Arias

~ Release by Johann Sebastian Bach; Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson (see all versions of this release, 4 available)

Annotation

Catalog#: 2GH 429-737 - Label: DG Deutsche Grammophon (USA) - SPAR Code: DDD - UPC: 00028942973725

Annotation last modified on 2006-03-10 14:46 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Kantate no. 197 “Gott ist unser Zuversicht”, BWV 197, no. 8: Vergnügen und Lust, Gedeihen und Heil
producer:
Thomas Frost (classical music producer)
violin:
Itzhak Perlman (violinist and conductor) (in 1990-08)
soprano vocals:
Kathleen Battle (soprano) (in 1990-08)
orchestra:
Orchestra of St. Luke’s (in 1990-08)
conductor:
John Nelson (American conductor) (in 1990-08)
balance engineer:
Tom Lazarus (in 1990-08)
recorded at:
RCA Studio A (New York) in New York, New York, United States (in 1990-08)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": VIII. Aria (Sopran) "Vergnügen und Lust" (in 1990-08)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach3:16
2Kantate no. 58 “Ach Gott, wie manches Herzeleid”, BWV 58, no. 3: Ich bin vergnügt in meinem Leiden
producer:
Thomas Frost (classical music producer)
violin:
Itzhak Perlman (violinist and conductor) (in 1989-08)
soprano vocals:
Kathleen Battle (soprano) (in 1989-08)
orchestra:
Orchestra of St. Luke’s (in 1989-08)
conductor:
John Nelson (American conductor) (in 1989-08)
balance engineer:
Tom Lazarus (in 1989-08)
recorded at:
RCA Studio A (New York) in New York, New York, United States (in 1989-08)
recording of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid": III. Aria (Soprano) "Ich bin vergnügt in meinem Leiden" (catch-all for unknown versions) (in 1989-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid" (catch-all for unknown versions)
Johann Sebastian Bach3:46
3Kantate no. 204 “Ich bin in mir vergnügt”, BWV 204, no. 4: Die Schätzbarkeit der weiten Erden
producer:
Thomas Frost (classical music producer)
violin:
Itzhak Perlman (violinist and conductor) (in 1989-08)
soprano vocals:
Kathleen Battle (soprano) (in 1989-08)
orchestra:
Orchestra of St. Luke’s (in 1989-08)
conductor:
John Nelson (American conductor) (in 1989-08)
balance engineer:
Tom Lazarus (in 1989-08)
recorded at:
RCA Studio A (New York) in New York, New York, United States (in 1989-08)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": IV. Aria (Sopran) "Die Schätzbarkeit der weiten Erden" (in 1989-08)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
Johann Sebastian Bach4:06
4Kanatate no. 97 “In allen meinen Taten”, BWV 97, no. 4: Ich traue seiner Gnaden
producer:
Thomas Frost (classical music producer)
violin:
Itzhak Perlman (violinist and conductor) (in 1989-12)
soprano vocals:
Kathleen Battle (soprano) (in 1989-12)
orchestra:
Orchestra of St. Luke’s (in 1989-12)
conductor:
John Nelson (American conductor) (in 1989-12)
balance engineer:
Tom Lazarus (in 1989-12)
recorded at:
RCA Studio A (New York) in New York, New York, United States (in 1989-12)
recording of:
Kantate, BWV 97 "In allen meinen Taten": IV. Aria (Tenor) "Ich traue seiner Gnaden" (in 1989-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
part of:
Kantate, BWV 97 "In allen meinen Taten"
Johann Sebastian Bach5:21
5Kantate no. 115 “Mache dich, mein Geist, bereit”, BWV 115, no. 4: Bete aber auch dabei
producer:
Thomas Frost (classical music producer)
violin:
Itzhak Perlman (violinist and conductor) (in 1990-08)
soprano vocals:
Kathleen Battle (soprano) (in 1990-08)
orchestra:
Orchestra of St. Luke’s (in 1990-08)
conductor:
John Nelson (American conductor) (in 1990-08)
performer:
Itzhak Perlman (violinist and conductor) (in 1990-08)
balance engineer:
Tom Lazarus (in 1990-08)
recorded at:
RCA Studio A (New York) in New York, New York, United States (in 1990-08)
recording of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit": IV. Aria (Sopran) "Bete aber auch dabei" (in 1990-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit"
Johann Sebastian Bach7:07
6Kantate no. 171 “Gott, wie dein Name, so ist auch dein Ruhm”, BWV 171, no. 4: Jesus soll mein erstes Wort
producer:
Thomas Frost (classical music producer)
violin:
Itzhak Perlman (violinist and conductor) (in 1989-12)
soprano vocals:
Kathleen Battle (soprano) (in 1989-12)
orchestra:
Orchestra of St. Luke’s (in 1989-12)
conductor:
John Nelson (American conductor) (in 1989-12)
balance engineer:
Tom Lazarus (in 1989-12)
recorded at:
RCA Studio A (New York) in New York, New York, United States (in 1989-12)
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": IV. Aria (Sopran) "Jesus soll mein erstes Wort" (in 1989-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
Johann Sebastian Bach4:12
7Messe h‐moll, BWV 232 no. 23: Benedictus, Qui Venit In Nomine Domini
producer:
Thomas Frost (classical music producer)
violin:
Itzhak Perlman (violinist and conductor) (in 1989-08)
soprano vocals:
Kathleen Battle (soprano) (in 1989-08)
orchestra:
Orchestra of St. Luke’s (in 1989-08)
conductor:
John Nelson (American conductor) (in 1989-08)
balance engineer:
Tom Lazarus (in 1989-08)
recorded at:
RCA Studio A (New York) in New York, New York, United States (in 1989-08)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 1989-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:15
8Messe h‐moll, BWV 232, no. 5: Laudamus Te
producer:
Thomas Frost (classical music producer)
violin:
Itzhak Perlman (violinist and conductor) (in 1990-08)
soprano vocals:
Kathleen Battle (soprano) (in 1990-08)
orchestra:
Orchestra of St. Luke’s (in 1990-08)
conductor:
John Nelson (American conductor) (in 1990-08)
balance engineer:
Tom Lazarus (in 1990-08)
recorded at:
RCA Studio A (New York) in New York, New York, United States (in 1990-08)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te") (in 1990-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:42
9Kantate no. 202 “Weichet nur, betrübte Schatten”, BWV 202, no. 5: Wenn die Fruhlingslüfte streichen
producer:
Thomas Frost (classical music producer)
violin:
Itzhak Perlman (violinist and conductor) (in 1990-08)
soprano vocals:
Kathleen Battle (soprano) (in 1990-08)
orchestra:
Orchestra of St. Luke’s (in 1990-08)
conductor:
John Nelson (American conductor) (in 1990-08)
balance engineer:
Tom Lazarus (in 1990-08)
recorded at:
RCA Studio A (New York) in New York, New York, United States (in 1990-08)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": V. Aria "Wenn die Frühlingslüfte streichen" (in 1990-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach2:38
10Kantate no. 36 “Schwingt freudig euch empor”, BWV 36, no. 7: Auch mit Gedämpften, schwachen Stimmen
producer:
Thomas Frost (classical music producer)
violin:
Itzhak Perlman (violinist and conductor) (in 1989-08)
soprano vocals:
Kathleen Battle (soprano) (in 1989-08)
orchestra:
Orchestra of St. Luke’s (in 1989-08)
conductor:
John Nelson (American conductor) (in 1989-08)
balance engineer:
Tom Lazarus (in 1989-08)
recorded at:
RCA Studio A (New York) in New York, New York, United States (in 1989-08)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: VII. Aria (Soprano) “Auch mit gedämpften, schwachen Stimmen” (in 1989-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Johann Sebastian Bach6:46
11Kantate no. 187 “Es wartet alles auf dich, dass du ihnen Speise”, BWV 187, no. 5: Gott versorget alles Leben
producer:
Thomas Frost (classical music producer)
violin:
Itzhak Perlman (violinist and conductor) (in 1989-12)
soprano vocals:
Kathleen Battle (soprano) (in 1989-12)
orchestra:
Orchestra of St. Luke’s (in 1989-12)
conductor:
John Nelson (American conductor) (in 1989-12)
balance engineer:
Tom Lazarus (in 1989-12)
recorded at:
RCA Studio A (New York) in New York, New York, United States (in 1989-12)
recording of:
Kantate, BWV 187 "Es wartet alles auf dich": V. Aria (Sopran) "Gott versorget alles Leben" (in 1989-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-08-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 187 "Es wartet alles auf dich"
Johann Sebastian Bach3:24
12Kantate no. 84 “Ich bin vergnügt mit meinem Glücke, das mir der liebe Gott beschert”, BWV 84, no. 3: Ich esse mit Freuden mein weniges Brot
producer:
Thomas Frost (classical music producer)
violin:
Itzhak Perlman (violinist and conductor) (in 1990-08)
soprano vocals:
Kathleen Battle (soprano) (in 1990-08)
orchestra:
Orchestra of St. Luke’s (in 1990-08)
conductor:
John Nelson (American conductor) (in 1990-08)
balance engineer:
Tom Lazarus (in 1990-08)
recorded at:
RCA Studio A (New York) in New York, New York, United States (in 1990-08)
recording of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke": III. Aria (Sopran) "Ich esse mit Freuden mein weniges Brot" (in 1990-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke"
Johann Sebastian Bach4:59
13Kantate no. 105 “Herr, gehe nicht ins Gericht mit deinem Knecht”, BWV 105, no. 5: Kann ich nur Jesu mir zum Freunde machen
producer:
Thomas Frost (classical music producer)
violin:
Itzhak Perlman (violinist and conductor) (in 1990-08)
soprano vocals:
Kathleen Battle (soprano) (in 1990-08)
orchestra:
Orchestra of St. Luke’s (in 1990-08)
conductor:
John Nelson (American conductor) (in 1990-08)
balance engineer:
Tom Lazarus (in 1990-08)
recorded at:
RCA Studio A (New York) in New York, New York, United States (in 1990-08)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": V. Aria (Tenor) "Kann ich nur Jesum mir zum Freunde machen" (in 1990-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach5:30