Red (Big Machine Radio release special)

~ Veröffentlichung von Taylor Swift (alle Versionen dieser Veröffentlichung ansehen, 97 vorhanden)

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1State of Grace (commentary)
phonographisches Urheberrecht (℗) von:
Big Machine Label Group, LLC (not for release label use) (in 2018) und Apollo A‐1 LLC (in 2021)
commentary for:
State of Grace von Taylor Swift
Taylor Swift1:30
2Red (commentary)
phonographisches Urheberrecht (℗) von:
Big Machine Label Group, LLC (not for release label use) (in 2018) und Apollo A‐1 LLC (in 2021)
commentary for:
Red von Taylor Swift
Taylor Swift1:04
3Treacherous (commentary)
phonographisches Urheberrecht (℗) von:
Big Machine Label Group, LLC (not for release label use) (in 2018) und Apollo A‐1 LLC (in 2021)
commentary for:
Treacherous von Taylor Swift
Taylor Swift0:55
4I Knew You Were Trouble. (commentary)
phonographisches Urheberrecht (℗) von:
Big Machine Label Group, LLC (not for release label use) (in 2018) und Apollo A‐1 LLC (in 2021)
commentary for:
I Knew You Were Trouble. von Taylor Swift
Taylor Swift1:07
5All Too Well (commentary)
phonographisches Urheberrecht (℗) von:
Big Machine Label Group, LLC (not for release label use) (in 2018) und Apollo A‐1 LLC (in 2021)
commentary for:
All Too Well von Taylor Swift
Taylor Swift0:45
622 (commentary)
phonographisches Urheberrecht (℗) von:
Big Machine Label Group, LLC (not for release label use) (in 2018) und Apollo A‐1 LLC (in 2021)
commentary for:
22 von Taylor Swift
Taylor Swift1:03
7I Almost Do (commentary)
phonographisches Urheberrecht (℗) von:
Big Machine Label Group, LLC (not for release label use) (in 2018) und Apollo A‐1 LLC (in 2021)
commentary for:
I Almost Do von Taylor Swift
Taylor Swift0:52
8We Are Never Ever Getting Back Together (commentary)
phonographisches Urheberrecht (℗) von:
Big Machine Label Group, LLC (not for release label use) (in 2018) und Apollo A‐1 LLC (in 2021)
commentary for:
We Are Never Ever Getting Back Together von Taylor Swift
Taylor Swift1:46
9Stay Stay Stay (commentary)
phonographisches Urheberrecht (℗) von:
Big Machine Label Group, LLC (not for release label use) (in 2018) und Apollo A‐1 LLC (in 2021)
commentary for:
Stay Stay Stay von Taylor Swift
Taylor Swift1:50
10The Last Time (commentary)
phonographisches Urheberrecht (℗) von:
Big Machine Label Group, LLC (not for release label use) (in 2018) und Apollo A‐1 LLC (in 2021)
commentary for:
The Last Time von Taylor Swift featuring Gary Lightbody of Snow Patrol (Gary Lightbody)
Taylor Swift1:27
11Holy Ground (commentary)
phonographisches Urheberrecht (℗) von:
Big Machine Label Group, LLC (not for release label use) (in 2018) und Apollo A‐1 LLC (in 2021)
commentary for:
Holy Ground von Taylor Swift
Taylor Swift1:19
12Sad Beautiful Tragic (commentary)
phonographisches Urheberrecht (℗) von:
Big Machine Label Group, LLC (not for release label use) (in 2018) und Apollo A‐1 LLC (in 2021)
commentary for:
Sad Beautiful Tragic von Taylor Swift
Taylor Swift1:01
13The Lucky One (commentary)
phonographisches Urheberrecht (℗) von:
Big Machine Label Group, LLC (not for release label use) (in 2018) und Apollo A‐1 LLC (in 2021)
commentary for:
The Lucky One von Taylor Swift
Taylor Swift1:13
14Everything Has Changed (commentary)
phonographisches Urheberrecht (℗) von:
Big Machine Label Group, LLC (not for release label use) (in 2018) und Apollo A‐1 LLC (in 2021)
commentary for:
Everything Has Changed von Taylor Swift featuring Ed Sheeran (UK singer‐songwriter)
Taylor Swift0:57
15Starlight (commentary)
phonographisches Urheberrecht (℗) von:
Big Machine Label Group, LLC (not for release label use) (in 2018) und Apollo A‐1 LLC (in 2021)
commentary for:
Starlight von Taylor Swift
Taylor Swift0:53
16State of Grace
Assistent recording engineer:
Leland Elliott (sound engineer)
recording engineer:
Chad Carlson
zusätzliche(r) Techniker(in):
Matt Rausch (sound engineer) und Brian David Willis
Produzent(in):
Nathan Chapman (American producer & songwriter) und Taylor Swift
assistierende(r) Mix:
Drew Bollman
Mix:
Justin Niebank
Akustikgitarre, Bass und E-Gitarre:
Nathan Chapman (American producer & songwriter)
Perkussion:
Eric Darken
Schlagzeug:
Nick Buda (drummer)
Hintergrundgesang und Sologesang:
Taylor Swift
phonographisches Urheberrecht (℗) von:
Taylor Swift
phonographisches Urheberrecht (℗) von:
Apollo A‐1 LLC (in 2012), Big Machine Label Group, LLC (not for release label use) (in 2012, in 2018) und Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2012, in 2013)
aufgenommen bei und mixed at:
Blackbird Studio in Nashville, Tennessee, Vereinigte Staaten
commentary:
State of Grace (commentary) von Taylor Swift
recording of:
State of Grace
Texter und Komponist(in):
Taylor Swift
publisher:
Sony/ATV Tree Publishing und Taylor Swift Music (publisher)
Taylor Swift2.54:55
17Red
Assistent recording engineer:
Seth Morton (engineer)
recording engineer:
Steve Marcantonio
Produzent(in):
Nathan Chapman (American producer & songwriter), Dann Huff, Mastermix Music Limited und Taylor Swift
assistierende(r) Mix:
Drew Bollman
Mix:
Justin Niebank
Editing:
David Huff (drummer of Giant/White Heart, brother of Dann Huff)
Akustikgitarre und Perkussion:
Nathan Chapman (American producer & songwriter)
Bass:
Jimmie Lee Sloas
Bouzouki:
Dann Huff
Cello und Fiddle:
Jonathan Yudkin
E-Gitarre:
Tom Bukovac und Dann Huff
Gitarrenbanjo [ganjo]:
Nathan Chapman (American producer & songwriter) und Ilya Toshinsky (Russian guitar and banjo player)
Hammond-Orgel [B-3 organ], Pianino und Synthesizer [synth]:
Charles Judge (American guitarist, pianist, arranger and songwriter)
Schlagzeug:
Aaron Sterling
Steel-Gitarre:
Paul Franklin (steel guitarist)
Sologesang:
Taylor Swift
phonographisches Urheberrecht (℗) von:
Taylor Swift
phonographisches Urheberrecht (℗) von:
Apollo A‐1 LLC (in 2012), Big Machine Label Group, LLC (not for release label use) (in 2012, in 2018) und Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2012, in 2013)
aufgenommen bei und mixed at:
Blackbird Studio in Nashville, Tennessee, Vereinigte Staaten
Musikvideos:
Red (music video) von Taylor Swift
commentary:
Red (commentary) von Taylor Swift
recording of:
Red
geschrieben in:
[in atmosphere] (am 2011-09-07)
Texter und Komponist(in):
Taylor Swift
publisher:
Sony/ATV Tree Publishing und Taylor Swift Music (publisher)
Taylor Swift3.253:43
18Treacherous
recording engineer:
John Rausch, Eric Robinson (producer/engineer/mixer/musician) und Andy Thompson (producer/engineer/instrumentalist/writer from Minneapolis)
Produzent(in):
Dan Wilson (American singer/songwriter)
assistierende(r) Mix:
Delbert Bowers (American engineer) und Chris Galland
Mix:
Manny Marroquin
Akustikgitarre und Sologesang:
Taylor Swift
Bass, E-Gitarre und Klavier:
Dan Wilson (American singer/songwriter)
Gitarre, Hybrid-Piano und Synthesizer [synth strings]:
Andy Thompson (producer/engineer/instrumentalist/writer from Minneapolis)
Schlagzeug:
Aaron Sterling
Hintergrundgesang:
Taylor Swift und Dan Wilson (American singer/songwriter)
phonographisches Urheberrecht (℗) von:
Taylor Swift
phonographisches Urheberrecht (℗) von:
Apollo A‐1 LLC (in 2012), Big Machine Label Group, LLC (not for release label use) (in 2012, in 2018) und Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2012, in 2013)
aufgenommen bei:
Ballroom West in Los Angeles, California (Kalifornien), Vereinigte Staaten, Instrument Landing in Minneapolis, Minnesota, Vereinigte Staaten und Marlay Studios in Hollywood, Florida, Vereinigte Staaten
mixed at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
commentary:
Treacherous (commentary) von Taylor Swift
recording of:
Treacherous
Verfasser(in):
Taylor Swift und Dan Wilson (American singer/songwriter)
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Sony/ATV Tree Publishing, Sugar Lake Music LLC und Taylor Swift Music (publisher)
Taylor Swift3.24:02
19I Knew You Were Trouble
Assistent recording engineer:
Eric Eylands
recording engineer:
Sam Holland (sound engineer) und Michael Ilbert
Programmierung:
Shellback
assistierende(r) Techniker(in):
Tim Roberts (engineer) (Aufgabe: engineered for mix)
Techniker(in):
John Hanes (audio engineer, mixer) (Aufgabe: engineered for mix)
Produzent(in):
Max Martin (Swedish record producer) und Shellback
Mix:
Serban Ghenea
Akustikgitarre, Bass und E-Gitarre:
Shellback
Keyboard [keyboards]:
Max Martin (Swedish record producer) und Shellback
Sologesang:
Taylor Swift
phonographisches Urheberrecht (℗) von:
Taylor Swift
phonographisches Urheberrecht (℗) von:
Apollo A‐1 LLC (in 2012), Big Machine Label Group, LLC (not for release label use) (in 2012, in 2018) und Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2012, in 2013)
aufgenommen bei:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und MXM Studios in Stockholm, Stockholms län (Stockholm county), Schweden
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Musikvideos:
I Knew You Were Trouble (music video) von Taylor Swift
commentary:
I Knew You Were Trouble. (commentary) von Taylor Swift
Teil von:
Billboard Year-End Hot 100 singles of 2013 (Nummer: 16)
recording of:
I Knew You Were Trouble.
Verfasser(in):
Max Martin (Swedish record producer), Shellback und Taylor Swift
publisher:
KMR Music Royalties II SCSp, MXM Music, Sony/ATV Tree Publishing und Taylor Swift Music (publisher)
Taylor Swift43:39
20All Too Well
recording engineer:
Nathan Chapman (American producer & songwriter) (in 2012)
zusätzliche(r) Techniker(in):
Brian David Willis (in 2012)
Produzent(in):
Nathan Chapman (American producer & songwriter) (in 2012) und Taylor Swift (in 2012)
assistierende(r) Mix:
Drew Bollman (in 2012)
Mix:
Justin Niebank (in 2012)
Akustikgitarre, Bass, E-Gitarre, Keyboard [keyboards], Schlagzeug und Hintergrundgesang:
Nathan Chapman (American producer & songwriter) (in 2012)
Sologesang:
Taylor Swift (in 2012)
phonographisches Urheberrecht (℗) von:
Taylor Swift
phonographisches Urheberrecht (℗) von:
Apollo A‐1 LLC (in 2012), Big Machine Label Group, LLC (not for release label use) (in 2012, in 2018) und Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2012, in 2013)
aufgenommen bei:
Pain in the Art Studios in Nashville, Tennessee, Vereinigte Staaten (in 2012)
mixed at:
Blackbird Studio in Nashville, Tennessee, Vereinigte Staaten (in 2012)
commentary:
All Too Well (commentary) von Taylor Swift
Teil von:
Rolling Stone: The 100 Best Songs of the 2010s (Nummer: 5), Stereogum: The 200 Best Songs of the 2010s (Nummer: 24), Pitchfork: The 200 Best Songs of the 2010s (Nummer: 57) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 69)
recording of:
All Too Well (in 2012)
Verfasser(in):
Liz Rose (von 2011-02 bis 2011-03) und Taylor Swift (von 2011-02 bis 2011-03)
publisher:
Liz Rose Music, Sony/ATV Tree Publishing und Taylor Swift Music (publisher)
Taylor Swift45:29
21I Almost Do
recording engineer:
Nathan Chapman (American producer & songwriter)
Produzent(in):
Nathan Chapman (American producer & songwriter) und Taylor Swift
assistierende(r) Mix:
Drew Bollman
Mix:
Justin Niebank
Akustikgitarre, Bass und Schlagzeug:
Nathan Chapman (American producer & songwriter)
Hintergrundgesang und Sologesang:
Taylor Swift
phonographisches Urheberrecht (℗) von:
Taylor Swift
phonographisches Urheberrecht (℗) von:
Apollo A‐1 LLC (in 2012), Big Machine Label Group, LLC (not for release label use) (in 2012) und Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2012, in 2013)
aufgenommen bei:
Blackbird Studio in Nashville, Tennessee, Vereinigte Staaten und Pain in the Art Studios in Nashville, Tennessee, Vereinigte Staaten
commentary:
I Almost Do (commentary) von Taylor Swift
recording of:
I Almost Do
Texter und Komponist(in):
Taylor Swift
publisher:
Sony/ATV Tree Publishing und Taylor Swift Music (publisher)
Taylor Swift34:04
22We Are Never Ever Getting Back Together
Assistent recording engineer:
Eric Eylands und Greg Fuess (sound engineer)
recording engineer:
Sam Holland (sound engineer) und Michael Ilbert
Programmierung:
Shellback
assistierende(r) Techniker(in):
Tim Roberts (engineer) (Aufgabe: engineered for mix)
Techniker(in):
John Hanes (audio engineer, mixer) (Aufgabe: engineered for mix)
Produzent(in):
Max Martin (Swedish record producer) und Shellback
Mix:
Serban Ghenea
Bass und Gitarre:
Shellback
Keyboard [keyboards]:
Max Martin (Swedish record producer) und Shellback
Sologesang:
Taylor Swift
phonographisches Urheberrecht (℗) von:
Taylor Swift (in 2012)
phonographisches Urheberrecht (℗) von:
Apollo A‐1 LLC (in 2012), Big Machine Label Group, LLC (not for release label use) (in 2012) und Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2012, in 2013)
aufgenommen bei:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und MXM Studios in Stockholm, Stockholms län (Stockholm county), Schweden
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Musikvideos:
We Are Never Ever Getting Back Together (music video) von Taylor Swift
commentary:
We Are Never Ever Getting Back Together (commentary) von Taylor Swift
Teil von:
Billboard Year-End Hot 100 singles of 2012 (Nummer: 33) und Billboard Decade End Chart: Hot Country Songs (2010's) (Nummer: 41)
recording of:
We Are Never Ever Getting Back Together
Verfasser(in):
Max Martin (Swedish record producer), Shellback und Taylor Swift
publisher:
MXM Music, Sony/ATV Tree Publishing und Taylor Swift Music (publisher)
Taylor Swift4.353:13
23Stay Stay Stay
Assistent recording engineer:
Leland Elliott (sound engineer)
recording engineer:
Chad Carlson
zusätzliche(r) Techniker(in):
Matt Rausch (sound engineer) und Brian David Willis
Produzent(in):
Nathan Chapman (American producer & songwriter) und Taylor Swift
assistierende(r) Mix:
Drew Bollman
Mix:
Justin Niebank
Akustikgitarre, Bass, E-Gitarre, Keyboard [keyboards] und Mandoline:
Nathan Chapman (American producer & songwriter)
Perkussion:
Eric Darken
Schlagzeug:
Nick Buda (drummer)
Hintergrundgesang:
Nathan Chapman (American producer & songwriter) und Taylor Swift
Sologesang:
Taylor Swift
phonographisches Urheberrecht (℗) von:
Taylor Swift
phonographisches Urheberrecht (℗) von:
Apollo A‐1 LLC (in 2012), Big Machine Label Group, LLC (not for release label use) (in 2012) und Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2012, in 2013)
aufgenommen bei und mixed at:
Blackbird Studio in Nashville, Tennessee, Vereinigte Staaten
commentary:
Stay Stay Stay (commentary) von Taylor Swift
recording of:
Stay Stay Stay
Texter und Komponist(in):
Taylor Swift
publisher:
Sony/ATV Tree Publishing und Taylor Swift Music (publisher)
Taylor Swift3.653:25
24The Last Time
Assistent recording engineer:
Chris Owens (engineer)
recording engineer:
Sam Bell (engineer/programmer), Matt Bishop (sound engineer) und Jacknife Lee
Programmierung und Produzent(in):
Jacknife Lee
assistierende(r) Mix:
Matty Green (mix engineer)
Mix:
Mark “Spike” Stent (producer, engineer)
Editing:
Matt Bishop (sound engineer)
Bass, guitar family und Keyboard [keyboards]:
Jacknife Lee
Bratsche / Viola:
Brett Banducci (composer/violist), Lauren Chipman und Rodney Wirtz
Cello:
Peggy Baldwin, Richard Dodd (cellist) und John Krovoza
Geige / Violine:
Daphne Chen, Eric Gorfain, Gina Kronstadt, Marisa Kuney, Neli Nikolaeva (violinist), Radu Pieptea (violinist), Wes Precourt (violinist) und Amy Wickman
Harfe:
Marcia Dickstein (American harpist)
Klavier:
Jamie Muhoberac
Kontrabass [contrabass]:
Simeon Pillich (bassist/contrabassist) und Jeff Takiguchi
Schlagzeug:
Bill Rieflin
Gast Sologesang:
Gary Lightbody
Sologesang:
Taylor Swift
conductor:
Owen Pallett (Canadian composer, violinist, keyboardist & vocalist)
Orchestrator(in):
Owen Pallett (Canadian composer, violinist, keyboardist & vocalist)
phonographisches Urheberrecht (℗) von:
Taylor Swift
phonographisches Urheberrecht (℗) von:
Apollo A‐1 LLC (in 2012), Big Machine Label Group, LLC (not for release label use) (in 2012) und Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2012, in 2013)
aufgenommen bei:
The Garage in Topanga, California (Kalifornien), Vereinigte Staaten und The Village (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
The Mix Suite LA in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
The Last Time (music video) von Taylor Swift
commentary:
The Last Time (commentary) von Taylor Swift
recording of:
The Last Time
Verfasser(in):
Jacknife Lee, Gary Lightbody und Taylor Swift
publisher:
Besme Music, Big Life Music Ltd., Polar Songs Ltd., Sony/ATV Tree Publishing, Taylor Swift Music (publisher), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal Songs of PolyGram Int., Inc.
Taylor Swift feat. Gary Lightbody44:59
25Holy Ground
recording engineer:
Pawel Sek und Tyler Sam Johnson (US producer and songwriter)
Programmierung und Produzent(in):
Jeff Bhasker
assistierende(r) Techniker(in):
Tim Roberts (engineer) (Aufgabe: engineered for mix)
Techniker(in):
John Hanes (audio engineer, mixer) (Aufgabe: engineered for mix)
Mix:
Serban Ghenea
Bass, Keyboard [keyboards] und Klavier:
Jeff Bhasker
guitar family:
Anders Mouridsen (guitarist)
Hintergrundgesang:
Jeff Bhasker und Tyler Sam Johnson (US producer and songwriter)
Sologesang:
Taylor Swift
phonographisches Urheberrecht (℗) von:
Taylor Swift
phonographisches Urheberrecht (℗) von:
Apollo A‐1 LLC (in 2012), Big Machine Label Group, LLC (not for release label use) (in 2012, in 2018) und Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2012, in 2013)
aufgenommen bei:
Enormous Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
commentary:
Holy Ground (commentary) von Taylor Swift
recording of:
Holy Ground
Texter und Komponist(in):
Taylor Swift (in 2012-02)
publisher:
Sony/ATV Tree Publishing und Taylor Swift Music (publisher)
Taylor Swift3.253:22
26Sad Beautiful Tragic
recording engineer:
Nathan Chapman (American producer & songwriter)
Produzent(in):
Nathan Chapman (American producer & songwriter) und Taylor Swift
assistierende(r) Mix:
Drew Bollman
Mix:
Justin Niebank
Akustikgitarre, Bass, E-Gitarre, Keyboard [keyboards], Perkussion, Schlagzeug und Ukulele:
Nathan Chapman (American producer & songwriter)
Hintergrundgesang und Sologesang:
Taylor Swift
phonographisches Urheberrecht (℗) von:
Taylor Swift
phonographisches Urheberrecht (℗) von:
Apollo A‐1 LLC (in 2012), Big Machine Label Group, LLC (not for release label use) (in 2012) und Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2012, in 2013)
aufgenommen bei:
Pain in the Art Studios in Nashville, Tennessee, Vereinigte Staaten
mixed at:
Blackbird Studio in Nashville, Tennessee, Vereinigte Staaten
commentary:
Sad Beautiful Tragic (commentary) von Taylor Swift
recording of:
Sad Beautiful Tragic
Texter und Komponist(in):
Taylor Swift
publisher:
Sony/ATV Tree Publishing und Taylor Swift Music (publisher)
Taylor Swift3.654:44
27The Lucky One
recording engineer:
Pawel Sek und Tyler Sam Johnson (US producer and songwriter)
Programmierung und Produzent(in):
Jeff Bhasker
assistierende(r) Techniker(in):
Tim Roberts (engineer) (Aufgabe: engineered for mix)
Techniker(in):
John Hanes (audio engineer, mixer) (Aufgabe: engineered for mix)
Mix:
Serban Ghenea
Bass, Keyboard [keyboards], Klavier und Hintergrundgesang:
Jeff Bhasker
guitar family:
Anders Mouridsen (guitarist)
Sologesang:
Taylor Swift
phonographisches Urheberrecht (℗) von:
Taylor Swift
phonographisches Urheberrecht (℗) von:
Apollo A‐1 LLC (in 2012), Big Machine Label Group, LLC (not for release label use) (in 2012, in 2018) und Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2012, in 2013)
aufgenommen bei:
Enormous Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
commentary:
The Lucky One (commentary) von Taylor Swift
recording of:
The Lucky One
Texter und Komponist(in):
Taylor Swift
publisher:
Sony/ATV Tree Publishing und Taylor Swift Music (publisher)
Taylor Swift2.654:00
28Everything Has Changed
recording engineer:
Jake Sinclair
Produzent(in):
Butch Walker
assistierende(r) Mix:
Drew Bollman
Mix:
Justin Niebank
Bass:
Jake Sinclair
guitar family, Keyboard [keyboards], Perkussion und Schlagzeug:
Butch Walker
Gast Sologesang:
Ed Sheeran (UK singer‐songwriter)
Hintergrundgesang:
Gary Lightbody, Jake Sinclair und Butch Walker
Sologesang:
Taylor Swift
Saiteninstrumente [string] arranger:
Patrick Warren
phonographisches Urheberrecht (℗) von:
Taylor Swift
phonographisches Urheberrecht (℗) von:
Apollo A‐1 LLC (in 2012), Big Machine Label Group, LLC (not for release label use) (in 2012) und Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2012, in 2013)
aufgenommen bei:
Ruby Red Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten
mixed at:
Blackbird Studio in Nashville, Tennessee, Vereinigte Staaten
commentary:
Everything Has Changed (commentary) von Taylor Swift
recording of:
Everything Has Changed
Verfasser(in):
Ed Sheeran (UK singer‐songwriter) und Taylor Swift
publisher:
Sony/ATV Music Publishing (UK) Limited, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tree Publishing und Taylor Swift Music (publisher)
Taylor Swift feat. Ed Sheeran3.654:05
29Starlight
recording engineer:
Joe Baldridge
Perkussion-Programmierung:
Jason Bonilla
assistierende(r) Techniker(in):
Tim Roberts (engineer) (Aufgabe: engineered for mix)
Techniker(in):
John Hanes (audio engineer, mixer) (Aufgabe: engineered for mix)
Produzent(in):
Nathan Chapman (American producer & songwriter), Dann Huff und Taylor Swift
Mix:
Serban Ghenea
Bass:
Jimmie Lee Sloas
E-Gitarre:
Nathan Chapman (American producer & songwriter) und Dann Huff
Klavier:
Nathan Chapman (American producer & songwriter)
Saiteninstrumente:
Charles Judge (American guitarist, pianist, arranger and songwriter)
Schlagzeug:
Jason Bonilla
Solo-E-Gitarre:
Dann Huff
Synthesizer [synth]:
Nathan Chapman (American producer & songwriter) und Charles Judge (American guitarist, pianist, arranger and songwriter)
Sologesang:
Taylor Swift
phonographisches Urheberrecht (℗) von:
Taylor Swift
phonographisches Urheberrecht (℗) von:
Apollo A‐1 LLC (in 2012), Big Machine Label Group, LLC (not for release label use) (in 2012, in 2018) und Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2012, in 2013)
aufgenommen bei:
Blackbird Studio in Nashville, Tennessee, Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
commentary:
Starlight (commentary) von Taylor Swift
recording of:
Starlight
Texter und Komponist(in):
Taylor Swift
publisher:
Sony/ATV Tree Publishing und Taylor Swift Music (publisher)
Taylor Swift2.653:40
30Begin Again (commentary)
phonographisches Urheberrecht (℗) von:
Big Machine Label Group, LLC (not for release label use) (in 2018) und Apollo A‐1 LLC (in 2021)
commentary for:
Begin Again von Taylor Swift
Taylor Swift1:05
31Begin Again
Assistent recording engineer:
Seth Morton (engineer)
recording engineer:
Steve Marcantonio
Produzent(in):
Nathan Chapman (American producer & songwriter), Dann Huff und Taylor Swift
assistierende(r) Mix:
Drew Bollman
Mix:
Justin Niebank
Editing:
David Huff (drummer of Giant/White Heart, brother of Dann Huff)
accordion, Hammond-Orgel [B-3 organ], Klavier, Saiteninstrumente und Synthesizer [synths]:
Charles Judge (American guitarist, pianist, arranger and songwriter)
Akustikgitarre:
Nathan Chapman (American producer & songwriter) und Dann Huff
Akustikgitarre [high string acoustic guitar]:
Dann Huff
Bass:
Jimmie Lee Sloas
E-Gitarre:
Tom Bukovac und Dann Huff
Geige / Violine:
Jonathan Yudkin
Mandoline:
Ilya Toshinsky (Russian guitar and banjo player)
Schlagzeug:
Aaron Sterling
Steel-Gitarre:
Paul Franklin (steel guitarist)
Hintergrundgesang:
Caitlin Evanson
Sologesang:
Taylor Swift
phonographisches Urheberrecht (℗) von:
Taylor Swift
phonographisches Urheberrecht (℗) von:
Apollo A‐1 LLC (in 2012), Big Machine Label Group, LLC (not for release label use) (in 2012, in 2018) und Big Machine Records, LLC (not for release label use; please use “Big Machine Records” instead) (in 2012, in 2013)
aufgenommen bei und mixed at:
Blackbird Studio in Nashville, Tennessee, Vereinigte Staaten
Musikvideos:
Begin Again (music video) von Taylor Swift
commentary:
Begin Again (commentary) von Taylor Swift
Teil von:
Taste Of Country: Top Songs of 2012 (Nummer: 10)
recording of:
Begin Again
Texter und Komponist(in):
Taylor Alison Swift (Taylor Swift)
publisher:
Sony/ATV Tree Publishing und Taylor Swift Music (publisher)
Taylor Swift33:57

Nennungen

Veröffentlichung

kostenlos streamen:https://music.migu.cn/v3/music/album/1114883568 [Info] (beendet)

Veröffentlichungsgruppe

Remixe:Taylor Swift Karaoke: Red
ausgekoppelte Singles/EPs:22
Begin Again
Come Back… Be Here
Everything Has Changed von Taylor Swift featuring Ed Sheeran (UK singer‐songwriter)
Girl at Home
I Knew You Were Trouble.
Red
State of Grace
State of Grace (acoustic version)
The Last Time von Taylor Swift featuring Gary Lightbody of Snow Patrol (Gary Lightbody)
The Moment I Knew
We Are Never Ever Getting Back Together
Covers:Red von Peaceful Noise (instrumental piano covers)
ReRed von Various Artists (Diverse Interpreten, add compilations to this artist)
enthalten in:Complete Album Collection (TS1 - Red)
Neuaufnahmen:Red (Taylor’s Version)
Teil von:Billboard: The 100 Greatest Albums of the 2010s (Nummer: 4) (Reihenfolge: 4)
Rolling Stone: The 100 Best Albums of the 2010s (Nummer: 4) (Reihenfolge: 4)
Stereogum: The 100 Best Albums of the 2010s (Nummer: 10) (Reihenfolge: 10)
Billboard Music Award: Top Billboard 200 Album nominees (Nummer: 2013 winner) (Reihenfolge: 17)
Rolling Stone: The 250 Greatest Albums of the 21st Century So Far (January 10, 2025) (Nummer: 36) (Reihenfolge: 24)
Pitchfork: The 200 Best Albums of the 2010s (Nummer: 59) (Reihenfolge: 59)
Rolling Stone: 500 Greatest Albums of All Time: 2020 edition (Nummer: 99) (Reihenfolge: 99)
Rolling Stone: 500 Greatest Albums of All Time: 2023 edition (Nummer: 99) (Reihenfolge: 99)
Grammy Award: Best Contemporary Country Album nominees (Nummer: 2014) (Reihenfolge: 100)
Grammy Award: Album of the Year nominees (Nummer: 2014) (Reihenfolge: 255)
Unterstützungstouren:The Red Tour
Discogs:https://www.discogs.com/master/488435 [Info]
Liedtextseite:https://genius.com/albums/Taylor-swift/Red-deluxe-edition [Info]
Rezensionen:https://www.bbc.co.uk/music/reviews/pjcg [Info]
https://www.metacritic.com/music/red/taylor-swift [Info]
andere Datenbanken:https://rateyourmusic.com/release/album/taylor_swift/red/ [Info]
https://www.offiziellecharts.de/charts/album-details-202666 [Info]
Allmusic:https://www.allmusic.com/album/mw0002414735 [Info]
Wikidata:Q858750 [Info]
Diskografieeintrag:https://www.last.fm/music/Taylor+Swift/Red [Info]