| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Be‐Bop‐a‐Lula | Gene Vincent | 4.35 | 2:36 |
| 2 | Summertime Blues- E-Bass:
- Connie “Guybo” Smith (am 1958-03-28)
- Gitarre:
- Eddie Cochran (am 1958-03-28)
- Schlagzeug:
- Earl Palmer (am 1958-03-28)
- vocals:
- Eddie Cochran (am 1958-03-28)
- phonographisches Urheberrecht (℗) von:
- Capitol Records, LLC (in 1958)
- aufgenommen bei:
- Goldstar Studio in Hollywood, Los Angeles, California , Vereinigte Staaten (am 1958-03-28)
- Teil von:
- Dave Marsh: The Best of the Top 40 Singles: 1958 (Nummer: 11), Rolling Stone: 500 Greatest Songs of All Time (Nummer: 73) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 432)
- recording of:
- Summertime Blues (in 1958-05)
- Verfasser(in):
- Jerry Capehart und Eddie Cochran
- publisher:
- American Music , Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. , Rightsong Music, Viva Music, Inc, Warner Bros. Music und Warner–Tamerlane Publishing Corp.
| Eddie Cochran | 3.75 | 1:57 |
| 3 | Peggy Sue- Produzent(in):
- Norman Petty
- Bass:
- Joe B. Mauldin (am 1957-07-01)
- Gitarre:
- Buddy Holly (am 1957-07-01) und Niki Sullivan (am 1957-07-01)
- Schlagzeug:
- Jerry Allison (am 1957-07-01)
- vocals:
- Buddy Holly (am 1957-07-01)
- phonographisches Urheberrecht (℗) von:
- Geffen Records (in 1957) und MCA Records, Inc. (in 1957)
- aufgenommen bei:
- Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01)
- Teil von:
- Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 5), Rolling Stone: 500 Greatest Songs of All Time (Nummer: 194) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 370)
- recording of:
- Peggy Sue (von 1957-06-29 bis 1957-07-01)
- Verfasser(in):
- Jerry Allison, Buddy Holly und Norman Petty
- publisher:
- Copyright Control , McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. , MPL Musik Verlags GmbH , Peermusic (UK) Limited, Southern Music und Wren Music Co.
| Buddy Holly | 4.5 | 2:29 |
| 4 | Rock Around the Clock Tonight | Bill Haley and His Comets | | 2:12 |
| 5 | Runaround Sue | Dion | 4 | 2:39 |
| 6 | A Teenager in Love | Marty Wilde | | 2:20 |
| 7 | Do You Love Me | Brian Poole and The Tremeloes | | 2:22 |
| 8 | Twist and Shout- cover recording of:
- Twist and Shout (in 1962)
- Verfasser(in):
- Bert Russell (in 1961-02) und Phil Medley (in 1961-02)
- publisher:
- EMI Music Publishing , EMI Music Publishing Ltd. , Progressive Music Publishing Company Inc., Progressive Music, Inc , Rightsong Music Inc., Robert Mellin Ltd., Robert Mellin Music Publishing Corp., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. , Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. und Warner/Chappell
- Teil von:
- Baby It’s You!
- recording of:
- Twist and Shout
- Verfasser(in):
- Bert Russell (in 1961-02) und Phil Medley (in 1961-02)
- publisher:
- EMI Music Publishing , EMI Music Publishing Ltd. , Progressive Music Publishing Company Inc., Progressive Music, Inc , Rightsong Music Inc., Robert Mellin Ltd., Robert Mellin Music Publishing Corp., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. , Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. und Warner/Chappell
- Teil von:
- Baby It’s You!
| The Isley Brothers | 3.65 | 2:31 |
| 9 | Good Golly Miss Molly | Little Richard | 3.5 | 2:09 |
| 10 | Get a Job | The Silhouettes | 4.5 | 2:46 |
| 11 | (I Don’t Know Why I Love You) But I Do | Clarence “Frogman” Henry | 3.25 | 2:19 |
| 12 | Personality | Lloyd Price | | 2:36 |
| 13 | Oh! Carol | Neil Sedaka | 3 | 2:17 |
| 14 | Poetry in Motion | Johnny Tillotson | | 2:29 |
| 15 | Runaway | Del Shannon | 4.4 | 2:18 |
| 16 | Halfway to Paradise | Billy Fury | | 2:25 |
| 17 | Will You Love Me Tomorrow- kettle drum:
- Carole King (in 1960)
- Klavier:
- Paul Griffin (in 1960)
- Schlagzeug [drums]:
- Gary Chester (in 1960)
- Sologesang:
- Shirley Owens (in 1960)
- vocals:
- Doris Coley (in 1960), Addie Harris (in 1960) und Beverly Lee (in 1960)
- phonographisches Urheberrecht (℗) von:
- HHO Licensing Ltd.
- Teil von:
- Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 4), Billboard: The 500 Best Pop Songs (Nummer: 33), Rolling Stone: 500 Greatest Songs of All Time (Nummer: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 151)
- recording of:
- Will You Love Me Tomorrow (in 1960)
- Texter:
- Gerry Goffin
- Komponist(in):
- Carole King
- publisher:
- Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. , Warner/Chappell Music Ltd. , イーエムアイ音楽出版 フジパシフィック事業部 (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (vom 2021-07-01 bis heute)
| The Shirelles | 3.8 | 2:42 |
| 18 | Hello Mary Lou (Goodbye Heart)- Produzent(in):
- Jimmie Haskell, Ozzie Nelson und Rick Nelson
- phonographisches Urheberrecht (℗) von:
- Polydor GmbH und Liberty (in 1961)
- cover recording of:
- Hello Mary Lou
- Verfasser(in):
- Cayet Mangiaracina und Gene Pitney
- publisher:
- Champion Music, Champion Music Corp., Intersong Music Ltd., January Music, January Music Corp., MCA Music Ltd., Songs of Universal, Inc. , Unichappell Music, Unichappell Music, Inc., Universal/MCA Music Ltd. , Warner/Chappell Music Ltd. und Warner/Chappell North America Limited
| Ricky Nelson | 2.5 | 2:18 |
| 19 | Bye Bye Love | The Everly Brothers | 4.35 | 2:20 |
| 20 | Sealed With a Kiss | Brian Hyland | 4 | 2:41 |
| 21 | Blueberry Hill- Produzent(in):
- Dave Bartholomew
- phonographisches Urheberrecht (℗) von:
- Everest Records , Liberty (in 1957) und EMI Records USA (in 1991)
- aufgenommen bei:
- Master Recorders in Hollywood, Los Angeles, California , Vereinigte Staaten
- Bearbeitung von:
- Blueberry Hill von Fats Domino
- Teil von:
- Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 17), Rolling Stone: 500 Greatest Songs of All Time (Nummer: 81) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 147)
- cover recording of:
- Blueberry Hill (am 1956-06-27)
- Texter:
- Al Lewis und Larry Stock
- Verfasser(in):
- Al Lewis , Vincent Rose und Larry Stock
- Komponist(in):
- Vincent Rose
- publisher:
- Chappell & Co., Inc. , Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. , Sovereign Music Company und Victoria Music Publishing Co. Ltd.
- Teil von:
- 12 Monkeys Soundtrack
| Fats Domino | 4.65 | 2:20 |
| 22 | Nutrocker | B. Bumble & the Stingers | 3 | 2:00 |
| 23 | Happy Birthday Sweet Sixteen | Neil Sedaka | | 2:33 |
| 24 | Let’s Twist Again | Chubby Checker | 4.65 | 2:22 |
| 25 | That’s All Right- recorded in:
- Chicago, Illinois, Vereinigte Staaten (am 1946-09-06)
- Gitarre:
- Arthur “Big Boy” Crudup (am 1946-09-06)
- Kontrabass:
- Ransom Knowling (am 1946-09-06)
- Schlagzeug:
- Lawrence "Judge" Riley (am 1946-09-06)
- vocals:
- Arthur “Big Boy” Crudup (am 1946-09-06)
- Teil von:
- Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2020/2021)
- recording of:
- That’s All Right (am 1946-09-06)
- Texter und Komponist(in):
- Arthur “Big Boy” Crudup
- publisher:
- Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. , Intersong GmbH , PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music und Unichappell Music, Inc.
| Arthur “Big Boy” Crudup | 4.5 | 2:55 |