100 Mp3 Hits Jazz

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼Data CD
#TitleArtistRatingLength
1Petite Fleur
recording of:
Petite Fleur (original instrumental)
composer:
Sidney Bechet
Sidney Bechet3:18
2Venus de Milo
recording of:
Venus de Milo
composer:
Gerry Mulligan
Miles Davis3:11
3When Sunny Get’s Blue
cover recording of:
When Sunny Gets Blue
lyricist:
Jack Segal (US songwriter)
writer:
Fisher and Segal (US songwriter)
composer:
Marvin Fisher
publisher:
Sony/ATV Tunes LLC (ASCAP)
part of:
The Real Book (compilation of jazz standards, volume I)
Sarah Vaughan3:49
4Moonglow
tenor saxophone:
Eddie Harris (saxophone, piano, vocals) (in 1962)
instrumental recording of:
Moonglow (in 1962)
lyricist:
Eddie DeLange
composer:
Will Hudson and Irving Mills
Eddie Harris2:45
5Solitude
Coleman Hawkins5:43
6Garden in the Rain
cover recording of:
A Garden in the Rain
lyricist:
James Dyrenforth (in 1928)
composer:
Carroll Gibbons (in 1928)
publisher:
Campbell Connelly & Co. Ltd. and Music Sales Corporation (American copyright holder in both popular and classical music)
Sarah Vaughan3:16
7More Than You Know
cover recording of:
More Than You Know
lyricist:
Edward Eliscu and Billy Rose (lyricist and Broadway producer)
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., Intersong Music, LSQ Music Co., Miller Music Corp., The Songwriters Guild, WB Music Corp. (1929–2019) (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Great Day!
part of:
Hit the Deck (1955 movie)
Lena Horne3:06
8April in Paris
recording of:
April in Paris
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
Count Basie2:36
9The More I See You
tenor saxophone:
Eddie Harris (saxophone, piano, vocals) (in 1962)
instrumental recording of:
The More I See You (in 1962)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc., Four Jays Music Co., Peermusic (UK) Limited, Warner Bros., Inc. (not for release label use!) and Warner/Chappell Music International Ltd.
translated version of:
The More I See You (Valli’s version with french lyrics)
Eddie Harris3:21
10Five O’Clock in the Morning
Joe Williams2:50
11’Round Midnight
recording of:
’Round Midnight
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Thelonious Monk5:13
12Brown Eyed Woman
Stanley Turrentine3:23
13One O’Clock Jump
recording of:
One O’Clock Jump
composer:
Count Basie (pianist) (in 1937)
publisher:
EMI Feist Catalog Inc.
Count Basie & His Orchestra3:40
14Mood Indigo
Coleman Hawkins5:49
15Yesterdays
recording of:
Yesterdays
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
Charles Mingus4:09
16Wedding Bell Blues
Stanley Turrentine2:11
17In a Mellow Tone
Sonny Stitt4:44
18Angel Eyes
Art Blakey6:29
19Fun
Lionel Hampton7:48
20I Can’t Get Started
recording of:
I Can’t Get Started
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Charles Mingus6:24
21Moose the Mooch
recording of:
Moose the Mooche
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
publisher:
Atlantic Music Corp. (BMI)
Miles Davis3:01
22Lover Come Back to Me
live cover recording of:
Lover, Come Back to Me (from "The New Moon")
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
Ella Fitzgerald1:59
23Four Brothers
Charlie Parker3:52
24Poinciana
instrumental recording of:
Poinciana (Song of the Tree)
lyricist:
Buddy Bernier (in 1936)
composer:
Nat Simon (in 1936)
Ahmad Jamal8:01
25The Way You Look Tonight
Sonny Stitt5:19
26Air Mail Special
Lionel Hampton and His Orchestra6:32
27Ain’t No Sunshine
cover recording of:
Ain’t No Sunshine
lyricist and composer:
Bill Withers
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
Al Jarreau32:01
28Our Delight
recording of:
Our Delight
composer:
Tadd Dameron
Dizzy Gillespie2:27
2952nd Street Theme
Kenny Clarke & His 52nd Street Boys2:58
30Salt Peanuts
recording of:
Salt Peanuts
composer:
Kenny Clarke and Dizzy Gillespie
publisher:
Universal Music Corp. (USA, affiliated with ASCAP)
adaptations:
Salt Peanuts (Pointer Sisters version, with lyrics)
Dizzy Gillespie3:19
31Opus de Bop
recording of:
Opus de Bop
composer:
Hank Jones (piano)
Stan Getz Quartet2:36
32Bird of Paradise
recording engineer:
Doug Hawkins (sound engineer) (on 1947-10-28)
producer:
Ross Russell (US jazz producer 1940's-)
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1947-10-28)
double bass:
Tommy Potter (on 1947-10-28)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-10-28)
piano:
Duke Jordan (on 1947-10-28)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1947-10-28)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-28)
recording of:
Bird of Paradise (on 1947-10-28)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
Charlie Parker Quintet3:16
33Blues in Bebop
recording of:
Blues in Bebop
composer:
Kenny Dorham (US jazz trumpeter, singer, and composer)
Bud Powell & The Bebop Boys2:49
34Atonement
recorded in:
New York, New York, United States (on 1947-05-23)
double bass:
Bob Leininger (on 1947-05-23)
guitar:
Billy Bauer (US cool jazz guitarist) (on 1947-05-23)
piano:
Lennie Tristano (on 1947-05-23)
recording of:
Atonement (on 1947-05-23)
composer:
Lennie Tristano
Lennie Tristano Trio2:32
35Milestones
recording of:
Milestones (originally titled “Miles”)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Champs Élysées Nouv Société, EMI (EMI Records, or EMI Music only if there is no other imprint), Jazz Horn Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Miles Davis2:40
36The Thin Man
recording of:
The Thin Man
composer:
Kenny Dorham (US jazz trumpeter, singer, and composer)
Art Blakey & The Jazz Messengers3:03
37Don’t Worry ’Bout Me
double bass [bass]:
Curley Russell (on 1946-07-31)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1946-07-31)
piano:
Hank Jones (piano) (on 1946-07-31)
tenor saxophone:
Stan Getz (on 1946-07-31)
instrumental recording of:
Don’t Worry ’Bout Me (on 1946-07-31)
lyricist:
Ted Koehler (in 1939)
writer:
Rube Bloom (American songwriter, pianist and vocalist) and Ted Koehler
composer:
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Cinephonic Music Co., Ltd. and Redwood Music Ltd. (Carlin)
Stan Getz Quartet2:40
38White Rose Bounce
double bass:
Eddie Brown (Bassist) (on 1945-01-10)
drums (drum set):
‘Doc’ West (on 1945-01-10)
piano:
Erroll Garner (on 1945-01-10)
Erroll Garner Trio3:02
39Dexter’s Deck
recorded in:
New York, New York, United States (on 1945-10-30)
producer:
Teddy Reig
double bass:
Gene Ramey (on 1945-10-30)
drums (drum set):
Eddie Nicholson (jazz drummer) (on 1945-10-30)
piano:
Argonne Thornton (on 1945-10-30)
tenor saxophone:
Dexter Gordon (on 1945-10-30)
recording of:
Dexter's Deck (on 1945-10-30)
Dexter Gordon3:02
40Rifftide
Coleman Hawkins3:01
41Mop Mop
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-09-04)
double bass:
Bob Kesterson (on 1945-09-04)
drums (drum set):
Roy Porter (on 1945-09-04)
piano:
Vernon Biddle (on 1945-09-04)
tenor saxophone:
Teddy Edwards (jazz saxophonist) (on 1945-09-04) and J. D. King (tenor sax) (on 1945-09-04)
trumpet:
Howard McGhee (on 1945-09-04)
Howard McGhee3:02
42How High the Moon
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (in 1958-10) and Phil Woods (US jazz woodwind player) (in 1958-10)
baritone saxophone:
Danny Bank (reeds) (in 1958-10)
double bass:
James Gannon (in 1958-10)
drums (drum set):
Gene Krupa (in 1958-10)
guitar:
Barry Galbraith (in 1958-10)
piano:
Hank Jones (piano) (in 1958-10)
tenor saxophone:
Frank Socolow (in 1958-10) and Eddie Wasserman (in 1958-10)
trombone:
Jimmy Cleveland (US jazz trombonist) (in 1958-10), Willie Dennis (in 1958-10), Urbie Green (in 1958-10) and Kai Winding (in 1958-10)
trumpet:
Al DeRisi (in 1958-10), Marky Markowitz (in 1958-10), Ernie Royal (in 1958-10), Doc Severinsen (in 1958-10) and Al Stewart (Trumpet) (in 1958-10)
instrumental recording of:
How High the Moon (in 1958-10)
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Gene Krupa3:20
43Four Brothers
alto saxophone:
Woody Herman (on 1947-12-27) and Sam Marowitz (saxophonist and clarinetist) (on 1947-12-27)
baritone saxophone:
Serge Chaloff (baritone saxophonist) (on 1947-12-27)
bass trombone:
Bob Swift (on 1947-12-27)
clarinet and reeds:
Woody Herman (on 1947-12-27)
double bass:
Walter Yoder (on 1947-12-27)
drums (drum set):
Don Lamond (on 1947-12-27)
guitar:
Gene Sargent (on 1947-12-27) and Herb Sargent (jazz guitarist) (on 1947-12-27)
piano:
Fred Otis (on 1947-12-27)
saxophone:
Herbie Steward (jazz saxophonist) (on 1947-12-27)
tenor saxophone:
Stan Getz (on 1947-12-27), Zoot Sims (US jazz saxophonist) (on 1947-12-27) and Herbie Steward (jazz saxophonist) (on 1947-12-27)
trombone:
Bob Swift (on 1947-12-27), Earl Swope (on 1947-12-27) and Ollie Wilson (on 1947-12-27)
trumpet:
Stan Fishelson (on 1947-12-27), Bernie Glow (on 1947-12-27), Marky Markowitz (on 1947-12-27), Shorty Rogers (trumpet) (on 1947-12-27) and Ernie Royal (on 1947-12-27)
orchestra:
Woody Herman and His Orchestra (on 1947-12-27)
arranger:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer)
recording of:
Four Brothers (on 1947-12-27)
composer:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (in 1947)
Woody Herman and His Orchestra3:18
44Yardbird Suite
Claude Thornhill Feat. Lee Konitz3:24
45Things to Come
recording of:
Things to Come
composer:
Walter “Gil” Fuller (jazz composer & arranger) and Dizzy Gillespie
Dizzy Gillespie Feat. Milt Jackson2:53
46Cool Breeze
Billy Eckstine2:59
47Mingus Fingers
recording of:
Mingus Fingers
composer:
Charles Mingus
Charles Mingus & Lionel Hampton3:08
48A Night in Tunisia
producer:
Ross Russell (US jazz producer 1940's-)
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1946-03-28)
double bass:
Vic McMillan (on 1946-03-28)
drums (drum set):
Roy Porter (on 1946-03-28)
guitar:
Arvin Garrison (on 1946-03-28)
piano:
Dodo Marmarosa (on 1946-03-28)
tenor saxophone:
Lucky Thompson (on 1946-03-28)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1946-03-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-03-28)
recording of:
Night in Tunisia (instrumental) (on 1946-03-28)
composer:
Dizzy Gillespie and Frank Paparelli
publisher:
Universal‐MCA Music Publishing (US)
Charlie Parker Septet3:11
49Hollywood Stampede
Coleman Hawkins3:13
50Lester Leaps In
Lester Young2:57
51Afraid of You
The George Shearing Quintet2:39
52Moody Speaks
James Moody & The Bebop Boys2:33
53Boppin’ the Blues
Ray Brown & The Bebop Boys3:07
54Half Nelson
recording of:
Half Nelson
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
Miles Davis2:48
55Cherokee
recorded in:
New York, New York, United States (on 1946-05-17)
producer:
Teddy Reig (task: supervised by)
double bass:
Frank Skeete (on 1946-05-17)
drums (drum set):
Fred Radcliffe (jazz drummer) (on 1946-05-17)
piano:
Teddy Brannon (on 1946-05-17)
tenor saxophone:
Don Byas (on 1946-05-17)
instrumental recording of:
Cherokee (on 1946-05-17)
lyricist and composer:
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
Don Byas Quartet3:02
56Boppin’ a Riff (# Parts 1 & 2)
Sonny Stitt & The Bebop Boys feat. Bud Powell & Fats Navarro5:43
57In a Sentimental Mood
recording of:
In a Sentimental Mood
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
Duke Ellington2:29
58It’s the Talk of the Town
Erroll Garner Trio3:18
59Nights at the Turntable
recording of:
Nights at the Turntable
composer:
Gerry Mulligan
Gerry Mulligan Quartet & Chet Baker2:54
60C’est si bon
orchestra:
Henri René & His Orchestra (on 1953-03-12)
recording of:
C’est si bon (original French version) (on 1953-03-12)
lyricist:
André Hornez (in 1947)
composer:
Henri Betti (songwriter and pianist) (in 1947)
publisher:
Éditions Beuscher Arpège
Eartha Kitt42:59
61Peaches
The Nat King Cole Trio2:40
62Someone Like You
recording of:
Someone Like You
lyricist:
Ralph Blane
composer:
Harry Warren (US composer and lyricist)
Doris Day With Orchestra Conducted By George Sivaro2:48
63A String of Pearls
recording of:
A String of Pearls
lyricist:
Eddie DeLange
composer:
Jerry Gray (US big band arranger and conductor)
publisher:
Chappell & Co. and Scarsdale Music (ASCAP)
Glenn Miller & His Orchestra3:18
64I’ve Got You Under My Skin
cover recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
Peggy Lee2:31
65Newport News
Gil Mellé4:58
66Lover, Come Back to Me!
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1953-01-14)
bass:
Jack Agee (on 1953-01-14) and Ralph Peña (on 1953-01-14)
bongos and congas:
Jack Costanzo (on 1953-01-14)
clarinet and saxophone:
Bob Dawes (on 1953-01-14) and Charles Deremo (on 1953-01-14)
drums (drum set):
John Markham (on 1953-01-14)
guitar:
John Collins (US jazz guitarist) (on 1953-01-14)
piano:
Cliff Fishback (on 1953-01-14)
tenor saxophone:
Richard Clay (on 1953-01-14) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-01-14)
trombone:
Karl DeKarske (on 1953-01-14), Dick Nash (on 1953-01-14), Robert Reisiger (on 1953-01-14) and Si Zentner (on 1953-01-14)
trumpet:
Tony Facciuto (on 1953-01-14), Conrad Gozzo (on 1953-01-14), Jack H. Laubach (trumpeter) (on 1953-01-14), Robert McKinzie (on 1953-01-14) and Andy Peele (40s jazz trumpeter) (on 1953-01-14)
choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1953-01-14)
vocals:
Nat King Cole (on 1953-01-14)
orchestra:
Billy May & His Orchestra (on 1953-01-14)
conductor:
Billy May (on 1953-01-14)
arranger:
Billy May
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-01-14)
cover recording of:
Lover, Come Back to Me (from "The New Moon") (on 1953-01-14)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
Nat King Cole2:32
67Lean Baby
recording of:
Lean Baby
lyricist:
Roy Alfred (Tin Pan Alley lyricist and composer)
composer:
Billy May
Billy May3:16
68That Will Just About Knock Me Out
Nellie Lutcher2:31
69Once in a While
recording of:
Once in a While
lyricist:
Bud Green (in 1937)
composer:
Michael Edwards (in 1937)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc. and Miller Music Corp.
part of:
New York, New York (1977 musical film soundtrack)
Bob Crosby3:22
70Dancing in the Dark
Ray Anthony2:38
71Blue Skies
Les Paul2:37
72The Song Is You
Benny Carter and His Orchestra4:47
73Take the ‘a’ Train
recording of:
Take the “A” Train (version with lyrics by Sherrill)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
Duke Ellington & His Orchestra & Betty Roché7:58
74Moonlight in Vermont
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-08-01)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
instrumental recording of:
Moonlight in Vermont (on 1951-08-01)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Wynton Kelly3:28
75Why Do I Love You?
recording of:
Why Do I Love You? (Show Boat)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
T.B. Harms Co. (in 1927)
medley of:
Selections from "Show boat"
part of:
Show Boat (1951 film)
part of:
Show Boat: Act II
Charlie Parker3:01
76I’ve Got the World on a String
Kay Starr1:50
77Stairway to the Stars
Laurindo Almeida & Bud Shank3:02
78I Should Care
double bass:
Curley Russell (on 1947-01-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-01-10)
piano:
Bud Powell (on 1947-01-10)
instrumental recording of:
I Should Care (on 1947-01-10)
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Bud Powell3:01
79It’s Too Late Now
Mel Tormé3:13
80Doodlin’
Art Blakey & The Jazz Messengers6:45
81Make Love to Me
Alma Cogan2:24
82Perfidia
Ahmad Jamal3:56
83Please Don’t Talk About Me When I’m Gone
recording of:
Please Don’t Talk About Me When I’m Gone
lyricist:
Sidney Clare
composer:
Sam H. Stept
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Remick Music Corp.
Doris Day3:16
84Walkin’ My Baby Back Home
producer:
Lee Gillette
bass:
Joe Comfort (on 1961-07-20)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1961-07-20)
guitar:
Alvino Rey (on 1961-07-20)
piano:
Nat King Cole (on 1961-07-20)
vocals:
Nat King Cole (on 1961-07-20)
conductor:
Billy May (on 1961-07-20)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1961-07-20)
cover recording of:
Walkin’ My Baby Back Home (on 1961-07-20)
lyricist:
Roy Turk (in 1930)
composer:
Fred Ahlert (in 1930)
publisher:
Chappell & Co., Inc. (USA), Redwood Music Ltd. (Carlin) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Nat King Cole42:40
85The Best Things in Life Are Free
Jo Stafford2:24
86Pro Defunctus
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1954 to present, from 2004 to present)
recording of:
Pro Defunctus
lyricist and composer:
Jack Montrose
Chet Baker3:29
87Godchild
recording of:
Godchild
composer:
George Wallington
Miles Davis3:11
88Mad About the Boy
bass:
Keter Betts (on 1952-03-24)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1952-03-24)
piano:
Wynton Kelly (on 1952-03-24)
vocals:
Dinah Washington (on 1952-03-24)
orchestra:
Walter Rodell and His Orchestra (on 1952-03-24)
cover recording of:
Mad About the Boy (on 1952-03-24)
lyricist and composer:
Noël Coward
publisher:
Chappell & Co. and Chappell Music Ltd.
part of:
Words and Music
Dinah Washington & Walter Rodell with His Orchestra4.653:00
89Somebody Loves Me
recorded in:
New York, New York, United States (on 1947-01-10)
double bass:
Curley Russell (on 1947-01-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-01-10)
piano:
Bud Powell (on 1947-01-10)
Bud Powell Trio2:55
90You’re a Heavenly Thing
recording of:
You're a Heavenly Thing (in 1951-10)
lyricist:
Joe Young (US lyricist)
composer:
Little Jack Little
Mel Tormé2:32
91I Get a Kick Out of You
recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
Frank Sinatra2:55
92Lullaby of Broadway
recording of:
Lullaby of Broadway (from “Gold Diggers of 1935”)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist) (in 1935)
publisher:
Henrees Music co., M. Witmark & Sons, Peermusic (UK) Limited, Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 winner)
part of:
42nd Street (full musical)
Doris Day2:51
93Song of the Island
recording of:
Song of the Islands (Na Lei O Hawaii)
lyricist and composer:
Charles E. King (known as the composer of “Ke kali nei au”)
Bob Crosby2:43
94Serenade in Blue
recording of:
Serenade in Blue
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc.
Glenn Miller2:05
95Song of India
recording of:
Song of India
writer:
Red Bone (trombonist)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
piano arranger:
Edgar Fairchild
is based on:
Sadko: Scene IV. Song of the Indian Guest
Tommy Dorsey3:13
96Has Your Love Grown Cold?
Camille Howard2:42
97Sonny Boy
Mel Tormé2:45
98Early Autumn
recording of:
Early Autumn
lyricist:
Johnny Mercer (in 1949)
composer:
Ralph Burns (in 1949) and Woody Herman (in 1949)
Woody Herman3:13
99Swingin’ On Campus
Ray Anthony2:32
100Big John’s Special
recording of:
Big John’s Special
writer:
Horace Henderson
Benny Goodman3:08