The Greatest Classical Hits: Bach

~ Parution par Johann Sebastian Bach (afficher toutes les versions de cette parution, 1 proposée)

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1▼CD
noTitreÉvaluationDurée
1Ave Maria (arr.: Gounod)
voix de ténor :
Ricardo Casinelli (tenor, Alfred Scholz related)
orchestre :
Orchestra of the Württemberg State Opera (Alfred Scholz related; not the “Orchester der Württembergischen Staatsoper Stuttgart”)
conductor :
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of :
Ave Maria (Méditation sur le 1er prélude de piano de S. Bach, Bach/Gounod)
parolier :
[anonymous] (special purpose artist)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician) et Charles Gounod (French composer) (le 1853)
est basée sur :
Méditation sur le Premier Prélude de Piano de S. Bach
est basée sur :
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
2:57
2Toccata & Fugue in D minor, BWV 565
orgue :
Otto Winter (organist, harpsichordist and pianist)
recording of :
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (numéro : BWV 565) et Bach Compendium (numéro : BC J 37)
9:26
3Air on the G String, BWV 1068, 2nd movement from Orchestral Suite no. 3 in D
orchestre :
The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) et Philharmonic Orchestra London (Alfred Scholz pseudonym)
conductor :
Simon Addison (probably an Alfred Scholz pseudonym)
recording of :
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician) (le 1730)
partie de :
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
3:21
4Brandenburg Concerto No. 3 in G BWV 1048: Allegro
violon :
J. Brezina (violinist)
orchestre :
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), Collegium Aureum, Hamburger Symphoniker, Members of the Philharmonia Slavonia (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym) et Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor :
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz), Gabor Ötvös et Rudolf Pribil (pseudonym for Alfred Scholz)
recording of :
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
partie de :
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
6:37
5Brandenburg Concerto No. 3 in G BWV 1048: Adagio
violon :
J. Brezina (violinist)
orchestre :
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) et Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor :
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) et Rudolf Pribil (pseudonym for Alfred Scholz)
recording of :
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (original 1-measure, ~15s Bach part)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
0:14
6Brandenburg Concerto No. 3 in G BWV 1048: Allegro
violon :
J. Brezina (violinist)
orchestre :
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Musici di San Marco (an Alfred Scholz pseudonym), Oregon Bach Festival Chamber Orchestra, Oregon Bach Festival Orchestra, Philharmonia Slavonia (Alfred Scholz pseudonym) et Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor :
Simon Addison (probably an Alfred Scholz pseudonym), Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz), Rudolf Pribil (pseudonym for Alfred Scholz) et Helmuth Rilling (conductor)
recording of :
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
partie de :
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
3:23
7Concerto No. 3 in D minor for 2 Violins, Strings and Basso Continuo BWV 1043: Vivace
violon :
Joseph Brezina (violinist), Feliz Elias (violinist), Alberto Tozzi et Tomasco Vecchi
orchestre :
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), London Symphony Orchestra et Musici di San Marco (an Alfred Scholz pseudonym)
conductor :
Eugen Duvier (conductor, an Alfred Scholz pseudonym) et Francesco Macci (an Alfred Scholz pseudonym)
recording of :
Concerto for 2 Violins in D minor, BWV 1043: I. Vivace
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician) (du 1730 au 1731)
partie de :
Concerto for 2 Violins in D minor, BWV 1043
4:03
8Concerto No. 3 in D minor for 2 Violins, Strings and Basso Continuo BWV 1043: Largo, ma non tanto
violon :
Joseph Brezina (violinist), Feliz Elias (violinist), Alberto Tozzi et Tomasco Vecchi
orchestre :
Camerata Romana (an Alfred Scholz pseudonym) et Musici di San Marco (an Alfred Scholz pseudonym)
conductor :
Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym) et Alfred Scholz
recording of :
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician) (du 1730 au 1731)
partie de :
Concerto for 2 Violins in D minor, BWV 1043
7:16
9Concerto No. 3 in D minor for 2 Violins, Strings and Basso Continuo BWV 1043: Allegro
violon :
Joseph Brezina (violinist), Feliz Elias (violinist), Alberto Tozzi et Tomasco Vecchi
orchestre :
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym) et Musici di San Marco (an Alfred Scholz pseudonym)
conductor :
Eugen Duvier (conductor, an Alfred Scholz pseudonym) et Francesco Macci (an Alfred Scholz pseudonym)
recording of :
Concerto for 2 Violins in D minor, BWV 1043: III. Allegro
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician) (du 1730 au 1731)
partie de :
Concerto for 2 Violins in D minor, BWV 1043
5:14
10“St. Matthew Passion” BWV 244 “Wir Setzen uns mit Tränen Niede”
chœurs :
Westminster Church Choir (connected to Kenneth Dowley)
orchestre :
Westminster Church Orchestra (connected to Kenneth Dowley)
conductor :
Kenneth Dowley (conductor)
recording of :
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder"
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
librettiste :
Picander
partie de :
Matthäus-Passion, BWV 244: Teil II
6:47
11Italian Concerto BWV 971: Moderato
producteur :
Udo Unger
piano et piano solo :
Dubravka Tomšič (pianist)
recording of :
Italienisches Konzert F-Dur, BWV 971: I. [Allegro] (Italian Concerto in F major, BWV 971: I. [Allegro]) (le 1987)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician) (le 1735)
partie de :
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
4:26
12Italian Concerto BWV 971: Andante
producteur :
Udo Unger
piano et piano solo :
Dubravka Tomšič (pianist)
recording of :
Italienisches Konzert F-Dur, BWV 971: II. Andante (Italian Concerto in F major, BWV 971: II. Andante) (le 1987)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician) (le 1735)
partie de :
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
5:29
13Italian Concerto BWV 971: Allegro vivace
producteur :
Udo Unger
piano et piano solo :
Dubravka Tomšič (pianist)
recording of :
Italienisches Konzert F-Dur, BWV 971: III. Presto (Italian Concerto in F major, BWV 971: III. Presto) (le 1987)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician) (le 1735)
partie de :
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
recording of :
Italienisches Konzert F-Dur, BWV 971: I. [Allegro] (Italian Concerto in F major, BWV 971: I. [Allegro])
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician) (le 1735)
partie de :
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
3:24

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Parution

autres bases de données :http://www.worldcat.org/oclc/51558174 [info]