Baroque Gold: 100 Great Tracks

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Solomon, HWV 67: Arrival of the Queen of Sheba
leitende(r) Produzent(in):
Dr. Andreas Holschneider und Charlotte Kriesch
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Orchester:
The English Concert (in 1984-03)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1984-03, in 1985)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer) (in 1984-03)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1985)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1984-03)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (in 1984-03)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft und Public Domain (refers to works that are in the public domain)
Teil von:
Solomon, HWV 67: Act III
George Frideric Handel3:11
2Judas Maccabaeus HWV 63: No. 58. "See, the Conqu'ring Hero Comes! See, the Godlike Youth Advance! See, the Conqu'ring Hero Comes!"
Chorgesang:
Wandsworth School Boys’ Choir
Orchester:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Russell Burgess
recording of:
Judas Maccabaeus, HWV 63: Act III, no. 58: “See the Conqu’ring Hero Comes” (Chorus of Youths, Chorus of Virgins)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1746)
Librettist:
Thomas Morell
Teil von:
Judas Maccabaeus, HWV 63: Act III
George Frideric Handel2:53
3Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro
recording engineer:
Jonathan Stokes (engineer) (in 1993-01)
Produzent(in):
Chris Sayers (producer)
Orchester:
New London Consort (in 1993-01)
conductor:
Philip Pickett (musician) (in 1993-01)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (in 1993-01)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro (in 1993-01)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach7:13
4Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante
recording engineer:
Jonathan Stokes (engineer) (in 1993-01)
Produzent(in):
Chris Sayers (producer)
Orchester:
New London Consort (in 1993-01)
conductor:
Philip Pickett (musician) (in 1993-01)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (in 1993-01)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: II. Andante (in 1993-01)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach3:23
5Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto
recording engineer:
Jonathan Stokes (engineer) (in 1993-01)
Produzent(in):
Chris Sayers (producer)
Orchester:
New London Consort (in 1993-01)
conductor:
Philip Pickett (musician) (in 1993-01)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (in 1993-01)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: III. Presto (in 1993-01)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach4:35
6Violin Concerto in F minor, op. 8, no. 4, RV. 297 "L'inverno": I. Allegro non molto
Produzent(in):
Peter Wadland (producer)
Arciliuto:
Nigel North (English lute player) (von 1982-11 bis 1982-12)
Solo-Geige / Violine:
Catherine Mackintosh (violinist) (von 1982-11 bis 1982-12)
Orchester:
The Academy of Ancient Music (von 1982-11 bis 1982-12)
conductor:
Christopher Hogwood (conductor, harpsichordist) (von 1982-11 bis 1982-12)
Tonmeister(in):
John Dunkerley (engineer) (von 1982-11 bis 1982-12)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1982-11 bis 1982-12)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto (von 1982-11 bis 1982-12)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:22
7Violin Concerto in F minor, op. 8, no. 4, RV. 297 "L'inverno": II. Largo
Produzent(in):
Peter Wadland (producer)
Arciliuto:
Nigel North (English lute player) (von 1982-11 bis 1982-12)
Solo-Geige / Violine:
Catherine Mackintosh (violinist) (von 1982-11 bis 1982-12)
Orchester:
The Academy of Ancient Music (von 1982-11 bis 1982-12)
conductor:
Christopher Hogwood (conductor, harpsichordist) (von 1982-11 bis 1982-12)
Tonmeister(in):
John Dunkerley (engineer) (von 1982-11 bis 1982-12)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1982-11 bis 1982-12)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (von 1982-11 bis 1982-12)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi1:59
8Violin Concerto in F minor, op. 8, no. 4, RV. 297 "L'inverno": III. Allegro
Produzent(in):
Peter Wadland (producer)
Arciliuto:
Nigel North (English lute player) (von 1982-11 bis 1982-12)
Solo-Geige / Violine:
Catherine Mackintosh (violinist) (von 1982-11 bis 1982-12)
Orchester:
The Academy of Ancient Music (von 1982-11 bis 1982-12)
conductor:
Christopher Hogwood (conductor, harpsichordist) (von 1982-11 bis 1982-12)
Tonmeister(in):
John Dunkerley (engineer) (von 1982-11 bis 1982-12)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1982-11 bis 1982-12)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: III. Allegro (von 1982-11 bis 1982-12)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:08
9Sonata for Violin and Continuo in G minor, B.g5 "The Devil's Trill": I. Larghetto affettuoso
Cello:
Catherine Rimer (cellist) (am 2010-09-29)
Cembalo:
Christian Curnyn (conductor) (am 2010-09-29)
Geige / Violine:
Nicola Benedetti (violinist) (am 2010-09-29)
theorbo:
Thomas Dunford (lutenist) (am 2010-09-29)
conductor:
Christian Curnyn (conductor) (am 2010-09-29)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (am 2010-09-29)
recording of:
Violin Sonata in G minor, B. g5 'Le trille du diable': I. Larghetto affettuoso (am 2010-09-29)
Komponist(in):
Giuseppe Tartini (Italian composer)
Teil von:
Violin Sonata in G minor, B. g5, 'Le trille du diable' (three-movement version)
Giuseppe Tartini4:35
10Sonata for Violin and Continuo in G minor, B.g5 "The Devil's Trill": II. Allegro
Cello:
Catherine Rimer (cellist) (am 2010-09-29)
Cembalo:
Christian Curnyn (conductor) (am 2010-09-29)
Geige / Violine:
Nicola Benedetti (violinist) (am 2010-09-29)
theorbo:
Thomas Dunford (lutenist) (am 2010-09-29)
conductor:
Christian Curnyn (conductor) (am 2010-09-29)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (am 2010-09-29)
recording of:
Violin Sonata in G minor, B. g5 'Le trille du diable': II. Allegro (Tempo giusto) (am 2010-09-29)
Komponist(in):
Giuseppe Tartini (Italian composer)
Teil von:
Violin Sonata in G minor, B. g5, 'Le trille du diable' (three-movement version)
Giuseppe Tartini3:48
11Sonata for Violin and Continuo in G minor, B.g5 "The Devil's Trill": III. Andante - Allegro
Cello:
Catherine Rimer (cellist) (am 2010-09-29)
Cembalo:
Christian Curnyn (conductor) (am 2010-09-29)
Geige / Violine:
Nicola Benedetti (violinist) (am 2010-09-29)
theorbo:
Thomas Dunford (lutenist) (am 2010-09-29)
conductor:
Christian Curnyn (conductor) (am 2010-09-29)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (am 2010-09-29)
recording of:
Violin Sonata in G minor, B. g5 'Le trille du diable': III. Andante - Allegro (am 2010-09-29)
Komponist(in):
Giuseppe Tartini (Italian composer)
Teil von:
Violin Sonata in G minor, B. g5, 'Le trille du diable' (three-movement version)
Giuseppe Tartini5:29
12Orphée et Eurydice, Wq. 30 : “J’ai perdu mon Eurydice”
Tenor-Gesang:
Daniel Behle (tenor) (in 2013-07)
Orchester:
Armonia Atenea (Greek camerata) (in 2013-07)
conductor:
George Petrou (Greek conductor) (in 2013-07)
arranger:
Giovanni Secchi
recording of:
Orphée et Eurydice, Wq. 41 : Acte III, N° 43. Air “J’ai perdu mon Eurydice” (Orphée) (in 2013-07)
Komponist(in):
Christoph Willibald Gluck (composer)
zusätzlich Librettist:
Pierre-Louis Moline
Übersetzer:
Pierre-Louis Moline
übersetzte Version von:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo)
Teil von:
Orphée et Eurydice, Wq. 41 : Acte III
Christoph Willibald Gluck4:23
13Concerto in G major, op. 2, no. 3: I. Adagio - Allegro
leitende(r) Produzent(in):
Dr. Andreas Holschneider
Produzent(in):
Dr. Gerd Ploebsch (engineer) (in 1979-03)
Orchester:
The English Concert (in 1979-03)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1979-03)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer) und Karl-August Naegler (balance engineer) (in 1979-03)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (von 1979-02 bis 1979-03)
recording of:
Concerto in G major, op. 2 no. 3: I. Adagio (in 1979-03)
Komponist(in):
John Stanley (English classical composer and organist)
Teil von:
Concerto in G major, op. 2 no. 3
recording of:
Concerto in G major, op. 2 no. 3: II. Allegro (in 1979-03)
Komponist(in):
John Stanley (English classical composer and organist)
Teil von:
Concerto in G major, op. 2 no. 3
John Stanley4:06
14Sonata in F major, Kk469
Produzent(in):
Chris Sayers (producer) (in 1997-04)
Cembalo:
Christophe Rousset (French harpsichordist & conductor) (in 1997-04)
recording of:
Sonata in F major, K 469, L 431: Allegro molto (in 1997-04)
Komponist(in):
Domenico Scarlatti (composer)
Teil von:
Alessandro Longo’s catalog of Domenico Scarlatti’s keyboard works (Nummer: 431) und Ralph Kirkpatrick’s catalog of Domenico Scarlatti’s keyboard sonatas (Nummer: 469)
Domenico Scarlatti3:14
15Messiah, HWV 56: "And the Glory of the Lord"
Techniker(in):
Martin Atkinson (engineer) und John Dunkerley (engineer)
Chorgesang:
Christ Church Cathedral Choir, Oxford (in 1979)
Orchester:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
aufgenommen bei:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1979)
recording of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” (in 1979)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
George Frideric Handel52:54
16Messiah, HWV 56: Hallelujah
Techniker(in):
Martin Atkinson (engineer) und John Dunkerley (engineer)
Instrumente und Orchester:
Academy of Ancient Music (in 1979)
Chorgesang:
Christ Church Cathedral Choir, Oxford (in 1979)
Soprangesang:
Judith Nelson (soprano)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
aufgenommen bei:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1979)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Librettist:
Charles Jennens
Teil von:
Messiah, HWV 56: Part II
George Frideric Handel53:51
17Concerto Grosso in D minor
assistierende(r) Techniker(in):
Anna D’hein
Produzent(in):
Christoph Claßen (producer/engineer)
Cembalo:
Mahan Esfahani (harpsichordist)
Orchester:
Concerto Köln (in 2014-09)
Tonmeister(in):
Michael Morawietz
aufgenommen bei:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Deutschland (in 2014-09)
recording of:
Concerto Grosso in D minor "La Follia", op. 5 no. 12, H. 143 (in 2014-09)
Komponist(in):
Francesco Geminiani (composer)
Teil von:
Francesco Germiniani's thematic catalogue of works (Numbers starting with H.) (Nummer: H. 143)
basiert auf:
Violin Sonata in D minor "Follia", op. 5 no. 12
Teil von:
12 Concerti Grossi after Corelli's Violin Sonatas, op.5
Francesco Geminiani11:47
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Veröffentlichung

hergestellt in:Tschechien
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2017)
lizenziert an:Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only)
Discogs:https://www.discogs.com/release/11504560 [Info]
ASIN:DE: B06Y1Q1XVF [Info]
Diskografieeintrag:http://www.deccaclassics.com/au/cat/4832158 [Info]