Die Bach-Kantate, Volume 13: BWV 4, 172, 85

~ Release by Johann Sebastian Bach; Bach-Ensemble, Helmuth Rilling (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Kantate, BWV 4 "Christ lag in Todesbanden": I. Sinfonia
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor) and Heinz Jansen (engineer) (task: recording supervisor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1980-12)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: I. Sinfonia (in 1980-12)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach0:50
2Kantate, BWV 4 "Christ lag in Todesbanden": II. Coro Versus I "Christ Lag in Todes Banden"
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor) and Heinz Jansen (engineer) (task: recording supervisor)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1980-12)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: II. Chor Versus I „Christ lag in Todes Banden“ (in 1980-12)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:41
3Kantate, BWV 4 "Christ lag in Todesbanden": III. Duetto (Soprano, Alto) Versus II "Den Tod niemand zwingen kunnt"
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor) and Heinz Jansen (engineer) (task: recording supervisor)
alto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
soprano vocals:
Edith Wiens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1980-12)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: III. Duett (Sopran, Alt) Versus II „Den Tod niemand zwingen kunnt“ (in 1980-12)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach3:22
4Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn"
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor) and Heinz Jansen (engineer) (task: recording supervisor)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1980-12)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: IV. Arie (Tenor) Versus III „Jesus Christus, Gottes Sohn“ (in 1980-12)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:20
5Kantate, BWV 4 "Christ lag in Todesbanden": V. Coro Versus IV "Es war ein wunderlicher Krieg"
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor) and Heinz Jansen (engineer) (task: recording supervisor)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1980-12)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: V. Chor Versus IV „Es war ein wunderlicher Krieg“ (in 1980-12)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:38
6Kantate, BWV 4 "Christ lag in Todesbanden": VI. Aria (Basso) Versus V "Hier ist das rechte Osterlamm"
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor) and Heinz Jansen (engineer) (task: recording supervisor)
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1980-12)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VI. Arie (Bass) Versus V „Hier ist das rechte Osterlamm“ (in 1980-12)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:45
7Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest"
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor) and Heinz Jansen (engineer) (task: recording supervisor)
soprano vocals:
Edith Wiens (soprano)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1980-12)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VII. Duett (Sopran, Tenor) Versus VI „So feiern wir das hohe Fest“ (in 1980-12)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:57
8Kantate, BWV 4 "Christ lag in Todesbanden": VIII. Choral Versus VII "Wir essen und leben wohl"
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor) and Heinz Jansen (engineer) (task: recording supervisor)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1980-12)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VIII. Choral Versus VII „Wir essen und leben wohl“ (in 1980-12)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:32
9Kantate, BWV 172 "Erschallet, ihr Lieder": Coro
choir vocals:
Frankfurter Kantorei
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-03 until 1975-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": I. Coro "Erschallet, ihr Lieder, erklinget, ihr Saiten" (from 1975-03 until 1975-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
Johann Sebastian Bach4:11
10Kantate, BWV 172 "Erschallet, ihr Lieder": Recitativo
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-03 until 1975-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": II. Recitativo (Bass) "Wer mich liebet, der wird mein Wort halten" (from 1975-03 until 1975-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
Johann Sebastian Bach0:55
11Kantate, BWV 172 "Erschallet, ihr Lieder": Aria
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-03 until 1975-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": III. Aria (Bass) "Heiligste Dreieinigkeit" (from 1975-03 until 1975-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
Johann Sebastian Bach1:59
12Kantate, BWV 172 "Erschallet, ihr Lieder": Aria
tenor vocals:
Adalbert Kraus (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-03 until 1975-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": IV. Aria (Tenor) "O Seelenparadies" (from 1975-03 until 1975-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
Johann Sebastian Bach4:31
13Kantate, BWV 172 "Erschallet, ihr Lieder": Aria (Duetto) con Choral
alto vocals:
Doris Soffel (mezzo soprano)
soprano vocals:
Eva Csapó (soprano)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-03 until 1975-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": V. Aria (Duetto Sopran, Alt) "Komm, laß mich nicht länger warten" (from 1975-03 until 1975-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
Johann Sebastian Bach3:36
14Kantate, BWV 172 "Erschallet, ihr Lieder": Choral
choir vocals:
Frankfurter Kantorei
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-03 until 1975-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": VI. Choral "Von Gott kömmt mir ein Freudenschein" (from 1975-03 until 1975-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Philipp Nicolai (in 1599)
part of:
Breitkopf 389 Choralgesänge (number: 376)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
Johann Sebastian Bach1:39
15Kantate, BWV 85 "Ich bin ein guter Hirt": Aria
bass vocals:
Walter Heldwein
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 85 "Ich bin ein guter Hirt": I. Aria (Bass) "Ich bin ein guter Hirt" (from 1980-12 until 1983-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 85 "Ich bin ein guter Hirt"
Johann Sebastian Bach3:34
16Kantate, BWV 85 "Ich bin ein guter Hirt": Aria
alto vocals:
Gabriele Schreckenbach (contralto)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 85 "Ich bin ein guter Hirt": II. Aria (Alt) "Jesus ist ein guter Hirt" (from 1980-12 until 1983-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 85 "Ich bin ein guter Hirt"
Johann Sebastian Bach4:00
17Kantate, BWV 85 "Ich bin ein guter Hirt": Chroal
choir vocals:
Gächinger Kantorei Stuttgart
vocals:
Gächinger Kantorei Stuttgart
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 85 "Ich bin ein guter Hirt": III. Choral (Sop) "Der Herr ist mein getreuer Hirt" (from 1980-12 until 1983-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Kornelius Becker (Lutheran pastor 1561-1604) (in 1598)
part of:
Kantate, BWV 85 "Ich bin ein guter Hirt"
Johann Sebastian Bach5:21
18Kantate, BWV 85 "Ich bin ein guter Hirt": Recitativo
tenor vocals:
Adalbert Kraus (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 85 "Ich bin ein guter Hirt": IV. Recitativo (Tenor) "Wann die Mietlinge schlafen" (from 1980-12 until 1983-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 85 "Ich bin ein guter Hirt"
Johann Sebastian Bach1:18
19Kantate, BWV 85 "Ich bin ein guter Hirt": Aria
tenor vocals:
Adalbert Kraus (tenor)
vocals:
Adalbert Kraus (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 85 "Ich bin ein guter Hirt": V. Aria (Tenor) "Seht, was die Liebe tut" (from 1980-12 until 1983-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 85 "Ich bin ein guter Hirt"
Johann Sebastian Bach3:25
20Kantate, BWV 85 "Ich bin ein guter Hirt": Choral
choir vocals:
Gächinger Kantorei Stuttgart
vocals:
Gächinger Kantorei Stuttgart
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 85 "Ich bin ein guter Hirt": VI. Choral "Ist Gott mein Schutz und treuer Hirt" (from 1980-12 until 1983-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Ernst Christoph Homburg (in 1658)
part of:
Breitkopf 389 Choralgesänge (number: 216)
part of:
Kantate, BWV 85 "Ich bin ein guter Hirt"
Johann Sebastian Bach1:15

Credits

Release group

part of:Die Bach Kantate (Hänssler Classic/Laudate series) (number: 13) (order: 4)