Now That’s What I Call the Ultimate Party

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
2CD
Nr.TitelKünstlerBewertungLänge
1I’m Still Standing
recording engineer:
Bill Price (UK producer/engineer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
E-Bass:
Dee Murray
E-Gitarre:
Davey Johnstone
Klavier, Synthesizer und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug:
Nigel Olsson
Hintergrundgesang:
Davey Johnstone, Dee Murray und Nigel Olsson
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1983)
aufgenommen bei:
AIR Studios Montserrat in Saint Peter, Montserrat (am 1983-06-26)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Musikvideos:
I’m Still Standing von Elton John (English singer, songwriter, pianist, and composer)
recording of:
I’m Still Standing
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Big Pig Music Ltd. (publisher) und Universal–Songs of PolyGram International, Inc.
Elton John3.93:03
2Uptown Girl
assistierende(r) Techniker(in):
Scott James (US recording engineer) und Mike Mairé
Techniker(in) und Mix:
Jim Boyer (producer/engineer)
Produzent(in):
Phil Ramone
E-Bass:
Doug Stegmeyer (bass player, aka Slug Douglas) (in 1983)
E-Gitarre:
David Brown (guitarist for Billy Joel) (in 1983)
Klavier und Sologesang:
Billy Joel (American singer‐songwriter and pianist) (in 1983)
Schlagzeug:
Liberty DeVitto (US drummer) (in 1983)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1987)
mixed at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
Uptown Girl von Billy Joel (American singer‐songwriter and pianist)
Teil von:
BILLIONS CLUB und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 443)
recording of:
Uptown Girl (in 1983)
Texter und Komponist(in):
Billy Joel (American singer‐songwriter and pianist)
publisher:
EMI Songs Ltd., CBS Songs Ltd. (in 1983) und Joelsongs (in 1983)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Billy Joel4.13:18
3Come On Eileen
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 18) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 172)
recording of:
Come On Eileen (in 1982)
Verfasser(in):
Kevin Adams, James Mitchell Paterson und Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Kevin Adams Music Ltd.
Dexys Midnight Runners44:34
4It’s Raining Men (single version)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
recording of:
It’s Raining Men
Verfasser(in):
Paul Jabara und Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick)
publisher:
EMI Songs Ltd., Olga Music, Postvalda Music, Songs of Manhattan Island Music Co., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
The Weather Girls3:31
5I Gotta Feeling (edit)
Koproduzent(in):
Frédéric Riesterer
Produzent(in):
David Guetta
Musikvideos:
I Gotta Feeling von The Black Eyed Peas (US pop/hip hop group)
Teil von:
Billboard Year-End Hot 100 singles of 2009 (Nummer: 4), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 8), Billboard Year-End Hot 100 singles of 2010 (Nummer: 29), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 103) und BILLIONS CLUB
recording of:
I Gotta Feeling
Texter:
Allan Pineda, Jaime Gomez (member of Black Eyed Peas), Stacy Ferguson (American singer) und William Adams (American rapper and producer)
Komponist(in):
David Guetta und Frédéric Riesterer
Black Eyed Peas3.754:49
6Happy (from “Despicable Me 2”)
Assistent recording engineer:
Matthew Desrameaux
recording engineer:
Mike Larson (recording engineer)
Produzent(in):
Pharrell Williams
Mix:
Leslie Brathwaite
Editing:
Andrew Coleman (recording/mix engineer, Neptunes-associated) und Mike Larson (recording engineer)
Hintergrundgesang:
Rhea Dummett, Trevon Henderson, Shamika Hightower, Ashley L. Lee, Jasmine Murray und Terrence Rolle
arranger:
Andrew Coleman (recording/mix engineer, Neptunes-associated) und Mike Larson (recording engineer)
aufgenommen bei:
Circle House Studios in North Miami, Florida, Vereinigte Staaten
mixed at:
Music Box Studios (Atlanta) in Atlanta, Georgia, Vereinigte Staaten
Musikvideos:
Happy von Pharrell Williams und Happy (from Despicable Me 2) (ballroom version) von Pharrell Williams
Teil von:
Billboard Year-End Hot 100 singles of 2014 (Nummer: 1), Billboard Decade End Chart: Streaming Songs (2010s) (Nummer: 20) und Billboard: Greatest of All Time Hot 100 Songs (Nummer: 88)
recording of:
Happy
Texter und Komponist(in):
Pharrell Williams
publisher:
EMI April Music Inc., More Water From Nazareth Publishing, Inc. und Universal Pictures Music
Teil von:
The 86th Academy Award for Best Original Song (Nummer: 2)
Pharrell Williams4.33:53
7Ghostbusters
Produzent(in):
Ray Parker Jr.
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1984) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (vom 2016 bis heute)
Teil von:
Billboard Hot 100: 2025-11-15 (Nummer: 22)
recording of:
Ghostbusters
Texter und Komponist(in):
Ray Parker Jr.
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Golden Torch Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), IQ Music Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Golden Torch Music Corp. (in 1984) und Raydiola Music (in 1984)
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
basiert auf:
I Want a New Drug
Ray Parker Jr.3.94:05
8If I Could Turn Back Time
recording engineer und Mix:
Frank Wolf (engineer at Skyline Recording)
assistierende(r) Techniker(in):
Ken Allardyce, Mario Luccy, Craig Porteils (producer, engineer) und Duane Seykora
zusätzliche(r) Techniker(in):
Guy Roche
Produzent(in):
Guy Roche und Diane Warren (US songwriter)
Bassgitarre:
John Pierce (US session bassist)
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Keyboard:
Alan Pasqua und Guy Roche
Schlagzeug und Tamburin:
Mark T. Williams
zusätzlich Gitarre:
Gene Black und Glenn Sciurba
Hintergrundgesang:
Michael Anthony (US bassist, formerly of Van Halen), Robin Beck, Desmond Child, Jimmy Demers, Jean McClain und Maria Vidal (American singer-songwriter)
Sologesang:
Cher
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1989), The David Geffen Company (legal rights relating to Geffen Records) (in 1989), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei:
Bill Schnee Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Criterion Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
The Complex Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 386)
recording of:
If I Could Turn Back Time
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
EMI Music Publishing (do not use as a release label!) und Realsongs (in 1989)
Cher3.754:00
9Livin’ on a Prayer (radio edit)
assistierende(r) Techniker(in):
Tim Crich
Techniker(in) und Mix:
Bob Rock
Produzent(in):
Bruce Fairbairn
Akustikgitarre, E-Gitarre, Gitarrensynthesizer [IVL Guitar Synths] und Talkbox:
Richie Sambora
E-Bass [Bass]:
Alec John Such
Keyboard [Keyboards, Noises]:
Dave Bryan (keyboardist for Bon Jovi)
Perkussion und Schlagzeug:
Tico Torres
Hintergrundgesang [Backing Vocals]:
Jon Bon Jovi, Dave Bryan (keyboardist for Bon Jovi), Richie Sambora und Alec John Such
Sologesang:
Jon Bon Jovi
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1986) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 2011)
aufgenommen bei:
Little Mountain Sound in Vancouver, British Columbia, Kanada
Musikvideos:
Livin’ on a Prayer von Bon Jovi (group)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 146), BILLIONS CLUB und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 457)
recording of:
Livin’ on a Prayer
Verfasser(in):
Jon Bon Jovi, Desmond Child und Richie Sambora
publisher:
Aggressive Music, Aggressive Music (A), EMI Music Publishing Ltd. (PRS‐affiliated), PolyGram Music Publishing Ltd., SBK Songs Ltd., Sony/ATV Tunes LLC (ASCAP), Universal Music Group International (manages UMG’s offices in most countries outside of North America), Universal Music Works (GMR affiliated), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), April Music Inc. (in 1986), Bon Jovi Publishing (in 1986), Desmobile Inc. (in 1986) und PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1986)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bon Jovi4.14:09
10Ballroom Blitz
Techniker(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Phil Wainman
arranger:
Sweet (UK glam rock band)
phonographisches Urheberrecht (℗) von:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1973), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1973, in 1974, in 1975), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1973), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei und engineered at:
Audio International Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
The Ballroom Blitz
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music, BMG Music Publishing Ltd. und Universal Music Publishing MGB Australia
Sweet4.64:02
11Rockin’ All Over the World
assistierende(r) Techniker(in):
Kevin Whyte
Techniker(in):
John Eden (producer), Barry Hammond und Simon Sullivan
Produzent(in):
Status Quo (UK boogie rock band) und Pip Williams (producer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1977), Mercury Records Ltd. (London) (for copyrights use only) (in 1977), Mercury Records Ltd. (UK) (in 1977), Phonogram Ltd. (not for release label use!) (in 1977), Phonogram Ltd. (London) (company name, NOT a label!) (in 1977, in 1988) und Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1992)
aufgenommen bei:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich (am 1992-08-30), Studio Bohus in Kungälv Municipality (Kungälv), Västra Götaland (Västra Götaland county), Schweden (am 1992-08-30) und Sutton Park in Birmingham, West Midlands, England, Vereinigtes Königreich (am 1992-08-30)
mixed at:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Rockin All Over the World von Status Quo (UK boogie rock band)
cover recording of:
Rockin’ All Over the World (am 1992-08-30)
Texter und Komponist(in):
John Fogerty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Greasy King Music, Hornall Brothers Music (limited company), Intersong (publisher), Intersong Music Ltd., Rondor Musikverlag GmbH, Universal Music Publishing AB (Sweden), Universal/MCA Music Publishing Pty Ltd, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Wenaha Music, Wenaha Music Company und Intersong Ltd. (publisher) (in 1977)
Status Quo43:37
12Holding Out for a Hero (single version)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1984) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1985)
recording of:
Holding Out for a Hero
Texter:
Dean Pitchford
Komponist(in):
Jim Steinman
publisher:
BMG Music Publishing Ltd., Ensign Music Corp., Famous Chappell, Famous Chappell Ltd. (UK-based music publishing company.), Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Harmony UK, Sony/ATV Melody und Sony/ATV Music Publishing LLC (1995–2020)
basiert auf:
Stark Raving Love
Bonnie Tyler4.154:21
13I Feel for You (single version)
cover recording of:
I Feel for You
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Chaka Khan3:39
14I Wanna Dance With Somebody (Who Loves Me)
recording engineer und Mix:
David Frazer (engineer)
Perkussion-Programmierung:
Preston Glass
assistierende(r) Techniker(in):
Dana Jon Chappelle
zusätzliche(r) assistierende(r) Techniker(in):
Noah Baron, Rob Beaton, Paul Hamingson, Stuart Hirotsu, Gordon Lyon, Billy Miranda (engineer) und Ross Williams (engineer)
zusätzliche(r) Techniker(in):
Lincoln Clapp (engineer), Maureen Droney, Ken Kessie, Gordon Lyon und Jay Rifkin
leitende(r) Produzent(in):
Clive Davis (record producer, A&R executive and music industry chief executive)
Produzent(in):
Narada Michael Walden
alto saxophone:
Marc Russo
Bass-Synthesizer [bass synth]:
Randy Jackson (former bassist with Journey and American Idol judge)
elektronisches Schlagzeug / E-Drums [Simmons]:
Greg “Gigi” Gonaway
Gitarrensynthesizer [Charvel GTM6 midi guitar synth]:
Corrado Rustici
Schlagzeug:
Narada Michael Walden
Synthesizer [synth horns]:
Sterling Smith
Synthesizer [synths]:
Walter Afanasieff
Hintergrundgesang:
Kitty Beethoven, Kevin Dorsey, Jim Gilstrap, Jennifer Hall (backing vocalist) und Myrna Matthews
Hintergrundgesang und Sologesang:
Whitney Houston
arranger:
Narada Michael Walden
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1987)
produced for:
Perfection Light Productions
aufgenommen bei:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, Vereinigte Staaten, Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten, Tarpan Studios in San Rafael, California (Kalifornien), Vereinigte Staaten und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 1) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 231)
recording of:
I Wanna Dance With Somebody (Who Loves Me)
Verfasser(in):
George Merrill und Shannon Rubicam
publisher:
Boy Meets Girl Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc. und Rondor Music (London) Ltd.
Whitney Houston4.254:51
15Dancing on the Ceiling
Produzent(in):
James Anthony Carmichael und Lionel Richie
Saiteninstrumente [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael, Lionel Richie und Carlos Rios (producer/guitarist)
Hintergrundgesang arranger:
Lionel Richie
vocals arranger:
Lionel Richie
phonographisches Urheberrecht (℗) von:
Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 2003) und Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
Dancing on the Ceiling
Texter:
Lionel Richie
Komponist(in):
Michael Frenchik, Lionel Richie und Carlos Rios (producer/guitarist)
publisher:
Brenda Richie Publishing, Concord Music Publishing LLC, Skegee Music und Brockman Music (in 1986)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Lionel Richie3.94:31
16Walk Like an Egyptian
Produzent(in):
David Kahne
Mix:
David Leonard (US producer and engineer)
Bassgitarre:
Michael Steele (American bassist, guitarist, songwriter, and singer)
Gitarre:
Susanna Hoffs und Vicki Peterson
Schlagzeug:
Debbi Peterson (drummer for The Bangles)
Sologesang:
Susanna Hoffs, Vicki Peterson und Michael Steele (American bassist, guitarist, songwriter, and singer)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1985) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 14)
recording of:
Walk Like an Egyptian
Texter und Komponist(in):
Liam Sternberg (bis 1984-01)
publisher:
Peer International Corporation (BMI)
Teil von:
ジョジョの奇妙な冒険 Part3 スターダストクルセイダース (JoJo’s Bizarre Adventure Part 3: Stardust Crusaders, 2014 anime soundtrack)
The Bangles4.153:23
17I Want You Back (PWL remix)
recording of:
I Want You Back (in 1988)
Texter und Komponist(in):
The Corporation (Motown songwriters)
publisher:
EMI April Music Inc. und Jobete Music Co., Inc.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
MJ: The Musical
Jackson 54:05
18Where Did Our Love Go
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (am 1964-04-08)
Bass:
James Jamerson (am 1964-04-08)
foot stomps [footstomps]:
Michael Valvano (am 1964-04-08)
Gitarre:
Robert White (US funk/soul guitarist) (am 1964-04-08) und Eddie Willis (am 1964-04-08)
Klavier:
Earl Van Dyke (am 1964-04-08)
Schlagzeug:
Richard "Pistol" Allen (am 1964-04-08)
Vibraphon:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1964-04-08)
Hintergrundgesang:
Florence Ballard (am 1964-04-08) und Mary Wilson (am 1964-04-08)
Sologesang:
Diana Ross (am 1964-04-08)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1964-04-08)
recording of:
Where Did Our Love Go (am 1964-04-08)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. und Jobete Music Co., Inc.
The Supremes2:31
19Be My Baby
sonstige Unterstützung:
Phil Spector (Aufgabe: under license of)
Techniker(in):
Larry Levine
Produzent(in):
Phil Spector
vocals:
Ronnie Spector (in 1963-07)
Interpret(in):
The Ronettes
arranger:
Jack Nitzsche (American musician and score composer)
phonographisches Urheberrecht (℗) von:
Phil Spector Records (in 1963)
aufgenommen bei:
Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1963-07)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 19), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 22) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 22)
recording of:
Be My Baby (in 1963-07)
Verfasser(in):
Jeff Barry, Ellie Greenwich und Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music, Inc., Universal–Songs of PolyGram International, Inc. und Trio Music Co., Inc. (in 1963)
sub-publisher:
ABKCO Japan Publishing, Shinko Music Entertainment Co., Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Fujipacific Music inc. (bis 2014-12-31), EMI Music Publishing Japan C.F. division (bis 2021-06-30), Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1963), Fujipacific Music, Inc. (vom 2015-01-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Ronettes4.152:41
20Dancing in the Street
Produzent(in):
William Stevenson (Motown songwriter)
andere Instrumente [tire iron]:
Ivy Jo Hunter (am 1964-06-29)
baritone saxophone:
Thomas Bowles (am 1964-06-29)
Bassgitarre:
James Jamerson (am 1964-06-29)
Gitarre:
Joe Messina (am 1964-06-29), Robert White (US funk/soul guitarist) (am 1964-06-29) und Eddie Willis (am 1964-06-29)
Perkussion, Tamburin und Vibraphon [vibes]:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1964-06-29)
Posaune:
George Bohanon (am 1964-06-29) und Paul Riser (am 1964-06-29)
Schlagzeug:
Marvin Gaye (am 1964-06-29)
Tenorsaxophon:
Henry Cosby (am 1964-06-29)
Trompete:
Russell Conway (trumpet player) (am 1964-06-29) und Herbert Williams (trumpet player) (am 1964-06-29)
Hintergrundgesang:
Rosalind Ashford (am 1964-06-29), Ivy Jo Hunter (am 1964-06-29), Betty Kelly (am 1964-06-29) und William Stevenson (Motown songwriter) (am 1964-06-29)
Sologesang:
Martha Reeves (am 1964-06-29)
Herausgeber:
EMI Music Publishing (do not use as a release label!)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 130) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 403)
recording of:
Dancing in the Street (am 1964-06-29)
Verfasser(in):
I. Hunter, M. Gaye und W. Stevenson (Motown songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Martha Reeves and the Vandellas3.552:36
21Da Doo Ron Ron
recording of:
Da Doo Ron Ron
Verfasser(in):
Jeff Barry, Ellie Greenwich und Phil Spector
publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) (beendet), ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Intersong (publisher), Mother Bertha Music Inc., Trio Music Co., Inc., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), 日本アブコ音楽出版 (ABKCO Japan Publishing), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), イーエムアイ音楽出版 C・F事業部 (EMI Music Publishing Japan C.F. division) (bis 2021-06-30), フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Crystals2:03
22I Can’t Help Myself (Sugar Pie, Honey Bunch)
recording engineer:
Russ Terrana
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (in 1965)
Bass [1962 Fender Precision Bass]:
James Jamerson
Gitarre [1964 Gibson Firebird III]:
Eddie Willis (in 1965)
Gitarre [Fender Telecaster with Jazzmaster Neck]:
Joe Messina (in 1965)
Gitarre [Gibson L-5]:
Robert White (US funk/soul guitarist) (in 1965)
Instrumente:
The Funk Brothers (in 1965)
Klavier:
Earl Van Dyke (in 1965)
Saiteninstrumente:
Detroit Symphony Orchestra (in 1965)
Schlagzeug:
Richard "Pistol" Allen (in 1965)
Tamburin:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (in 1965)
Vibraphon:
Jack Brokensha (in 1965)
Hintergrundgesang:
The Andantes (in 1965), Marlene Barrow (in 1965), Renaldo Benson (in 1965), Louvain Demps (in 1965), Abdul “Duke” Fakir (in 1965), Jackie Hicks (in 1965) und Lawrence Payton (in 1965)
Sologesang:
Levi Stubbs (in 1965)
aufgenommen bei und mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 30), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 148), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 415) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 483)
recording of:
I Can’t Help Myself (Sugar Pie, Honey Bunch) (in 1965)
Texter:
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Stone Agate Music Division
Four Tops3.62:46
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