The Complete Bud Powell on Verve

~ Release by Bud Powell (see all versions of this release, 1 available)

Annotation

Verve 5 CD Box set
Anybody serious at either hard-bop or Powell should dig this.
Casual listeners though might want the great pianist at a lighter dose, possibly with Verve's Genius of Bud Powell or Blue Note's Amazing Bud Powell.

Annotation last modified on 2018-11-08 23:18 UTC.

Tracklist

1▶CD
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#TitleRatingLength
1Thou Swell (alternate take)
producer:
Leroy Lovett
double bass:
Lloyd Trotman (US jazz bassist) (on 1955-01-11)
drums (drum set):
Art Blakey (on 1955-01-11)
piano:
Bud Powell (on 1955-01-11)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-11)
instrumental recording of:
Thou Swell (on 1955-01-11)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises and Warner Bros. (holding: file NO releases)
4:06
2Thou Swell
producer:
Leroy Lovett
double bass:
Lloyd Trotman (US jazz bassist) (on 1955-01-11)
drums (drum set):
Art Blakey (on 1955-01-11)
piano:
Bud Powell (on 1955-01-11)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-11)
instrumental recording of:
Thou Swell (on 1955-01-11)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises and Warner Bros. (holding: file NO releases)
4:29
3Someone to Watch Over Me
producer:
Leroy Lovett
double bass:
Lloyd Trotman (US jazz bassist) (on 1955-01-11)
drums (drum set):
Art Blakey (on 1955-01-11)
piano:
Bud Powell (on 1955-01-11)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-11)
instrumental recording of:
Someone to Watch Over Me (Oh, Kay!) (on 1955-01-11)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
2:33
4Bean and the Boys
recording of:
Bean and the Boys (on 1955-01-11)
composer:
Coleman Hawkins
3:36
5Tenderly (false starts)
producer:
Leroy Lovett
double bass:
Lloyd Trotman (US jazz bassist) (on 1955-01-11)
drums (drum set):
Art Blakey (on 1955-01-11)
piano:
Bud Powell (on 1955-01-11)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-11)
partial instrumental recording of:
Tenderly (on 1955-01-11)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
0:23
6Tenderly
producer:
Leroy Lovett
double bass:
Lloyd Trotman (US jazz bassist) (on 1955-01-11)
drums (drum set):
Art Blakey (on 1955-01-11)
piano:
Bud Powell (on 1955-01-11)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-11)
instrumental recording of:
Tenderly (on 1955-01-11)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
3:20
7How High the Moon?
producer:
Leroy Lovett
double bass:
Lloyd Trotman (US jazz bassist) (on 1955-01-12)
drums (drum set):
Art Blakey (on 1955-01-12)
piano:
Bud Powell (on 1955-01-12)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-12)
instrumental recording of:
How High the Moon (on 1955-01-12)
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (library/production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:23
8I Get a Kick Out of You (breakdown)
producer:
Leroy Lovett
double bass:
Lloyd Trotman (US jazz bassist) (on 1955-01-12)
drums (drum set):
Art Blakey (on 1955-01-12)
piano:
Bud Powell (on 1955-01-12)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-12)
partial instrumental recording of:
I Get a Kick Out of You (on 1955-01-12)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
0:35
9I Get a Kick Out of You
producer:
Leroy Lovett
double bass:
Lloyd Trotman (US jazz bassist) (on 1955-01-12)
drums (drum set):
Art Blakey (on 1955-01-12)
piano:
Bud Powell (on 1955-01-12)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-12)
instrumental recording of:
I Get a Kick Out of You (on 1955-01-12)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
4:26
10I Get a Kick Out of You (alternate take)
producer:
Leroy Lovett
double bass:
Lloyd Trotman (US jazz bassist) (on 1955-01-12)
drums (drum set):
Art Blakey (on 1955-01-12)
piano:
Bud Powell (on 1955-01-12)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-12)
instrumental recording of:
I Get a Kick Out of You (on 1955-01-12)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
3:58
11The Best Thing for You (breakdown)
producer:
Leroy Lovett
double bass:
Lloyd Trotman (US jazz bassist) (on 1955-01-12)
drums (drum set):
Art Blakey (on 1955-01-12)
piano:
Bud Powell (on 1955-01-12)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-12)
partial instrumental recording of:
The Best Thing for You (Would Be Me) (on 1955-01-12)
lyricist and composer:
Irving Berlin (in 1950)
1:29
12You Go to My Head
producer:
Leroy Lovett
double bass:
Lloyd Trotman (US jazz bassist) (on 1955-01-12)
drums (drum set):
Art Blakey (on 1955-01-12)
piano:
Bud Powell (on 1955-01-12)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-12)
instrumental recording of:
You Go to My Head (on 1955-01-12)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
4:11
13The Best Thing for You
producer:
Leroy Lovett
double bass:
Lloyd Trotman (US jazz bassist) (on 1955-01-12)
drums (drum set):
Art Blakey (on 1955-01-12)
piano:
Bud Powell (on 1955-01-12)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-12)
instrumental recording of:
The Best Thing for You (Would Be Me) (on 1955-01-12)
lyricist and composer:
Irving Berlin (in 1950)
2:43
14Mediocre
producer:
Leroy Lovett
double bass:
Percy Heath (on 1955-01-13)
drums (drum set):
Kenny Clarke (on 1955-01-13)
piano:
Bud Powell (on 1955-01-13)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-13)
recording of:
Mediocre (on 1955-01-13)
composer:
Bud Powell
publisher:
BMI Publishing and JATAP Publishing Co.
2:58
15All the Things You Are
producer:
Leroy Lovett
double bass:
Percy Heath (on 1955-01-13)
drums (drum set):
Kenny Clarke (on 1955-01-13)
piano:
Bud Powell (on 1955-01-13)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-13)
instrumental recording of:
All the Things You Are (from “Very Warm for May”) (on 1955-01-13)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
3:33
16Epistrophy
producer:
Leroy Lovett
double bass:
Percy Heath (on 1955-01-13)
drums (drum set):
Kenny Clarke (on 1955-01-13)
piano:
Bud Powell (on 1955-01-13)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-13)
recording of:
Epistrophy (on 1955-01-13)
composer:
Kenny Clarke and Thelonious Monk
publisher:
Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
3:03
17Dance of the Infidels
producer:
Leroy Lovett
double bass:
Percy Heath (on 1955-01-13)
drums (drum set):
Kenny Clarke (on 1955-01-13)
piano:
Bud Powell (on 1955-01-13)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-13)
recording of:
Dance of the Infidels (on 1955-01-13)
composer:
Bud Powell
publisher:
EMI Longitude Music
2:19
18Salt Peanuts
producer:
Leroy Lovett
double bass:
Percy Heath (on 1955-01-13)
drums (drum set):
Kenny Clarke (on 1955-01-13)
piano:
Bud Powell (on 1955-01-13)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-13)
recording of:
Salt Peanuts (on 1955-01-13)
composer:
Kenny Clarke and Dizzy Gillespie
publisher:
Universal Music Corp. (USA, affiliated with ASCAP)
adaptations:
Salt Peanuts (Pointer Sisters version, with lyrics)
2:22
19Sweet Georgia Brown
producer:
Leroy Lovett
double bass:
Percy Heath (on 1955-01-13)
drums (drum set):
Kenny Clarke (on 1955-01-13)
piano:
Bud Powell (on 1955-01-13)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-13)
instrumental recording of:
Sweet Georgia Brown (on 1955-01-13)
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Francis Day (publisher), Remick Music Corp. and Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
3:25
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