for und produced for:
Cheiron Productions
aufgenommen bei:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Schweden und Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Schweden (Saiteninstrumente)
mixed at:
Mono Music Studios in Stockholm, Stockholms län (Stockholm county), Schweden
recording of:
If I Let You Go
Verfasser(in):
Jörgen Elofsson (Swedish songwriter and producer), David Kreuger und Per Magnusson (Swedish music producer and songwriter)
publisher:
BMG Publishing, Grantsville Publishing Ltd., Universal Music Publishers MGB Australia Pty Ltd und Zomba Enterprises Inc.
Westlife?:??
6I'll Take You There
cover recording of:
I’ll Take You There
Texter und Komponist(in):
Alvertis Isbell
publisher:
Music for Africa (South Africa)
General Public?:??
7Confide in Me
Techniker(in):
Paul Wright (UK recording engineer)
Produzent(in):
Brothers in Rhythm
Sologesang:
Kylie Minogue
arranger:
Brothers in Rhythm
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Ltd. (1987–1996) (in 1994)
recording of:
Confide in Me
Texter und Komponist(in):
Steve Anderson (UK producer, in groups Scratch Acid, Brothers in Rhythm, et al), Edward Barton und Dave Seaman (UK DJ/producer)
publisher:
BMG Music Publishing Ltd., Complete Music Ltd., MCA Music Ltd., Universal Music Limited (UK sound recording / publishing company) und Universal/MCA Music Ltd. (not for release label use!)
basiert auf:
It’s a Fine Day
Kylie Minogue2.65?:??
8Cry for Help
Bearbeitung von:
Cry for Help von Rick Astley (English singer, songwriter and radio personality)
recording of:
Cry for Help
Verfasser(in):
Rick Astley (English singer, songwriter and radio personality) und Rob Fisher (UK keyboardist, in Naked Eyes)
publisher:
Cruz Music (Rick Astley's label) und Universal Music Publishing MGB Ltd.
Rick Astley?:??
9Mambo No. 5
Koproduzent(in):
Lou Bega und Zippy (Christian Königseder)
Produzent(in):
D. Fact und Frank Lio
Instrumente:
D. Fact und Frank Lio
vocals:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
enthält Samples von:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
phonographisches Urheberrecht (℗) von:
BMG Berlin Musik GmbH (this is a record company, not an imprint!) (in 1999) und Lautstark (in 1999)
produced for:
Syndicate
Samples:
Mambo No. 5 von Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 50)
recording of:
Mambo No. 5 (A Little Bit of…)
Texter:
Lou Bega und Zippy (Christian Königseder)
Komponist(in):
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
publisher:
Peer International Corporation (BMI), Peer Musik, Peer Musikverlag (Peermusic Musikverlag GesmbH) und Peermusic (Germany) GmbH
basiert auf:
Mambo No. 5 (original, 1949)
Lou Bega3.6?:??
10Gonna Make You Sweat (Everybody Dance Now)
assistierende(r) Produzent(in):
Ricky Crespo und Alan Friedman
Produzent(in):
Robert Clivillés (record producer, songwriter, arranger, music video director) und David Cole (US musician/producer, member of C+C Music Factory)
Keyboard:
Ricky Crespo und Dave Cole (US musician/producer, member of C+C Music Factory)
Perkussion und Schlagzeug:
Robert Clivillés (record producer, songwriter, arranger, music video director)
zusätzlich Schlagzeug:
Alan Friedman
vocals:
Martha Wash und Freedom Williams
Keyboard arranger:
Robert Clivillés (record producer, songwriter, arranger, music video director)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
Teil von:
Cachitos Nochevieja 2022 (Nummer: 116) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 402)
recording of:
Gonna Make You Sweat (Everybody Dance Now)
Verfasser(in):
Robert Clivillés (record producer, songwriter, arranger, music video director) und Frederick B. Williams (UK dance vocalist aka Freedom Williams)
publisher:
Cole/Clivillés Music, EMI Virgin Music Ltd. (do not use this as a release label!), R.B.G. Dome Music, WB Music Corp. (1929–2019), Cole/Clivillés Music Enterprises (vom 1990 bis ????) und Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (vom 1990 bis ????)
C+C Music Factory4.15?:??
11Be My Lover
Techniker(in):
Bernd Berwanger und Tobias. (German producer Tobias Freund)
Produzent(in) und Mix:
FMP
phonographisches Urheberrecht (℗) von:
BMG Ariola (company mostly named as distributor in Europe) (in 1995) und BMG Berlin Musik GmbH (this is a record company, not an imprint!) (in 1995)
recording of:
Be My Lover
Texter:
Lane McCray und Melanie Thornton (American‐German Euro‐dance artist)
Komponist(in):
Ulli Brenner und Amir Saraf
publisher:
Beam Edition, Far Musikverlag GmbH und Co., KG, Neue Welt Musikverlag GmbH (2017 – present), Warner Chappell, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
La Bouche3.7?:??
12Macarena
Produzent(in):
Carlos Alberto DeYarza und Mike Triay
zusätzliche(r) Produzent(in):
Bayside Boys
remixer:
Bayside Boys
arranger:
Jesús Bola und Manuel Soler
Samples:
Situation von Yazoo (80s British synthpop duo, aka Yaz)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 500)
recording of:
Macarena (Bayside Boys remix)
sonstige Unterstützung:
Jammin Johnny Caride
Texter:
Carlos Alberto DeYarza
Komponist(in):
Antonio Romero Monge und Rafael Ruiz
publisher:
Editorial Discorama
Version von:
Macarena
Los del Río3?:??
13Where Do You Go
phonographisches Urheberrecht (℗) von:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (vom 1996 bis heute), MCI (vom 1996 bis heute), BMG Berlin Musik GmbH (this is a record company, not an imprint!) (in 1996) und BMG Ariola München GmbH (in 1998)
cover recording of:
Where Do You Go
Texter:
Peter Bischof‐Fallenstein und Franz Reuther
Komponist(in):
Franz Reuther
publisher:
Far M.V.
No Mercy1?:??
14It's My Life
Techniker(in):
Gundars Rullis (Chorgesang)
Produzent(in) und Mix:
Denniz PoP
Chorgesang:
Annelie Berg, Marie Bergman (Swedish singer), Björn Ström, Gladys del Pilar und Ricco (background vocals on "It's My Life")
Hintergrundgesang:
Paola Toro
Chorgesang arranger:
Anders Hansson (producer / writer / performer)
phonographisches Urheberrecht (℗) von:
BMG Ariola München GmbH (in 1992, in 1993)
produced for:
SweMix Productions (in 1992)
aufgenommen bei:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden (Chorgesang) und SweMix Studio in Stockholm, Stockholms län (Stockholm county), Schweden
mixed at:
SweMix Studio in Stockholm, Stockholms län (Stockholm county), Schweden
Musikvideos:
It’s My Life von Dr. Alban
recording of:
It’s My Life
Texter:
Dr. Alban
Komponist(in):
Denniz PoP
publisher:
SweMix Music, SweMix Songs und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Dr. Alban3.8?:??
15Moving on Up
Produzent(in) und Mix:
M People
recording of:
Moving On Up
Verfasser(in):
Heard und Pickering (of M People and Quando Quango)
publisher:
BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!) und EMI Music Publishing Ltd. (PRS‐affiliated)
M People2.65?:??
16Cotton Eye Joe
recording engineer und Mix:
Lee Monteverde
Techniker(in) und Produzent(in):
Pat Reiniz
Banjo:
Ken Tacky
vocals:
Billy Ray (stage name of Jonas Nilsson, violinist of Swedish novelty act Rednex), Mary Joe, Bobby Sue und Ken Tacky
zusätzliche(r) Interpret(in):
Goran Danielsson (Rednex singer Ken Tacky), Annika Ljungberg und Bosse Nilsson
phonographisches Urheberrecht (℗) von:
Zomba Records (in 1994) und Zomba Records Ltd (not strictly a label - avoid adding releases here) (in 1994)
aufgenommen bei und mixed at:
Future Crew Studios, Idaho in Stockholms län (Stockholm county), Schweden
Musikvideos:
Cotton‐Eye Joe von Rednex (Swedish Euro-House group)
Teil von:
A.Side: 10 Songs That Have Their Own Dance Moves (Nummer: 7)
recording of:
Cotton-Eye Joe (Rednex version)
Verfasser(in):
Jan Ericsson (Swedish producer), Örjan Öberg (Örjan “Öban” Öberg, Swedish producer) und Pat Reiniz
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Version von:
Cotton‐Eyed Joe (traditional song)
Rednex4.1?:??
17Runaway Train
assistierende(r) Techniker(in):
David Michael Dill (engineer) und Dan Gellert (sound engineer)
Produzent(in):
Michael Beinhorn
assistierende(r) Mix:
Craig Doubet (recording engineer) und Steve Sisco
Mix:
Andy Wallace (engineer)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1992) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1992)
recording of:
Runaway Train
Texter und Komponist(in):
Dave Pirner
publisher:
EMI Music Publishing Taiwan (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), LFR Music, Standing Water Music, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell North America Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
Soul Asylum4.4?:??
18Two Princes
Techniker(in):
Frank Aversa und Spin Doctors
Produzent(in):
Frank Aversa, Peter Denenberg, Frankie LaRocka und Spin Doctors
Mix:
Peter Denenberg, Frankie LaRocka und Spin Doctors
Bassgitarre:
Mark White (Spin Doctors)
Gitarre:
Eric Schenkman
Hammond-Orgel, Schlagzeug und Perkussion:
Aaron Comess
Gast Hintergrundgesang:
John Popper
vocals:
Chris Barron
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1991), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1991), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1991) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Two Princes
Verfasser(in):
Chris Barron, Aaron Comess, Eric Schenkman und Mark White (Spin Doctors)
publisher:
Mow B'jow Music, Sony Songs Inc. und Sony/ATV Music Publishing Ltd.
Spin Doctors4.2?:??
19No Excuses
recording engineer und Mix:
Toby Wright (producer & engineer)
Produzent(in):
Alice in Chains
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1994)
Musikvideos:
No Excuses von Alice in Chains
recording of:
No Excuses
Texter und Komponist(in):
Jerry Cantrell
Alice in Chains4.25?:??
20Save Tonight
phonographisches Urheberrecht (℗) von:
Diesel Music AB (in 1998)
recording of:
Save Tonight
Texter und Komponist(in):
Eagle‐Eye Cherry
publisher:
Diesel 2 Publishing und Warner Chapell
Eagle‐Eye Cherry4.1?:??
21Ready to Go
recording of:
Ready to Go
Verfasser(in):
Martin Picandet und Kele Okereke
publisher:
BMG Music Publishing Ltd., Momentum Music (publisher), Notting Hill Music (publisher) und Warner/Chappell Music Ltd. (1996–2019)
Republica?:??
22Hush
Techniker(in):
Ian Taylor (rock producer/engineer)
Produzent(in):
Stephen Harris (mixer/producer) und Crispian Mills
cover recording of:
Hush (South, Royal, Deep Purple) (in 1996)
Texter und Komponist(in):
Joe South (bis 1967)
publisher:
BMG Music Publishing Ltd., BMG Ufa (not for release label use! this is a music publisher), Lowery-Chappell Music und Sony/ATV Music Publishing Australia Pty Ltd.
Kula Shaker4.65?:??
23Trash
Produzent(in):
Ed Buller
Mix:
David Bascombe und Ed Buller
phonographisches Urheberrecht (℗) von:
Suede ltd. (in 1996)
Teil von:
Anti-Hit List: August 27, 1996 (Nummer: 10)
recording of:
Trash
Verfasser(in):
Brett Anderson (Suede) und Richard Oakes
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), PolyGram Music Publishing Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
sub-publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) (beendet), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) (beendet), フジパシフィックミュージック (Fujipacific Music, Inc.) (beendet), BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), Universal Music Publishing France (not for release label use!) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Suede3.35?:??
24Tomorrow
recording engineer und Mix:
Kevin Shirley (producer & mixer)
Produzent(in):
Kevin ‘Caveman’ Shirley (producer & mixer)
phonographisches Urheberrecht (℗) von:
Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1994) und Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1995)
aufgenommen bei:
Festival Studio in Pyrmont (Pyrmont, New South Wales), New South Wales, Australien
mixed at:
Eclipse Studio in Sydney, New South Wales, Australien
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 17)
recording of:
Tomorrow
Texter und Komponist(in):
Ben Gillies und Daniel Johns
publisher:
Kobalt Music Publishing Ltd. (UK), Tinia Flab Music, Control (not for release label use! this is only for copyrights and publishing relationships) (in 1995), Sony/ATV Music Publishing Australia Pty Ltd. (von 1997-10-14 bis 2020-12-15) und Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited) (vom 2020-12-15 bis heute)
Silverchair4.1?:??
25Inside Out
assistierende(r) Techniker(in):
Zak Belica, Billy Bowers (US engineer), John Burton (engineer) und Doug Trantow
Techniker(in), Produzent(in) und Mix:
Don Gilmore (American rock/nu metal music producer)
Editing:
Don C. Tyler (mastering engineer, electronic music producer, graphic designer)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 499)
recording of:
Inside Out
Texter:
Max Collins
Komponist(in):
Eve 6
Eve 64.4?:??
26Rush
assistierende(r) Techniker(in):
Serge Glanzberg und Dave Mercer
Techniker(in):
Andre Shapps
Produzent(in):
Mick Jones (The Clash/Big Audio Dynamite), Olimax und DJ Shapps
Bass:
Gary Stonadge
Gitarre:
Nick Hawkins und Mick Jones (The Clash/Big Audio Dynamite)
Schlagzeug:
Chris Kavanagh
vocals:
Nick Hawkins, Mick Jones (The Clash/Big Audio Dynamite), Chris Kavanagh und Gary Stonadge
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
recording of:
Rush
Texter, Verfasser(in) und Komponist(in):
Mick Jones (The Clash/Big Audio Dynamite)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Big Audio Dynamite4.5?:??

Nennungen