Like, Omigod! The ’80s Pop Culture Box (Totally)

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Dancing With Myself
basso :
Tony James (UK bassist/guitarist) (nel 1981)
batteria :
Terry Chimes (nel 1981)
chitarra :
Billy Idol (English rock singer‐songwriter) (nel 1981) e Steve New (nel 1981)
voce principale:
Billy Idol (English rock singer‐songwriter) (nel 1981)
arrangiatore:
Steve Stevens (US guitarist and songwriter)
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1981, nel 1984, nel 2001) e Chrysalis Records, Inc. (not for release label use!) (nel 1981, nel 1982, nel 2002)
edit di:
Dancing With Myself (“Don’t Stop” remix) di Billy Idol (English rock singer‐songwriter) with Gen X (English post‐punk band aka “Gen X”)
registrazione di:
Dancing With Myself
autore:
Billy Idol (English rock singer‐songwriter) e Tony James (UK bassist/guitarist)
editore:
Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music Inc e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Billy Idol4.353:20
2Working for the Weekend
assistente tecnico:
Mike Fraser (Canadian record producer, engineer and mixer) e Rob Porter
tecnico:
Bob Rock e Keith Stein
produttore:
Paul Dean (Canadian guitarist) e Bruce Fairbairn
batteria :
Matt Frenette
chitarra e voce di accompagnamento:
Paul Dean (Canadian guitarist)
chitarra basso :
Scott Smith (Canadian bassist for Loverboy)
tastiera :
Doug Johnson (Canadian keyboardist for Loverboy)
voce principale:
Mike Reno
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Canada Inc. (not for release label use! post-2008 subsidiary of Sony Music Entertainment)
registrata presso:
Mushroom Studios in Vancouver, British Columbia (Columbia Britannica), Canada
mixata presso:
Little Mountain Sound in Vancouver, British Columbia (Columbia Britannica), Canada
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 100)
registrazione di:
Working for the Weekend
autore:
Paul Dean (Canadian guitarist), Matt Frenette e Mike Reno
Loverboy4.23:41
3Jessie’s Girl
produttore:
Keith Olsen (US producer and engineer)
arrangiatore:
Neil Geraldo (multi-instrumentalist, songwriter, producer), Keith Olsen (US producer and engineer) e Rick Springfield
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1981), BMG Music (nel 1981), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1981), RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (nel 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1981, nel 2001) e Wizard Records (Germany, hard-trance) (nel 1981)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 20) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 55)
registrazione di:
Jessie’s Girl
paroliere e compositore:
Rick Springfield
editore:
BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Muscleman Music, PolyGram Music Publishing Ltd., Portal Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. e Wizard Music
Rick Springfield4.43:15
4Genius of Love
edit di:
Genius of Love (extended mix) di Tom Tom Club
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 35) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 384)
registrazione di:
Genius of Love
autore:
Adrian Belew, Chris Frantz, Steven Stanley (audio engineer, record producer and keyboardist from Jamaica) e Tina Weymouth
editore:
Metered Music, Inc.
Tom Tom Club3:30
5Centerfold
tecnico:
Dave Thoener
produttore:
Seth Justman
arrangiatore:
Seth Justman
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981) e EMI Catalog (nel 2006)
registrata presso:
Long View Farm in North Brookfield, Massachusetts, Stati Uniti
mixata presso:
Mix Room, Record Plant (NYC) in New York, New York, Stati Uniti
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 38), Billboard: Greatest of All Time Hot 100 Songs (numero: 73) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 314)
registrazione di:
Centerfold (song by The J. Geils Band)
paroliere e compositore:
Seth Justman
editore:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) e Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band43:38
6At This Moment
diritti fonografici (℗) detenuti da:
Billy Vera (nel 1981)
registrata presso:
The Roxy Theatre in West Hollywood, California, Stati Uniti (il 1981-01-17)
registrazione dal vivo di:
At This Moment (il 1981-01-17)
paroliere e compositore:
William P. McCord e Billy Vera
editore:
Vera-Cruz Music Co e WB Music Corp. (1929–2019)
Billy Vera & The Beaters44:15
7Harden My Heart
produttore:
John Boylan
diritti fonografici (℗) detenuti da:
The David Geffen Company (legal rights relating to Geffen Records) (nel 1981)
registrazione di:
Harden My Heart
paroliere e compositore:
Marv Ross (guitarist, songwriter)
editore:
Bonnie Bee Good Music (publisher) (nel 1981), Geffen/Kaye Music (nel 1981) e Narrow Dude Music (publisher) (nel 1981)
Quarterflash43:37
8Hold On Loosely
produttore:
Rodney Mills
produttore associato:
Don Barnes e Jeff Carlisi
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1980)
registrazione di:
Hold On Loosely
autore:
Jeff Carlisi, James Peterik e Richard Donald Barnes
editore:
Easy Action Music, Rocknocker Music Co., Universal Music–MGB Songs e WB Music Corp. (1929–2019)
.38 Special43:55
9Theme from “Greatest American Hero” (Believe It or Not)
voce:
Joey Scarbury
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1981) e Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (nel 2004)
registrazione di:
Believe It or Not (theme from “The Greatest American Hero”)
paroliere:
Stephen Geyer
compositore:
Mike Post
editore:
Darjen Music, EMI April Music Inc., EMI Blackwood Music Inc., Lokey Publishing e Stephen Cannell Music
sub-editore:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
Joey Scarbury43:15
10Take Off
registrazione di:
Take Off
autore:
Kerry Crawford, Marc Giacomelli, Jon Goldsmith, Rick Moranis e Dave Thomas (Canadian actor/comedian)
editore:
Hoser Music e McKenzie Brothers Music
Bob and Doug McKenzie2:44
11Super Freak, Part 1
registrazione di:
Super Freak
paroliere e compositore:
Alonzo Miller (Singer-songwriter, producer) e Rick James (US vocalist, multi‐instrumentalist, composer & producer)
editore:
Jobete Music Co., Inc. e Stone Diamond Music Corporation
Rick James53:21
12867-5309 (Jenny)
assistente tecnico:
Catharina "Mix" Masters (dal 1981-07 al 1981-08)
tecnico:
Toby Scott (dal 1981-07 al 1981-08)
produttore:
Jim Keller (member of Tommy Tutone) e Chuck Plotkin
batteria [drums] :
Victor Carberry (dal 1981-07 al 1981-08)
chitarra , pianoforte e voce principale:
Tommy Heath (dal 1981-07 al 1981-08)
chitarra [lead guitar] :
Jim Keller (member of Tommy Tutone) (dal 1981-07 al 1981-08)
chitarra basso [bass] :
Jon Lyons (dal 1981-07 al 1981-08)
percussione e voce di accompagnamento [harmonies]:
John Cowsill (dal 1981-07 al 1981-08)
tastiera [keyboards] :
Steve LeGassick (dal 1981-07 al 1981-08)
voce:
Jim Keller (member of Tommy Tutone) (dal 1981-07 al 1981-08)
registrata presso:
Clover Recorders (Chuck Plotkin’s Clover Studios in Hollywood CA, USA) in Hollywood, Los Angeles, California, Stati Uniti (dal 1981-07 al 1981-08)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 4), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 36) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 494)
registrazione di:
867‒5309/Jenny (dal 1981-07 al 1981-08)
paroliere e compositore:
Alex Call e Jim Keller (member of Tommy Tutone)
Tommy Tutone4.753:47
13Bette Davis Eyes
tecnico di registrazione:
Val Garay (nel 1981-01)
produttore:
Val Garay
chitarra elettrica :
Waddy Wachtel (nel 1981-01)
voce principale:
Kim Carnes (nel 1981-01)
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1981), EMI America Records, Inc. (holding – file NO releases here!) (nel 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1981) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1997)
registrata presso:
Record One in Sherman Oaks, Los Angeles, California, Stati Uniti (nel 1981-01)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 18) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 425)
registrazione cover di:
Bette Davis Eyes (nel 1981-01)
autore:
Jackie DeShannon e Donna Weiss
editore:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. e Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:45
14Time
registrazione di:
Time
autore e compositore:
Alan Parsons (of The Alan Parsons Project) e Eric Woolfson
editore:
Careers Music, Inc., Careers–BMG Music Publishing, Inc., Irving Music, Inc. e Woolfsongs Ltd.
The Alan Parsons Project54:32
15Gloria
tecnico di registrazione:
Jürgen Koppers (engineer, producer) (dal 1981 al 1982) e John Kovarek (dal 1981 al 1982)
produttore:
Greg Mathieson e Jack White (German producer Horst Nußbaum)
tecnico di missaggio:
Jürgen Koppers (engineer, producer)
voce principale:
Laura Branigan (dal 1981 al 1982)
arrangiatore:
Greg Mathieson
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1982)
registrata presso:
Rusk Sound Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1981 al 1982)
video musicali:
Gloria (music video) di Laura Branigan
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 448)
registrazione di:
Gloria (English version) (dal 1981 al 1982)
paroliere e compositore:
Giancarlo Bigazzi, Umberto Tozzi e Trevor Veitch
editore:
Ed. Melodi s.r.l. Casa Editrice, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), S.I.A.E. Direzione Generale, Songs of Universal, Inc. (BMI) e Sugar Song Publications, Inc.
versione tradotta di:
Gloria (original Italian version)
Laura Branigan54:52
16Maneater
assistente tecnico:
Bruce Buckhalter (Engineer), Barry Harris (engineer) e Michael Somer-Abbott
tecnico:
Neil Kernon
co-produttore:
Neil Kernon
produttore:
Daryl Hall e John Oates
tecnico di missaggio:
Hugh Padgham
diritti fonografici (℗) detenuti da:
BMG Ariola Hamburg GmbH (nel 1982), BMG Music (nel 1982), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1982) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1982)
registrazione di:
Maneater (nel 1981-12)
paroliere:
Sara Allen, Daryl Hall e John Oates
compositore:
Daryl Hall e John Oates
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fust Buzza Inc., Hot Cha Music Co., Irving Music, Inc., Primary Wave Brian, Rondor Music (Australia) Pty Ltd, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner/Chappell Music Ltd. (1996–2019)
Hall & Oates4.44:33
17Theme from “Hill Street Blues”
produttore:
Mike Post
chitarra :
Larry Carlton
arrangiatore:
Mike Post
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1984)
registrazione di:
Hill Street Blues: Theme
compositore:
Mike Post
editore:
MTM Music (nel 1984)
Mike Post feat. Larry Carlton43:14
18Valley Girl
voce principale ospite:
Moon Unit Zappa
edit di:
Valley Girl (album edit) di Frank Zappa (US musician, composer, activist & filmmaker)
registrazione di:
Valley Girl
autore:
Frank Zappa (US musician, composer, activist & filmmaker) e Moon Unit Zappa
Frank Zappa23:49
19Da Da Da (I Don’t Love You You Don’t Love Me Aha Aha Aha)
tecnico:
Jim Duncombe (Swiss musician / engineer) (nel 1982-01)
produttore:
Klaus Voormann (nel 1982-01)
basso elettrico :
Klaus Voormann (nel 1982-01)
batteria :
Peter Behrens (nel 1982-01)
chitarra elettrica :
Kralle Krawinkel (nel 1982-01)
nacchere :
Hans‐Joachim Behrendt (nel 1982-01)
tastiera :
Stephan Remmler (nel 1982-01)
voce di accompagnamento:
Annette Humpe (nel 1982-01)
voce principale:
Stephan Remmler (nel 1982)
lavorazione tecnica effettuata presso:
Audio Studios in Berlin, Germania (nel 1982-01) e Powerplay Studios in Maur, Zürich (Canton Zurigo), Svizzera (nel 1982-01)
edit di:
Da Da Da I Don’t Love You You Don’t Love Me Aha Aha Aha di Trio (80s German band)
video musicali:
Da Da Da (I Don't Love You) di Trio (80s German band)
registrazione di:
Da Da Da I Don’t Love You You Don’t Love Me Aha Aha Aha (nel 1982-01)
paroliere e compositore:
Kralle (nel 1981) e Stephan Remmler (nel 1981)
traduttore:
Kralle e Stephan Remmler
editore:
Just Us Music Production GmbH
versione tradotta di:
Da da da ich lieb dich nicht du liebst mich nicht aha aha aha
Trio3.353:25
20You Dropped a Bomb on Me
registrazione di:
You Dropped a Bomb on Me
autore:
Lonnie Simmons (producer, songwriter), Rudy Taylor (vocalist and songwriter) e Charlie Wilson (R&B singer)
The Gap Band3.44:03
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Accreditamenti

Pubblicazione

direzione artistica:Hugh Brown (US art director and photographer)
Julie Vlasak
note di libretto:Jamie Malanowski
Steve Woolard
supporto a vario titolo:Emily Cagan (incarico: product manager)
Cory Frye (incarico: editorial supervision)
produttore:Bill Inglot (archival music producer/remastering engineer) (incarico: compilation)
David McLees (incarico: compilation)
Gordon Skene (incarico: compilation)
tecnico di remastering:Dan Hersch (mastering engineer)
Bill Inglot (archival music producer/remastering engineer)
Ken Perry
design:Julie Vlasak
remastering effettuato presso:Digiprep in Los Angeles, California, Stati Uniti
Discogs:https://www.discogs.com/release/4123642 [info]
ASIN:US: B000068ZVP [info]

Gruppo di pubblicazioni

Wikidata:Q6547122 [info]