Aida

~ Release by Giuseppe Verdi (see all versions of this release, 14 available)

Annotation

In the printed catalog number, "56246" is highlighted in bold.

Annotation last modified on 2020-11-26 09:21 UTC.

Tracklist

1▶CD
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3▼CD
#TitleRatingLength
1Aida: Act 3. Introduzione - Preghiera. "O tu che sei d'Osiride" / "Vieni d'Iside al Tempero" (Coro, Ramfis, Amneris)
bass vocals [Ramfis]:
Nicolaï Ghiaurov (operatic bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto III: Introduzione-Preghiera: “Vieni d’Iside al tempio” (Sacerdotesse, Sacerdoti, Ramfis, Amneris)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
recording of:
Aida: Atto III: Introduzione; Preghiera “O tu che sei d’Osiride” (Sancerdotesse, Sacerdoti, Ramfis, Amneris)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
4:23
2Aida: Act 3. Romanza. "Qui Radamès verrà!"
soprano vocals [Aida]:
Montserrat Caballé (soprano) (in 1974-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
partial recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
1:37
3Aida: Act 3. Romanza. "O patria mia" (Aida)
soprano vocals [Aida]:
Montserrat Caballé (soprano) (in 1974-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
partial recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
5:17
4Aida: Act 3. Duetto. "Ciel! mio padre!" / "Rivedrai le foreste imbalsamate" (Aida, Amonasro)
baritone vocals:
Piero Cappuccilli (baritone) (from 1974-07-02 until 1974-07-11)
soprano vocals [Aida]:
Montserrat Caballé (soprano) (from 1974-07-02 until 1974-07-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1974-07-02 until 1974-07-11)
conductor:
Riccardo Muti (conductor) (from 1974-07-02 until 1974-07-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1974-07-02 until 1974-07-11)
recording of:
Aida: Atto III: Duetto: “Rivedrai le foreste imbalsamate” – “In armi ora si desta il popol nostro” – “Padre, a costoro schiava non sono” (Aida, Amonasro) (from 1974-07-02 until 1974-07-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
recording of:
Aida: Atto III. Duetto “Ciel! mio padre!” … “A te grave cagion m’adduce” (Aida, Amonasro) (from 1974-07-02 until 1974-07-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
8:09
5Aida: Act 3. Duetto. "Pur ti riveggo, mia dolce Aida..." / "Nel fiero anelito" (Radamès, Aida)
soprano vocals [Aida]:
Montserrat Caballé (soprano)
tenor vocals [Radamès]:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto III. Duetto “Pur ti riveggo, mia dolce Aida…” (Radamès, Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
3:16
6Aida: Act 3. Duetto. "Fuggiam gli ardori inospiti" / "Là, tra foreste vergini" (Aida, Amonasro)
soprano vocals [Aida]:
Montserrat Caballé (soprano)
tenor vocals [Radamès]:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto III: Duetto: “Fuggiam gli ardori inospiti” / “Là, tra foreste vergini” (Aida, Radamès)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
6:35
7Aida: Act 3. Finale 3. "Ma dimmi; per qual via" (Aida, Radamès)
baritone vocals [Amonasro]:
Piero Cappuccilli (baritone)
bass vocals [Ramfis]:
Nicolaï Ghiaurov (operatic bass)
mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano)
soprano vocals [Aida]:
Montserrat Caballé (soprano)
tenor vocals [Radamès]:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto III: Finale III: “Ma dimmi; per qual via” – “Ah no! ti calma, ascoltami” –“Traditor! … Muori! … Arresta, insano” (Aida, Radamès, Amonasro, Amneris, Ramfis)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
3:30
8Aida: Act 4. Scene 1. Scena. "L'abborita rivale a me sfuggia" (Amneris)
mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano) (in 1974-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto IV, scena 1: Scena: “L’abborrita rivale a me sfuggia” … “Io l'amo, io l'amo sempre” (Amneris) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
3:15
9Aida: Act 4. Scene 1. Duetto. "Già i sacerdoti adunansi" (Amneris, Radamès)
mezzo-soprano vocals and mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano)
tenor vocals and tenor vocals [Radamès]:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto IV, scena 1: Duetto: “Già i sacerdoti adunansi” – “Ah! Tu deî vivere” – “Misero appien mi festi” – ”Chi ti salva, sciagurato” (Amneris, Radamès)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
6:33
10Aida: Act 4. Scene 1. Scena del giudizio. "Ohimà! morir mi sento!" / "Spirto del Nume"
bass vocals [Ramfis]:
Nicolaï Ghiaurov (operatic bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “Ohimè! morir mi sento!” (Amneris)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “Spirto del nume” (Amneris, Ramfis, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
8:24
11Aida: Act 4. Scene 1. Scena del giudizio. "A lui vivo, la tomba!" / "Sacerdoti: compiste un delitto!" (Amneris, Ramfis, Sacerdoti)
bass vocals [Ramfis]:
Nicolaï Ghiaurov (operatic bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974, in 1974-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “A lui vivo, la tomba” / “Sacerdoti: compiste un delitto!” (Amneris, Ramfis, Sacerdoti) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
3:37
12Aida: Act 4. Scene 2. Scena e duetto. "La fatal pietra sovra me si chiuse" / Finale ultimo. "Immenso Fthà" (Sacerdotesse, Sacerdoti, Aida, Radamès)
bass vocals [Ramfis]:
Nicolaï Ghiaurov (operatic bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
soprano vocals [Aida]:
Montserrat Caballé (soprano)
tenor vocals [Radamès]:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto IV, scena 2: Finale ultimo: “Immenso Fthà” – “Triste canto” (Sacerdotesse, Sacerdoti, Aida, Radamès)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
5:54
13Aida: Act 4. Scene 2. Finale ultimo. "O terra addio" (Aida, Radamès, coro, Amneris)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1974-07)
mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano) (in 1974-07)
soprano vocals [Aida]:
Montserrat Caballé (soprano) (in 1974-07)
tenor vocals [Radamès]:
Plácido Domingo (tenor) (in 1974-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1974-07)
conductor:
Riccardo Muti (conductor) (in 1974-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1974-07)
recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
4:43