The Very Best of

~ Pubblicazione di Johnny Mathis (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1Chances Are
produttore:
Al Ham e Mitch Miller
produttore esecutivo:
Michael Berniker e Jerry Shulman
voce:
Johnny Mathis (US pop/soul singer) (nel 1957)
orchestra:
Ray Conniff and His Orchestra
diritti fonografici (℗) detenuti da:
Jon Mat Records, Inc. (nel 1957)
parte di:
Grammy Hall of Fame (numero: 1998)
registrazione di:
Chances Are (nel 1957)
paroliere:
Al Stillman
compositore:
Robert Allen (US songwriter/arranger/pianist)
editore:
Kitty Anne Music Co., Inc. (conclusa), Charlie Deitcher Productions, Inc., Edward Kassner Music Co. Ltd., EMI Music Publishing (do not use as a release label!), Music Sales Corporation (American copyright holder in both popular and classical music) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Johnny Mathis3:04
2What’ll I Do
registrazione cover di:
What’ll I Do?
paroliere e compositore:
Irving Berlin (nel 1923)
editore:
Irving Berlin Music Company, Irving Berlin Music Corp., Wilhelm Hansen e Williamson Music Company
registrazione di:
What’ll I Do?
paroliere e compositore:
Irving Berlin (nel 1923)
editore:
Irving Berlin Music Company, Irving Berlin Music Corp., Wilhelm Hansen e Williamson Music Company
Johnny Mathis2:58
3It’s Not for Me to Say
produttore:
Al Ham e Mitch Miller
produttore esecutivo:
Michael Berniker e Jerry Shulman
orchestra:
Ray Conniff and His Orchestra
diritti fonografici (℗) detenuti da:
Jon Mat Records, Inc. (nel 1957)
registrazione di:
It’s Not for Me to Say
paroliere:
Al Stillman
compositore:
Robert Allen (US songwriter/arranger/pianist)
editore:
Campbell Connelly & Co. Ltd., Charlie Deitcher Productions, Inc., Edward Kassner Music Co. Ltd., Kitty Anne Music Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Johnny Mathis3:07
4Wonderful! Wonderful!
registrazione di:
Wonderful, Wonderful
paroliere:
Ben Raleigh
compositore:
Sherman Edwards
Johnny Mathis2:49
5Come to Me
orchestra:
Ray Ellis and His Orchestra
registrazione di:
Come to Me
paroliere:
Peter Lind Hayes
compositore:
Robert Allen (US songwriter/arranger/pianist)
editore:
Korwin Music, Inc.
Johnny Mathis3:06
6Maria
produttore:
Mitch Miller
diritti fonografici (℗) detenuti da:
Jon Mat Records, Inc. (nel 1959)
registrazione cover di:
West Side Story: Maria (Tony)
paroliere:
Stephen Sondheim (nel 1956)
compositore:
Leonard Bernstein (American conductor, composer, pianist) (nel 1956)
editore:
Campbell Connelly & Co. Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
parte di:
West Side Story
Johnny Mathis3:48
7Wild Is the Wind
registrazione di:
Wild Is the Wind (theme song from the Paramount movie “Wild Is the Wind”)
paroliere:
Ned Washington
compositore:
Dimitri Tiomkin
editore:
BMG Music Publishing Ltd., Carlin Music Corporation, Shapiro, Bernstein & Co., Inc., Universal Music Publishing MGB Ltd., Anne-Rachel Music Corp. (nel 1957, nel 1985), Catharine Hinen Music (nel 1957, nel 1985), Chappell & Co., Inc. (USA) (nel 1957), Largo Music Inc. (nel 1957, nel 1985) e Patti Washington Music (nel 1957, nel 1985)
parte di:
The 30th Academy Award for Best Original Song (numero: 2)
Johnny Mathis2:29
8What Will My Mary Say
registrazione cover di:
What Will My Mary Say
autore:
Eddie Snyder e Paul Vance (US songwriter and producer)
editore:
Music Sales Corporation (American copyright holder in both popular and classical music) e Sis ’n Bro Too LLC
Johnny Mathis3:11
9A Certain Smile
produttore:
Al Ham e Mitch Miller
orchestra:
Ray Ellis and His Orchestra (il 1958-05-12)
diritti fonografici (℗) detenuti da:
Jon Mat Records, Inc. (nel 1958)
registrazione cover di:
A Certain Smile (il 1958-05-12)
paroliere:
Paul Francis Webster
compositore:
Sammy Fain
editore:
EMI United Partnership Ltd.
parte di:
The 31st Academy Award for Best Original Song (numero: 2)
registrazione di:
A Certain Smile
paroliere:
Paul Francis Webster
compositore:
Sammy Fain
editore:
EMI United Partnership Ltd.
parte di:
The 31st Academy Award for Best Original Song (numero: 2)
Johnny Mathis32:48
10All the Time
Johnny Mathis2:46
11The Twelfth of Never
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
registrazione di:
The Twelfth of Never
paroliere:
Paul Francis Webster
compositore:
Jerry Livingston (songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hallmark Music Co. Inc. (ASCAP affiliated), Rondor Music (London) Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Webster Music Co.
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
si basa su:
The Riddle Song (aka “I Gave My Love a Cherry”)
Johnny Mathis2:32
12Misty
produttore:
Al Ham e Mitch Miller
voce:
Johnny Mathis (US pop/soul singer) (nel 1959)
direttore d'orchestra:
Glenn Osser (nel 1959)
arrangiatore:
Glenn Osser
registrazione di:
Misty
paroliere:
Johnny Burke (American lyricist, 1908–1964)
compositore:
Erroll Garner
editore:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) e WB Music Corp. (1929–2019)
si basa su:
Misty (original instrumental work)
Johnny Mathis3:37
13When Sunny Gets Blue
orchestra:
Ray Conniff and His Orchestra
registrazione di:
When Sunny Gets Blue
paroliere:
Jack Segal (US songwriter)
autore:
Fisher e Segal (US songwriter)
compositore:
Marvin Fisher
editore:
Sony/ATV Tunes LLC (ASCAP)
parte di:
The Real Book (compilation of jazz standards, volume I)
Johnny Mathis2:44
14Hello, Young Lovers
registrazione cover di:
Hello, Young Lovers (The King and I)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
Williamson Music Company e Williamson Music, Inc.
sub-editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd. e Williamson Music Ltd.
parte di:
The King and I (Rodgers & Hammerstein musical)
Johnny Mathis4:17
15For the Good Times
registrazione cover di:
For the Good Times
paroliere e compositore:
Kris Kristofferson
editore:
Careers Music, Inc., Careers-BMG Music, Careers‐BMG Music Publishing, Universal Music Publishing International MGB Ltd., Universal Music Publishing MGB Ltd., Valentine Music Ltd. e Universal Music Careers (nel 1968)
Johnny Mathis3:45
16Small World
registrazione di:
Small World (from “Gypsy”)
paroliere:
Stephen Sondheim
compositore:
Jule Styne
editore:
Stratford Music Corporation e Williamson Music Company
parte di:
Gypsy
Johnny Mathis3:20
17Too Much, Too Little, Too Late
produttore:
Jack Gold
esecutore:
Johnny Mathis (US pop/soul singer) e Deniece Williams (US soul/funk vocalist/songwriter)
diritti fonografici (℗) detenuti da:
Jon Mat Records, Inc. (nel 1978)
registrazione di:
Too Much, Too Little, Too Late
autore:
Nat Kipner (Australian producer, songwriter, label owner & publisher) e John McIntyre Vallins
editore:
Homewood House Music e MCA Music Ltd.
Johnny Mathis duet with Deniece Williams43:03
18Send in the Clowns
registrazione cover di:
Send In the Clowns (A Little Night Music)
paroliere e compositore:
Stephen Sondheim
editore:
Chappell Music Ltd., Fiddleback Music Publishing Co., Inc., Revelation Music Publishing Corp., Rilting Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Warner/Chappell North America
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
A Little Night Music (musical)
Johnny Mathis3:40
19The Way We Were
registrazione cover di:
The Way We Were
paroliere:
Alan Bergman (American lyricist) (nel 1973) e Marilyn Bergman (nel 1973)
compositore:
Marvin Hamlisch (nel 1973)
editore:
Pathe Publications (Far East) Limited, Screen Gems–EMI Music Ltd. e Colgems-EMI Music Inc. (nel 1973)
sub-editore:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
The 46th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1973 winner)
parte di:
The Way We Were
Johnny Mathis3:48
20It’s Impossible
registrazione cover di:
It’s Impossible
compositore:
Armando Manzanero (nel 1970)
traduttore:
Sid Wayne
editore:
BMG Songs, Inc.
versione tradotta di:
Somos novios
Johnny Mathis2:59

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