We Can’t Get Enough! Best of the Eighties

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Planet Earth
recording of:
Planet Earth
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
publisher:
EMI Songs und EMI Songs Australia Pty. Ltd.
Duran Duran3:59
2Love on Your Side
Techniker(in):
Phil Thornalley
Produzent(in):
Alex Sadkin
phonographisches Urheberrecht (℗) von:
Arista Records Ltd. (not for release label use!) (in 1983)
recording of:
Love on Your Side
Verfasser(in):
Tom Bailey (Thompson Twins), Alannah Currie und Joe Leeway
Thompson Twins53:49
3Don’t Go
Techniker(in):
John Fryer (British producer and engineer) und Eric Radcliffe (UK producer / engineer / musician)
Produzent(in):
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…) und Daniel Miller (British music producer and founder of Mute Records)
vocals:
Alison Moyet
phonographisches Urheberrecht (℗) von:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1982)
recording of:
Don’t Go
Texter und Komponist(in):
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Mega Music Ltd., Musical Moments Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Music Publishing Scandinavia KB
Yazoo4.62:52
4Fade to Grey
Techniker(in):
John Hudson (producer, recording and mixing engineer)
Produzent(in):
Midge Ure und Visage (new romantic band from London)
Interpret(in):
Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange (Welsh pop singer, Visage) und Midge Ure
arranger:
Visage (new romantic band from London)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1980) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1980)
aufgenommen bei:
Genetic Studios in West Berkshire, England, Vereinigtes Königreich
mixed at:
Mayfair Sound (England) in London (Greater London), England, Vereinigtes Königreich
recording of:
Fade to Grey
Verfasser(in):
Billy Currie, Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis) und Midge Ure
publisher:
Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. (publisher) und Performance Music Ltd
Visage4.13:48
5Let Me Go
Produzent(in):
B.E.F. und Greg Walsh (producer and engineer)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
recording of:
Let Me Go!
Verfasser(in):
Glenn Gregory, Ian Craig Marsh und Martyn Ware
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!), Sound Diagrams (publisher), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Heaven 1754:15
6Safety Dance
Produzent(in):
Marc Durand (Canadian producer)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 17)
recording of:
The Safety Dance (von 1982-01 bis 1982-03)
Texter und Komponist(in):
Ivan Doroschuk (Men Without Hats)
publisher:
Betty Songs, Ivan Ltd., Polygram Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Texas City Music Inc., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Tactik Music (publisher) (in 1982) und Wintrup Musik (in 1982)
Men Without Hats4.54:29
7Love Song
Produzent(in):
Bob Clearmountain, Steve Hillage und Jimmy Iovine
Bassgitarre:
Derek Forbes
Gitarre:
Charlie Burchill
Keyboard:
Michael MacNeill
Schlagzeug:
Brian McGee (UK drummer)
vocals:
Jim Kerr (of Simple Minds)
recording of:
Love Song
Verfasser(in):
Charlie Burchill, Derek Forbes, Jim Kerr (of Simple Minds), Alan MacNeil und Brian McGee (UK drummer)
Simple Minds3.653:50
8Stand & Deliver
Techniker(in):
Alan Douglas (Scottish born engineer)
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
Bassgitarre und Sologesang:
Adam Ant (English new wave singer and actor)
Gitarre:
Marco Pirroni (British musician and producer)
Schlagzeug:
Chris Hughes (producer, aka “Merrick”) und Terry Lee Miall
phonographisches Urheberrecht (℗) von:
CBS Records (manufacturer/distributor, not for release label use!) (in 1981) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1981)
Teil von:
The Downloader’s Music Source Book (Nummer: 145)
recording of:
Stand and Deliver
Verfasser(in):
Adam Ant (English new wave singer and actor) und Marco Pirroni (British musician and producer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam and the Ants43:05
9Favourite Shirt
Produzent(in):
Bob Sargeant
phonographisches Urheberrecht (℗) von:
BMG Eurodisc Ltd. (in 1981) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1981)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 31)
recording of:
Favourite Shirts (Boy Meets Girl)
Texter und Komponist(in):
Nick Heyward
publisher:
Bryan Morrison Music Ltd.
Haircut One Hundred53:05
10To Cut a Long Story Short
Produzent(in):
Richard James Burgess
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980)
mixed at:
Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, Vereinigtes Königreich
recording of:
To Cut a Long Story Short
Texter und Komponist(in):
Gary Kemp
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PDC Music Publishing Pty. Ltd. und Reformation Publishing Co. Ltd.
Spandau Ballet3.53:21
11Red Skies
recording of:
Red Skies
Texter:
Cy Curnin
Verfasser(in):
Charles Barrett (bassist of The Fixx), Cy Curnin, Rupert Greenall, Jamie West‐Oram und Adam Woods (drummer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
The Fixx4:35
12Genius of Love
recording engineer und Mix:
S. Stanley (audio engineer, record producer and keyboardist from Jamaica)
assistierende(r) Techniker(in):
B. Armbrister und K. Stubbs
Produzent(in):
C. Frantz, S. Stanley (audio engineer, record producer and keyboardist from Jamaica) und T. Weymouth
aufgenommen bei und mixed at:
Compass Point Studios in Nassau, Bahamas
recording of:
Genius of Love
Verfasser(in):
Adrian Belew, Chris Frantz, Steven Stanley (audio engineer, record producer and keyboardist from Jamaica) und Tina Weymouth
publisher:
Metered Music, Inc.
Tom Tom Club4.85:33
13She Blinded Me With Science
drum machine und andere Instrumente [wave computer]-Programmierung:
Thomas Dolby
Produzent(in):
Thomas Dolby und Tim Friese‐Greene
Gast-Moog [Moog bass]:
Matthew Seligman (in 1982-08)
Geige / Violine:
Simon House (in 1982-08)
Hintergrundgesang:
Robert John “Mutt” Lange (Robert John Lange) (in 1982-08) und Miriam Stockley (in 1982-08)
Sprecher:
Magnus Pyke (in 1982-08)
vocals:
Thomas Dolby (in 1982-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983)
aufgenommen bei:
Odyssey Studio (London) in London (Greater London), England, Vereinigtes Königreich (in 1982-08)
mixed at:
Odyssey Studio (London) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 76)
recording of:
She Blinded Me With Science (in 1982-08)
Texter:
Thomas Dolby und Tim Kerr (songwriter working with Thomas Dolby)
Komponist(in):
Thomas Dolby
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Participation Music Inc.
Thomas Dolby43:41
14It’s My Life
Programmierung und Produzent(in):
Tim Friese‐Greene
Akustikgitarre:
Mark Hollis
drum machine und Synthesizer:
Tim Friese‐Greene
Fretless Bass:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
Gitarre:
Robbie McIntosh (English guitarist for The Pretenders)
Keyboard:
Ian Curnow
Klavier:
Tim Friese‐Greene und Phil Ramocon (soul/R&B/reggae songwriter)
Perkussion:
Morris Pert
Schlagzeug:
Tim Friese‐Greene und Lee Harris (singer-songwriter & musician)
Hintergrundgesang:
Mark Hollis und Paul Webb (Video game music composer)
vocals:
Mark Hollis
phonographisches Urheberrecht (℗) von:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1984) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
It’s My Life
Verfasser(in):
Tim Friese‐Greene und Mark Hollis
publisher:
F‐Sharp Productions Ltd., Hollis Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) und Zomba Music Publishing (music publisher – add no releases here!)
Talk Talk3.853:52
15Sometimes
Produzent(in):
Flood (British producer Mark Ellis)
Mix:
Flood (British producer Mark Ellis), Daniel Miller (British music producer and founder of Mute Records) und Mike Pela
Trompete:
Guy Barker
Teil von:
Cachitos Nochevieja 2022 (Nummer: 107)
recording of:
Sometimes
Verfasser(in):
Andy Bell (singer / songwriter for Erasure) und Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Warner/Chappell Music GmbH & Co. KG Germany
Erasure2.73:37
16Love Is a Shield
Programmierung:
Heiko Maile
Produzent(in):
Camouflage (German electronics group) und Alexander Henninger
Gitarre:
Johannes Luley (US composer and musician)
Oboe:
Simone Winter
vocals:
Marcus Meyn
recording of:
Love Is a Shield
Texter:
Peter Godwin, Oliver Kreyssig und Marcus Meyn
Komponist(in):
Heiko Maile
publisher:
Blue Box Publishing Promotion Karin Wirthmann
Camouflage4:44
17Never Never
recording of:
Never Never
Texter und Komponist(in):
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Sonet (Scandinavia) (in 1983)
The Assembly3:47
18Vienna
Produzent(in):
Conny Plank (German producer and sound engineer) und Ultravox
Bass:
Chris Cross (UK bassist for Ultravox) (in 1980-04)
Gitarre:
Midge Ure (in 1980-04)
Keyboard und Geige / Violine:
Billy Currie (in 1980-04)
Schlagzeug:
Warren Cann (in 1980-04)
vocals:
Midge Ure (in 1980-04)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981, in 2025)
aufgenommen bei:
RAK Studios in London (Greater London), England, Vereinigtes Königreich (in 1980-04)
mixed at:
Conny’s Studio in Neunkirchen, Nordrhein-Westfalen, Deutschland (in 1980-05)
Bearbeitung von:
Vienna (original album mix) von Ultravox
Musikvideos:
Vienna (music video) von Ultravox und Vienna (uncut) von Ultravox
recording of:
Vienna (in 1980-04)
Verfasser(in):
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie und Midge Ure
publisher:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher), Sing Sing Songs Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox3.354:38
19C’est comme ça
Bass und Gitarre und Sologesang:
Catherine Ringer
Gitarre:
Sam Smith (English singer‐songwriter)
Gitarre und membranophone:
Fred Chichin
Tamburin:
Tony Visconti
mixed at:
Good Earth Studios (recording studio in Soho, London, UK, 1977–1989) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
C'est comme ça
Texter:
Catherine Ringer
Komponist(in):
Fred Chichin
publisher:
Six
Les Rita Mitsouko54:52
20Tainted Love
Techniker(in):
Paul Hardiman
Produzent(in):
Mike Thorne (UK producer & keyboardist)
Mix:
Harvey Goldberg
elektronische Instrumente und andere Instrumente:
Dave Ball (UK electronic musician, part of Soft Cell)
Saxophon:
David Tofani
Hintergrundgesang:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
aufgenommen bei:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Tainted Love von Soft Cell (1980s English synth‐pop duo)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 8), New York Post: 100 Greatest Covers (2007) (Nummer: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 33) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 46)
cover recording of:
Tainted Love
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:35
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