I Grew Up in the 80s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: The Number 1s
2▼CD: The Party
Nr.TitelKünstlerBewertungLänge
1I Should Be So Lucky
Techniker(in):
Karen Hewitt, Mark McGuire (UK producer/engineer) und Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
Produzent(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
Mix:
Mixmaster Pete Hammond (UK producer aka “Mixmaster”)
phonographisches Urheberrecht (℗) von:
Mushroom Records (vom 1988 bis heute)
Musikvideos:
I Should Be So Lucky von Kylie Minogue
recording of:
I Should Be So Lucky
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
Mushroom Music Pty. Ltd. (vom 1988 bis heute)
Kylie Minogue4.353:27
2(Hey You) The Rock Steady Crew (1983 Recording)
recording of:
(Hey You) The Rock Steady Crew
Verfasser(in):
Stephen Hague und Soldier B
The Rock Steady Crew3.53:48
3Pump Up the Jam
Techniker(in):
Spencer Henderson (engineer)
Produzent(in):
Jo “Thomas de Quincey” Bogaert (Belgian producer)
zusätzlich Synthesizer:
Patrick de Meyer (Belgian electronic music producer)
vocals:
Ya Kid K (Belgian‐Congolese singer Manuela Kamosi)
phonographisches Urheberrecht (℗) von:
ARS Productions Belgium (in 1989) und ARS Productions (in 1990)
aufgenommen bei und mixed at:
Swanyard Studios in Islington, London (Greater London), England, Vereinigtes Königreich und The Haunted House (private home studio of Jo Bogaert) in Aalst, Oost-Vlaanderen (Provinz Ostflandern), Flanders (Flämische Region), Belgien
engineered at:
Swanyard Studios in Islington, London (Greater London), England, Vereinigtes Königreich
recording of:
Pump Up the Jam
Texter:
Manuela Kamosi (Belgian‐Congolese singer Manuela Kamosi)
Komponist(in):
Patrick de Meyer (Belgian electronic music producer) und Thomas de Quincey (Belgian producer Jo Bogaert [Technotronic])
basiert auf:
Technotronic
Technotronic4.155:21
4Don't Leave Me This Way
Produzent(in):
Mike Thorne (UK producer & keyboardist)
vocals:
Sarah Jane Morris
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Communards & Sarah Jane Morris3.44:32
5Kids in America
recording engineer:
Jeo (von 1980 bis 1981)
Programmierung:
Jörn‐Uwe Fahrenkrog‐Petersen (von 1980 bis 1981) und Derek von Krogh (von 1980 bis 1981)
Techniker(in):
Steve Stewart (engineer, guitarist of The Enid)
Produzent(in):
Ricky Wilde
Bassgitarre:
Martin Russell (recording engineer, producer, composer & musician) (von 1980 bis 1981) und Derek von Krogh (von 1980 bis 1981)
Gitarre:
Thomas Hahn (von 1980 bis 1981), Charlotte Hatherley (von 1980 bis 1981), Francis Lickerish (von 1980 bis 1981), Steve Stewart (engineer, guitarist of The Enid) (von 1980 bis 1981), James Stevenson (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (von 1980 bis 1981), Robert John Godfrey (member of The Enid) (von 1980 bis 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (von 1980 bis 1981), Derek von Krogh (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Schlagzeug:
Bernhard Hahn (von 1980 bis 1981), Chris North (UK drummer of The Enid) (von 1980 bis 1981) und Tobias Wörner (von 1980 bis 1981)
zusätzlich Keyboard:
Nick Priessnitz (von 1980 bis 1981)
Hintergrundgesang:
D. Janz (von 1980 bis 1981), M. Janz (von 1980 bis 1981), N. Janz (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Sologesang:
Charlotte Hatherley (von 1980 bis 1981) und Kim Wilde (von 1980 bis 1981)
vocals:
Kim Wilde (von 1980 bis 1981)
phonographisches Urheberrecht (℗) von:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1996, in 2001), EMI France (in 1993) und EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
aufgenommen bei:
Amira Studio (von 1980 bis 1981), RAK Studios in London (Greater London), England, Vereinigtes Königreich (von 1980 bis 1981), Soundmastaz Studios (von 1980 bis 1981), Studio 77 in Stuttgart, Baden-Württemberg, Deutschland (von 1980 bis 1981) und The Lodge Recording Studio in Northampton, Northamptonshire, England, Vereinigtes Königreich (von 1980 bis 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen, Deutschland, RAK Studios in London (Greater London), England, Vereinigtes Königreich und Studio 77 in Stuttgart, Baden-Württemberg, Deutschland
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 55)
recording of:
Kids in America (von 1980 bis 1981)
Verfasser(in):
Marty Wilde und Ricky Wilde
publisher:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. und Rickim Music Ltd.
Kim Wilde4.13:26
6It Ain't What You Do It's the Way That You Do It
Produzent(in):
Fun Boy Three und Dave Jordan (UK producer/remixer)
cover recording of:
It Ain’t What You Do (It’s the Way That You Do It)
Verfasser(in):
Sy Oliver und Trummy Young
Fun Boy Three & Bananarama3.652:48
7Kiss Me
recording of:
Kiss Me
Texter und Komponist(in):
Stephen Duffy
publisher:
EMI Music Ltd. (in 1985)
Stephen Duffy3.353:31
8Temptation (edit) (2006 Remaster)
recording of:
Temptation
Verfasser(in):
Glenn Gregory, Ian Craig Marsh und Martyn Ware
publisher:
Cradle of Filth Music Ltd. (publishing company for British metal band Cradle of Filth), Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Heaven 1734:11
9Enola Gay (2003 Remaster)
Techniker(in):
Laurence Diana und Max Norman
Produzent(in):
Mike Howlett und Orchestral Manoeuvres in the Dark
Bass und Synthesizer:
Andy McCluskey
Keyboard und Synthesizer:
Paul Humphreys (Orchestral Manoeuvres in the Dark)
Schlagzeug und Perkussion:
Malcolm Holmes (drummer)
vocals:
Paul Humphreys (Orchestral Manoeuvres in the Dark) und Andy McCluskey
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1980)
aufgenommen bei:
Ridge Farm Studios in Dorking, Surrey, England, Vereinigtes Königreich
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Enola Gay
Texter und Komponist(in):
Andy McCluskey
publisher:
Dinsong Music und Virgin Music Publishers Ltd.
Orchestral Manoeuvres in the Dark3.753:29
10Centerfold
Techniker(in):
Dave Thoener
Produzent(in):
Seth Justman
arranger:
Seth Justman
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981) und EMI Catalog (in 2006)
aufgenommen bei:
Long View Farm in North Brookfield, Massachusetts, Vereinigte Staaten
mixed at:
Mix Room, Record Plant (NYC) in New York, New York, Vereinigte Staaten
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 38), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 73) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 314)
recording of:
Centerfold (song by The J. Geils Band)
Texter und Komponist(in):
Seth Justman
publisher:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) und Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band43:39
11We Don't Have to Take Our Clothes Off
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 57)
recording of:
We Don’t Have to Take Our Clothes Off
Verfasser(in):
Preston Glass und Narada Michael Walden
Jermaine Stewart54:49
12Never Gonna Give You Up (7" mix)
Keyboard [Fairlight]-Programmierung:
Ian Curnow (in 1986-10)
assistierende(r) Techniker(in):
Boky, Peter Day, Gordon Dennis (engineer at PWL Studios), Jonathan King und Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
Techniker(in):
Mark McGuire (UK producer/engineer)
zusätzliche(r) Techniker(in):
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) und Karen Hewitt
Produzent(in):
Aitken, Stock (of Stock Aitken Waterman), Stock Aitken Waterman und Waterman
Mix:
Mixmasters Pete Hammond (UK producer aka “Mixmaster”) (am 1987-01-01)
Gitarre [guitars]:
Matt Aitken (in 1986-10)
Keyboard [keyboards]:
Matt Aitken (in 1986-10) und Mike Stock (of Stock Aitken Waterman) (in 1986-10)
Schlagzeug [drums]:
A Linn (Linn 9000) (in 1986-10)
Hintergrundgesang [backing vocals]:
Dee Lewis (in 1986-10), Shirley Lewis (in 1986-10), Mae McKenna (vocalist) (in 1986-10) und Suzanne Rhatigan (in 1986-10)
Sologesang:
Rick (English singer, songwriter and radio personality) (in 1986-10)
arranger:
Gordon Jenkins
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Ltd. (1987–1996) (vom 1987 bis heute), BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (in 1987), Pete Waterman Ltd. (copyrights holder) (in 1987) und PWL (in 1987)
sonstige Unterstützung:
PWL (Aufgabe: original sound recordings made by)
aufgenommen bei:
PWL Studio 1 (in 1986-10), PWL Studio 2 (in 1986-10) und PWL Studios (London) in London (Greater London), England, Vereinigtes Königreich (in 1986-10)
mixed at:
PWL Studio 1 (am 1987-01-01) und PWL Studio 2 (am 1987-01-01)
Musikvideos:
Never Gonna Give You Up von Rick Astley (English singer, songwriter and radio personality)
Teil von:
Cachitos Nochevieja 2022 (Nummer: 48) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 244)
recording of:
Never Gonna Give You Up (in 1986-10)
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music Ltd., BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Music (German publisher), Mike Stock Publishing Limited, Sid’s Songs Limited, Songs of Kobalt Music Publishing, Universal Music Careers, Universal–Songs of PolyGram International, Inc. und Terrace Music (in 1987)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishers MGB Australia Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Rick Astley4.353:35
13Body Rock
phonographisches Urheberrecht (℗) von:
Capitol Records Ltd. (not for release label use; UK company)
recording of:
Body Rock
Verfasser(in):
John Bettis und Sylvester Levay
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Maria Vidal23:42
14Dancing Tight
recording of:
Dancing Tight
Texter und Komponist(in):
Phil Fearon
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Handle Music Ltd. und Imagem Songs Ltd.
Phil Fearon & Galaxy53:35
15All Night Long (All Night) (single version)
Produzent(in):
James Anthony Carmichael und Lionel Richie
Blechblasinstrumente [horn] arranger und Saiteninstrumente [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael und Lionel Richie
vocals arranger:
Lionel Richie
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1983) und Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
All Night Long (All Night)
Texter und Komponist(in):
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Music und Rondor Music (Australia) Pty Ltd
Lionel Richie3.44:20
16Imagination
recording of:
Imagination
Texter und Komponist(in):
Neville Keighley
Belouis Some33:35
17Missing You (single version)
assistierende(r) Techniker(in):
Ken Stiger (engineer)
Techniker(in):
Gary Hellman
Produzent(in):
Gary Gersh, David Thoener und John Waite
Mix und Editing:
John Luongo
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1984), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1984), EMI America Records (holding – file NO releases here!) (in 1984) und EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1984)
recording of:
Missing You
Texter:
John Waite
Komponist(in):
Mark Leonard, Chas Sandford und John Waite
publisher:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, in 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Fallwater Music (in 1984), Markeem Music (publisher) (in 1984), The Hudson Bay Music Co. (publisher) (in 1984) und WC Music Corp. (vom 2019-05-28 bis heute)
John Waite54:01
18Gold (2003 Remaster)
Produzent(in):
Steve Jolley, Spandau Ballet und Tony Swain (songwriter, producer)
Bass:
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (in 1982)
Gitarre:
Gary Kemp (in 1982)
Keyboard:
Jess Bailey (in 1982)
Perkussion und Saxophon:
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (in 1982)
Schlagzeug:
John Keeble (in 1982)
Sologesang:
Tony Hadley (in 1982)
Interpret(in):
Spandau Ballet (in 1982)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
recording of:
Gold (in 1982)
Texter und Komponist(in):
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
recording of:
Glow
Texter und Komponist(in):
Gary Kemp
Spandau Ballet3.53:51
19The Best (edit)
Techniker(in):
Chris Lord‐Alge
Produzent(in):
Dan Hartman und Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
Bearbeitung von:
The Best von Tina Turner
Musikvideos:
The Best von Tina Turner
cover recording of:
The Best
Verfasser(in):
Holly Knight und Michael Chapman (Australian producer and songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner3.854:10
20Vienna (2008 Remaster)
recording of:
Vienna
Verfasser(in):
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie und Midge Ure
publisher:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher), Sing Sing Songs Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox3.754:58
3▶CD: 80s Movie and TV Themes

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