Cooking Songs

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Rehab
assistente tecnico di registrazione:
Jesse Gladstone e Mike Makowski
tecnico di registrazione:
Vaughan Merrick e Mark Ronson (British DJ and producer)
supporto a vario titolo:
Isobel Griffiths (incarico: contractor / orchestra)
tecnico:
Dom Morley
produttore:
Mark Ronson (British DJ and producer)
assistente tecnico di missaggio:
Matt Paul
tecnico di missaggio:
Tom Elmhirst (mixing engineer)
arpa :
Helen Tunstall
batteria :
Homer Steinweiss
battimani :
Vaughan Merrick e Mark Ronson (British DJ and producer)
chitarra :
Thomas Brenneck e Binky Griptite
chitarra basso :
Nick Movshon
percussione :
Frank Ricotti (percussionist)
pianoforte e pianoforte elettrico, battimani e pianoforte :
Victor Axelrod
sassofono baritono :
Dave Bishop (saxophonist) e Ian Hendrickson-Smith
sassofono contralto :
Chris Davies e Andy Mackintosh (British-born saxophonist)
sassofono tenore :
Mike Smith (British saxophonist/keyboardist/composer/arranger/conductor), Neal Sugarman e Jamie Talbot (English jazz alto saxophonist)
tromba :
Dave Guy e Steve Sidwell (English composer & wind instrumentalist)
trombone :
Richard Edwards (trombonist)
viola :
Rachel Bolt (violist), Jonathan Thorne (viola player), Bruce White (violist) e Katie Wilkinson (violist)
violino :
Mark Berrow (violinist), Elizabeth Edwards (violinist), Peter Hanson (violinist), Boguslaw Kostecki (violinist), Perry Montague‐Mason (violinist), Everton Nelson (violinist), Tom Pigott‐Smith (violinist), Jonathan Rees, Chris Tombling (violinist) e Warren Zielinski (violinist)
violoncello :
John Heley (cellist), Joely Koos (cellist) e Anthony Pleeth (cellist)
direttore d'orchestra:
Chris Elliott (composer and arranger)
arrangiatore archi :
Chris Elliott (composer and arranger)
arrangiatore strumenti a fiato :
Gabriel Roth e Mark Ronson (British DJ and producer)
arrangiatore:
Gabriel Roth (Gabriel Alexander Roth)
registrata presso:
Chung King Studios in New York, New York, Stati Uniti, Daptone’s House of Soul in Bushwick, New York, New York, Stati Uniti e Metropolis (London) in London (Greater London), England, Regno Unito
parte di:
Amazon – Best Songs of 2007: Editor Picks (numero: 57), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 73) e Indie 88: Top 500 Indie Rock Songs (numero: 419)
registrazione di:
Rehab
paroliere e compositore:
Amy Winehouse
editore:
EMI Music Publishing (do not use as a release label!)
Amy Winehouse4.1?:??
2Blow Me (One Last Kiss)
edit di:
Blow Me (One Last Kiss) (explicit) di P!nk (American singer/songwriter)
registrazione di:
Blow Me (One Last Kiss) (nel 2012)
autore:
Alecia Moore (American singer/songwriter) e Gregory Kurstin
P!nk2.353:51
3Price Tag
tecnico di registrazione e tecnico:
Chris "TEK" O'Ryan, Sam Holland (sound engineer) e Emily Wright
programmazione e produttore:
Dr. Luke
assistente tecnico:
Tatiana Gottwald
assistente tecnico di missaggio:
Tim Roberts (engineer)
tecnico di missaggio:
Serban Ghenea e John Hanes (audio engineer, mixer)
basso elettrico :
Butch Coleman
batteria e tastiera :
Dr. Luke
voce:
Jessie J (English singer-songwriter)
registrazione parziale di:
Price Tag
autore:
Bobby Ray Simmons, Jr. (US rapper Bobby Ray Simmons, Jr.), Łukasz Gottwald, Jessica Cornish (English singer-songwriter) e Claude Kelly
editore:
Ham Squad Music, Kasz Money Publishing (ASCAP affiliated), Prescription Songs, Shady Music Publishing, LLC (BMI), Songs of Universal, Inc. (BMI), Sony/ATV Music Publishing (UK) Ltd., Studio Beast Music (publishing company linked to Claude Kelly) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-editore:
Kobalt Music Publishing Ltd. (UK), Neue Welt Musikverlag GmbH (2017 – present), Sony Music Publishing (Germany) GmbH e Universal/MCA Music Publishing GmbH
Jessie J2?:??
4DNA
assistente tecnico:
Phil Seaford
tecnico:
John Hanes (audio engineer, mixer)
tecnico aggiunto:
Daniel Aslet (voce principale [vocal]) e Ben Collier (voce principale [vocal])
produttore:
TMS (UK songwriting/production team)
tecnico di missaggio:
Serban Ghenea
batteria [drums] :
Thomas Barnes (UK songwriter and drummer)
chitarra :
Ben Kohn (songwriter and producer)
sintetizzatore [synths] :
Peter Kelleher (multi-instrumentalist)
voce:
JADE (UK vocalist, member of Little Mix), Leigh‐Anne, Jesy Nelson e Perrie (English singer‐songwriter)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 2021) e Warner Music UK Limited (not for release label use!) (nel 2021)
mixata presso:
MixStar Studios in Virginia Beach, Virginia, Stati Uniti
versione karaoke di:
DNA (instrumental) di Little Mix (British girl group)
registrazione di:
DNA
autore:
Thomas Barnes (UK songwriter and drummer), JADE (UK vocalist, member of Little Mix), Iain James, Peter Kelleher (multi-instrumentalist), Ben Kohn (songwriter and producer), Leigh‐Anne, Jesy Nelson e Perrie (English singer‐songwriter)
editore:
Eternal Dance Media, Gavin Jones Music Limited e Sony Music Publishing (2003–2008, 2021–present)
Little Mix3?:??
5How We Do (Party)
assistente tecnico:
Chris Galland e Erik Madrid (engineer)
produttore:
Kuk Harrell, Kelly Sheehan (songwriter and engineer Kelly Sheehan) e The Runners (US hip hop production duo)
produttore aggiunto:
The Monarch (production duo)
tecnico di missaggio:
Manny Marroquin
chitarra acustica :
Alex Delicata
voce principale:
Rita Ora
arrangiatore strumenti:
Alex Delicata
edit di:
How We Do (Party) (explicit) di Rita Ora
video musicali:
How We Do (Party) (clean version) di Rita Ora
registrazione di:
How We Do (Party)
autore:
Alexander Delicata, Andrew Davidson, Andrew Harr, Berry Gordy Jr, Christopher Wallace (The Notorious B.I.G.), Hal Davis, Willie Hutch, Jermaine Jackson, Kelly Sheehan (songwriter and engineer Kelly Sheehan), Bonnie McKee, Osten Harvey Jr e Bob West (US session bassist, producer & songwriter)
cita i testi di:
Party and Bullshit (album version)
Rita Ora3?:??
6TiK ToK
supporto a vario titolo:
Gary "G" Silver (incarico: production coordination) e Vanessa Silberman (incarico: production assistance)
programmazione e produttore:
benny blanco (producer Benjamin Levin) e Dr. Luke
assistente tecnico:
Tatiana Gottwald
tecnico:
benny blanco (producer Benjamin Levin), Sam Holland (sound engineer) e Emily Wright
assistente tecnico di missaggio:
Tim Roberts (engineer)
tecnico di missaggio:
Serban Ghenea e John Hanes (audio engineer, mixer)
editor:
Emily Wright (voce principale [vocal])
batteria [drums] e tastiera [keyboards] :
benny blanco (producer Benjamin Levin) e Dr. Luke
diritti fonografici (℗) detenuti da:
RCA/Jive Label Group (holding company, not a release label) (nel 2009) e RCA Records (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (nel 2025)
è stato produttore per:
Kasz Money Productions, Inc.
mixata presso:
MixStar Studios in Virginia Beach, Virginia, Stati Uniti
lavorazione tecnica effettuata presso:
Conway Recording Studios in Hollywood, Los Angeles, California, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 2010 (numero: 1), Billboard: Greatest of All Time Hot 100 Songs (numero: 68) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 149)
registrazione di:
TiK ToK
autore:
Benjamin Levin (producer Benjamin Levin), Łukasz Gottwald e Kesha Sebert (Kesha, American singer fka Ke$ha)
editore:
Dynamite Cop Music, Kasz Money Publishing (ASCAP affiliated), Matza Ball Music e Where da Kasz At
Ke$ha3.93:20
7Smile
tecnico:
Darren Lewis, Iyiola Babalola (drum n bass producer Iyiola Babalola) e Mike Pelanconi
produttore:
Darren Lewis, Future Cut e Iyiola Babalola (drum n bass producer Iyiola Babalola)
assistente tecnico di missaggio:
Dan Porter
tecnico di missaggio:
Future Cut e Mike Pelanconi
batteria :
Paul Powell
chitarra basso :
Clive Hunte
sassofono :
Michael Rose (Saxophonist)
tastiera :
Darren Lewis, John Ellis (UK session bassist/keyboardist/vocalist/producer) e Iyiola Babalola (drum n bass producer Iyiola Babalola)
tromba :
Eddie Thornton
trombone :
Trevor Edwards
voce principale:
Lily Allen
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2006)
mixata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito
parte di:
Amazon – Best Songs of 2007: Editor Picks (numero: 6)
registrazione di:
Smile
paroliere:
Lily Allen, Darren Lewis e Iyiola Babalola (drum n bass producer Iyiola Babalola)
autore aggiunto:
Clement “Coxsone” Dodd
compositore:
Jackie Mittoo
editore:
Sparta Florida Music Group e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
si basa su:
Free Soul
Lily Allen3.73:15
8Hey Ya!
tecnico di registrazione:
John Frye (hip hop / R&B mix engineer), Robert Hannon e Pete Novak
programmazione e produttore:
André 3000
tecnico di missaggio:
Neal Pogue (mix engineer)
chitarra acustica e tastiera e voce principale:
André 3000
tastiera :
Kevin Kendrick (US soul/funk keyboardist/songwriter)
video musicali:
Hey Ya! di OutKast
parte di:
Sean Michaels: The Top 30 Songs of 2003 (numero: 1), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 10), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 14), Triple J’s Hottest 100: Twenty Years (2013) (numero: 18), VH1’s Big Song of 2003 (numero: 24), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 180) e Indie 88: Top 500 Indie Rock Songs (numero: 198)
registrazione di:
Hey Ya!
paroliere e compositore:
André Benjamin
editore:
Chrysalis Music, Inc. e Gnat Booty
OutKast4?:??
9SpotlightJennifer Hudson3?:??
10Living in America
assistente tecnico:
Jeff Lord‐Alge
tecnico:
Chris Lord‐Alge
produttore:
Dan Hartman
chitarra :
Dan Hartman e Stevie Ray Vaughan
chitarra basso :
T.M. Stevens (US bass player Thomas Michael Stevens)
corno :
Crispin Cioe, Bob Funk (trombonist, trumpet player), Arno Hecht (American saxophonist), Hollywood Paul Litteral e The Uptown Horns (US horn section, formed in 1980)
membranofono :
Ray Marchica
tastiera :
Dan Hartman
voce di accompagnamento:
Dan Hartman e T.M. Stevens (US bass player Thomas Michael Stevens)
voce principale:
James Brown (The Godfather of Soul)
registrazione di:
Living in America
autore:
Dan Hartman e Charlie Midnight
editore:
April Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Janiceps Music, Second Nature Music, Inc., UA Music Inc. e United Lion Music Inc.
James Brown3.35?:??
11A Little Less Conversation
assistente tecnico:
Dan Milazzo e Claudius Mittendorfer (engineer, producer, mixer)
tecnico:
Ray Bardani
voce principale:
Elvis Presley (“The King of Rock and Roll”) (dal 1968-03-07 al 1968-06-23)
remixer:
Junkie XL (Dutch DJ/score composer Tom Holkenborg)
diritti fonografici (℗) detenuti da:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (nel 2002) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1968-03-07 al 1968-06-23)
mixata presso:
Computer Hell Cabin in Amsterdam, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
remix di:
A Little Less Conversation di Elvis Presley (“The King of Rock and Roll”)
registrazione cover di:
A Little Less Conversation (dal 1968-03-07 al 1968-06-23)
autore:
Mac Davis (US country singer, songwriter & actor) e Billy Strange
editore:
Carlin Music Corporation e Elvis Presley Music
registrazione di:
A Little Less Conversation
autore:
Mac Davis (US country singer, songwriter & actor) e Billy Strange
editore:
Carlin Music Corporation e Elvis Presley Music
Elvis vs. JXL3.4?:??
12Here Come the Girls
registrazione di:
Here Come the Girls
paroliere, autore e compositore:
Allen Toussaint
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Ernie K‐Doe5?:??
13Music to Watch Girls By
produttore:
Nick de Caro
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967)
registrazione cover di:
Music to Watch Girls By (il 1967-02-21)
autore:
Sid Ramin e Tony Velona
editore:
Sidray Enterprises Ltd. e Sony Music Publishing (worldwide except Japan, ended 1995)
Andy Williams4.65?:??
14Walking on Broken Glass
registrazione di:
Walking on Broken Glass
paroliere e compositore:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
editore:
BMG Music Publishing Ltd., La Lennoxa Ltd e Universal Music Publishing International MGB Ltd.
Annie Lennox?:??
15Leave Right Now
supporto a vario titolo:
Isobel Griffiths
programmazione e produttore:
Stephen Lipson
tecnico e tecnico di missaggio:
Heff Moraes
famiglia delle chitarre :
John Themis e Eg White
membranofono :
Steve Barney (Drummer)
tastiera :
Anne Dudley (English score composer) e Greg Wells
voce di accompagnamento:
Tracy Ackerman
registrazione di:
Leave Right Now
orchestratore:
Anne Dudley (English score composer)
paroliere e compositore:
Eg White
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Will Young3.25?:??
16You Raise Me Up
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Germany) GmbH (use as © & ℗ holders or as distributors only, between 2005/03/24–2009/01/14) (nel 1984)
registrazione cover di:
You Raise Me Up
paroliere:
Brendan Graham (Irish songwriter)
compositore:
Rolf Løvland
editore:
ALFRED PUBLISHING CO INC 301, Peer Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Peermusic (UK) Limited (dal 2002 a oggi) e Universal Music Publishing AB (Sweden) (dal 2002 a oggi)
sub-editore:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
registrazione di:
You Raise Me Up
paroliere:
Brendan Graham (Irish songwriter)
compositore:
Rolf Løvland
editore:
ALFRED PUBLISHING CO INC 301, Peer Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Peermusic (UK) Limited (dal 2002 a oggi) e Universal Music Publishing AB (Sweden) (dal 2002 a oggi)
sub-editore:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Westlife2.25?:??
17Wherever You Will Go
registrazione cover di:
Wherever You Will Go
autore:
Alex Band (singer‐songwriter and frontman of The Calling) e Aaron Kamin
editore:
Alex Band Music, Amedeo Music, BMG Music Publishing, Inc., BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Careers e Universal Music Publishing MGB Ltd.
Charlene Soraia2.5?:??
18White Flag
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 2003) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 2003)
edit di:
White Flag (original version with solo string intro) di Dido (English singer‐songwriter)
registrazione di:
White Flag
paroliere:
Dido (English singer‐songwriter)
compositore:
Dido (English singer‐songwriter), Rick Nowels e Rollo Armstrong
Dido4?:??

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