| # | Title | Artist | Rating | Length |
|---|
| 1 | Does Anybody Really Know What Time It Is? | Chicago | | 3:21 |
| 2 | You Can Do Magic- engineer:
- Chuck Kirkpatrick
- producer:
- Russ Ballard
- bass guitar [bass]:
- Mike Porcaro
- drums (drum set):
- Jeff Porcaro and Alvin Taylor
- guitar [guitars]:
- Gerry Beckley, Michael Mirage and Rick Neigher
- keyboard [keyboards]:
- Chris Coté and Jai Winding
- synthesizer:
- Chris Coté , Mark Isham and Jai Winding
- vocals:
- Gerry Beckley and Dewey Bunnell
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1982)
- produced for:
- Rujo Productions
- engineered at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom and Criteria Studios in Miami, Florida, United States
- recording of:
- You Can Do Magic
- lyricist and composer:
- Russ Ballard
- publisher:
- EMI April Music Inc., Russell Ballard Ltd and Union Square Music Songs Ltd.
| America | 3.65 | 3:51 |
| 3 | Longer | Dan Fogelberg | 3.15 | 3:14 |
| 4 | Lowdown | Boz Scaggs | | 4:27 |
| 5 | Baby I’m‐A Want You | Bread | 4 | 2:26 |
| 6 | Chuck E.’s in Love- additional engineer:
- Tom Knox and Roger Nichols
- engineer:
- Loyd Clifft and Lee Herschberg
- producer:
- Russ Titelman and Lenny Waronker
- mixer:
- Lee Herschberg
- vocals:
- Rickie Lee Jones
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1979) and WEA International Inc. (in 1979)
- recorded at:
- The Burbank Studios in Burbank, California, United States and Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- Chuck E.’s in Love
- lyricist and composer:
- Rickie Lee Jones
- publisher:
- Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Rondor Music (Australia) Pty Ltd, Sony Music Publishing (Japan) Inc. , ソニー・ミュージックパブリッシング A事業部 , ヤマハミュージックEH(CM) and ヤマハミュージックエンタテインメントホールディングス
| Rickie Lee Jones | 4.25 | 3:30 |
| 7 | You’re No Good- recording engineer:
- Val Garay (from 1974-06 until 1974-09) and David Hassinger (from 1974-06 until 1974-09)
- engineer:
- Val Garay
- producer:
- Peter Asher, Jay Faires and Tricia Holloway
- bass:
- Kenny Edwards (from 1974-06 until 1974-09)
- drums (drum set), electric piano and percussion:
- Andrew Gold (from 1974-06 until 1974-09)
- electric guitar:
- Ed Black (from 1974-06 until 1974-09)
- solo electric guitar:
- Andrew Gold (from 1974-04 until 1974-09)
- background vocals:
- Clydie King (from 1974-06 until 1974-09) and Shirley Matthews (from 1974-06 until 1974-09)
- strings arranger:
- Gregory Rose
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1974, in 2006) and Capitol Records, LLC (in 1974, in 2013)
- recorded at:
- Sound Factory in Los Angeles, California, United States (from 1974-06 until 1974-09)
- part of:
- New York Post: 100 Greatest Covers (2007) (number: 38)
- cover recording of:
- You’re No Good (from 1974-06 until 1974-09)
- lyricist and composer:
- Clint Ballard, Jr.
- publisher:
- Beardog Publishing, Copyright Control and Edwin H. Morris & Co.
| Linda Ronstadt | 4.75 | 3:43 |
| 8 | Blinded by the Light | Manfred Mann’s Earth Band | 4.2 | 3:50 |
| 9 | Beautiful in My Eyes- engineer:
- Simon Smart
- producer:
- Rod Argent and Peter Van Hooke
- mixer:
- David Kershenbaum and Kevin Smith
- acoustic guitar:
- Mark Cresswell
- cello:
- Paul Kegg , Ben Kennard and Roger Smith
- double bass:
- Chris Laurence
- drums (drum set) and percussion:
- Peter Van Hooke
- instruments:
- Helen Liebmann
- keyboard:
- Rod Argent
- piano:
- Joshua Kadison
- viola:
- Bob Smissen , Andy Parker , George Robertson and Steve Tees
- violin:
- Mark Berrow , Ben Cruft , Roger Garland , Roy Gillard , Tim Good, Rita Manning , Peter Oxer, Bill Penham, Barry Wilde, Wilf Gibson , Dave Woodcock and Gavyn Wright
- choir vocals:
- Rod Argent, Adele Bertei, Lance Ellington , Carol Kenyan, David Lasley, Ian Shaw , Helen Terry and Ruby Turner
- vocals:
- Joshua Kadison
- strings arranger:
- Rod Argent
- recording of:
- Beautiful in My Eyes
- lyricist and composer:
- Joshua Kadison
- publisher:
- EMI Blackwood Music Inc., Joshuasongs and Seymour Glass Songs
| Joshua Kadison | 3 | 4:09 |
| 10 | Sad Eyes- phonographic copyright (℗) by:
- EMI Records USA (in 1979) and EMI USA (in 1979)
- recording of:
- Sad Eyes
- lyricist and composer:
- Robert John
- publisher:
- BMG Music Publishing, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co., Chappell & Co., Inc. , Six Continents Music Publishing Inc., Unichappell Music, Unichappell Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント , ヤマハミュージックエンタテインメントホールディングス , ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
| Robert John | | 3:32 |
| 11 | The Flame | Cheap Trick | 5 | 4:47 |
| 12 | While You See a Chance | Steve Winwood | | 4:09 |
| 13 | It Might Be You | Stephen Bishop | | 4:14 |
| 14 | Eye in the Sky | The Alan Parsons Project | 4 | 3:57 |
| 15 | Dust in the Wind- additional engineer:
- Terry Diane Becker
- engineer:
- Jeff Glixman (from 1977-06 until 1977-07)
- producer:
- Jeff Glixman (in 1977-06)
- acoustic guitar and electric guitar:
- Kerry Livgren (from 1977-06 until 1977-07) and Rich Williams (from 1977-06 until 1977-07)
- bass guitar:
- Dave Hope (from 1977-06 until 1977-07)
- celesta, organ, synthesizer, vibraphone and lead vocals:
- Steve Walsh (from 1977-06 until 1977-07)
- cello, viola and violin [violins]:
- Robby Steinhardt (from 1977-06 until 1977-07)
- chimes, drums (drum set), gong and timpani:
- Phil Ehart (from 1977-06 until 1977-07)
- clavinet and synthesizer [synthesizers]:
- Kerry Livgren (from 1977-06 until 1977-07)
- percussion [additional percussion]:
- Phil Ehart (from 1977-06 until 1977-07), Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (from 1977-06 until 1977-07)
- piano:
- Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (from 1977-06 until 1977-07)
- background vocals:
- Robby Steinhardt (from 1977-06 until 1977-07) and Steve Walsh (from 1977-06 until 1977-07)
- arranger:
- Kansas
- phonographic copyright (℗) by:
- Sony Music (in 1976), CBS, Inc. (in 1977), Epic Records (in 1977), Sony Music Entertainment Inc. (in 1977) and CBS Records Inc. (in 1978)
- recorded at:
- Studio in the Country in Bogalusa, Louisiana, United States (from 1977-06 until 1977-07) and Woodland Studios in Nashville, Tennessee, United States (from 1977-06 until 1977-07)
- mixed at:
- The Village in Los Angeles, California, United States (in 1977-08)
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 39)
- recording of:
- Dust in the Wind (from 1977-06 until 1977-07)
- lyricist and composer:
- Kerry Livgren
- publisher:
- Blackwood Music Publishing, Don Kirshner Music Inc., Kirshner CBS Music Publishing and Kirshner-Warner Bros Music Ltd.
- sub-publisher:
- フジパシフィックミュージック SBK事業部
- adaptations:
- As the Sun Rises
| Kansas | 4.05 | 3:28 |
| 16 | Arthur’s Theme (Best That You Can Do)- additional engineer:
- John Guess, Lee Herschberg, Mark Linett and Richard Mullen
- assistant engineer:
- Stuart Gitlin and Margaret Gwynne
- producer:
- Michael Omartian
- mixer:
- Chet Himes
- lead vocals:
- Christopher Cross
- conductor:
- Michael Omartian
- strings arranger:
- Michael Omartian
- arranger:
- Christopher Cross , Rob Meurer and Michael Omartian
- concertmaster:
- Assa Drori
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1981, in 1983)
- recorded at and mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- part of:
- Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 19)
- recording of:
- Arthur’s Theme (Best That You Can Do)
- writer:
- Peter Allen , Burt Bacharach, Carole Bayer Sager and Christopher Cross
- publisher:
- Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing , Warner Olive Music LLC, Warner–Barham Music LLC, Warner/Chappell North America and Woolnough Music
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ユニバーサル・ミュージック・パブリッシング Synch事業部
- part of:
- The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1981 winner)
| Christopher Cross | 5 | 3:54 |
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