Eight Classic Albums

~ Veröffentlichung von June Christy (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD: Something Cool / Duet
Nr.TitelBewertungLänge
1Something Cool
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1953-08-14)
baritone saxophone:
Chuck Gentry (am 1953-08-14)
Bassposaune:
George Roberts (american bass trombone) (am 1953-08-14)
flute und Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1953-08-14)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1953-08-14)
Posaune:
Milt Bernhart (am 1953-08-14), Herbie Harper (am 1953-08-14) und Tommy Pederson (am 1953-08-14)
Trompete:
Maynard Ferguson (am 1953-08-14), Conrad Gozzo (am 1953-08-14) und Shorty Rogers (trumpet) (am 1953-08-14)
vocals:
June Christy (am 1953-08-14)
conductor:
Pete Rugolo (am 1953-08-14)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-08-14)
recording of:
Something Cool (am 1953-08-14)
Texter und Komponist(in):
Billy Barnes (composer and lyricist)
44:19
2Midnight Sun
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1953-12-27)
baritone saxophone:
Chuck Gentry (am 1953-12-27)
Bass:
Joe Mondragon (am 1953-12-27)
Posaune:
Tommy Pederson (am 1953-12-27)
Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1953-12-27)
Trompete:
Frank Beach (trombone, trumpet) (am 1953-12-27) und Conrad Gozzo (am 1953-12-27)
vocals:
June Christy (am 1953-12-27)
conductor:
Pete Rugolo (am 1953-12-27)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-12-27)
recording of:
Midnight Sun (am 1953-12-27)
Texter:
Johnny Mercer (in 1954)
Komponist(in):
Johnny Mercer, Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1947) und Lionel Hampton (in 1947)
33:16
3Lonely House
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1954-01-18)
baritone saxophone:
Johnny Rotella (woodwind) (am 1954-01-18)
Bass:
Joe Mondragon (am 1954-01-18)
flute und Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1954-01-18)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1954-01-18)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1954-01-18) und Harry Klee (am 1954-01-18)
Klavier:
Russ Freeman (pianist) (am 1954-01-18)
Posaune:
Milt Bernhart (am 1954-01-18), Harry Betts (am 1954-01-18) und Tommy Pederson (am 1954-01-18)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1954-01-18)
Trompete:
Maynard Ferguson (am 1954-01-18), Conrad Gozzo (am 1954-01-18) und Shorty Rogers (trumpet) (am 1954-01-18)
Tuba:
Paul Sarmento (jazz tubist) (am 1954-01-18)
Waldhorn:
John Graas (am 1954-01-18)
vocals:
June Christy (am 1954-01-18)
conductor:
Pete Rugolo (am 1954-01-18)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-01-18)
recording of:
Lonely House (from “Street Scene”) (am 1954-01-18)
Texter:
Langston Hughes
Komponist(in):
Kurt Weill (composer)
basiert auf:
Street Scene: Act I. No. 10 "Lonely House" (Sam Kaplan)
43:58
4I Should Care
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1954-01-18)
baritone saxophone:
Johnny Rotella (woodwind) (am 1954-01-18)
Bass:
Joe Mondragon (am 1954-01-18)
Bassposaune:
George Roberts (american bass trombone) (am 1954-01-18)
flute und Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1954-01-18)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1954-01-18) und Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1954-01-18)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1954-01-18), Paul Horn (am 1954-01-18) und Harry Klee (am 1954-01-18)
Klavier:
Joe Castro (am 1954-01-18) und Russ Freeman (pianist) (am 1954-01-18)
Posaune:
Milt Bernhart (am 1954-01-18), Harry Betts (am 1954-01-18), Frank Rosolino (am 1954-01-18) und Tommy Pederson (am 1954-01-18)
Rohrblattinstrumente:
Chuck Gentry (am 1954-01-18)
Schlagzeug:
Larry Bunker (am 1954-01-18) und Shelly Manne (US jazz drummer) (am 1954-01-18)
Trompete:
Frank Beach (trombone, trumpet) (am 1954-01-18), Conte Candoli (am 1954-01-18), Maynard Ferguson (am 1954-01-18), Conrad Gozzo (am 1954-01-18) und Shorty Rogers (trumpet) (am 1954-01-18)
Tuba:
Paul Sarmento (jazz tubist) (am 1954-01-18) und Phil Stephens (bass and tuba player) (am 1954-01-18)
Waldhorn:
Vincent DeRosa (am 1954-01-18) und John Graas (am 1954-01-18)
vocals:
June Christy (am 1954-01-18)
conductor:
Pete Rugolo (am 1954-01-18)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-01-18) und Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-01-18)
recording of:
I Should Care (am 1954-01-18)
Verfasser(in):
Sammy Cahn, Axel Stordahl und Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited und Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
42:11
5It Could Happen to You
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1954-01-18, am 1960-04-27)
baritone saxophone:
Johnny Rotella (woodwind) (am 1954-01-18)
Bass:
Joe Mondragon (am 1954-01-18, am 1960-04-27)
Bassposaune:
George Roberts (american bass trombone) (am 1960-04-27)
flute und Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1954-01-18)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1954-01-18) und Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1960-04-27)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1954-01-18, am 1960-04-27), Harry Klee (am 1954-01-18) und Paul Horn (am 1960-04-27)
Klavier:
Russ Freeman (pianist) (am 1954-01-18) und Joe Castro (am 1960-04-27)
Posaune:
Milt Bernhart (am 1954-01-18, am 1960-04-27), Harry Betts (am 1954-01-18), Tommy Pederson (am 1954-01-18) und Frank Rosolino (am 1960-04-27)
Rohrblattinstrumente:
Buddy Collette (am 1960-04-27) und Chuck Gentry (am 1960-04-27)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1954-01-18) und Larry Bunker (am 1960-04-27)
Trompete:
Maynard Ferguson (am 1954-01-18), Conrad Gozzo (am 1954-01-18, am 1960-04-27), Shorty Rogers (trumpet) (am 1954-01-18), Frank Beach (trombone, trumpet) (am 1960-04-27) und Conte Candoli (am 1960-04-27)
Tuba:
Paul Sarmento (jazz tubist) (am 1954-01-18) und Phil Stephens (bass and tuba player) (am 1960-04-27)
Waldhorn:
John Graas (am 1954-01-18) und Vincent DeRosa (am 1960-04-27)
vocals:
June Christy (am 1954-01-18, am 1960-04-27)
conductor:
Pete Rugolo (am 1954-01-18, am 1960-04-27)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-01-18) und Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-04-27)
recording of:
It Could Happen to You (am 1954-01-18)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony und Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
41:57
6A Stranger Called the Blues
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1954-01-19)
baritone saxophone:
Chuck Gentry (am 1954-01-19)
Bass:
Joe Mondragon (am 1954-01-19)
flute und Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1954-01-19)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1954-01-19)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1954-01-19) und Harry Klee (am 1954-01-19)
Klavier:
Russ Freeman (pianist) (am 1954-01-19)
Posaune:
Milt Bernhart (am 1954-01-19), Harry Betts (am 1954-01-19) und Tommy Pederson (am 1954-01-19)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1954-01-19)
Trompete:
Maynard Ferguson (am 1954-01-19), Conrad Gozzo (am 1954-01-19) und Shorty Rogers (trumpet) (am 1954-01-19)
Tuba:
Paul Sarmento (jazz tubist) (am 1954-01-19)
Waldhorn:
John Graas (am 1954-01-19)
vocals:
June Christy (am 1954-01-19)
conductor:
Pete Rugolo (am 1954-01-19)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-01-19)
recording of:
A Stranger Called the Blues (am 1954-01-19)
Verfasser(in):
Mel Tormé (“The Velvet Fog”) und Robert Wells (songwriter)
43:59
7I’ll Take Romance
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1954-01-19)
baritone saxophone:
Chuck Gentry (am 1954-01-19)
Bass:
Joe Mondragon (am 1954-01-19)
Bassposaune:
George Roberts (american bass trombone) (am 1954-01-19)
flute und Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1954-01-19)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1954-01-19) und Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1954-01-19)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1954-01-19), Paul Horn (am 1954-01-19) und Harry Klee (am 1954-01-19)
Klavier:
Joe Castro (am 1954-01-19) und Russ Freeman (pianist) (am 1954-01-19)
Posaune:
Milt Bernhart (am 1954-01-19), Harry Betts (am 1954-01-19), Frank Rosolino (am 1954-01-19) und Tommy Pederson (am 1954-01-19)
Rohrblattinstrumente:
Buddy Collette (am 1954-01-19) und Chuck Gentry (am 1954-01-19)
Schlagzeug:
Larry Bunker (am 1954-01-19) und Shelly Manne (US jazz drummer) (am 1954-01-19)
Trompete:
Frank Beach (trombone, trumpet) (am 1954-01-19), Conte Candoli (am 1954-01-19), Maynard Ferguson (am 1954-01-19), Conrad Gozzo (am 1954-01-19) und Shorty Rogers (trumpet) (am 1954-01-19)
Tuba:
Paul Sarmento (jazz tubist) (am 1954-01-19) und Phil Stephens (bass and tuba player) (am 1954-01-19)
Waldhorn:
Vincent DeRosa (am 1954-01-19) und John Graas (am 1954-01-19)
vocals:
June Christy (am 1954-01-19)
conductor:
Pete Rugolo (am 1954-01-19)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-01-19) und Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-01-19)
recording of:
I’ll Take Romance (am 1954-01-19)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Ben Oakland
22:20
8Softly, as in a Morning Sunrise
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1954-12-29)
baritone saxophone:
Bob Gordon (US jazz saxophonist) (am 1954-12-29)
Bass:
Joe Mondragon (am 1954-12-29)
Bassposaune:
George Roberts (american bass trombone) (am 1954-12-29)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1954-12-29) und Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1954-12-29)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1954-12-29), Paul Horn (am 1954-12-29) und Harry Klee (am 1954-12-29)
Klavier:
Joe Castro (am 1954-12-29)
Posaune:
Milt Bernhart (am 1954-12-29), Herbie Harper (am 1954-12-29) und Frank Rosolino (am 1954-12-29)
Rohrblattinstrumente:
Chuck Gentry (am 1954-12-29)
Schlagzeug:
Larry Bunker (am 1954-12-29) und Shelly Manne (US jazz drummer) (am 1954-12-29)
Tenorsaxophon:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (am 1954-12-29)
Trompete:
Frank Beach (trombone, trumpet) (am 1954-12-29), Conte Candoli (am 1954-12-29), Conrad Gozzo (am 1954-12-29), Ollie Mitchell (am 1954-12-29) und Shorty Rogers (trumpet) (am 1954-12-29)
vocals:
June Christy (am 1954-12-29)
conductor:
Pete Rugolo (am 1954-12-29)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-12-29) und Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-12-29)
recording of:
Softly, as in a Morning Sunrise (The New Moon)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
Komponist(in):
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Chappell & Co Ltd., Chappell Music Ltd., Redwood Music Ltd. (Carlin) und Warner Bros., Inc. (not for release label use!)
Teil von:
The New Moon: Act I
42:12
9I’m Thrilled
Produzent(in):
Lee Gillette
Altflöte:
Harry Klee (am 1955-05-10) und Bud Shank (am 1955-05-10)
alto saxophone:
Bud Shank (am 1955-05-10)
baritone saxophone:
Bob Gordon (US jazz saxophonist) (am 1955-05-10)
Bass:
Harry Babasin (am 1955-05-10)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1955-05-10)
Holzblasinstrumente:
Harry Klee (am 1955-05-10)
Klavier:
Claude Williamson (am 1955-05-10)
Posaune:
Milt Bernhart (am 1955-05-10), Harry Betts (am 1955-05-10) und Frank Rosolino (am 1955-05-10)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1955-05-10)
Tenorsaxophon:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (am 1955-05-10)
Trompete:
Maynard Ferguson (am 1955-05-10), Conrad Gozzo (am 1955-05-10) und Shorty Rogers (trumpet) (am 1955-05-10)
Tuba:
Paul Sarmento (jazz tubist) (am 1955-05-10)
Waldhorn:
Vincent DeRosa (am 1955-05-10)
vocals:
June Christy (am 1955-05-10)
conductor:
Pete Rugolo (am 1955-05-10)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-05-10)
recording of:
I’m Thrilled (am 1955-05-10)
Verfasser(in):
Sylvia Dee (American lyricist) und Sidney Lippman (American songwriter)
42:42
10This Time the Dream’s on Me
Produzent(in):
Lee Gillette
Altflöte:
Harry Klee (am 1955-05-10) und Bud Shank (am 1955-05-10)
alto saxophone:
Bud Shank (am 1955-05-10)
baritone saxophone:
Bob Gordon (US jazz saxophonist) (am 1955-05-10)
Bass:
Harry Babasin (am 1955-05-10)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1955-05-10)
Holzblasinstrumente:
Harry Klee (am 1955-05-10)
Klavier:
Claude Williamson (am 1955-05-10)
Posaune:
Milt Bernhart (am 1955-05-10), Harry Betts (am 1955-05-10) und Frank Rosolino (am 1955-05-10)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1955-05-10)
Tenorsaxophon:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (am 1955-05-10)
Trompete:
Maynard Ferguson (am 1955-05-10), Conrad Gozzo (am 1955-05-10) und Shorty Rogers (trumpet) (am 1955-05-10)
Tuba:
Paul Sarmento (jazz tubist) (am 1955-05-10)
Waldhorn:
Vincent DeRosa (am 1955-05-10)
vocals:
June Christy (am 1955-05-10)
conductor:
Pete Rugolo (am 1955-05-10)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-05-10)
41:32
11The Night We Called It a Day
Produzent(in):
Lee Gillette
Altflöte:
Harry Klee (am 1955-05-10) und Bud Shank (am 1955-05-10)
alto saxophone:
Bud Shank (am 1955-05-10)
baritone saxophone:
Bob Gordon (US jazz saxophonist) (am 1955-05-10)
Bass:
Harry Babasin (am 1955-05-10)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1955-05-10)
Holzblasinstrumente:
Harry Klee (am 1955-05-10)
Klavier:
Claude Williamson (am 1955-05-10)
Posaune:
Milt Bernhart (am 1955-05-10), Harry Betts (am 1955-05-10) und Frank Rosolino (am 1955-05-10)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1955-05-10)
Tenorsaxophon:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (am 1955-05-10)
Trompete:
Maynard Ferguson (am 1955-05-10), Conrad Gozzo (am 1955-05-10) und Shorty Rogers (trumpet) (am 1955-05-10)
Tuba:
Paul Sarmento (jazz tubist) (am 1955-05-10)
Waldhorn:
Vincent DeRosa (am 1955-05-10)
vocals:
June Christy (am 1955-05-10)
conductor:
Pete Rugolo (am 1955-05-10)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-05-10)
34:51
12Ev’ry Time We Say Goodbye
Klavier:
Stan Kenton
vocals:
June Christy
recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:51
13Lonely Women
Klavier:
Stan Kenton
vocals:
June Christy
recording of:
Lonely Woman
Verfasser(in):
Benny Carter und Ray Sonin (songwriter)
5:56
14Just the Way I Am
Klavier:
Stan Kenton
vocals:
June Christy
3:54
15You’re Mine, You!
Klavier:
Stan Kenton
vocals:
June Christy
recording of:
You’re Mine, You
Texter:
Edward Heyman
Komponist(in):
Johnny Green (composer and conductor, often credited as John Green)
3:12
16Angel Eyes
Klavier:
Stan Kenton
vocals:
June Christy
recording of:
Angel Eyes (1946 jazz standard)
Texter:
Earl Brent (in 1946)
Komponist(in):
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music) und Onyx Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
4:21
17Come to the Party
Klavier:
Stan Kenton
vocals:
June Christy
recording of:
Come to the Party
3:11
18Baby, Baby All the Time
Klavier:
Stan Kenton
vocals:
June Christy
recording of:
Baby Baby All the Time
Texter und Komponist(in):
Bobby Troup
2:22
19We Kiss in a Shadow
Klavier:
Stan Kenton
vocals:
June Christy
recording of:
We Kiss in a Shadow (The King and I)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company
Teil von:
The King and I (Rodgers & Hammerstein musical)
1:56
20How Long Has This Been Going On?
Klavier:
Stan Kenton
vocals:
June Christy
recording of:
How Long Has This Been Going On? (Funny Face, 1957 film)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
Teil von:
My One and Only (1983 Broadway musical)
Teil von:
Rosalie
4:58
21Prelude to a Kiss
Klavier:
Stan Kenton
vocals:
June Christy
recording of:
Prelude to a Kiss
Texter:
Irving Gordon (US songwriter) (in 1938) und Irving Mills (in 1938)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. und Lafleur Music Ltd.
3:41
22Thanks for You
Klavier:
Stan Kenton
vocals:
June Christy
3:07
2▶CD: Fair and Warmer / Gone for the Day
3▶CD: June’s Got a Rhythm / The Song Is June!
4▶CD: Ballads for Night People / Off Beat