Jazz Divas: The Very Best Of

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD: From Past...
Nr.TitelKünstlerBewertungLänge
1Moonlight in Vermont
Gitarre:
Herb Ellis (jazz guitarist) (am 1956-08-16)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1956-08-16)
Kontrabass:
Ray Brown (jazz bassist) (am 1956-08-16)
Schlagzeug:
Buddy Rich (am 1956-08-16)
Trompete:
Louis Armstrong (am 1956-08-16)
vocals:
Louis Armstrong (am 1956-08-16) und Ella Fitzgerald (American jazz singer) (am 1956-08-16)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-16)
cover recording of:
Moonlight in Vermont (am 1956-08-16)
Texter:
John Blackburn (songwriter)
Komponist(in):
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ella Fitzgerald53:40
2He Needs Me
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
He Needs Me (in 1957-12)
Texter und Komponist(in):
Arthur Hamilton
publisher:
Warner Chappell North America
Nina Simone52:29
3Cry Me a River
Techniker(in):
John Kraus (1950s US engineer) (in 1955-08)
Produzent(in):
Bobby Troup
Gitarre:
Barney Kessel
Kontrabass [bass]:
Ray Leatherwood
vocals:
Julie London (in 1955-08)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 15)
recording of:
Cry Me a River (in 1955-08)
Texter und Komponist(in):
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) und Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:47
4I’m a Fool to Want You
Bass:
Milt Hinton (am 1958-02-20)
Bassposaune:
Tom Mitchell (US jazz trombonist) (am 1958-02-20)
Bratsche / Viola:
Sidney Brecher (am 1958-02-20) und Richard Dickler (am 1958-02-20)
Cello:
Maurice Brown (jazz cellist) (am 1958-02-20) und David Soyer (am 1958-02-20)
flute:
Danny Bank (reeds) (am 1958-02-20), Phil Bodner (Woodwind player) (am 1958-02-20), Thomas Parshley (am 1958-02-20) und Romeo Penque (am 1958-02-20)
Geige / Violine:
Emmanual Green (am 1958-02-20), Harry Hoffman (violinist) (am 1958-02-20), Harry Katzman (am 1958-02-20), Leo Kruczek (am 1958-02-20), Milton Lomask (am 1958-02-20), Harry Melnikoff (am 1958-02-20), George Ockner (am 1958-02-20) und Sam Rand (violinist) (am 1958-02-20)
Gitarre:
Barry Galbraith (am 1958-02-20)
Harfe:
Janet Putnam (harpist) (am 1958-02-20)
Klavier:
Mal Waldron (American jazz pianist) (am 1958-02-20)
Posaune:
Jack Green (am 1958-02-20) und J.J. Johnson (jazz/bop trombonist/session leader) (am 1958-02-20)
Schlagzeug:
Osie Johnson (am 1958-02-20)
Solo-Posaune:
Urbie Green (am 1958-02-20)
Trompete:
Billy Butterfield (am 1958-02-20), Mel Davis (US jazz trumpeter) (am 1958-02-20) und Bernie Glow (am 1958-02-20)
Hintergrundgesang:
Elise Bretton (am 1958-02-20) und Miriam Workman (am 1958-02-20)
Sologesang:
Billie Holiday (am 1958-02-20)
Orchester:
Ray Ellis and His Orchestra (am 1958-02-20)
conductor:
Ray Ellis (US producer, arranger and conductor) (am 1958-02-20)
cover recording of:
I’m a Fool to Want You (am 1958-02-20)
Verfasser(in):
Joel Herron (in 1951), Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1951) und Jack Wolf (in 1951)
publisher:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Billie Holiday43:24
5That Old FeelingDinah Shore3:11
6Fever
Fingerschnippen:
Peggy Lee (jazz vocalist) (am 1958-05-19) und Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1958-05-19)
Kontrabass [bass]:
Joe Mondragon (am 1958-05-19)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1958-05-19)
vocals:
Peggy Lee (jazz vocalist) (am 1958-05-19)
conductor:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1958-05-19)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
cover recording of:
Fever (am 1958-05-19)
Verfasser(in):
Eddie Cooley und John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. und Trio Music Company
Teil von:
The Adjustment Bureau
Peggy Lee4.253:21
7Don’t Explain
cover recording of:
Don’t Explain
Verfasser(in):
Arthur Herzog, Jr. und Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated) und Universal Music Publishing (use ONLY if no country‐specific information is available)
Helen Merrill5:15
8The More I See You
cover recording of:
The More I See You
Texter:
Mack Gordon
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc., Four Jays Music Co., Peermusic (UK) Limited, Warner Bros., Inc. (not for release label use!) und Warner/Chappell Music International Ltd.
übersetzte Version von:
The More I See You (Valli’s version with french lyrics)
Nancy Wilson2:11
9Lover Man
recorded in:
New York, New York, Vereinigte Staaten (von 1956-09-11 bis 1956-09-12)
Produzent(in):
Norman Granz
Gitarre:
Herb Ellis (jazz guitarist) (von 1956-09-11 bis 1956-09-12)
Klavier:
Blossom Dearie (von 1956-09-11 bis 1956-09-12)
Kontrabass [bass]:
Ray Brown (jazz bassist) (von 1956-09-11 bis 1956-09-12)
Schlagzeug:
Jo Jones (US jazz drummer) (von 1956-09-11 bis 1956-09-12)
vocals:
Blossom Dearie (von 1956-09-11 bis 1956-09-12)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recording of:
Lover Man (von 1956-09-11 bis 1956-09-12)
Texter:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
Komponist(in):
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (beendet), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (beendet) und Universal Music Corp. (USA, affiliated with ASCAP)
Blossom Dearie2:47
10It’s All Right With Me
cover recording of:
It’s All Right with Me (Can‐Can musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Jeri Southern4:46
11Sophisticated Lady
recorded in:
New York, New York, Vereinigte Staaten (am 1956-01-23)
alto saxophone:
Johnny Hodges (am 1956-01-23)
alto saxophone und Klarinette:
Russell Procope (am 1956-01-23)
baritone saxophone:
Harry Carney (am 1956-01-23)
Klarinette und Tenorsaxophon:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1956-01-23)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1956-01-23)
Kontrabass:
Jimmy Woode (am 1956-01-23)
Posaune:
Quentin Jackson (am 1956-01-23) und Britt Woodman (am 1956-01-23)
Schlagzeug:
Sam Woodyard (am 1956-01-23)
Tenorsaxophon:
Paul Gonsalves (am 1956-01-23)
Trompete:
William “Cat” Anderson (am 1956-01-23), Willie Cook (US jazz trumpeter) (am 1956-01-23), Ray Nance (am 1956-01-23) und Cootie Williams (am 1956-01-23)
Ventilposaune:
John Sanders (US jazz trombonist) (am 1956-01-23)
Sologesang:
Rosemary Clooney (am 1956-01-23)
Orchester:
Duke Ellington and His Orchestra (am 1956-01-23)
recording of:
Sophisticated Lady (am 1956-01-23)
Texter:
Mitchell Parish und Irving Mills (in 1932)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (beendet), Mills Music, Inc. (beendet), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (bis 2007-05) und Sony/ATV Harmony (vom 2007-05 bis heute)
Teil von:
Sophisticated Ladies (1981 musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Rosemary Clooney2:59
12Spring Is Here
vocals:
Anita O’Day (am 1960-06-07)
Orchester:
Billy May & His Orchestra (am 1960-06-07)
conductor:
Billy May (am 1960-06-07)
arranger:
Billy May
cover recording of:
Spring Is Here (am 1960-06-07)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. und United Partnership Ltd.
Anita O’Day2:45
13The Lady Sings the Blues
cover recording of:
Lady Sings the Blues
Texter:
William Engvick
Komponist(in):
Alec Wilder (American composer)
Chris Connor3:44
14How Long Has This Been Going On
recording of:
How Long Has This Been Going On? (Funny Face, 1957 film)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
Teil von:
My One and Only (1983 Broadway musical)
Teil von:
Rosalie
Carmen McRae4:06
15Summertime
vocals:
Sarah Vaughan (am 1949-12-21)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1949)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (am 1949-12-21)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Sarah Vaughan3:16
16Danny Boy
recording of:
Danny Boy
publisher:
Alfred Music (publisher of sheet music for music education)
Texter:
Frederick Edward Weatherly (von 1910 bis 1913)
Komponist(in):
[traditional] (special purpose artist)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label) und Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
sub-publisher:
Public Music AB
basiert auf:
Londonderry Air
Judy Garland2:45
17Everytime We Say Goodbye
recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Lena Horne3:40
18I Got It Bad and That Ain’t Good
recording of:
I Got It Bad (and That Ain’t Good)
Texter:
Paul Francis Webster (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony und Webster Music Co.
Teil von:
The Real Book (compilation of jazz standards, volume I)
Toni Tennille4:02
19Baubles, Bangles and Beads
recording of:
Baubles, Bangles and Beads (from “Kismet”)
Verfasser(in):
George Forrest (American composer and lyricist) und Robert Wright (US stage & screen composer & lyricist)
publisher:
Frank Music Corp. und Scheffel Music Corp
basiert auf:
String Quartet no. 2 in D major: II. Scherzo. Allegro
Teil von:
Kismet (full musical)
June Christy2:29
20Softly as in a Morning Sunrise
recorded in:
New York, New York, Vereinigte Staaten (in 1959)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
Gitarre:
Les Spann (in 1959)
Klavier:
Phil Wright (American jazz pianist and assistant to Barbara Morrison) (in 1959)
Kontrabass:
Sam Jones (US jazz bassist) (in 1959)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (in 1959)
Trompete:
Kenny Dorham (US jazz trumpeter, singer, and composer) (in 1959)
vocals:
Abbey Lincoln (in 1959)
cover recording of:
Softly, as in a Morning Sunrise (The New Moon) (in 1959)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
Komponist(in):
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Chappell & Co Ltd., Chappell Music Ltd., Redwood Music Ltd. (Carlin) und Warner Bros., Inc. (not for release label use!)
Teil von:
The New Moon: Act I
Abbey Lincoln2:42
2CD: ...To Present

Nennungen

Veröffentlichung

ASIN:FR: B005QCJ986 [Info]