Tracklist

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1I Shall Be Released
recording engineer, producer and mixer:
Noah Passovoy
additional engineer:
Jim Ebdon and Stephen Walsh (engineer)
performer:
Jesse Carmichael, Matt Flynn (Maroon 5 drummer), Adam Levine (Maroon 5’s lead vocalist), Mickey Madden, PJ Morton and James Valentine (Maroon 5)
recorded at:
Backstage in Derbyshire, England, United Kingdom
cover recording of:
I Shall Be Released (original lyrics)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and Dwarf Music (from 1967 to present)
recording of:
I Shall Be Released (original lyrics)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and Dwarf Music (from 1967 to present)
Maroon 534:09
2Political World
producer:
Jac Holzman
mixer:
Chris Allen (recording engineer, at Sear Sound since 2003) and Jac Holzman
performer:
Dom Flemons, Rhiannon Giddens, Hubby Jenkins and Adam Matta
recorded at:
Sear Sound in New York, New York, United States
cover recording of:
Political World
lyricist and composer:
Bob Dylan (in 1989-03)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Special Rider Music (from 1989 to present)
Carolina Chocolate Drops3.52:48
3Like a Rolling Stone
recording engineer:
Trevor Horn (lead vocals [vocal track])
assistant engineer:
Jared Nugent
engineer:
Dan Silver (producer/mixer/engineer)
producer:
Mark Hudson (US songwriter/record producer) and Martin Lewis (humorist)
mixer:
Steve Greenwell
bass:
Leland Sklar (bassist, session musician)
drums (drum set):
Russ Kunkel (session drummer)
guitar:
Jeff Beck (English rock guitarist), Mark Hudson (US songwriter/record producer) and Laurence Juber
Hammond organ [Hammond B3]:
Jim Cox (US keyboard player, composer)
percussion:
Mark Hudson (US songwriter/record producer)
background vocals:
“Brown Splenda”, Sarah Garrison, Lisa Margaroli and Antonia Salerno
vocals:
Seal (English‐born singer and songwriter)
recorded at:
Sarm West Coast in Los Angeles, California, United States (lead vocals), Silver Sessions Studios (lead vocals), The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States and WhatInTheWhatThe Studio in Los Angeles, California, United States
mixed at:
Stevestudio (Steve Greenwell studio) in New York, New York, United States
cover recording of:
Like a Rolling Stone
lyricist and composer:
Bob Dylan (in 1965)
publisher:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1965 until 1993) and Special Rider Music (from 1993 to present)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
adaptations:
Olet yksin taas
Seal & Jeff Beck3.57:23
4Bob Dylan’s 115th Dream
engineer:
Johnny Lee Schell and Michael Sena (harmonica)
producer:
Tony Braunagel
mixer:
Joe McGrath
bass:
Reggie McBride
drums (drum set):
Tony Braunagel
guitar:
Taj Mahal (US blues musician) and Johnny Lee Schell
Hammond organ [B3]:
Mike Finnigan (keyboardist)
harmonica:
Taj Mahal (US blues musician)
saxophone [saxophones]:
Joe Sublett (The Texacali Horns)
trumpet and valve trombone [trombonium]:
Darrell Leonard
vocals:
Taj Mahal (US blues musician)
recorded at:
Shoreline Studios (harmonica) and Ultratone Studios in Studio City, Los Angeles, California, United States
cover recording of:
Bob Dylan’s 115th Dream
lyricist and composer:
Bob Dylan
publisher:
Blossom Music Ltd., Sony/ATV Music Publishing France, Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1965 until 1993) and Special Rider Music (from 1993 to present)
Taj Mahal & the Phantom Blues Band34:59
5Señor (Tales of Yankee Power) (live)
producer:
Jon Randall Stewart (US country singer, guitarist, and songwriter)
mixer:
Gary Paczosa
acoustic guitar:
Chris Eldridge
banjo:
Noam Pikelny
bass:
Paul Kowert
fiddle:
Gabe Witcher
mandolin and background vocals [harmony vocals]:
Chris Thile
recorded at:
Ryman Auditorium in Nashville, Tennessee, United States (in 2010-05)
live cover recording of:
Señor (Tales of Yankee Power) (in 2010-05)
lyricist and composer:
Bob Dylan (from 1977-12 until 1978-04)
publisher:
Special Rider Music (from 1978 to present)
Dierks Bentley3.53:49
6One of Us Must Know (Sooner or Later)
engineer:
Adrian Hall
producer:
Mick Hucknall (lead singer of Simply Red) and Andy Wright (UK songwriter, producer and Simply Red keyboardist)
mixer:
Adrian Hall and Johnny Wow
bass:
Steve Lewinson
drums (drum set):
Pete Lewinson
guitar:
Kenji Suzuki (Simply Red)
keyboard:
Dave Clayton
cover recording of:
One of Us Must Know (Sooner or Later)
lyricist and composer:
Bob Dylan (in 1966-01)
publisher:
Dwarf Music (from 1966 to present)
Mick Hucknall34:57
7I’ll Remember You
recording engineer:
Mike Cave
producer:
Nigel Stonier
assistant mixer:
Brandon Duncan (engineer)
mixer:
Bob Clearmountain
instruments:
Nigel Stonier
percussion:
Dan Logan
trumpet:
Alex Smith (trumpet)
viola:
Fluff (violinist but not to be confused with the classical violinist, aka Fluff)
mixed at:
Mix This! in Pacific Palisades, Los Angeles, California, United States
cover recording of:
I'll Remember You
lyricist and composer:
Bob Dylan (in 1985-01)
publisher:
Special Rider Music (from 1985 to present)
Thea Gilmore3.54:47
8John BrownState Radio44:47
9All Along the Watchtower (live)
assistant mixer:
Brandon Duncan (engineer)
mixer:
Bob Clearmountain
performer:
Carter Beauford, David Matthews (of Dave Matthews Band), Stefan Lessard, LeRoi Moore and Boyd Tinsley
recorded at:
Mann Music Center (Mann Center for the Performing Arts) in Philadelphia, Pennsylvania, United States (on 1995-08-29)
mixed at:
Mix This! in Pacific Palisades, Los Angeles, California, United States
live cover recording of:
All Along the Watchtower (on 1995-08-29)
lyricist and composer:
Bob Dylan (from 1967-10 until 1967-11)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music (do not use as release label! this is a music publisher), Sony Music Publishing (worldwide except Japan, ended 1995) and Dwarf Music (from 1968 to present)
Dave Matthews Band3.57:02
10Subterranean Homesick Blues
producer:
Michael Franti (US rapper, musician and singer-songwriter)
mixer:
Michael Franti (US rapper, musician and singer-songwriter) and Jason Bowman
performer:
Michael Franti (US rapper, musician and singer-songwriter)
phonographic copyright (℗) by:
Boo Boo Wax Records (in 2011)
recorded at:
The Sugar Shack in San Francisco, California, United States
cover recording of:
Subterranean Homesick Blues
lyricist:
Bob Dylan (from 1964-12 until 1965-01)
composer:
Bob Dylan (in 1965-01)
publisher:
Blossom Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) (from 1965 until 1993), Warner Bros. Music (publisher; do NOT use as release label) (in 1974) and Special Rider Music (from 1993 to present)
Michael Franti32:16
11Mama, You Been on My Mind
engineer:
Brian Forbes (engineer)
producer:
We Are Augustines (indie rock group based in Brooklyn, NY)
assistant mixer:
Brandon Duncan (engineer)
mixer:
Bob Clearmountain
performer:
William McCarthy (indie rock guitarist/songwriter from Brooklyn, NY), Robert Allen (member of Augustines) and Eric Sanderson (multi-instrumentalist, part of Augustines)
phonographic copyright (℗) by:
We Are Augustines (indie rock group based in Brooklyn, NY) (in 2011)
recorded at:
The Gallery Studios (New York) in New York, New York, United States
mixed at:
Mix This! in Pacific Palisades, Los Angeles, California, United States
cover recording of:
Mama, You Been on My Mind
lyricist and composer:
Bob Dylan (in 1964-05)
publisher:
Special Rider Music
We Are Augustines33:28
12Tryin’ to Get to Heaven
engineer:
Brandon Duncan (engineer)
producer:
Bob Clearmountain and Tom Overby
assistant mixer:
Brandon Duncan (engineer)
mixer:
Bob Clearmountain
acoustic guitar:
Lucinda Williams
bass:
David Sutton (American bass player)
drums (drum set):
Butch Norton (drummer for Eels, real name: Jonathan Norton)
guitar:
Blake Mills
vocals:
Lucinda Williams
mixed at:
Mix This! in Pacific Palisades, Los Angeles, California, United States
cover recording of:
Tryin’ to Get to Heaven
lyricist and composer:
Bob Dylan (in 1997-01)
publisher:
Sony/ATV Music Publishing France and Special Rider Music (from 1997 to present)
Lucinda Williams34:40
13Quinn the Eskimo (The Mighty Quinn)
assistant producer and assistant mixer:
Brandon Duncan (engineer)
producer and mixer:
Bob Clearmountain
performer:
Kris Kristofferson
recorded at:
MixThis! in Pacific Palisades, Los Angeles, California, United States
mixed at:
Mix This! in Pacific Palisades, Los Angeles, California, United States
produced at:
MixThis! in Pacific Palisades, Los Angeles, California, United States
cover recording of:
Quinn the Eskimo (The Mighty Quinn)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Neue Welt Musikverlag GmbH (2017 – present), Sony Music Holding and Dwarf Music (in 1968)
Kris Kristofferson3.52:37
14Gotta Serve Somebody
producer:
Eric Burdon
mixer:
Justin Fox and Joe McGrath (task: final mix)
bass:
Terry Wilson (US bassist/songwriter)
drums (drum set):
Tony Braunagel
guitar:
Billy Watts
percussion:
Wally Ingram
vocals:
Eric Burdon
phonographic copyright (℗) by:
Eric Burdon (in 2011)
recorded at:
Ultratone Studios in Studio City, Los Angeles, California, United States
cover recording of:
Gotta Serve Somebody
lyricist and composer:
Bob Dylan (in 1979)
publisher:
Special Rider Music (from 1979 to present)
Eric Burdon3.54:56
15I’d Have You Anytime
assistant engineer:
Vanessa Parr (engineer) and Scott Smith (engineer)
engineer:
Bill Smith (US recording engineer)
executive producer:
Helen Garrett
producer:
Martin Lewis (humorist)
assistant mixer:
Vanessa Parr (engineer) and Dan Silver (producer/mixer/engineer)
mixer:
John Richards (engineer)
bass:
Edwin Livingston
drums (drum set):
Clayton Cameron
guitar:
Laurence Juber
piano:
Patrice Rushen
tenor saxophone:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
arranger:
John Altman
recorded at and mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
cover recording of:
I’d Have You Anytime
written in:
Woodstock, New York, United States (in 1968-11)
writer:
Bob Dylan (in 1968-11) and George Harrison (The Beatles) (in 1968-11)
publisher:
Harrisongs Ltd.
Evan Rachel Wood33:53
16Baby Let Me Follow You Down (live)
producer:
François Ravard
guitar:
Marc Ribot (US guitarist)
recorded at:
Coliseum in Buenos Aires, Argentina
live cover recording of:
Baby, Let Me Follow You Down (Bob Dylan version) (in 2011)
additional lyricist:
Bob Dylan (in 1965-10)
lyricist:
Blind Boy Fuller
writer:
[traditional] (special purpose artist)
additional composer:
Eric Von Schmidt
composer:
[traditional] (special purpose artist) and Reverend Gary Davis
arranger:
Bob Dylan (in 1965-10)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
version of:
Baby, Let Me Follow You Down (Eric Von Schmidt version)
Marianne Faithfull32:26
17Forever Young
assistant engineer:
Vanessa Parr (engineer)
engineer:
C. Lanzbom, Geoff Emerick (British recording engineer), Greg Griffith and Jeffrey Haynes (associated with Pete Seeger)
executive producer:
Helen Garrett
producer:
Mark Hudson (US songwriter/record producer) and Martin Lewis (humorist)
assistant mixer:
Dave Rowland (engineer)
mixer:
Greg Griffith and Mark Hudson (US songwriter/record producer)
acoustic guitar:
Drew Hill (not the group), Mark Hudson (US songwriter/record producer) and John Mejave
banjo and bass guitar:
Glen Burtnik
cello:
Steve Erdody
drums (drum set):
Chris Camilleri
electric guitar:
John Mejave
guest banjo:
Béla Fleck
keyboard:
Drew Hill (not the group) and Mark Hudson (US songwriter/record producer)
percussion:
Mark Hudson (US songwriter/record producer)
viola:
Shawn Mann (violist)
violin:
Bruce Dukov and Phillip Levy (violinist)
conductor:
Dan Einbender and Tery Udell
performer:
Julia Barnett, Sierra Caban, Xavier Collins, Kara Dunderdale, Elyse “Foxy” Fox, Jean Garrison, Jazzy Gustave, Ally Hockler, Anastasia LaGuerre, Autumn Lennon, A.J. Lukan, Kirsten Lutley, Gabe O’Reilly, Chris Richards (member of The Rivertown Kids), Maddy Rosaler, Luisa Uribe, Sebastian Uribe and Jillian Warner
strings arranger:
John Altman
arranger:
Mark Hudson (US songwriter/record producer)
choir vocals [choral] arranger:
Mark Hudson (US songwriter/record producer)
recorded at:
Elias Arts in Manhattan, New York, New York, United States, Komunyaka Music in Beacon, New York, United States and The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
mixed at:
Germano Studios in Manhattan, New York, New York, United States
cover recording of:
Forever Young (Bob Dylan song)
lyricist and composer:
Bob Dylan
publisher:
Ram’s Horn Music
Pete Seeger with The Rivertown Kids3.53:12
18Chimes of Freedom
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
acoustic guitar, harmonica and piano:
Bob Dylan (on 1964-06-09)
vocals:
Bob Dylan (on 1964-06-09)
recorded at:
Columbia (CBS) Studio ‘A’ in Manhattan, New York, New York, United States (on 1964-06-09)
recording of:
Chimes of Freedom (on 1964-06-09)
lyricist and composer:
Bob Dylan (in 1964)
publisher:
M. Witmark & Sons, Warner Bros. Inc. (not for release label use!), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1964 until 1992) and Special Rider Music (from 1992 to present)
Bob Dylan47:12

Credits

Release

manufactured in:EU (Europe)
art direction:Jeff Ayeroff
Mick Haggerty
Frank Maddocks
photography:Jerry Schatzberg (photographer and film director)
liner notes:Sean Wilentz
executive producer:Jeff Ayeroff
Helen Garrett
Karen Scott
Julie Yannatta
producer:Martin Lewis (humorist) (task: contributing producer)
mastering:Adam Ayan (Gateway Mastering)
Bob Ludwig (mastering engineer)
illustration:Mick Haggerty
design:Frank Maddocks
rights society:BIEM (international rights organization representing member societies from 58 countries)
SDRM (Société pour l’administration du droit de reproduction mécanique, French mechanical reproduction rights society)
distributed by:Fontana International
copyrighted (©) by and phonographic copyright (℗) by:Amnesty International USA (in 2012)
licensed to:Oxcart Records
Proper (UK independent distributor, part of Proper Music Group Ltd., also listed as Proper Distribution and Proper Music Distribution)
Turnout Records
produced for:Amnesty International
mastered at:Gateway Mastering Studios in Portland, Maine, United States
Rodney Mills Masterhouse in Atlanta, Georgia, United States
glass mastered at:EDC Germany (PolyGram Hanover / PDO / PMDC / Universal M & L, Germany) in Langenhagen, Niedersachsen (Lower Saxony), Germany
Discogs:https://www.discogs.com/release/3600433 [info]
ASIN:UK: B006H3MIV8 [info]