The Complete Puccini Studio Recordings

~ Veröffentlichung von Maria Callas (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Pack of 15 CD

Anmerkung zuletzt geändert am 2020-11-08 11:17 UTC.

Titelliste

1▶CD: Tosca, act 1
2▶CD: Tosca, act 2 & 3
3▼CD: Arias
Nr.TitelKünstlerBewertungLänge
1Manon Lescaut: Atto II. “In quelle trine morbide”
Produzent(in):
Walter Legge (British classical producer)
Soprangesang:
Maria Callas (soprano) (von 1954-09-15 bis 1954-09-16)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1954-09-15 bis 1954-09-16)
conductor:
Tullio Serafin (conductor) (von 1954-09-15 bis 1954-09-16)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (von 1954-09-15 bis 1954-09-16)
recording of:
Manon Lescaut: Atto II. “In quelle trine morbide” (Manon) (von 1954-09-15 bis 1954-09-16)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut: Atto II
Giacomo Puccini2:56
2Manon Lescaut: Atto IV. “Sola, perduta, abbandonata”
Produzent(in):
Walter Legge (British classical producer)
Soprangesang:
Maria Callas (soprano) (am 1954-09-17)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1954-09-17)
conductor:
Tullio Serafin (conductor) (am 1954-09-17)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (am 1954-09-17)
recording of:
Manon Lescaut: Atto IV. “Sola, perduta, abbandonata” … “Fra le tue braccia, amore” (Manon, Des Grieux) (am 1954-09-17)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut: Atto IV
Giacomo Puccini5:53
3Madama Butterfly: Atto II. “Un bel dì vedremo”
Produzent(in):
Walter Jellinek (British classical producer) und Walter Legge (British classical producer)
Soprangesang:
Maria Callas (soprano) (von 1954-09-15 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1954-09-15 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
conductor:
Tullio Serafin (conductor) (von 1954-09-15 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (von 1954-09-15 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (von 1954-09-15 bis 1954-09-18)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (von 1954-09-20 bis 1954-09-21)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:34
4Madama Butterfly: Atto II. “Con onor muore”
Produzent(in):
Walter Legge (British classical producer)
Soprangesang:
Maria Callas (soprano) (am 1954-09-17)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1954-09-17)
conductor:
Tullio Serafin (conductor) (am 1954-09-17)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (am 1954-09-17)
recording of:
Madama Butterfly: Atto III. “Con onor muore … Tu? Tu? Piccolo Iddio” (Butterfly, Pinkerton) (am 1954-09-17)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini3:44
5La bohème: Atto I. “Sì, mi chiamano Mimí”
Produzent(in):
Walter Jellinek (British classical producer) und Walter Legge (British classical producer)
Soprangesang:
Maria Callas (soprano) (von 1954-09-15 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1954-09-15 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
conductor:
Tullio Serafin (conductor) (von 1954-09-15 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (von 1954-09-15 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (von 1954-09-15 bis 1954-09-18)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (von 1954-09-20 bis 1954-09-21)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:48
6La bohème: Atto III. “Donde liete uscì”
Produzent(in):
Walter Legge (British classical producer)
Soprangesang:
Maria Callas (soprano) (von 1954-09-15 bis 1954-09-21)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1954-09-15 bis 1954-09-21)
conductor:
Tullio Serafin (conductor) (von 1954-09-15 bis 1954-09-21)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (von 1954-09-15 bis 1954-09-21)
recording of:
La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì) (von 1954-09-15 bis 1954-09-21)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giacomo Puccini3:32
7Suor Angelica: “Senza mamma”
Produzent(in):
Walter Legge (British classical producer)
Soprangesang:
Maria Callas (soprano) (von 1954-09-16 bis 1954-09-20)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1954-09-16 bis 1954-09-20)
conductor:
Tullio Serafin (conductor) (von 1954-09-16 bis 1954-09-20)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (von 1954-09-16 bis 1954-09-20)
recording of:
Suor Angelica: “Senza mamma, o bimbo, tu sei morto!” (Suor Angelica) (von 1954-09-16 bis 1954-09-20)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A.
Teil von:
Suor Angelica
Giacomo Puccini5:35
8Gianni Schicchi: “O mio babbino caro“
Produzent(in):
Walter Jellinek (British classical producer) und Walter Legge (British classical producer)
Soprangesang:
Maria Callas (soprano) (von 1954-09-15 bis 1954-09-16)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1954-09-15 bis 1954-09-16)
conductor:
Tullio Serafin (conductor) (von 1954-09-15 bis 1954-09-16)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (von 1954-09-15 bis 1954-09-16)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (von 1954-09-15 bis 1954-09-16)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. und G. Ricordi & Co. (London) Ltd. (UK division)
Teil von:
Gianni Schicchi
Giacomo Puccini2:34
9Turandot: Atto I. “Signore, ascolta!”
Produzent(in):
Walter Jellinek (British classical producer) und Walter Legge (British classical producer)
Soprangesang:
Maria Callas (soprano) (von 1954-09-15 bis 1954-09-16)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1954-09-15 bis 1954-09-16)
conductor:
Tullio Serafin (conductor) (von 1954-09-15 bis 1954-09-16)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (von 1954-09-15 bis 1954-09-16)
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù) (von 1954-09-15 bis 1954-09-16)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini2:30
10Turandot: Atto II. “In questa reggia“
Produzent(in):
Walter Legge (British classical producer)
Soprangesang:
Maria Callas (soprano) (am 1954-09-18)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1954-09-18)
conductor:
Tullio Serafin (conductor) (am 1954-09-18)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (am 1954-09-18)
recording of:
Turandot: Atto II, scena 2. “In questa reggia” (Turandot, La folla, Calaf) (am 1954-09-18)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini6:24
11Turandot: Atto III. “Tu, che di gel sei cinta“
Produzent(in):
Walter Legge (British classical producer)
Soprangesang:
Maria Callas (soprano) (von 1954-09-15 bis 1954-09-16)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1954-09-15 bis 1954-09-16)
conductor:
Tullio Serafin (conductor) (von 1954-09-15 bis 1954-09-16)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (von 1954-09-15 bis 1954-09-16)
recording of:
Turandot: Atto III, scena 1. “Tu, che di gel sei cinta” (Liù, La folla) (von 1954-09-15 bis 1954-09-16)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini2:50
4▶CD: Madama Butterfly, acts 1 & 2 (beginning)
5▶CD: Madama Butterfly, act 2 (conclusion)
6▶CD: La bohème, acts 1 & 2
7▶CD: La bohème, acts 3 & 4
8▶CD: Turandot, acts 1 & 2
9▶CD: Turandot, act 3
10▶CD: Manon Lescaut, acts 1 & 2
11▶CD: Manon Lescaut, acts 3 & 4
12▶CD: Tosca (live), act 1
13▶CD: Tosca (live), acts 2 & 3
14▶CD: Tosca, act 1
15▶CD: Tosca, acts 2 & 3

Nennungen